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* DanBrowned: In [[https://www.youtube.com/watch?v=CRZJxGi8Z44 "Richard Francis Burton - Sword Exercise Nonsense?"]], Dan says what annoys him so much about Burton is that Burton never admits that he isn't an expert about everything, and even if there's a topic he's ignorant about he'll just start making up bullshit to keep up the pretense. In his 1876 manual ''New System of Sword Exercise'' Burton criticizes Henry Charles Angelo the Younger's ''Infantry Sword Exercise'', which was officially adopted by the British Army in 1817 and continued to be published through 1874. Henry Angelo was a master of internationally recognized expertise, being the third generation of the Angelo fencing dynasty, and his ''Infantry Sword Exercise'' was used for such a long time throughout the British Empire because it was such a practical and effective system. Meanwhile, despite containing some interesting tidbits, the style that Burton sets forth can hardly be called a complete system and contains some recommendations that are just nonsense. The example Matt focuses on is that Burton somehow seems to be CompletelyMissingThePoint about how the circular target and numbered cuts of Angelo's exercise are supposed to be used, scoffing that he never saw a man who was perfectly circular in shape. Matt does a FacePalm at this, since the manual specifically states that the circular diagram tells the recruit ''how'' to make each cut rather than ''where'' to cut, meaning that cuts 1, 3, and 5 can be directed at any body part from head to foot on the left, and cuts 2, 4, and 6 equally so on the right. There are just 7 cuts to remember[[note]]7 is a cut straight down; a cut number 8 which is vertically ascending did exist but was usually omitted[[/note]], and when you state the number together with a targeted body part you provide a very specific and concise description. Burton shows a man-shapped dummy as the target, but his system features 12 cuts, each of which describes both a specific angle ''and'' a specific body part on the target. Despite having more numbered cuts and thus making things more confusing, his shorthand is actually ''less'' specific and comprehensive; ''he doesn't even have any cuts to the legs!'' The fact that Burton misunderstood arguably the simplest part of Angelo's ''Exercise'' and came up with something markedly worse just exemplifies for Matt how Burton didn't know what he was talking about, and the fact that Burton's system was never adopted by any military or subsequently reprinted shows that nobody took it seriously.

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* DanBrowned: In [[https://www.youtube.com/watch?v=CRZJxGi8Z44 "Richard Francis Burton - Sword Exercise Nonsense?"]], Dan says what annoys him so much about Burton is that Burton never admits that he isn't an expert about everything, and even if there's a topic he's ignorant about he'll just start making up bullshit to keep up the pretense. In his 1876 manual ''New System of Sword Exercise'' Burton criticizes Henry Charles Angelo the Younger's ''Infantry Sword Exercise'', which was officially adopted by the British Army in 1817 and continued to be published through 1874. Henry Angelo was a master of internationally recognized expertise, being the third generation of the Angelo fencing dynasty, and his ''Infantry Sword Exercise'' was used for such a long time throughout the British Empire because it was such a practical and effective system. Meanwhile, despite containing some interesting tidbits, the style that Burton sets forth can hardly be called a complete system and contains some recommendations that are just nonsense. The example Matt focuses on is that Burton somehow seems to be CompletelyMissingThePoint about how the circular target and numbered cuts of Angelo's exercise are supposed to be used, scoffing that he never saw a man who was perfectly circular in shape. Matt does a FacePalm at this, since the manual specifically states that the circular diagram tells the recruit ''how'' to make each cut rather than ''where'' to cut, meaning that cuts 1, 3, and 5 can be directed at any body part from head to foot on the left, and cuts 2, 4, and 6 equally so on the right. There are just 7 cuts to remember[[note]]7 is a cut straight down; a cut number 8 which is vertically ascending did exist but was usually omitted[[/note]], and when you state the number together with a targeted body part you provide a very specific and concise description. Burton shows a man-shapped dummy as the target, but his system features 12 cuts, each of which describes both a specific angle ''and'' a specific body part on the target. Despite having more numbered cuts and thus making things more confusing, his shorthand is actually ''less'' specific and comprehensive; there are fewer types of attacks you can describe with it; ''he doesn't even have any cuts to the legs!'' The fact that Burton misunderstood arguably the simplest part of Angelo's ''Exercise'' and came up with something markedly worse just exemplifies for Matt how Burton didn't know what he was talking about, and the fact that Burton's system was never adopted by any military or subsequently reprinted shows that nobody took it seriously.
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* DanBrowned: In [[https://www.youtube.com/watch?v=CRZJxGi8Z44 "Richard Francis Burton - Sword Exercise Nonsense?"]], Dan says what annoys him so much about Burton is that Burton never admits that he isn't an expert about everything, and even if there's a topic he's ignorant about he'll just start making up bullshit to keep up the pretense. In his 1876 manual ''New System of Sword Exercise'' Burton criticizes Henry Charles Angelo the Younger's ''Infantry Sword Exercise'', which was officially adopted by the British Army in 1817 and continued to be published through 1874. Henry Angelo was a master of internationally recognized expertise, being the third generation of the Angelo fencing dynasty, and his ''Infantry Sword Exercise'' was used for such a long time throughout the British Empire because it was such a practical and effective system. Meanwhile, despite containing some interesting tidbits, the style that Burton sets forth can hardly be called a complete system and contains some recommendations that are just nonsense. The example Matt focuses on is that Burton somehow seems to be CompletelyMissingThePoint about how the circular target and numbered cuts of Angelo's exercise are supposed to be used, scoffing that he never saw a man who was perfectly circular in shape. Matt does a FacePalm at this, since the manual specifically states that the circular diagram tells the recruit ''how'' to make each cut rather than ''where'' to cut, meaning that cuts 1, 3, and 5 can be directed at any body part from head to foot on the left, and cuts 2, 4, and 6 equally so on the right. There are just 7 cuts to remember[[note]]7 is a cut straight down; a cut number 8 which is vertically ascending did exist but was usually omitted[[/note]], and when you state the number together with a targeted body part you provide a very specific and concise description. Burton shows a man-shapped dummy as the target, but his system features 12 cuts, each of which describes both a specific angle ''and'' a specific body part on the target. Despite having more numbered cuts and thus making things more confusing, his shorthand is actually ''less'' specific and comprehensive; ''he doesn't even have any cuts to the legs!'' The fact that Burton misunderstood arguably the simplest part of Angelo's ''Exercise'' and came up with something markedly worse just exemplifies for Matt how Burton didn't know what he was talking about.

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* DanBrowned: In [[https://www.youtube.com/watch?v=CRZJxGi8Z44 "Richard Francis Burton - Sword Exercise Nonsense?"]], Dan says what annoys him so much about Burton is that Burton never admits that he isn't an expert about everything, and even if there's a topic he's ignorant about he'll just start making up bullshit to keep up the pretense. In his 1876 manual ''New System of Sword Exercise'' Burton criticizes Henry Charles Angelo the Younger's ''Infantry Sword Exercise'', which was officially adopted by the British Army in 1817 and continued to be published through 1874. Henry Angelo was a master of internationally recognized expertise, being the third generation of the Angelo fencing dynasty, and his ''Infantry Sword Exercise'' was used for such a long time throughout the British Empire because it was such a practical and effective system. Meanwhile, despite containing some interesting tidbits, the style that Burton sets forth can hardly be called a complete system and contains some recommendations that are just nonsense. The example Matt focuses on is that Burton somehow seems to be CompletelyMissingThePoint about how the circular target and numbered cuts of Angelo's exercise are supposed to be used, scoffing that he never saw a man who was perfectly circular in shape. Matt does a FacePalm at this, since the manual specifically states that the circular diagram tells the recruit ''how'' to make each cut rather than ''where'' to cut, meaning that cuts 1, 3, and 5 can be directed at any body part from head to foot on the left, and cuts 2, 4, and 6 equally so on the right. There are just 7 cuts to remember[[note]]7 is a cut straight down; a cut number 8 which is vertically ascending did exist but was usually omitted[[/note]], and when you state the number together with a targeted body part you provide a very specific and concise description. Burton shows a man-shapped dummy as the target, but his system features 12 cuts, each of which describes both a specific angle ''and'' a specific body part on the target. Despite having more numbered cuts and thus making things more confusing, his shorthand is actually ''less'' specific and comprehensive; ''he doesn't even have any cuts to the legs!'' The fact that Burton misunderstood arguably the simplest part of Angelo's ''Exercise'' and came up with something markedly worse just exemplifies for Matt how Burton didn't know what he was talking about.about, and the fact that Burton's system was never adopted by any military or subsequently reprinted shows that nobody took it seriously.
Is there an issue? Send a MessageReason:
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* DanBrowned: In [[https://www.youtube.com/watch?v=CRZJxGi8Z44 "Richard Francis Burton - Sword Exercise Nonsense?"]], Dan says what annoys him so much about Burton is that Burton never admits that he isn't an expert about everything, and even if there's a topic he's ignorant about he'll just start making up bullshit to keep up the pretense. One example is his ''Book of the Sword''. In his ''New System of Sword Exercise'' Burton criticizes Henry Angelo's manual of swordsmanship--which was used throughout the British empire very successfully and in Matt's opinion is very solid, and yet the style he offers can hardly be called a coherent system, and contains some recommendations that are just nonsense.

to:

* DanBrowned: In [[https://www.youtube.com/watch?v=CRZJxGi8Z44 "Richard Francis Burton - Sword Exercise Nonsense?"]], Dan says what annoys him so much about Burton is that Burton never admits that he isn't an expert about everything, and even if there's a topic he's ignorant about he'll just start making up bullshit to keep up the pretense. One example is his ''Book of the Sword''. In his 1876 manual ''New System of Sword Exercise'' Burton criticizes Henry Angelo's manual Charles Angelo the Younger's ''Infantry Sword Exercise'', which was officially adopted by the British Army in 1817 and continued to be published through 1874. Henry Angelo was a master of swordsmanship--which internationally recognized expertise, being the third generation of the Angelo fencing dynasty, and his ''Infantry Sword Exercise'' was used for such a long time throughout the British empire very successfully Empire because it was such a practical and in Matt's opinion is very solid, and yet effective system. Meanwhile, despite containing some interesting tidbits, the style he offers that Burton sets forth can hardly be called a coherent system, complete system and contains some recommendations that are just nonsense.nonsense. The example Matt focuses on is that Burton somehow seems to be CompletelyMissingThePoint about how the circular target and numbered cuts of Angelo's exercise are supposed to be used, scoffing that he never saw a man who was perfectly circular in shape. Matt does a FacePalm at this, since the manual specifically states that the circular diagram tells the recruit ''how'' to make each cut rather than ''where'' to cut, meaning that cuts 1, 3, and 5 can be directed at any body part from head to foot on the left, and cuts 2, 4, and 6 equally so on the right. There are just 7 cuts to remember[[note]]7 is a cut straight down; a cut number 8 which is vertically ascending did exist but was usually omitted[[/note]], and when you state the number together with a targeted body part you provide a very specific and concise description. Burton shows a man-shapped dummy as the target, but his system features 12 cuts, each of which describes both a specific angle ''and'' a specific body part on the target. Despite having more numbered cuts and thus making things more confusing, his shorthand is actually ''less'' specific and comprehensive; ''he doesn't even have any cuts to the legs!'' The fact that Burton misunderstood arguably the simplest part of Angelo's ''Exercise'' and came up with something markedly worse just exemplifies for Matt how Burton didn't know what he was talking about.

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* DanBrowned: In [[https://www.youtube.com/watch?v=CRZJxGi8Z44 "Richard Francis Burton - Sword Exercise Nonsense?"]], Dan says what annoys him so much about Burton is that Burton never admits that he isn't an expert about everything, and even if there's a topic he's ignorant about he'll just start making up bullshit to keep up the pretense.

to:

* DanBrowned: In [[https://www.youtube.com/watch?v=CRZJxGi8Z44 "Richard Francis Burton - Sword Exercise Nonsense?"]], Dan says what annoys him so much about Burton is that Burton never admits that he isn't an expert about everything, and even if there's a topic he's ignorant about he'll just start making up bullshit to keep up the pretense. One example is his ''Book of the Sword''. In his ''New System of Sword Exercise'' Burton criticizes Henry Angelo's manual of swordsmanship--which was used throughout the British empire very successfully and in Matt's opinion is very solid, and yet the style he offers can hardly be called a coherent system, and contains some recommendations that are just nonsense.


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* GentlemanAdventurer: Sir Richard Francis Burton--according to TheOtherWiki, an "explorer, geographer, translator, writer, soldier, orientalist, cartographer, ethnologist, spy, linguist, poet, fencer, and diplomat", certainly cultivated an image as a great adventurer, scholar, fighter, and lover. Matt points out that he's been quite romanticized in the 20th and 21st centuries despite the fact that he had some beliefs that would be subject to ValuesDissonance today, as well as various scandals that made him controversial during his lifetime and tend to get brushed under the rug when talking about him, but more particularly he thinks we shouldn't let this glamor distract us from some questionable or even ridiculous things he wrote about swordsmanship.


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* MilesGloriosus: Sir Richard Francis Burton may have done some pretty cool things, but he was a bit of a braggart. There are some things he claimed to have done--such as smuggling himself into Mecca--for which there were no independent Wester witnesses, and which he might have made up.

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* BayonetYa: In "[[https://www.youtube.com/watch?v=jjhrupDWYpw Bayonets and Blobsticks by Aaron Taylor Miedema]]", Matt uses this book on the Canadian experience of close combat in World War I to push back against the popular misconception that the bayonet was an obsolete weapon which foolish, out-of-touch generals clung to at the cost of many lives. The book refers to many firsthand accounts and Victoria Cross citations that describe incidents in which the bayonet was used effectively, and Matt suggests that he may read some passages from it in future videos. He also shows off an antique blobstick, which is a kind of bayonet training simulator that was used at the time.

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* BayonetYa: BayonetYa:
**
In "[[https://www.youtube.com/watch?v=jjhrupDWYpw Bayonets and Blobsticks by Aaron Taylor Miedema]]", Matt uses this book on the Canadian experience of close combat in World War I to push back against the popular misconception that the bayonet was an obsolete weapon which foolish, out-of-touch generals clung to at the cost of many lives. The book refers to many firsthand accounts and Victoria Cross citations that describe incidents in which the bayonet was used effectively, and Matt suggests that he may read some passages from it in future videos. He also shows off an antique blobstick, which is a kind of bayonet training simulator that was used at the time.time.
** In "[[https://www.youtube.com/watch?v=piBGBTgz1Xs Cuirassier Sword compared to Estoc]]", while comparing the French Model 1816 Line Cavalry Sabre and an example of a "Preval blade" sword with a light cavalry hilt, mentions that one point against the Preval blade is that such a hollow-ground triangular blade might have gotten stuck in a person more easily than an edged blade. This, he notes, may be part of the reason that spike bayonets were replaced in popularity by sword and knife-style bayonets during the 19th century.
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* TheCoconutEffect: From time to time he discusses how hollywood often presents things in a way that isn't realistic simply because it's easier to film, such that people watching movies will assume that's what whatever weapon or tactic would actually look like. For example, when cannon fire is depicted in films like ''Film/ThePatriot'', they will show the cannons firing, and then have an explosive charge buried in the ground shoot up a cloud of smoke and dirt. The thing is, regular 18th century cannon balls were not explosive shells, and rather than explode on impact they tended to bounce and roll until they either spent all their energy or hit something large.

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* TheCoconutEffect: From time to time he discusses how hollywood Hollywood often presents things in a way that isn't realistic simply because it's easier to film, such that people watching movies will assume that's what whatever weapon or tactic would actually look like. For example, when cannon fire is depicted in films like ''Film/ThePatriot'', they will show the cannons firing, and then have an explosive charge buried in the ground shoot up a cloud of smoke and dirt. The thing is, regular 18th century cannon balls were not explosive shells, and rather than explode on impact they tended to bounce and roll until they either spent all their energy or hit something large.



** In response to popular demand, Matt produced "[[https://www.youtube.com/watch?v=AGf7n7iUF_k Medieval flails! An introduction]]". One of the most frequent questions people ask him is, "were they actually used?" The answer is yes. Matt recounts that maybe fifteen years before he made the video, there was a pervasive belief among medieval enthusiasts on the internet that the flail was a kind of "fantasy weapon" invented by Hollywood, based on the fact that they weren't seeing them in the artistic sources they were looking at, and yet they appeared frequently in medieval movies since at least TheForties. Thankfully there are a lot more artistic sources known and digitized, and the current consensus is that yes, flails existed, yes all kinds of flail are depicted in art (i.e. long- or short-handled, longer or shorter chains, one or multiple heads, and with or without spikes), but it's also clear that they were generally not very common, with a few interesting exceptions such as 15th century Central Europe. A general rule is that the chain should be shorter than the handle so the head doesn't crack you in the hand, but--having said that--there are Indian and Indo-Persian flails where the chain is considerably longer than the handle. Also, he's learned from experience that the ball doesn't hit you as long as you keep it moving around, using continuous circle and figure-eight movements.

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** In response to popular demand, Matt produced "[[https://www.youtube.com/watch?v=AGf7n7iUF_k Medieval flails! An introduction]]". One of the most frequent questions people ask him is, "were they actually used?" The answer is yes. Matt recounts that maybe fifteen years before he made the video, there was a pervasive belief among medieval enthusiasts on the internet that the flail was a kind of "fantasy weapon" invented by Hollywood, based on the fact that they weren't seeing them in the artistic sources they were looking at, and yet they appeared frequently in medieval Medieval movies since at least TheForties. Thankfully there are a lot more artistic sources known and digitized, and the current consensus is that yes, flails existed, yes all kinds of flail are depicted in art (i.e. long- or short-handled, longer or shorter chains, one or multiple heads, and with or without spikes), but it's also clear that they were generally not very common, with a few interesting exceptions such as 15th century Central Europe. A general rule is that the chain should be shorter than the handle so the head doesn't crack you in the hand, but--having said that--there are Indian and Indo-Persian flails where the chain is considerably longer than the handle. Also, he's learned from experience that the ball doesn't hit you as long as you keep it moving around, using continuous circle and figure-eight movements.

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* HardHead: In [[https://youtu.be/Ru-Zxs35Ct8 Hard Heads & Broken Swords: An Indian Mutiny Victoria Cross]], Matt reads from the Victoria Cross citation of James Blair: On the 23rd of October, 1857, in fighting his way through a body of rebels who'd literally surrounded him, he broke the end of his sword on one of their heads and recieved a severe sword cut on his right arm. He then rejoined his troop in his wounded condition, and--with no other weapon than the hilt of his broken sword--he put himself at the head of his men and charged the rebels most effectively, dispersing them. The first point that Matt wants to make in the video is that while you may assume it must have been a piece-of-crap sword to break against somebody's head, he's actually read numerous accounts like this from the 19th century. Evolution has provided humans with a very hard bony covering around the brain, and there is always a risk of breaking your blade against your opponent's cranium, particularly when using less robust blades like rapiers or some of the lighter sabers. In fact, John Musgrave Waite's fencing treatise of 1880 specifically advises that when chopping into someone's head, you should aim at the level of the eye or below where the thinner bones and squishier parts of the head are located, as well as the neck. This can incapacitate someone just as effectively as a cut into the brain, and at less risk of wrecking your blade.




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* WreckedWeapon: The second point in Matt's video about James Blair's Victoria Cross citation is that Blair led a successful charge against the Indian mutineers he was fighting despite the tip of his sword being broken off, which goes against the assumption that a man is rendered useless just because his sword's snapped in half. Matt points out that the blades of British sabers such as the pattern 1827 tended to have distal taper all the way down, but they become particularly thin from about the center of percussion to the point, which makes the blade lighter and more effective at both thrusting and cutting, but also makes it more prone to breaking off from the thicker lower part. His guess is that Blair's sword would have broke around the C.O.P. and he would have lost about 8 to 10 inches of reach, but he would have still been left with a length of blade similar to a cutlass or hanger. Even with its trusting ability foiled by the break it could have remained a useful weapon, especially on the defensive since the intact part was that used most often for parrying.
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* RapePillageAndBurn: In "[[https://www.youtube.com/watch?v=lUsYzRWcVv8 Medieval Soldier Pay & Skirmishing vs Battles]]", he talks about how the wages of English soldiers in UsefulNotes/TheHundredYearsWar were not particularly good compared to civilian occupations, especially since they needed to spend most of it on their food, weapons, horse fodder, and any retainers or hangers-on they might be responsible for. He thinks the ''real'' enticement of being a soldier was probably that they were entitled to a share of whatever loot they could pillage from the French, which could amount to a considerable windfall.

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* RapePillageAndBurn: {{Plunder}}: In "[[https://www.youtube.com/watch?v=lUsYzRWcVv8 Medieval Soldier Pay & Skirmishing vs Battles]]", he talks about how the wages of English soldiers in UsefulNotes/TheHundredYearsWar were not particularly good compared to civilian occupations, especially since they needed to spend most of it on their food, weapons, horse fodder, and any retainers or hangers-on they might be responsible for. He thinks the ''real'' enticement of being a soldier was probably that they were entitled to a share of whatever loot they could pillage from the French, which could amount to a considerable windfall.

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%%* ''Film/Excalibur''

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%%* ''Film/Excalibur''
''Film/{{Excalibur}}''


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* BayonetYa: In "[[https://www.youtube.com/watch?v=jjhrupDWYpw Bayonets and Blobsticks by Aaron Taylor Miedema]]", Matt uses this book on the Canadian experience of close combat in World War I to push back against the popular misconception that the bayonet was an obsolete weapon which foolish, out-of-touch generals clung to at the cost of many lives. The book refers to many firsthand accounts and Victoria Cross citations that describe incidents in which the bayonet was used effectively, and Matt suggests that he may read some passages from it in future videos. He also shows off an antique blobstick, which is a kind of bayonet training simulator that was used at the time.
Is there an issue? Send a MessageReason:
None

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* DoubleEntendre: It just so happens that a lot of weapon and combat terminology sounds rather naughty, and Matt is definitely aware that his viewers' minds are in the gutter. For example, one of his bayonett videos is titled "Bayonet combat - the butt, penetration and swinging".
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* OneHandedZweihander: Demonstrates in his "Can the two-handed greatsword be used one handed?" video that a lot of the moves done with a two handed sword are at least possible one handed, but also extremely exhausting (and doing them two handed's no mean feat in the first place using the somewhat overbuilt Del Tin Spadone). He also shows the single handed thrust mentioned in the Giacomo di Grassi manual.

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* OneHandedZweihander: Demonstrates in his "Can the two-handed greatsword be used one handed?" video that a lot of the moves done with a two handed sword are at least possible one handed, but also extremely exhausting (and doing them two handed's no mean feat in the first place using the somewhat overbuilt Del Tin Spadone). He also shows the single handed single-handed thrust mentioned in the Giacomo di Grassi manual.
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* DanBrowned: In [[Richard Francis Burton - Sword Exercise Nonsense? "https://www.youtube.com/watch?v=CRZJxGi8Z44"]], Dan says what annoys him so much about Burton is that Burton never admits that he isn't an expert about everything, and even if there's a topic he's ignorant about he'll just start making up bullshit to keep up the pretense.

to:

* DanBrowned: In [[Richard Francis Burton - Sword Exercise Nonsense? "https://www.[[https://www.youtube.com/watch?v=CRZJxGi8Z44"]], com/watch?v=CRZJxGi8Z44 "Richard Francis Burton - Sword Exercise Nonsense?"]], Dan says what annoys him so much about Burton is that Burton never admits that he isn't an expert about everything, and even if there's a topic he's ignorant about he'll just start making up bullshit to keep up the pretense.
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* CunningLinguist: While discussing Sir Richard Francis Burton, Matt acknowledges that Burton was a "cunning linguist" who published an English translation of the ''Literature/KamaSutra'', among other things. Matt makes this a LampshadedDoubleEntendre by showing the phrase "cunning linguist" over a ''kama sutra'' illustration.
* DanBrowned: In [[Richard Francis Burton - Sword Exercise Nonsense? "https://www.youtube.com/watch?v=CRZJxGi8Z44"]], Dan says what annoys him so much about Burton is that Burton never admits that he isn't an expert about everything, and even if there's a topic he's ignorant about he'll just start making up bullshit to keep up the pretense.
Is there an issue? Send a MessageReason:
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In January, 2018, Matt had 178,700 subscribers. He shares a lot of his fans with WebVideo/{{Skallagrim}} and WebVideo/{{Lindybeige}}.

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In January, 2018, Matt had 178,700 subscribers. He shares a lot of his fans with WebVideo/{{Skallagrim}} and WebVideo/{{Lindybeige}}.
WebVideo/{{Lindybeige}}, and also makes responses to videos by Shadiversity and The Metatron.
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As of 25 August 2017, Matt has over 161,300 subscribers. He shares a lot of his fans with WebVideo/{{Skallagrim}} and WebVideo/{{Lindybeige}}.

to:

As of 25 August 2017, In January, 2018, Matt has over 161,300 had 178,700 subscribers. He shares a lot of his fans with WebVideo/{{Skallagrim}} and WebVideo/{{Lindybeige}}.
Is there an issue? Send a MessageReason:
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** In "[[https://www.youtube.com/watch?v=B85tEumvz3w Short medieval flails - some observations", Matt discusses the fact that although most medieval flails seem to have had a long shaft, they did exist and he's learned certain things about them.

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** In "[[https://www.youtube.com/watch?v=B85tEumvz3w Short medieval flails - some observations", observations]]", Matt discusses the fact that although most medieval flails seem to have had a long shaft, they did exist and he's learned certain things about them.

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* EpicFlail: In response to popular demand, Matt produced "[[https://www.youtube.com/watch?v=AGf7n7iUF_k Medieval flails! An introduction]]". One of the most frequent questions people ask him is, "were they actually used?" The answer is yes. Matt recounts that maybe fifteen years before he made the video, there was a pervasive belief among medieval enthusiasts on the internet that the flail was a kind of "fantasy weapon" invented by Hollywood, based on the fact that they weren't seeing them in the artistic sources they were looking at, and yet they appeared frequently in medieval movies of, say, the 40s and 60s. Thankfully there are a lot more artistic sources known and digitized, and the current consensus is that yes, flails existed, yes various forms of flail (both long- and short-handled) are depicted in art, but it's also clear that they were generally not common, with a few interesting exceptions such as 15th century Central Europe.

to:

* EpicFlail: EpicFlail:
**
In response to popular demand, Matt produced "[[https://www.youtube.com/watch?v=AGf7n7iUF_k Medieval flails! An introduction]]". One of the most frequent questions people ask him is, "were they actually used?" The answer is yes. Matt recounts that maybe fifteen years before he made the video, there was a pervasive belief among medieval enthusiasts on the internet that the flail was a kind of "fantasy weapon" invented by Hollywood, based on the fact that they weren't seeing them in the artistic sources they were looking at, and yet they appeared frequently in medieval movies of, say, the 40s and 60s. since at least TheForties. Thankfully there are a lot more artistic sources known and digitized, and the current consensus is that yes, flails existed, yes various forms all kinds of flail (both long- and short-handled) are depicted in art, art (i.e. long- or short-handled, longer or shorter chains, one or multiple heads, and with or without spikes), but it's also clear that they were generally not very common, with a few interesting exceptions such as 15th century Central Europe. A general rule is that the chain should be shorter than the handle so the head doesn't crack you in the hand, but--having said that--there are Indian and Indo-Persian flails where the chain is considerably longer than the handle. Also, he's learned from experience that the ball doesn't hit you as long as you keep it moving around, using continuous circle and figure-eight movements.
** In "[[https://www.youtube.com/watch?v=B85tEumvz3w Short medieval flails - some observations", Matt discusses the fact that although most medieval flails seem to have had a long shaft, they did exist and he's learned certain things about them.
Is there an issue? Send a MessageReason:
None

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* EpicFlail: In response to popular demand, Matt produced "[[https://www.youtube.com/watch?v=AGf7n7iUF_k Medieval flails! An introduction]]". One of the most frequent questions people ask him is, "were they actually used?" The answer is yes. Matt recounts that maybe fifteen years before he made the video, there was a pervasive belief among medieval enthusiasts on the internet that the flail was a kind of "fantasy weapon" invented by Hollywood, based on the fact that they weren't seeing them in the artistic sources they were looking at, and yet they appeared frequently in medieval movies of, say, the 40s and 60s. Thankfully there are a lot more artistic sources known and digitized, and the current consensus is that yes, flails existed, yes various forms of flail (both long- and short-handled) are depicted in art, but it's also clear that they were generally not common, with a few interesting exceptions such as 15th century Central Europe.
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* RapePillageAndBurn: In "[[https://www.youtube.com/watch?v=lUsYzRWcVv8 Medieval Soldier Pay & Skirmishing vs Battles]]", he talks about how the wages of English soldiers in UsefulNotes/TheHundredYearsWar were not particularly good compared to civilian occupations, and how the real enticement of being a soldier was probably that they were entitled to a share of whatever loot they could pillage from the French.

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* RapePillageAndBurn: In "[[https://www.youtube.com/watch?v=lUsYzRWcVv8 Medieval Soldier Pay & Skirmishing vs Battles]]", he talks about how the wages of English soldiers in UsefulNotes/TheHundredYearsWar were not particularly good compared to civilian occupations, especially since they needed to spend most of it on their food, weapons, horse fodder, and how any retainers or hangers-on they might be responsible for. He thinks the real ''real'' enticement of being a soldier was probably that they were entitled to a share of whatever loot they could pillage from the French.French, which could amount to a considerable windfall.
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* RapePillageAndBurn: In "[[https://www.youtube.com/watch?v=lUsYzRWcVv8 Medieval Soldier Pay & Skirmishing vs Battles]]", he talks about how the wages of English soldiers in UsefulNotes/TheHundredYearsWar were not particularly good compared to civilian occupations, and how the real enticement of being a soldier was probably that they were entitled to a share of whatever loot they could pillage from the French.
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As of August 2016, Matt has over 125,000 subscribers. He shares a lot of his fans with WebVideo/{{Skallagrim}} and WebVideo/{{Lindybeige}}.

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As of 25 August 2016, 2017, Matt has over 125,000 161,300 subscribers. He shares a lot of his fans with WebVideo/{{Skallagrim}} and WebVideo/{{Lindybeige}}.

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%%* ''Film/Excalibur''


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* BerserkButton: Suggesting that the French military has historically been cowardly or incompetent does not go down well with Matt.
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* TheCoconutEffect: From time to time he discusses how hollywood often presents things in a way that isn't realistic simply because it's easier to film, such that people watching movies will assume that's what whatever weapon or tactic would actually look like. For example, when cannon fire is depicted in films like ''Film/ThePatriot'', they will show the cannons firing, and then have an explosive charge buried in the ground shoot up a cloud of smoke and dirt. The thing is, regular 18th century cannon balls were not explosive shells, and rather than explode on impact they tended to bounce and roll until they either spent all their energy or hit something large.
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The channel itself can be found [[https://www.youtube.com/channel/UCt14YOvYhd5FCGCwcjhrOdA here]].
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%%* ''Film/TheLordOfTheRings''



* CatchPhrase: Begins each video with, "Hi folks, Matt Easton here, Schola Gladiatoria!"

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* CatchPhrase: Begins each video with, "Hi folks, Matt Easton here, Schola Gladiatoria!"Gladiatoria!" Also, when comparing different weapons or fighting styles, he leans heavily on the word "context", a tendency he started to lampshade after a while.
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Schola Gladiatoria is the YouTube channel of Matt Easton, a martial arts instructor, TV and film consultant, dealer of antique arms, and historical researcher from London who currently lives in Surrey. Matt has been teaching fencing since 2000, which is also when he earned his BA in Medieval Archaeology and History from University College London; in 2001 he founded the [[UsefulNotes/EuropeanSwordsmanship historical European martial arts]] (HEMA) group Schola Gladiatoria. His videos cover topics including historical fencing, military history, antique arms and armour, and busting myths and misconceptions. Matt often examines the accuracy of films and television shows, which makes him a fount of commentary on various weapons and wielding tropes.

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Schola Gladiatoria is the YouTube channel of Matt Easton, a martial arts instructor, TV and film consultant, dealer of antique arms, and historical researcher from London who currently lives in Surrey. Matt has been teaching fencing since 2000, which is also when he earned his BA in Medieval Archaeology and History from University College London; in 2001 he founded the [[UsefulNotes/EuropeanSwordsmanship historical European martial arts]] (HEMA) group Schola Gladiatoria. His videos cover topics including historical fencing, military history, antique arms and armour, and busting myths and misconceptions. Matt often examines the accuracy of films and television shows, which makes him a fount of commentary on various weapons and wielding tropes.
WeaponsAndWieldingTropes.
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* TheSouthpaw: In general you are encouraged to fight from your good side for the obvious advantages in free fights (but also because it is a pain to fight from your weak side - or to re-train your good side when you started learning on the wrong side). Once you get used to how to attack a right handed opponent on his left (vulnerable) shoulder when your opening position has the sword on your left shoulder it is no big deal anymore. (However most lefties also learn to do at least the basic moves also from the right side. Which is of high advantage when your opponent finally got used to you being a leftie and adjusts his attacks so you can attack him from the right. The other main advantage in general is that due to most people being right-handed, both lefties and righties primarily train to fight against righties. Matt, who is right handed, actually turns this to his advantage in [[https://www.youtube.com/watch?v=o8XIDdPRx04 this video]].
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As of August 2016, Matt has over 125,000 subscribers. He shares a lot of his fans with WebVideo/Skallagrim and WebVideo/{{Lindybeige}}.

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As of August 2016, Matt has over 125,000 subscribers. He shares a lot of his fans with WebVideo/Skallagrim WebVideo/{{Skallagrim}} and WebVideo/{{Lindybeige}}.
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As of August 2016, Matt has over 125,000 subscribers. He shares a lot of his fans with WebVideo/Skallagrim and WebVideo/{{Lindybeige}}.
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[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/matt_easton.jpg]]

-> ''"[[CatchPhrase Hi folks, Matt Easton here, Schola Gladiatoria!]]"''

Schola Gladiatoria is the YouTube channel of Matt Easton, a martial arts instructor, TV and film consultant, dealer of antique arms, and historical researcher from London who currently lives in Surrey. Matt has been teaching fencing since 2000, which is also when he earned his BA in Medieval Archaeology and History from University College London; in 2001 he founded the [[UsefulNotes/EuropeanSwordsmanship historical European martial arts]] (HEMA) group Schola Gladiatoria. His videos cover topics including historical fencing, military history, antique arms and armour, and busting myths and misconceptions. Matt often examines the accuracy of films and television shows, which makes him a fount of commentary on various weapons and wielding tropes.

%%Works discussed by Matt Easton include:
%%* ''Series/GameOfThrones''

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'''Tropes that appear on Matt Easton's Channel include:'''

* CatchPhrase: Begins each video with, "Hi folks, Matt Easton here, Schola Gladiatoria!"
* KatanasAreJustBetter: Averted when he discusses the katana in relation to the longsword, making some particular points but generally deflating the hype to show that the katana is a sword with advantages and disadvantages, just like any other.
* OneHandedZweihander: Demonstrates in his "Can the two-handed greatsword be used one handed?" video that a lot of the moves done with a two handed sword are at least possible one handed, but also extremely exhausting (and doing them two handed's no mean feat in the first place using the somewhat overbuilt Del Tin Spadone). He also shows the single handed thrust mentioned in the Giacomo di Grassi manual.
* SigningOffCatchPhrase: Ends each video with some variation on "Cheers!"
* WallOfWeapons: Records videos in the room where he keeps his collection, including all kinds of swords mounted on the wall.

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--> ''"[[SigningOffCatchPhrase Cheers, guys!]]"''

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