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Anime and Manga
- To Love-Ru Darkness seems to be written with this goal in mind, upping the Fanservice in response to Moral Guardians protesting such works. It's telling that the recap chapter was six color pages of Fanservice from the previous series. Among the most well-known examples is a spread wherein a vagina is obscured by a faucet, but in another panel is clearly visible in the reflections of said faucet.
- The 2011 animated version of Dororon Enma-kun was pushed for by Go Nagai specifically in response to the new draconian anti-Anime laws in Tokyo. Go Nagai being, of course, the "Father of Ecchi", and his legendary fighting back against Japan's version of The Comics Code created the entire Ecchi genre in Japanese manga and anime. The animated version retains the original's high fetish and nudity content, and swaps out the main male lead for a female version just so they can add additional fanservice.
- The 2016 anime Occultic;Nine, made by the same person who made Steins;Gate pushes boundaries by making a girl with truly abnormally large boobs a main character in a non-ecchi, non-hentai, non-comedy sci-fi mystery adventure.
- Stan Lee when he defied The Comics Code and published his famous Spider-Man anti-drug story without the approval seal and undermined the code's credibility (the code forbade any and all depictions of drugs).
- Swamp Thing under Alan Moore also had an issue published without The Comics Code seal, the one where Abby finds out that she had been having sex with her uncle in the guise of her husband.
- Exploited Trope for Marv Wolfman and George Perez in Teen Titans' "The Terror of Trigon". The Comics Code did not approve of their on-panel scene of Dick and Kory sharing a bed, but losing the approval meant they could get away with a lot more horror elements than they normally would.
- The well-known 50s EC Comics story Judgement Day was a sci-fi Fantastic Racism story which was clearly intended to parallel real racial issues of the time. The Comics Code Authority tried to get the creators to change the astronaut in The Reveal away from being black, which was the entire point of the story. This objection very blatantly had no basis whatsoever in the wording of the Code itself, but rather was entirely motivated by racism on behalf of one of the people in change of the Comics Code Authority. The final response from writer Bill Gaines? "Fuck you," and a comic printed exactly as written. It was the last comic they ever published, mind, but generally regarded as Worth It.
- FoxTrot: Bill Amend says that words like "sucks" are a big no-no for newspapers, so it's fun to occasionally make them central to a strip's joke so that they can't be easily edited out.
Films — Live-Action
- The producers of the classic films The Pawnbroker and Who's Afraid of Virginia Woolf? did this when they successfully appealed to The Hays Code board of governors and made them bend to the inclusion of artistically necessary nudity and harsh language respectively, with the excuse of them being "special exceptions".
- MGM when it outright defied the Hays Code and released Blowup despite the censors' attempts to stop it, to great critical and box office success.
- With Alfred Hitchcock's Psycho, there is a rumor that this film was not passed for release because Janet Leigh's nipple (or more accurately, that of her body double) was visible during the shower scene. Hitchcock made no changes and merely sent it back, assuming that nobody at the Hays Office would bother to watch it.
- Otto Preminger famously released The Moon Is Blue in 1953 without Hays Office approval, and had to do the same with The Man with the Golden Arm. (Both films received belated Code approval in 1961.) Preminger had to pressure the censors to pass Anatomy of a Murder, whose dialogue on the subject of rape was fairly explicit for its time. He leaned on the censors to allow lines such as "fight like hell" in Carmen Jones and "screw the captain" in In Harm's Way.
- Producer David O. Selznick insisted that the famous line "Frankly, my dear, I don't give a damn" had to be included in the final cut of Gone with the Wind. The censors relented, but not without slapping a $5,000 fine on Selznick.
- Dave Barry had lots of fun in his columns at the censor's expense. When he arrived at the subject of breastfeeding, he had this to say:
I checked with an editor, and he said I could say "breast" as long as I used it scientifically, rather than to arouse prurient interest. For example, I could say "two breasts plus two breasts equals four breasts," but I could not say: "Hey, get a load of that breast."
- In Penn Jillette's column from PC/Computing Magazine in the 1980s he suggest that, to avoid the censors, simply write your article the way you want it but then accept all the processing program's spellcheck suggestions to replace the swears; everyone will still know what you're talking about but the censors won't have any complaints - because "they don't know Shiite."
- Pretty much the raison d'etre of maverick publishing house Grove Press that in the 1950s and 1960s took on publication of hyper-controversial works such as Naked Lunch and Lady Chatterlys Lover despite legal threat. Grove's response to legal threats regarding the publication of Naked Lunch: add a section to the next paperback edition detailing the trial and the subsequent Supreme Court decision.
- One of the first (if not the first) time the word "ass" was used on US TV was by Jimmy Stewart, in a poem he read on The Tonight Show.
Lake Barengo is a body of water whose surface is smooth as glass
But getting to Lake Barengo is a genuine pain in the ass.
- After the taping, the NBC Censor called up the producer.
Censor: I heard that someone said "ass" on the show. You know, that's not allowed.
Producer: Before you say "that's not allowed," let me tell you who said it: Jimmy Stewart.
Censor: Oh, Jimmy Stewart said it? That's OK then.
- Shake It Up!:
Deuce: FYI, Seraphina told me couture means fancy clothes. I thought it meant lady parts.
- In "Give It Up", Mrs. Loccasio mentions that she used to dance as a Vegas showgirl in her birthday suit.
- From the same episode:
- A lot of Dan Schneider shows do this in general. While he excels at Getting Crap Past the Radar, there are some things that he could not possibly have believed would escape the censors' notice. (Example: Victorious has an episode where the students slept over at Sikowitz's house. Keep in mind: They are high school students and Sikowitz is their teacher.)
- The rise of made-for-cable and made-for-streaming programming where extreme violence and sexuality (the latter often approaching hardcore levels) are the norm is said to be a direct response to the public wanting to see programming that is not governed by censors or broadcast standards regulations.
- That said, it is eye-opening that an inversion of this trope occurred when the producers of the HBO series Girls were required to tone down a scene that was reportedly too sexually explicit even for HBO.
- When The Doors were on The Ed Sullivan show, they were told they couldn't sing the line "Girl, we couldn't get much higher". Jim Morrison did anyway, getting them banned from the show from then on. The incident appears in the Biopic as a Moment of Awesome. Allegedly, this was actually because Morrison was extremely nervous and forgot to change the lyric, not because of any rebellious intent.
- In 2003, the Rascal Flatts got into some controversy for their music video "I Melt" due to some nudity and sensuality. Rather than edit the video in order to fit the sensibilities of the country music channels, they kept their video as it was, saying they were satisfied with it.
- In 1933, Richard Strauss was unwillingly made director of the Reichsmusikkammer, the Nazis' official music bureau, despite the fact that he was no friend of the Nazis. In this position, Strauss helped promote and preserve the very music which the Nazis banned as "degenerate", much to their chagrin. Additionally, Strauss maintained a friendship with his Jewish librettist Stefan Zweig, and requested that his name appear on the billing for a comic opera he wrote. (Hitler and Goebbels declined to attend the opera, and it was later banned.) Eventually, Strauss was kicked out after the Nazis intercepted a letter to Zweig criticizing their racism.
- Wilhelm Furtwängler, another famous composer and conductor, was made the vice-president of the Reichsmusikkammer. Like Strauss, Furtwängler was critical of the Nazis, promoted music and musicians banned by the Nazis, and gained the position solely by his fame. He even met personally with Hitler to try to convince him of the value of Jewish composers to music, but Hitler ignored him and turned the discussion into a shouting match. The Nazis' dislike of Furtwängler came to a head when he wrote a letter in the Deutsche Allgemeine Zeitung in support of composer Paul Hindemith (considered a Jew by marriage), and also conducted a banned piece of his in an immensely acclaimed concert. This audacious act was the impetus for the Nazis to build a conspiracy against Furtwängler, and he resigned from the vice-presidency and was forced to resign from other artistic positions.
- The Howard Stern Show blatantly baited the FCC, costing radio stations that carried it millions of dollars in fines.
- In-Universe example: In Fallen London (where you have Victorian-era ideals of decency), a couple mid-level Persuasive storylets involve this, especially notable if you have or want Bohemian connections; you can help a poet friend get his banned work republished and organize readings of banned poetry. If you fail, it raises your Scandal meter.
- There's an entry on Histeria!'s Getting Crap Past the Radar section that might fit, where they actually got "Damn the torpedoes!" into the daytime children's cartoon. There's no way the censors overlooked that, so it fits much more with this trope.
- The Simpsons: Invoked by Bart when his boy band has a gig at Springfield Elementary.
Bart: Hello, Springfield! Now, here's a song that your principal Skinner doesn't want us to play.
Skinner: That's not true! This assembly was my idea. I like your brand of inoffensive pop-rock.
- Alex Hirsch, creator of Gravity Falls, compares working at a censored place like Disney to "trying to paint a picture while a chimp constantly hits you in the head with a wiffle bat". In this metaphor, the "chimp" is a "network censor" and the "bat" is "arbitrary concerns which justify their job position." Let's face it, it's not easy to get things like eating children and summoning demons past Disney.