Pictured above: the artist. Also one of his more normal drawings.
"The thing I love about Bill's stuff is that I know it'd make Bart Simpson laugh his ass off."
Bill Plympton is an Acadamy Award-nominated animator and director whose work is known for being...somewhat unique
. His films and shorts have featured everything from outlandish 1950s-style monsters to musicals about sexual fantasies to the truth about Santa's fascist past.
His animated films are:
- The Tune (1992)
- Mondo Plympton (1997 shorts compilation)
- I Married a Strange Person! (1997)
- Mutant Aliens (2001)
- Hair High (2004)
- Idiots and Angels (2008)
- Cheatin' (2014)
His live-action features are:
- J. Lyle (1993)
- Guns on the Clackamas (1995)
- Walt Curtis, the Peckerneck Poet (1997)
He also did the videos for "Don't Download This Song" and "TMZ"
, and there is currently a documentary being made about him.
Tropes present in his work include:
- All Adult Animation Is South Park - YMMV. While he is very fond of senseless violence and throws in Toilet Humor for the lulz, he doesn't need lame sex jokes - as an independent author, he can show the sex directly, up to plain porn.
- Amusing Injuries - He's at least on par with Tex Avery when it comes to mauling his characters. "When Push Comes To Shove" takes this to Eleven, with a brilliant subversion at the end.
- Animation Age Ghetto: Averted. For one thing, he isn't popular enough to be expected to produce animation for a specific demographic, and those who are familiar with him know his stuff is not for kids! His refined, nuanced art style is also not particularly "cutesy."
- Animated Music Video: Two for "Weird Al" Yankovic ("Don't Download This Song" and "TMZ") and one for Kanye West ("Heard 'Em Say").
- Art Evolution: His earliest films were low-tech even for their day. Backgrounds were often re-drawn on every frame a lá Winsor McCay, leading to a number of shorts with characters acting in negative spaces. In the late '80s, his started cutting out his colored-pencil drawings and pasting them onto cels for a much slicker look. This practice continued until the '00s when he began shooting digitally, often alternating between digital ink & paint and digitally composted pencil drawings.
- Art-Style Dissonance: While he draws most of his shorts and features with a semi-realistic style, Bill's comedy could easily be described as Tex Avery filtered through David Cronenberg.
- Ascended Fanboy: He got to produce and help animate a colorized and voiced update of "The Flying House", the final film of his hero Winsor McCay.
- B-Movie- He likes to homage these
- Bad Santa- Santa: The Fascist Years
- Bestiality Is Depraved - Underground animation would be incomplete without this trope, so to say. As usual, mostly played for Teh Lulz. Remarkably this is the only joke that backfires on the Troll of "Surprise Cinema" (see below): He changes out the wife for an octopus, but underestimates the power of the Anything That Moves trope. Hilarity Ensues.
- This trope is actually a plot point in Mutant Aliens.
- Black Comedy
- Bunny-Ears Lawyer: For all his demented humor and bizarre films, the guy can really draw!
- Cluster F-Bomb: "Bird is the Word". A giant Visual Pun based on the "naughty finger".
- Couch Gag: Did one for The Simpsons, featuring the love between Homer and... his couch. It's surprisingly sad.
- Deranged Animation
- Domestic Only Cartoon: Bill Plympton draws everything himself. note
- Draws. He usually has assistants do the coloring and compositing.
- Early Installment Weirdness: His first feature, The Tune, lacks much of his trademark political incorrectness in favor of a light fantasy musical with a very sincere romantic subplot, the absolute naughtiest thing about it being a brief (less than two seconds) shot of nudity during the "Dance All Day" sequence. His follow up, I Married A Strange Person, solidified his reputation for adult fare.
- Film Noir
- Green Aesop: "Parking."
- Happily Failed Suicide - Egads, which trope should this be filed under, Plympton screwing with them as usual? A man can't find his keys and hangs himself, and what happens is his life flashes before his eyes, until he knows where he left the damn keys. Cut the rope, exit happy man.
- Haunted House - The "Shuteye Motel". Beware the deadly fanged pillow!
- Heroic Dog- Well, a dog that wants to be one...
- Heroic Sacrifice - "The Fan and the Flower". Another Tear Jerker by Bill (don't think he did nothing but Deranged Animation!)
- High School Dance- In Hair High
- Limited Animation: Usually shoots on 4s (that's one new drawing every 4 frames) as opposed to 2s or 1s, though it's more an aesthetic choice than a financial one. He wants you to know that these are drawings.
- L Is for Dyslexia - Dyslexic *sex*, to be precise. It Makes Sense in Context.
- My Name Is Not Durwood: No, the 42nd president of the United States is not also an award-winning animator.
- Naughty Nuns- In I Married a Strange Person
- Our Angels Are Different
- Our Mermaids Are Different - One is jobbing as ticket maid at the cinema, and the other..."The New Act at Aqua Land"...nuff said.
- Real Life Writes the Plot: Bill created "25 Ways To Quit Smoking" in an effort to get his own mother to quit. And it worked!
- Similarly, Shuteye Motel was based on his waking up after a night of sleeping on a very, very soft pillow to find it had completely caved in under his head, which gave him the idea for a pillow that eats heads.
- Rule of Funny: Sentiment? Green Aesop's? All incidental. Bill just wanted to tell funny, engaging stories!
- Seemingly Wholesome '50s Girl
- Take That - One of the shorts Bill did was a scathing parody of abstract animation called Spiral. Was actually controversial within the independent animation community and angered many abstract animators. One of them, Steven Woloshen, did a film rebutting called, well, Rebuttal.
- Tertiary Sexual Characteristics - In "Nosehair". Hairs?? Very simple - the female hair is curvy, the male one edgy.
- The Paranoiac: A canine one in "Guard Dog". It doesn't end well for his master...
- Toilet Humor - Loads. Best one: "The building left Elvis!"
- Troll - "Surprise Cinema". It NOT only hurts when you laugh.
- What Could Have Been: Bill was offered a six figure deal with Disney to animate for Aladdin, an offer he very nearly went through will until he was told that the company held intellectual property over anything he created while working for them.