) is a 1989 film by Alejandro Jodorowsky
, blending together elements of horror, surrealism, and romance. Considered by Roger Ebert to be among the Greatest Movies Ever
Our protagonist is a young man named Fenix — once Fenix the Boy Magician, of the Circo del Gringo. His father, Orgo, runs the circus and is nominally a knife-thrower, although most of his time seems to be dedicated to drinking and abusing his family. His mother, Concha, is the queen of the flying trapeze as well as a devotee of the Santa Sangre Church, where she and her followers worship a girl whose arms were cut off by rapists. The arrival of a Tattooed Woman and her protegee, the deaf-mute Alma, sparks a chain of jealousy and lust that culminates in gruesome death, all of it witnessed by Fenix firsthand.
So deeply is Fenix traumatized by these events that by the time the film opens, he, now a young man, is confined to a mental institution. He doesn't speak; he doesn't eat normal food; and he seems entirely convinced that he's actually an eagle. One night, he and some of the other patients are taken out on a a field trip into the city. It's during this adventure that Fenix happens to see someone he hasn't seen in years — not since that last night at the circus. The sight of her shocks Fenix out of his stupor once more, and although his sanity is still in tatters, he finally has a purpose... even if that purpose is not entirely his own.
Beautiful and strange, captivating and disturbing, filled with hallucinations, magic, mystery, and grotesquerie, Santa Sangre
is the sort of movie that lingers long after you've watched it. In some respects it's most aptly described as a thriller; in others, a fantasy; in still others, a slasher. But at its heart it is ultimately a portrait of a very disturbed young man, painted with such sympathy and grace that even the most horrible aspects become beautiful.
Santa Sangre contains examples of:
- Abusive Parents: Orgo, Fenix's father, is a philandering, abusive drunk who, it is implied, was kicked out of the United States for allegedly murdering a woman there. He even carves a tattoo on Fenix when he's merely a child to "make him a man." Concha, Fenix's mother, is worse, being a former member of a blaspheme cult, mutilating Orgo and driving him to suicide, and manipulating Fenix emotionally into killing any woman who dares get close to him. Not to mention that her love for him has a NASTY incestuous tone. Subverted in Concha's case: she was Dead All Along.
- An Arm and a Leg: Concha and the other followers at the Santa Sangre church worship a "saint" who was martyred when the men who were raping her, tired of her struggling, cut off her arms. Ironically, Concha later meets a similar fate.
- Asshole Victim: Fenix's father Orgo. Also a Karmic Death.
- Bittersweet Ending: Fenix is reunited with Alma and, with her help, seems cured of his madness... which leaves him feeling downright chipper as he walks outside, covered in blood, and straight into the police, who are about five seconds away from discovering all the women Fenix has murdered on Concha's behalf. Yay?
- Body Horror
- Children Are Innocent: At least compared with the cruel adults.
- Cute Mute: Alma.
- Dead All Along: Concha
- Evil Redhead: The tattooed lady.
- Fat Bastard: Orgo. Also that fat prostitute thing.
- Gainax Ending: Fenix and Alma use The Power of Love to overcome Concha's hypnosis and kill her, only for her to tell Fenix he will never be rid of her. She then disappears, and it is soon revealed that Concha was killed when her arms were cut off...
- Groin Attack: With acid.
- Harmful to Minors: Fenix witnesses his father having brutal sex with his mother, then the death of an elephant, and later his father wandering out of a building, naked and bleeding from the groin, and stabbing himself. Not to mention the tattoo...
- Important Haircut: Fenix goes from unkempt long hair to a subtler ponytail once he's under Concha's control.
- Jumping Off the Slippery Slope: Concha may have been justified in killing her first victim, but all the others simply made the mistake of flirting with Fenix.
- Knife-Throwing Act: Orgo's schtick, and as an adult, part of Fenix's as well.
- The Living Dead: As Alma weeps over the Tattooed Woman's corpse, said corpse's stomach can be plainly seen moving up and down with breath.
- Mind Screw: Perhaps to a lesser extent than Jodorowsky's other works, but still mind-boggling in its own right.
- Mama Bear: Concha, a rare evil example.
- Meaningful Name: Fenix is obviously a phoenix. Alma means Soul in spanish. Orgo sounds similar to orgasm. And Concha is vaginal slang. (And lets be honest, Concha is a total cunt).
- Momma's Boy: Fenix, who shows affection for both his parents as a child but becomes totally devoted to Concha as an adult, while never sparing Orgo a thought.
- Monster Misogyny: All of Concha's victims are females, mostly ones who lust after Fenix. The only exception is Fenix's father.
- My Beloved Smother: Concha, Concha, Concha.
- Primal Scene: Fenix witnesses a particularly devastating one that intercut with an elephant dying.
- Psychological Horror
- Real-Life Relative: Gosh, young Fenix and adult Fenix look remarkably alike, don't they? That's because they're played, respectively, by brothers Adan and Axel Jodorowsky — sons of director Alejandro Jodorowsky. A third son, Teo Jodorowsky, plays the pimp who inadvertently leads Fenix to the Tattooed Woman.
- Rule of Symbolism / What Do You Mean, It's Not Symbolic?: Plenty of valid symbols (blood, missing arms, The Invisible Man), plenty that aren't as clear (circus imagery, a murder victim becoming a dove in a nightmare).
- Something Else Also Rises: Fenix and a giant python bring us perhaps the most over-the-top visual metaphor in the history of film.
- Surreal Horror