Elsa has three main drives, by order of importance:
- First, she's driven by her own ambition, selfishness and sense of self-preservation. She WILL do whatever it takes to survive, thrive, and triumph.
- Next, she is driven by undying hatred and contempt towards the State Sec. She is determined to Kill Em All in quick but painful ways.
- Then, she has her own impulses and physical needs to take care of. Food, booze, sleep, sex, drugs, entertainment.
The most common motivations for my characters are "survive" and "help others," sometimes with an added "kill whoever's killing everyone." Every time I can think of that I've given a character another motivation, either "help others" overruled it, or said motivation was portrayed negatively (e.g. a character who claims to want to overthrow the government, but is really just using this as an excuse to cause trouble.)
That's Feo . . . He's a disgusting, mysoginistic, paedophilic asshat who moonlights as a shitty writer—Something AwfulHm.
Jason's motivation is a mix. There is revenge, saving his people, and a sense of duty. He was a soldier, and still sees himself as one.
Later it goes from a sense of duty and saving people to being fueled by pure hatred and latter he wants to turn his people into his own personal vision, so ambition and a sense of power fuel him later on after he is successful.
He kind of makes the war go on in a couple of ways due to his own impulses.
Protect others/duty -> duty/revenge -> power/ambition
Though he still cares for people even after his motivations deteriorate, he is more 'loss and gain' when it latter comes to saving people, in a calculating manner, but he still wants to help/save people deep down. Other things are just stronger urges at that point.
as of the 2nd of Nov. has 6 weeks for a broken collar bone to heal and types 1 handed and slowlyThe only character with motivations I can easily recall without looking through my notes is Marlow Wicks. If I may have permission to use this cause-and-effect concept myself:
Fear of loss and abandonment (caused by traumatic death of girlfriend) -> lust for attention -> thirst for power (because it's easier to be noticed when you have power, and easier to protect those close to you) -> onset of hopelessness, and the desire to just give up and take the 'easy' path -> constantly lying and cheating his way to success (unless it could directly lead to losing someone close)
Motivations for my characters have been pretty basic, in fact, the main three are:
- It's the right thing to do.
- It's a profit for me.
- It's the only thing I know how to do.
However, now that I'm making a mother as a main character, her motivation is a little wonky to get right. I thought having her focus on needing to protect her child was the right way to go but then I realized no mother is like this, she doesn't exist to simply pamper her kid. Since then it's been rewrite after rewrite to balance out her needs to fulfill her own desires and her motherly instinct to take care of that child. Despite the level of trouble it's given me, I think I like this sort of depth more, it's given me a better look at what it means to be a parent.
The thing about making witty signature lines is that it first needs to actually be witty.In my current work, every single character:
Survival of self, family and friends
Comfort
A few luxuries
edited 30th May '11 11:39:13 PM by Wolf1066
AB!Beowulf's underlying motivation to get through the plot is very simple—he doesn't want to die.
edited 31st May '11 12:44:02 AM by annebeeche
Banned entirely for telling FE that he was being rude and not contributing to the discussion. I shall watch down from the goon heavens.wait what
If people learned from their mistakes, there wouldn't be this thing called bad habits.Three random characters with no particular connection:
Beta: To protect his family and people who are close enough to him that he considers them family.
Spiral: Originally, he wanted to leave his mark on the world, so that he would be remembered. That goal has drifted over the millennia, no small surprise as he has headed the world's most powerful MegaCorp since before recorded history(long story).
Case is motivated solely by his own happiness. He does what makes him happy and if doing something doesn't make him happy he doesn't do that thing.
Let's see here.
- Hyun Soo: He wants everything around him to not change and threatened, especially his friends and family. He also wants to do what is right, fulfill his "Noblesse Oblesse", and be a proud son to his adopted parents.
- Ji Ho: Having fun, without being involved with his deadly mistakes from his past again, but also wanting to make up for it.
- Eun A: Not having to obey her opressive clan and having someone to stay beside her without fearing her.
- Marcus: Finding the absolute truth of the world, while finding a place to settle down.
edited 31st May '11 1:35:35 AM by dRoy
I'm a (socialist) professional writer serializing a WWII alternate history webnovel.@ Edmania: She's a teenager - teenagers aren't exactly known for their flawless logic - myself included. She thinks that by getting wealthy, she'll attain everything else, and she is willing to do anything to get rich. Hence the prostitution and thievery.
I'm curious to see what others have written as their character's underlying motivations are. I wrote it out elsewhere, to someone, in a message, and I'd like to share it here. I did it for each of my three main OCs, in a kind of cause-and-effect-arrow-type thing. I also added explanations in parantheses, and apologize for any confusion. So, here are mine:
Inagi also has a second one:
Sociopathy and warped logic -> Madonna/Whore complex related to women (helpfully suggested by Ettina - meaning that a woman is pure and faultless to him until she does something, however small, that proves otherwise, from which point onwards, she is viewed as a whore, and nothing can change that perception) -> discovery of adulterous wife and subsequent treatment -> cementing of complex -> dislike of Akiko's unfamiliarity with Tribe ways -> dislike of Akiko as person -> discovery of Akiko's prostitution -> warpath with Akiko and daughter as vehicle to regaining power (and personal campaign against Akiko, who he feels has no right to be in the social role that she is, given her past).
What are yours? Do you know? If you do, how do their most basic motivations affect the rest of their actions? Is there some sort of path or pattern that you can identify or see?
You don't have to write them out like mine, of course - however you want is fine (mine might be a bit confusing, too...) I also just realized that my most-developed character, Akiko, has the simplest motivation.... Wierd.
edited 30th May '11 12:48:36 PM by punkreader