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* Sally Shapiro averts this in her cover of the Music/PetShopBoys' "Rent", originally sung by the gay Neil Tennant, though it lacks gender-specifc lyrics.

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** Similarly, Fugazi's "Suggestion", a song about the objectification of women, is from the perspective of a woman for at least the first verse [[note]]from there on the POV seems to switch to that of a man who witnessed the sexual harassment in the first verse, but opted not to do anything about it[[/note]], but is written and sung by male vocalist Ian [=MacKaye=] ("Why can't I walk down the street free of suggestion? Is my body the only trait in the eyes of men?")

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** Similarly, Fugazi's "Suggestion", a song about the objectification of women, is at least ''mostly'' from the perspective of a woman for at least woman [[note]]near the first verse [[note]]from there on the end, the POV seems to switch to that of someone else, possibly a man man, who witnessed witnesses the sexual harassment described earlier in the first verse, song but opted not to do anything about it[[/note]], [[BystanderSyndrome doesn't speak up]][[/note]], but is written and sung by male vocalist Ian [=MacKaye=] ("Why can't I walk down the street free of suggestion? Is my body the only trait in the eyes of men?")
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* Music/{{Madness}}'s cover of "Money, Money, Money" by Music/{{ABBA}} changed "If I got me a wealthy man" to "If I were a wealthy man," among other changes.

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* Music/{{Madness}}'s Music/{{Madness|Band}}'s cover of "Money, Money, Money" by Music/{{ABBA}} changed "If I got me a wealthy man" to "If I were a wealthy man," among other changes.
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* "Mr. Sandman" was originally recorded by Vaughn Monroe with the desired "dream" being a "she". The Chordettes' [[CoveredUp much more famous cover]] switches it to a "he" and describes it as having "a lonely heart like Pagliacci, and lots of wavy hair like Liberace". The Four Aces' own cover, [[MisterSandmanSequence used in]] ''Film/BackToTheFuture'', keeps the original feminine gender.

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* "Mr. Sandman" was originally recorded by Vaughn Monroe with the desired "dream" being a "she". The Chordettes' [[CoveredUp much more famous cover]] switches it to a "he" and describes it as having "a lonely heart like Pagliacci, and lots of wavy hair like Liberace". The Four Aces' own cover, [[MisterSandmanSequence used in]] ''Film/BackToTheFuture'', ''Film/BackToTheFuture1'', keeps the original feminine gender.
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* Music/LukeCombs's cover of Music/TracyChapman's "Fast Car" retains the line about working as a "check out girl" to save money to run away. For reasons unknown, as the gender of the singer is not relevant to the song, and Luke Comb's voice is...decidedly male.

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* Music/LukeCombs's cover of Music/TracyChapman's "Fast Car" retains the line about working as a "check out girl" to save money to run away. For reasons unknown, as According to Combs himself, he kept the gender lyrics as-is out of the singer is not relevant to the song, respect for Chapman and Luke Comb's voice is...decidedly male.her work.
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* Averted in Groove Coverage's cover of Music/AliceCooper's "Poison". Ditto the {{Eurobeat}} version by Elisa.

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* Averted in Groove Coverage's Music/GrooveCoverage's cover of Music/AliceCooper's "Poison". Ditto the {{Eurobeat}} version by Elisa.
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* The Music/{{Vengaboys}}, who [[NonIndicativeName despite their name]] have a female lead singer, gender-flipped The Walkers' "Shalala Lala".

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* The Music/{{Vengaboys}}, who [[NonIndicativeName despite their name]] have a female lead singer, gender-flipped The the Walkers' "Shalala Lala"."Sha-La-La-La-La".
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* The Music/{{Vengaboys}}, who [[NonIndicativeName despite their name]] have a female lead singer, gender-flipped The Walkers' "Shalala Lala".
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Sweater Girl was renamed Sexy Sweater Girl in TRS. Examples that don't properly mention that the tight sweater is for fanservice are being removed


* The Music/BowWowWow cover of "I Want Candy" is a straight-up gender flip, but it does make the line "I like candy when it's wrapped in a sweater" sound a bit odd-- we don't have a [[SweaterGirl Sweater Boy]] trope.

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* The Music/BowWowWow cover of "I Want Candy" is a straight-up gender flip, but it does make the line "I like candy when it's wrapped in a sweater" sound a bit odd-- we don't have a [[SweaterGirl Sweater Boy]] trope.as the SexySweaterGirl trope is AlwaysFemale.
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* {{Eurobeat}} musician Dave Rodgers did a [[https://www.youtube.com/watch?v=yUbzRdaRwK8 cover]] of Leslie Parrish's [[https://www.youtube.com/watch?v=PCQVVN2jCxg "Killing My Love"]], without changing the lyrics, including the one gender-specific line in the song: "I was thinking to become your wife."

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* {{Eurobeat}} musician Dave Rodgers did a [[https://www.youtube.com/watch?v=yUbzRdaRwK8 cover]] of Leslie Parrish's [[https://www.youtube.com/watch?v=PCQVVN2jCxg "Killing My Love"]], without changing the lyrics, including the one gender-specific line in the song: "I was thinking to become your wife." Male-wife Dave, anyone?
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* {{Eurobeat}} musician Dave Rodgers did a [[https://www.youtube.com/watch?v=yUbzRdaRwK8 cover]] of Leslie Parrish's [[https://www.youtube.com/watch?v=PCQVVN2jCxg "Killing My Love"]], without changing the lyrics, including the one gender-specific line in the song: "I was thinking to become your wife."
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* Music/LukeCombs's recent cover of Music/TracyChapman's "Fast Car" retains the line about working as a "check out girl" to save money to run away. For reasons unknown, as the gender of the singer is not relevant to the song, and Luke Comb's voice is...decidedly male.

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* Music/LukeCombs's recent cover of Music/TracyChapman's "Fast Car" retains the line about working as a "check out girl" to save money to run away. For reasons unknown, as the gender of the singer is not relevant to the song, and Luke Comb's voice is...decidedly male.
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* Andy Williams' cover of Music/BarbraStreisand's "My Coloring Book", in addition to pronoun alterations, changes the line "These are the beads that I wore until she came between" into "This is the tie that I wore until he came between".
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* Most songs on Masaaki Endoh's cover series ENSON. These range from the still-working (''[[Anime/GalaxyAngel Wing of Destiny]]''), ''[[Anime/MagicalGirlLyricalNanohaAs Eternal Blaze]]'') to the... less so ([[LightNovel/HaruhiSuzumiya God Knows]], Anime/GenesisOfAquarion).

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* Most songs on Masaaki Endoh's cover series ENSON. These range from the still-working (''[[Anime/GalaxyAngel Wing of Destiny]]''), ''[[Anime/MagicalGirlLyricalNanohaAs Eternal Blaze]]'') to the... less so ([[LightNovel/HaruhiSuzumiya ([[Literature/HaruhiSuzumiya God Knows]], Anime/GenesisOfAquarion).
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* Music/LukeComb's recent cover of Music/TracyChapman's "Fast Car" retains the line about working as a "check out girl" to save money to run away. For reasons unknown, as the gender of the singer is not relevant to the song, and Luke Comb's voice is...decidedly male.

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* Music/LukeComb's Music/LukeCombs's recent cover of Music/TracyChapman's "Fast Car" retains the line about working as a "check out girl" to save money to run away. For reasons unknown, as the gender of the singer is not relevant to the song, and Luke Comb's voice is...decidedly male.
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* Music/LukeComb's recent cover of Music/TracyChapman's "Fast Car" retains the line about working as a "check out girl" to save money to run away. For reasons unknown, as the gender of the singer is not relevant to the song, and Luke Comb's voice is...decidedly male.
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*** The original writer also wrote alternate lyrics for a male singer, replacing the words "Danny Boy" with "Eily Dear", but they are almost never used.
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* Music/ArethaFranklin's SignatureSong "Respect" was originally written and performed by Music/OtisRedding. The original is from the perspective of a man (possibly a touring musician) who [[{{Cuckold}} doesn't mind if his lady fools around with other people]] while he's away but wants her to show him respect when he comes home. Franklin [[TheCoverChangesTheMeaning turned the song into a feminist anthem]], changing the lyrics to be from the perspective of a lady who is faithful[[note]]The original lyric "''You can do me wrong, honey, if you wanna'' / ''But only do me wrong, honey, while I'm gone''" was changed to "''I ain't gonna do you wrong, while you're gone'' / ''I ain't gonna do you wrong, 'cause I don't wanna''"[[/note]] and supports her man demanding to be given the respect she's due.

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* Music/ArethaFranklin's SignatureSong "Respect" was originally written and performed by Music/OtisRedding. The original is from the perspective of a man (possibly a touring musician) who [[{{Cuckold}} doesn't mind if his lady fools around with other people]] while he's away but wants her to show him respect when he comes home. Franklin [[TheCoverChangesTheMeaning turned the song into a feminist anthem]], changing the lyrics to be from the perspective of a lady who is faithful[[note]]The faithful[[note]](The original lyric "''You can do me wrong, honey, if you wanna'' / ''But only do me wrong, honey, while I'm gone''" was changed to "''I ain't gonna do you wrong, while you're gone'' / ''I ain't gonna do you wrong, 'cause I don't wanna''"[[/note]] wanna''")[[/note]] and supports her man man, demanding to be given the respect she's due.
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The "Sock it to me" part isn't in the original version of "Respect".


* Toni Basil's [[CoveredUp famous cover]] of Racey's "Kitty" was changed to "Mickey," though retaining the line "Anyway you want to do it. I'll take it like a man."

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* Toni Basil's [[CoveredUp famous cover]] of Racey's "Kitty" was changed to "Mickey," though retaining "Mickey". The rest of the lyrics remain the same, so the cover retains the line "Anyway you want to do it. it, I'll take it like a man."man". It also rhymes "Mickey" with "pity" and "pretty".



* Music/ArethaFranklin's feminist hit "Respect" was originally written and performed by a man by the name of Music/OtisRedding. On the other hand, the "Sock it to me!" part definitely sounds harsher being sung by Franklin. Overlaps with TheCoverChangesTheMeaning, as Franklin's alteration of the lyrics changes from a musician basically asking for a little respect from his lady but supporting her and [[{{Cuckold}} not minding if she fools around on him]], to a lady who is faithful and supports her man demanding to be given the respect she's due.

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* Music/ArethaFranklin's feminist hit SignatureSong "Respect" was originally written and performed by a man by the name of Music/OtisRedding. On the other hand, the "Sock it to me!" part definitely sounds harsher being sung by Franklin. Overlaps with TheCoverChangesTheMeaning, as Franklin's alteration of the lyrics changes The original is from the perspective of a musician basically asking for man (possibly a little respect from his lady but supporting her and touring musician) who [[{{Cuckold}} not minding doesn't mind if she his lady fools around on him]], with other people]] while he's away but wants her to show him respect when he comes home. Franklin [[TheCoverChangesTheMeaning turned the song into a feminist anthem]], changing the lyrics to be from the perspective of a lady who is faithful faithful[[note]]The original lyric "''You can do me wrong, honey, if you wanna'' / ''But only do me wrong, honey, while I'm gone''" was changed to "''I ain't gonna do you wrong, while you're gone'' / ''I ain't gonna do you wrong, 'cause I don't wanna''"[[/note]] and supports her man demanding to be given the respect she's due.
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* In the ''Series/QuantumLeap'' episode "[[Recap/QuantumLeapS3E06MissDeepSouth Miss Deep South]]" Sam as a female beauty pagent contestant sings "Great Balls of Fire" with the lyric "too much love drives a ''woman'' insane" while dressed like Creator/CarmenMiranda.
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* One male cover of "Girls Just Want To Have Fun" changes the refrain to "Girl, I try to have fun".

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* One male cover of "Girls Just Want To Have Fun" changes the refrain to "Girl, I try to have fun". Which is kind of weird, because the song was originally written and sung by a man in the first place.
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* Averted with Music/KlausNomi's cover of Lesely Gore's "You Don't Own Me". Might not be too surprising, considering that Nomi himself was gay.
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* The folk song "The Broom of Cowdenknowes" (or "Bonny May"), like most traditional songs, exists in multiple forms, but the earlier versions are mostly be sung in third person, about a shepherdess who loved a "fair lad" and either married him and had to move to his estate or got pregnant out of wedlock and banished. (The chorus is first person, but is pretty clearly meant to be reported speech.) There are versions sung by female singers where they take May/Mary's perspective, and versions of ''those'' sung by male singers where they change "lad" to "lass" and largely gloss over ''why'' the character can't return to Cowdenknowes.

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* The folk song "The Broom of Cowdenknowes" (or "Bonny May"), like most traditional songs, exists in multiple forms, but the earlier versions are mostly be sung in third person, about a shepherdess who loved a "fair lad" and either married him and had to move to his estate or got pregnant out of wedlock and banished. (The chorus is first person, but is pretty clearly meant to be reported speech.) There are versions sung by female singers where they take May/Mary's perspective, and versions of ''those'' sung by male singers where they change "lad" to "lass" and largely gloss over ''why'' the character can't return to Cowdenknowes.
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* The folk song "The Broom of Cowdenknowes" (or "Bonny May"), like most traditional songs, exists in multiple forms, but the earlier versions are mostly be sung in third person, about a shepherdess who loved a "fair lad" and either married him and had to move to his estate or got pregnant out of wedlock and banished. (The chorus is first person, but is pretty clearly meant to be reported speech.) There are versions sung by female singers where they take May/Mary's perspective, and versions of ''those'' sung by male singers where they change "lad" to "lass" and largely gloss over ''why'' the character can't return to Cowdenknowes.
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* Maddie Ross' cover of Lustra's "Scotty Doesn't Know" doesn't change the gender of anyone but the singer, meaning that in the context of the song Scotty doesn't know that his girlfriend (Fiona) is cheating on him with a woman. Given that Maddie Ross is engaged to a woman, it's not hard to understand why she'd be comfortable singing a song about sleeping with someone's girlfriend.

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* In ''Theatre/TheKingAndI'', the song "Something Wonderful" is sung by Lady Thiang about her husband the King, urging Anna to be an advisor and friend to him. But operatic bass Bryn Terfel recorded the song on his Creator/RodgersAndHammerstein album, also titled ''Something Wonderful''. In his rendition, the song's [[TheCoverChangingTheMeaning meaning]] seems to change: rather than a woman explaining her love for a complicated man to another woman, it seems to depict a man explaining ''himself'' to a woman, being frank about his own flaws yet urging her to love him anyway.

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* In ''Theatre/TheKingAndI'', the song "Something Wonderful" is sung by Lady Thiang about her husband the King, urging Anna to be an advisor and friend to him. But operatic bass Bryn Terfel recorded the song on his Creator/RodgersAndHammerstein album, also titled ''Something Wonderful''. In his rendition, the song's [[TheCoverChangingTheMeaning [[TheCoverChangesTheMeaning meaning]] seems to change: rather than a woman explaining her love for a complicated man to another woman, it seems to depict a man explaining ''himself'' to a woman, being frank about his own flaws yet urging her to love him anyway.


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* Several male artists recorded Burt Bacherach and Hal David's "Kentucky Bluebird/Message to Martha", before being CoveredUp by Music/DionneWarwick's "Message to Michael".
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** Music/{{KISS}} on the other hand sang "Then She Kissed Me" when they remade the song.

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** Music/{{KISS}} Music/{{Busted}} on the other hand sang "Then She Kissed Me" "Whole Again" by Atomic Kitten when they remade the song.song and made it the second single in the US in 2003.
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* Music/AdamLambert's 2022 cover of "Mad About the Boy" from Creator/NoelCoward's revue ''Words and Music'', in which the lines "Lord knows I'm not a fool girl"/"Lord knows I'm not a schoolgirl" are changed to "fool boy" and "schoolboy". The "Boy" the song is adressed to is unchanged. The 1939 Broadway production of ''Words and Music'' under the title ''Set to Music'' was meant to include a closeted gay man amongst the starstruck women singing, and Coward rewrote some of the lyrics accordingly, but it was a CutSong because you just couldn't do that on Broadway in 1939.
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* The Belles, an all-female GarageRock band from Miami, covered "Gloria", best known for the [[Music/VanMorrison Them]] version, as [[https://www.youtube.com/watch?v=mtxkW-_GHKA "Melvin"]]. Openly PlayedForLaughs, both because "Melvin" was a stereotypically {{nerd}}y name and because there's no attempt to stretch the name out to three syllables.

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* The Belles, an all-female GarageRock band from Miami, covered "Gloria", best known for the [[Music/VanMorrison Them]] version, as [[https://www.youtube.com/watch?v=mtxkW-_GHKA "Melvin"]]. Openly PlayedForLaughs, both because "Melvin" was a stereotypically {{nerd}}y nerdy name and because there's no attempt to stretch the name out to three syllables.
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* Music/TheDoors' cover of "Alabama Song" (or [[RefrainFromAssuming "Whiskey Bar"]]) changed "Show us the way to the next little boy" to "Show me the way to the next little girl." Originally, the song was sung from the perspective of prostitutes.

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* Music/TheDoors' cover of "Alabama Song" (or [[RefrainFromAssuming "Whiskey Bar"]]) changed "Show us the way to the next little boy" to "Show me the way to the next little girl." Originally, the song was sung from the perspective of prostitutes.



* "Seattle" (also known as [[RefrainFromAssuming "The Bluest Skies You've Ever Seen Are In Seattle"]]) was written to be the opening theme for ''Here Come the Brides'', a TV series about women from the East Coast being recruited to become wives for lumberjacks in the Pacific Northwest. The song was originally from the perspective of the brides ("When you find your own true love, you will know it / By his smile, by the look in his eye"), but Perry Como's more famous cover switches the genders and changes some other lyrics to separate it from the series.

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* "Seattle" (also known as [[RefrainFromAssuming "The Bluest Skies You've Ever Seen Are In Seattle"]]) was written to be the opening theme for ''Here Come the Brides'', a TV series about women from the East Coast being recruited to become wives for lumberjacks in the Pacific Northwest. The song was originally from the perspective of the brides ("When you find your own true love, you will know it / By his smile, by the look in his eye"), but Perry Como's more famous cover switches the genders and changes some other lyrics to separate it from the series.

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