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What, precisely, is wrong with song fics?

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TheHandle United Earth from Stockholm Since: Jan, 2012 Relationship Status: YOU'RE TEARING ME APART LISA
United Earth
#1: Aug 16th 2012 at 2:49:27 AM

I hear that "people have a bad experience witht that". But the Song Fic page doesn't really give evidence fo it being bad stuff...

Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that.
FurikoMaru Reverse the Curse from The Arrogant Wasteland Since: Jan, 2001 Relationship Status: He makes me feel like I have a heart
Reverse the Curse
#2: Aug 16th 2012 at 3:24:21 AM

Back in the day it was generally indicative of a lack of creativity on the part of the writer. These days I dislike it because it usually throws off the flow of the narrative.

A True Lady's Quest - A Jojo is You!
NapoleonDeCheese Since: Oct, 2010
#3: Aug 16th 2012 at 4:57:29 AM

Much like Script Fics, there isn't anything inherently wrong with them. There are lots of bad ones, like in everything, but for the most part, someone at FF.Net unilaterally decided they were bad and unacceptable, and fandom began parroting that off.

TheHandle United Earth from Stockholm Since: Jan, 2012 Relationship Status: YOU'RE TEARING ME APART LISA
United Earth
#4: Aug 16th 2012 at 6:07:40 AM

[up]So it's one of Sturgeons Tropes...

edited 16th Aug '12 6:07:51 AM by TheHandle

Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that.
JapaneseTeeth Existence Weighed Against Nonbeing from Meinong's jungle Since: Jan, 2001 Relationship Status: Mu
Existence Weighed Against Nonbeing
#5: Aug 16th 2012 at 6:41:55 AM

Basically, it's one of those things (like Script Fic), that's very easy to write, but very difficult to write well. As a result the ratio of crap to good material is higher than normal and they got a bad rap among writers.

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TheHandle United Earth from Stockholm Since: Jan, 2012 Relationship Status: YOU'RE TEARING ME APART LISA
United Earth
#6: Aug 16th 2012 at 7:01:31 AM

I try to use song lyrics in the same way people use the i-ching: vague and emotional, they help trigger and direct my imagination by giving it prompts to build around. I suppose I should keep the verses that inspire me out of the fic itself...

Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that.
MrMallard wak from Australia, mate Since: Oct, 2010
wak
#7: Aug 16th 2012 at 7:06:26 AM

The song lyrics interrupt the flow of the story for me. I can enjoy a songfic if the characters are jestingly singing it, or if the chapter is merely inspired by song lyrics.

I remember seeing a pretty bog-standard ATLA fic called I'd Lie, which had snippets of song lyrics before each chapter which said chapter was kinda based on. I loved it, but looking back... hoo boy. The [song-fic] concept is interesting, though.

Come sail your ships around me, and burn your bridges down.
DonaldthePotholer from Miami's In-State Rival Since: Dec, 2009 Relationship Status: Married to the job
#8: Aug 16th 2012 at 7:51:13 AM

Also of note is, unlike Script Fic but like MSTs, a whole bunch of Song Fic usually has the words of the song in it. Unless it's spaced out over the course of the work as the previous poster's example or it only contains a few lines and an "inspired by" credit without any further mentions, then you're looking at CopyrightInfringement.

edited 16th Aug '12 7:51:50 AM by DonaldthePotholer

Ketchum's corollary to Clarke's Third Law: Any sufficiently advanced tactic is indistinguishable from blind luck.
Night The future of warfare in UC. from Jaburo Since: Jan, 2001 Relationship Status: Drift compatible
The future of warfare in UC.
#9: Aug 16th 2012 at 9:03:19 AM

The majority of the time a songfic is an invitation to attempt to evoke emotions you're not skilled enough to handle, and to disconnect writer from reader since the writer probably had the actual music playing and the reader probably does not. That is mundane badness, however, and probably why everyone thinks it could be done well.

It can't. It's not a Sturgeon matter. It's just bad. I've been knocking around for well over a decade in various fandoms and I've never seen a good songfic. I've seen otherwise skilled writers attempt them more than once and it's never worked out.

Any work that reaches outside itself for something so basic as tone or emotion, commits the dual sin of bringer the reader out of the story, and admitting openly it cannot tell the story. Songfic quite deliberately does this. The idea is that it can enhance tone and emotion; the truth is that it is an admission the story is incapable of conveying sufficient tone and emotion so the author is desperately trying to prop it up.

Nous restons ici.
EvaUnit01 Fandom Heretic Since: Mar, 2011 Relationship Status: Complex: I'm real, they are imaginary
Fandom Heretic
#10: Aug 16th 2012 at 9:13:57 AM

That... is incredibly cynical of you.

TheHandle United Earth from Stockholm Since: Jan, 2012 Relationship Status: YOU'RE TEARING ME APART LISA
United Earth
#11: Aug 16th 2012 at 10:24:16 AM

[up]I think it crosses the line beyond cynicism and into the calm waters of being just plain wrong. Exhibit A: The Lord Of The Rings, and all the songs within. They provide: tons of atmosphere, worldbuilding, lived-in-ness. Thez are little more than fluff, but it's comfy, warm fluff you want to drift into. Exhibit B:

OMAKE FILES #2: I Ain't Afraid of Dark Lords

This was the original version of Chapter 9. It was replaced because - while many readers did enjoy it - many other readers had massive allergies to songs in fanfics, for reasons that should not much need belaboring. I didn't want to drive readers away before they got to Ch. 10.

Lee Jordan is the fellow prankster of Fred and George (in canon). "Lee Jordan" had sounded like a Muggleborn name to me, implying that he would be capable of instructing Fred and George on a tune that Harry would know. This was not as obvious to some readers as it was to your author.


Draco went to Slytherin, and Harry breathed a small sigh of relief. It had seemed like a sure thing, but you never did know what tiny event might upset the course of your master plan.

They were approaching the Ps now...

And over at the Gryffindor table, there was a whispered conversation.

"What if he doesn't like it?"

"He's got no right to not like it -

"- not after the prank he played on -"

"- Neville Longbottom, his name was -"

"- he's as fair a fair target now as fair can be."

"All right. Just make sure you don't forget your parts."

"We've rehearsed it often enough -"

"- over the last three hours."

And Minerva Mc Gonagall, from where she stood at the speaker's podium of the Head Table, looked down at the next name on her list. Please don't let him be a Gryffindor please don't let him be a Gryffindor OH PLEASE don't let him be a Gryffindor... She took a deep breath, and called:

"Potter, Harry!"

There was a sudden silence in the hall as all whispered conversation stopped.

A silence broken by a horrible buzzing noise that modulated and changed in hideous mockery of musical melody.

Minerva's head jerked around, shocked, and identified the buzzing noise as coming from the Gryffindor direction, where They were standing on top of the table blowing into some kind of tiny devices held against Their lips. Her hand started to drop to her wand, to Silencio the lot of Them, but another sound stopped her.

Dumbledore was chuckling.

Minerva's eyes went back to Harry Potter, who had only just started to step out of line before he'd stumbled and halted.

Then the young boy began to walk again, moving his legs in odd sweeping motions, and waving his arms back and forth and snapping his fingers, in synchrony with Their music.

To the tune of "Ghostbusters"

(As performed on the kazoo by Fred and George Weasley, and sung by Lee Jordan.)

.

There's a Dark Lord near?
Got no need to fear
Who you gonna call?

"HARRY POTTER!" shouted Lee Jordan, and the Weasley twins performed a triumphant chorus.

With a Killing Curse?
Well it could be worse.
Who you gonna call?

"HARRY POTTER!" There were a lot more voices shouting it this time.

The Weasley Horrors went off into an extended wailing, now accompanied by some of the older Muggleborns, who had produced their own tiny devices, Transfigured out of the school silverware no doubt. As their music reached its anticlimax, Harry Potter shouted:

I ain't afraid of Dark Lords!

There was cheering then, especially from the Gryffindor table, and more students produced their own antimusical instruments. The hideous buzzings redoubled in volume and built to another awful crescendo:

I ain't afraid of Dark Lords!

Minerva glanced to both sides of the Head Table, afraid to look but with all too good a notion of what she would see.

Trelawney frantically fanning herself, Flitwick looking on with curiosity, Hagrid clapping along to the music, Sprout looking severe, and Quirrell gazing at the boy with sardonic amusement. Directly to her left, Dumbledore humming along; and directly to her right, Snape gripping his empty wine goblet, white-knuckled, so hard that the thick silver was slowly deforming.

Dark robes and a mask?
Impossible task?
Who you gonna call?
HARRY POTTER!

Giant Fire-Ape?
Old bat in a cape?
Who you gonna call?
HARRY POTTER!

Minerva's lips set in a white line. She would have words with Them about that last verse, if They thought she was powerless because it was the first day of school and Gryffindor had no points to take away. If They didn't care about detentions then she would find something else.

Then, with a sudden gasp of horror, she looked in Snape's direction, surely he realised the Potter boy must have no idea who that was talking about -

Snape's face had gone beyond rage into a kind of pleasant indifference. A faint smile played about his lips. He was looking in the direction of Harry Potter, not the Gryffindor table, and his hands held the crumpled remains of a former wine goblet...

And Harry walked forwards, sweeping his arms and legs through the motions of the Ghostbusters dance, keeping a smile on his face. It was a great setup, had caught him completely by surprise. The least he could do was play along and not ruin it all.

Everyone was cheering him. It made him feel all warm inside and sort of awful at the same time.

They were cheering him for a job he'd done when he was one year old. A job he hadn't really finished. Somewhere, somehow, the Dark Lord was still alive. Would they have been cheering quite so hard, if they knew that?

But the Dark Lord's power had been broken once.

And Harry would protect them again. If there was in fact a prophecy and that was what it said. Well, actually regardless of what any darn prophecy said.

All those people believing in him and cheering him - Harry couldn't stand to let that be false. To flash and fade like so many other child prodigies. To be a disappointment. To fail to live up to his reputation as a symbol of the Light, never mind how he'd gotten it. He would absolutely, positively, no matter how long it took and even if it killed him, fulfill their expectations. And then go on to exceed those expectations, so that people wondered, looking back, that they had once asked so little of him.

And he shouted out the lie that he'd invented because it scanned well and the song called for it:

I ain't afraid of Dark Lords! I ain't afraid of Dark Lords!

Harry took his last steps toward the Sorting Hat as the music ended. He swept a bow to the Order of Chaos at the Gryffindor table, and then turned and swept another bow to the other side of the hall, and waited for the applause and giggling to die away...

Italics ommitted because I'm exhausted.

And this is how you add a song in a fic and are brilliant about it.

Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that.
TheProffesor The Professor from USA Since: Jan, 2011
#12: Aug 16th 2012 at 10:31:41 AM

The only problem with songfics is that there is no music. Really, what is the draw to a song? The music. Otherwise the lyrics could be translated into an actual story itself. The lack of music defeats the purpose of a songfic.

TheHandle United Earth from Stockholm Since: Jan, 2012 Relationship Status: YOU'RE TEARING ME APART LISA
United Earth
#13: Aug 16th 2012 at 10:40:26 AM

Well, the song would be more of a poem. But there are definite cases of people successfully adding soundtracks to their stories. I've been reading (yet) a(nother) Octavia/Vinyl fic where Octavia ditches the Classic Music thing and becomes a Jazz musician. I find myself learning a lot about Jazz, general Music Theory, and enjoying some very nice tracks.

This issue concerns me a lot because I'm writing an MLP/FLCL crossover, and music is pretty damn crucial to both shows, especially the second: the fight scenes were storyboarded after the songs were selected, and the synchronization is so tight it borders on reverse-Mickey Mousing. Example,

How to achieve such an effect in script, and what music or theme I should select, are questions that are bothering me a lot.

In particular, I want to do it in a way that works well for a written medium, not just "wannabe animation that doesn't have the resources and thus writes a bloated thing full of shallow physical descriptions as a cheap replacement".

Maybe I should just go full-on Troper-way and use the Standard Snippet list? Most of them have the double advantage of being instrumental and Public Domain.

edited 16th Aug '12 10:51:12 AM by TheHandle

Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that.
Night The future of warfare in UC. from Jaburo Since: Jan, 2001 Relationship Status: Drift compatible
The future of warfare in UC.
#14: Aug 16th 2012 at 11:25:57 AM

That... is incredibly cynical of you.

Perhaps I should omit the desperately. Would that help?

But seriously it's not a matter for debate, no matter how much Handle here tries to push their nonsensical connection of a directly integrated part of the narrative with the concepts of songfic as it is actually practiced.

The fact remains that in reaching outside the story you are committing the Eighth Deadly Sin Of Writing, which is forcing the reader to acknowledge they're reading something. Other people have phrased it as flow, but it goes deeper than flow, because it not only interrupts the narrative, it forces the acknowledgement that it is a narrative and thereby damages suspension of disbelief.

There is never a valid reason to knowingly damage your chances of the reader buying into your work. If you have that, you have everything; if you don't, you have nothing.

Nous restons ici.
FurikoMaru Reverse the Curse from The Arrogant Wasteland Since: Jan, 2001 Relationship Status: He makes me feel like I have a heart
Reverse the Curse
#15: Aug 16th 2012 at 11:37:13 AM

I like when fics link to videos of specific songs. That's about as close to a songfic as I can stand.

A True Lady's Quest - A Jojo is You!
JapaneseTeeth Existence Weighed Against Nonbeing from Meinong's jungle Since: Jan, 2001 Relationship Status: Mu
Existence Weighed Against Nonbeing
#16: Aug 16th 2012 at 12:05:38 PM

[up][up]I think it depends on whether the lyrics of the song can stand on their own without the melody, which they can't in the vast majority of cases. However, I think there are some songs that are sufficiently engrained into popular culture that they could be inserted into the fic either by means of using it as a part of the story (having the characters discuss the song) or using it as an epigraph. Not sure if it works when you interrupt the story with it, but I don't think it's an automatic black mark if it does, mainly because referring to a song that's outside the story doesn't necessarily pull the reader out of it as long as it makes sense for the music to exist inside the story.

I have heard of cases where authors insert prompts to listen to certain songs at certain points of the story in an attempt to give the story a kind of soundtrack. I suspect that it fails more often than not, but I think that it could be done well as long as they just start the chapter off with one and don't interrupt the story with it.

edited 16th Aug '12 12:11:02 PM by JapaneseTeeth

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PerpetualLurker Forever Scootaloo Since: Dec, 2011
Forever Scootaloo
#17: Aug 16th 2012 at 12:36:44 PM

Song lyrics, at the most basic level, are poetry. If it is impossible to use song lyrics in a fic, then it is likewise impossible to use poetry in a fic, which is obviously not true. Given a good enough rhythm by the lyrics, a reader could extrapolate a melody in their head, or at least get a feeling for the music involved. I've definitely done it before, with things like Lord Of The Rings like Handle mentioned.

edited 16th Aug '12 12:39:02 PM by PerpetualLurker

EvaUnit01 Fandom Heretic Since: Mar, 2011 Relationship Status: Complex: I'm real, they are imaginary
Fandom Heretic
#18: Aug 16th 2012 at 1:31:41 PM

Well, it could be that (like Mao Of The Deliverance) the fic itself is pretty darn good at doing all that stuff on its own, and the author is suggesting a musical score to enhance it even further.

NapoleonDeCheese Since: Oct, 2010
#19: Aug 16th 2012 at 7:11:49 PM

But seriously it's not a matter for debate

I debate this statement!

TheBatPencil from Glasgow, Scotland Since: May, 2011 Relationship Status: I'm just a hunk-a, hunk-a burnin' love
#20: Aug 16th 2012 at 9:22:07 PM

Music is primarily an audio thing. It can be combined with visuals to express character, story, emotion, comedy, etc. This is a good example of music used in a scene to get a point across.

But this only works in certain mediums. Prose is not one of those mediums, because you can't hear the music. And that completely defeats the purpose of music. Slapping down song lyrics achieves nothing that can't be achieved through a better technique.

The closest thing to a Song Fic that I would accept is a story where the characters listening to music is important to the plot. For example, a character listening to a song from his youth that makes him start reminiscing about the past, allowing us to get to know the character better. THEN you can begin to justify adding in song lyrics if you're going to explore their significance to the character.

But just chucking song lyrics onto a page and expecting it to mean anything is bad form. It's extremely off-putting and creates some real negative prejudices about the rest of the work.

edited 16th Aug '12 9:23:22 PM by TheBatPencil

And let us pray that come it may (As come it will for a' that)
AnotherDuck No, the other one. from Stockholm Since: Jul, 2012 Relationship Status: Mu
No, the other one.
#21: Aug 16th 2012 at 10:13:21 PM

Saying something like a song fic can't be made in a good way only means you can't make it in a good way. This goes for most concepts in writing. There are practically no objectively defined concepts or constructs you can't use well in writing. Some may be hard, but there aren't really any black and white truths in writing.

I've read a few very good song fics, though I wouldn't be able to find them now. The songs were real, and the author recommended listening to them. However, the song text in itself worked with the rest of the fic. Since they exist, it's possible to write them.

The hard part is making the song text (you're working with text here, not a musical tune) resonate strongly enough with the rest of the story that it doesn't pull you away from it. Most of the time, though, the song is just one the author thinks is good and sort of fits the story. That's far from enough. The song needs to tell the same story. Exactly the same story, though not necessarily from the same point of view, or with the same tone.

One of the best ones had a story as happy as your average bubblegum pop song, while the song text was more akin to Cup of Coffee. The result was a happy surface that would crumble at any time.

Summa summarum, there's nothing inherently wrong with song fics, but they're very hard to write well.

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TheHandle United Earth from Stockholm Since: Jan, 2012 Relationship Status: YOU'RE TEARING ME APART LISA
United Earth
#22: Aug 17th 2012 at 2:29:24 AM

[up]That video is not allowed in my Land. Could it be that you are referring to that famous coffee cup poem by Jacques Prevert (comes with English translation at the bottom of the page.

Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that.
AnotherDuck No, the other one. from Stockholm Since: Jul, 2012 Relationship Status: Mu
No, the other one.
#23: Aug 17th 2012 at 5:14:17 AM

[up]No, the song ''Cup of Coffee'' by Garbage. Not that I never made the connection between that poem and the song, which is amazing in itself, since I don't really read poems.

edited 17th Aug '12 5:16:49 AM by AnotherDuck

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MsAmiClassified Tired of givin' up the ghost from the fucking ocean Since: Jun, 2012 Relationship Status: watch?v=dQw4w9WgXcQ
Tired of givin' up the ghost
#24: Feb 10th 2013 at 3:44:46 PM

—->There is never a valid reason to knowingly damage your chances of the reader buying into your work.

What about Medium Awareness? If songfics are bad because they rely on pulling something from beyond the fourth wall and violate Willing Suspension of Disbelief, shouldn't Medium Awareness (which never really seems to bug people) be bad as well for acknowledging there is a Fourth Wall and also violate Willing Suspension of Disbelief?

edited 10th Feb '13 3:45:24 PM by MsAmiClassified

moved to Oceanstuck because this handle was starting to bother me my tumblr
DAStudent Since: Dec, 2012
#25: Feb 10th 2013 at 6:33:38 PM

How, exactly, is one supposed to avoid song-fics if they want canon-compliant fics of musicals? As a member of several musical fandoms, I've always felt shafted by anti-song-fic rules.

I'd say I'm being refined Into the web I descend Killing those I've left behind I have been Endarkened

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