Tear Jerker: Watchmen
Tear Jerker examples from the comic:
- Most of the final chapter. One that is especially string-touching is Laurie and Daniel making love. Who would've thought genocide could make way for such a sweet moment?
- And they do it again, after Adrian's told them to keep quiet.
- When Jon discovers them dozing afterward, he smiles in a gentle, human way.
- Hollis's death. Worse, with the exception of the sadistic, Jerkass fuckhead in charge of the beating, the rest of the gang are absolutely horrified and only wanted to rough him up, not kill him - they're genuinely sorry about it.
- The scene where the newsstand guy, in face of certain death, still attempts to protect the kid he's been arguing with for the majority of the comic. Note this is especially notable in the comic, as the two characters only have mere cameos in two of the three cuts.
- A retroactive one: "I'm still me Joe. Pull over."
- Rorschach's joke when talking about the Comedian.
Rorschach: He saw the true face of the 20th century and chose to become a reflection, a parody of it. No one else saw the joke, that's why he was lonely. Heard a joke once: Man goes to doctor. Says he's depressed. Says life seems harsh and cruel. Says he feels all alone in a threatening world where what lies ahead is vague and uncertain. Doctor says "Treatment is simple. Great clown Pagliacci is in town tonight. Go and see him. That should pick you up." Man bursts into tears. Says "But, doctor...I am Pagliacci." Good joke. Everybody laugh. Roll on snare drum. Curtains. Fade to black
- As Rorschach and Nite Owl confront Ozymandias, the scene is interspliced with a scene of two people arguing, and ordinary people from the street coming in to stop them hurting each other. Then Ozymandias' plan is revealed and all of them die regardless.
- Rorschach's last few panels, when he rips off his mask and reveals that Veidt's mass murder of New Yorkers has made even this notoriously emotionally-dead man weep.
- The last time we see Sally Jupiter, she's pressing a kiss to Eddie's spot on the old Minutemen photo, and sobbing as she does so.
- After the disastrous Crime Busters meeting, a flashback shows Laurie meeting and talking with Eddie afterwards, unaware of his Attempted Rape of her mother or the fact that he is her biological father. And during their talk Eddie is perfectly nice to Laurie, chatting with her about how she takes after her mother. In hindsight it could be seen as a genuine attempt by Eddie to bond with his daughter. When Sally shows up and shoos Laurie away from him, Laurie notes how sad he seems.
- Eddie: Christ, we were just talking! Can't a guy talk to his- Y'know, his old friend's daughter? I mean, what do you think I am?
Tear Jerker examples from the film:
- Rorschach's death scene. One of the saddest moments in the film. "Suddenly you discover humanity. Convenient. If you had cared from the start, none of this would've happened."
- When Rorschach crosses the Despair Event Horizon. The audio indicates that he's actually crying under the mask. This has to be a Crowning Moment of Awesome for Jackie Earl Haley's performance — you can see him crying under the mask and his face contorting in emotional agony. To be able to relay that through a mask designed to hide your face. Just wow.
- Jon Ostermann's "death". He gets better, but still. The narration, the music... everything came together perfectly.
- The Director's Cut has the death of Hollis Mason, which include him putting up more of a fight than in the comic, and intercutting the punches to flashbacks of busting up badguys. So many Manly Tears...
- Then you see the left hook that floored Captain Axis. Hope Spot much?
- "Sorry, girl." Even worse in the French dub, where it's "Pardonne-moi, ma belle."
- Mothman being taken to the insane asylum during the opening credits, especially combined with the music.
- Also from the opening credits, the atomic bomb being dropped on Hiroshima, and the National Guard opening fire on protesting students, both based on very real events from history.
- Bob Dylan's original recording of "The Times, They Are 'A-Changin'" playing over the opening credits. Once a cheep-sounding record of just a guy with an acoustic guitar and a harmonica suddenly becomes incredibly haunting when matched to that montage.
- Edgar Jacobi, who has retired from being Moloch, and now an old man, talking to Rorschach, who has just pulled a bottle of pills from one of the kitchen drawers:
Edgar: Please... don't confiscate that. I'm trying anything. I .. have cancer.Rorschach: What kind of cancer?Edgar: You know the kind you eventually get better from? (he smiles, which turns bitter after a moment) That ain't the kind I got...
- Even Rorschach takes pity on Edgar and leaves him the medication without further argument. Rorschach