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Web Video: Ask A Slave
Ask a Slave: The Web Series is a unique YouTube series centered on Lizzie Mae (played by actress Azie Dungey, culling questions from her real-life employment as a historical re-enactor in Virginia), a house slave at Mount Vernon. She answers questions from modern-day tourists (whose names have been changed to protect the guilty). The questions she's asked are easily enough to justify a "Somewhere, a Historian is Crying" tropes page.
This Web Original provides examples of:
  • Accidental Misnaming: Fellow slave Sam keeps getting called "Sambo". He doesn't like that. At all.
  • The American Revolution: The series takes place shortly after the war, in 1797. Who's Able Lincoln?
  • Artistic License - History: Averting this trope is the point of the series, and Azie Dungey's work.
  • Blatant Lies: "Look at [my son], pretending how to read!"
  • Comically Missing the Point: The basis of much of the series' humor is the tourists' inability to understand the magnitude of slavery.
  • Critical Research Failure: In-universe. Many of the askers have not even a basic grasp of history.
  • Does This Remind You of Anything?: One caller tears up on hearing that Lizzie has to sew her own and the Washingtons' shirts, and is glad she doesn't force servants to make hers. When asked if how she gets her shirts then, the caller answers that she buys them from a store. Lizzie responds: "Then how do you know [whoever makes them] isn't enslaved like me?"
  • Don't Ask:
    Question: What was the worst day of your life?
    Answer: The day Thomas Jefferson came over. Next question.
  • First World Problems: Many of the questioners seem to complain of these.
  • Flipping the Bird: "Hey Lizzie, show me where you're branded!"
    Lizzie: (holds up middle finger) That's where I'm branded.
  • Have a Gay Old Time:
    • Two gay men ask Lizzie if she's married, to which she responds she does have a husband but slave marriages aren't legally recognized. The two men respond that this doesn't sound too different from gay marriage. Lizzie thanks them for calling her marriage "gay" and wishes them a "gay" marriage too.
    • Averted when two later men tell her she "gives me a boner." She manages to figure out the new meaning of that word, much to her disgust.
  • Hollywood History: Possibly the root cause of so many of the questions is an education based on little more than this.
  • GIFT: The comments section of each and every video seems to attract this, to one degree or another. Parodied in one of the second-season videos.
  • Internet Backlashinvoked: In one episode, Lizzie opens the time up to people at home on the internet. She quickly regrets it.
  • Noble Bigot: An abolitionist is a guest on the show in the second episode. Unfortunately, he still thinks of black people as "inferior", and seems to oppose slavery more on the grounds of industrial philosophy. He also doesn't want to make African-Americans be equal citizens, but instead have them all shipped back to Africa, which many of them have no memories or experience of. That's an accurate portrayal of your typical abolitionist of the time.
  • Recursive Canon: One of the questioners in Episode 5 of Season 2 is Azie Dungey herself, asking Lizzie Mae for tips on how to portray a slave for her job as a reennactor.
  • Screw This, I'm Outta Here!: When commenters on the internet start arguing with each other and not letting her get in a word edge-wise, Lizzie just gets up and leaves.
  • Split Screen: During the web episode, more and more commenters start taking up the screen until she gets fed up.
  • Stepford Smiler: Played With. Lizzie Mae is in a situation (both in fic and meta) where she's forced to be incredibly pleasant to some incredibly ignorant people.
  • Underground Railroad: One viewer (from Vermont) asks Mae why she doesn't just take the Underground Railroad to escape. As this takes place 30 years before the "Underground Railroard" formed and before the invention of steam trains, Lizzie Mae assumes that people in Vermont build their roads underground for some unfathomable reason.
  • You Are a Credit to Your Race: Tobias Lear admits at the end of episode 2 that Lizzie has a point, despite being black and a woman.

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