You don't own me, don't say I can't play with other boys
And don't tell me what to do, don't tell me what to say
Please, when I go out with you, don't put me on display because
You don't know me, don't try to change me in any way
You don't own me, don't tie me down, 'cause I'd never stay
The works of Klaus Nomi contain examples of the following tropes:
- After the End: "After the Fall".
- Album Title Drop: "Simple Man" and "Za Bakdaz" are both songs as well as album titles.
- Anonymous Band: Initially, Klaus's band all wore black and ski masks to avoid distracting the audience from Klaus's theatrics. Then they realized it wasn't a problem.
- Averted for the Urgh! performance, which featured a band in weird white outfits, much to the original band's disgust.
- Anti-Love Song: "You Don't Own Me".
- Countertenor Boy
- Cover Version: Many. "Lightning Strikes," originally by Lou Christie, "The Twist," originally by Hank Ballard and the Midnighters, "You Don't Own Me," originally by Leslie Gore, "Just One Look," originally by Doris Troy, "Falling in Love Again," originally by Marlene Dietrich, "Can't Help Falling in Love," originally by Elvis Presley, "I Feel Love," originally by Donna Summer. "Ding Dong The Witch It Dead", originally from The Wizard of Oz. And the opera songs.
- Lou Christie was so impressed by Klaus's version of "Lightning Strikes," he wanted to work on a space opera with Klaus.
- The Cover Changes The Gender: Spectacularly averted with "You Don't Own Me": "Don't say I can't play with other BOYS!".
- The End of the World as We Know It: "Total Eclipse".
- Epic Instrumental Opener: "From Beyond," "High Wire," "Fanfare".
- Fake-Out Fade-Out: "Samson and Delilah (Aria)".
- Glass-Shattering Sound
- Gratuitous French: "Samson and Delilah (Aria)," "Enchante".
- Hey Lets Put On A Show: After his first performance at the New Wave Vaudeville, Ann Magnuson asked people who didn't even know Klaus to start a band for him.
- Iconic Outfit: His tuxedo suit, big black tie, white make-up, black lipstick and hair stuck up straight.
- Incredibly Lame Pun: Several instances of Nomi/Know me.
- Incredibly Long Note: "The Cold Song" ends with one.
- Indecipherable Lyrics: The Za Bakdaz album.
- Last Note Nightmare: "Samson and Delilah (Aria)" ends with a UFO takeoff.
- He does this twice in a row on his first album. The otherwise calm Nomi Chant becomes a Scare Chord in it's last second, and his rendition of the aria "Mon coeur c'ouvre a ta voix" from Samson and Delilah ends with what can only be described as him getting back in his space ship and taking off. It makes sense in his live shows.
- Neoclassical Punk Zydeco Rockabilly: Klaus is... pop music covering opera performance art with heavy reliance on synthesizers? Let's just say it's New Wave.
- New Wave: The genre he's most closely associated with.
- Opera: He was a countertenor and thus could sing quite high.
- One Countertenor Wail: "From Beyond" and it's reprise, "Return."
- Power Ballad: New Wave Power Ballad!
- Protest Song: "You Don't Own Me".
- Rearrange the Song: And how!
- Revolving Door Band: The original band is not the album band is not the Urgh! band.
- Rhyming with Itself: Total eclipse! It's a total eclipse!
- Rockumentary: The Nomi Song.
- Scare Chord: "Nomi Chant".
- Self-Titled Album: His debut album.
- Song Of Song Titles: In "After the Fall": So I told you about the total eclipse now, but still it caught you unawares...
- The Song Remains the Same: Despite his tendency to Rearrange the Song, the opera pieces are left basically untouched.
- Stage Names: He's really Klaus Sperber.
- The Something Song: "Nomi Song," "The Cold Song".
- Word Salad Lyrics: "Cre Spoda, "Za Bakdaz," and most of that album, really. Also, the album version of the Samson and Delilah aria isn't actually French.