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** That and the sheer unadulterated joy of watching Light finally crash and burn.
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-->-- ''{{Twilight}}: [[http://www.the-editing-room.com/twilight.html The Abridged Script]]''
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-->-- ''{{Twilight}}: ''Literature/{{Twilight}}: [[http://www.the-editing-room.com/twilight.html The Abridged Script]]''
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* Bella of ''{{Twilight}}'' has no personality of her own and the story is told in the first person so the audience can project themselves onto her very easily. Of course, YourMileageMayVary greatly as to whether or not she's a ''successful'' example of an AudienceSurrogate.
** It has been hypothesised that this is the reason why the nuttier Twilight fans are so violently defensive of the series. They've basically replaced Bella with themselves and so consider any criticism of the series as a personal attack. Although it could just as easily be that no one likes a constant barrage of insults [[{{Hatedom}} aimed not only at a work that they enjoy]], but [[FanHaters aimed at themselves for enjoying it]].
** It has been hypothesised that this is the reason why the nuttier Twilight fans are so violently defensive of the series. They've basically replaced Bella with themselves and so consider any criticism of the series as a personal attack. Although it could just as easily be that no one likes a constant barrage of insults [[{{Hatedom}} aimed not only at a work that they enjoy]], but [[FanHaters aimed at themselves for enjoying it]].
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* Bella of ''{{Twilight}}'' ''Literature/{{Twilight}}'' has no personality of her own and the story is told in the first person so the audience can project themselves onto her very easily. Of course, YourMileageMayVary greatly as to whether or not she's a ''successful'' example of an AudienceSurrogate.
** It has been hypothesised that this is the reason why the nuttierTwilight ''Twilight'' fans are so violently defensive of the series. They've basically replaced Bella with themselves and so consider any criticism of the series as a personal attack. Although it could just as easily be that no one likes a constant barrage of insults [[{{Hatedom}} aimed not only at a work that they enjoy]], but [[FanHaters aimed at themselves for enjoying it]].
** It has been hypothesised that this is the reason why the nuttier
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Changed line(s) 15 (click to see context) from:
On VideGames, this is always the HeroicMime. ThisLoserIsYou is an AudienceSurrogate by definition. SuperTrope for AscendedFanboy, TheEveryman, and ArthurDent (See CanonicalListOfSubtleTropeDistinctions for an explanation of the difference), and related to EscapistCharacter and OtakuSurrogate. Examples below should not cover these.
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Changed line(s) 15 (click to see context) from:
ThisLoserIsYou is an AudienceSurrogate by definition. SuperTrope for AscendedFanboy, TheEveryman, and ArthurDent (See CanonicalListOfSubtleTropeDistinctions for an explanation of the difference), and related to EscapistCharacter and OtakuSurrogate. Examples below should not cover these.
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On VideGames, this is always the HeroicMime. ThisLoserIsYou is an AudienceSurrogate by definition. SuperTrope for AscendedFanboy, TheEveryman, and ArthurDent (See CanonicalListOfSubtleTropeDistinctions for an explanation of the difference), and related to EscapistCharacter and OtakuSurrogate. Examples below should not cover these.
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* Spike from ''MyLittlePonyFriendshipIsMagic'' seems to be a surrogate for the PeripheryDemographic, being TheOneGuy and all. Case in point, the end of the episode "The Ticket Master", where he complains that he's not interested in going to the Grand Galloping Gala, but is secretly delighted about getting an invitation.
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Changed line(s) 44,46 (click to see context) from:
* J.K. Simmons as the unnamed CIA director in BurnAfterReading.
* Joe Black in 'MeetJoeBlack,' particularly at the beginning (when he serves as the exploratory vehicle within Bill Paxton's estate), and the end, when he tears up watching the party-farewells and acts as the receptacle for Bill's summative reflections - essentially parroting the anticipated reaction of the audience watching the end of the movie.
* A refreshing example from {{Inception}} is Ariadne, who doesn't sit there, ask questions and let others do the work for her. She adapted easily to the dream world and was the one to [[spoiler: find out about Cobb's wife infiltrating his mind]], afterwards actively trying to help Cobb. Then, it was her idea to [[spoiler: go into the fourth level]] after Cobb and Eames had given up. In other words, she is the character that behaves as the audience would if they were in her place.
* Joe Black in 'MeetJoeBlack,' particularly at the beginning (when he serves as the exploratory vehicle within Bill Paxton's estate), and the end, when he tears up watching the party-farewells and acts as the receptacle for Bill's summative reflections - essentially parroting the anticipated reaction of the audience watching the end of the movie.
* A refreshing example from {{Inception}} is Ariadne, who doesn't sit there, ask questions and let others do the work for her. She adapted easily to the dream world and was the one to [[spoiler: find out about Cobb's wife infiltrating his mind]], afterwards actively trying to help Cobb. Then, it was her idea to [[spoiler: go into the fourth level]] after Cobb and Eames had given up. In other words, she is the character that behaves as the audience would if they were in her place.
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* J.K. Simmons as the unnamed CIA director in BurnAfterReading.
''BurnAfterReading''.
* Joe Black in'MeetJoeBlack,' ''MeetJoeBlack'', particularly at the beginning (when he serves as the exploratory vehicle within Bill Paxton's estate), and the end, when he tears up watching the party-farewells and acts as the receptacle for Bill's summative reflections - essentially parroting the anticipated reaction of the audience watching the end of the movie.
* A refreshing example from{{Inception}} ''{{Inception}}'' is Ariadne, who doesn't sit there, ask questions and let others do the work for her. She adapted easily to the dream world and was the one to [[spoiler: find out about Cobb's wife infiltrating his mind]], afterwards actively trying to help Cobb. Then, it was her idea to [[spoiler: go into the fourth level]] after Cobb and Eames had given up. In other words, she is the character that behaves as the audience would if they were in her place.
* Joe Black in
* A refreshing example from
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* Firestorm in [[LessThanThreeComics LessThanThree Comics']] Brat Pack. Even though he should be the opposite, what with his family upbringing and all. Sometimes Mr Perfect will take this role.
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* Firestorm in [[LessThanThreeComics LessThanThree Comics']] LessThanThreeComics' Brat Pack. Even though he should be the opposite, what with his family upbringing and all. Sometimes Mr Perfect will take this role.
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* Penny fills this role for non-geeky fans of ''{{The Big Bang Theory}}''. Whenever one of the guys makes an obscure reference to something in geek culture, Penny's always there to sarcastically ask what the heck they're talking about, when many viewers were wondering the exact same thing.
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* Penny fills this role for non-geeky fans of ''{{The Big Bang Theory}}''.''TheBigBangTheory''. Whenever one of the guys makes an obscure reference to something in geek culture, Penny's always there to sarcastically ask what the heck they're talking about, when many viewers were wondering the exact same thing.
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[[folder:Western Animation]]
* Ahsoka in ''StarWarsTheCloneWars'': a child, not having learned yet all she needs in order to survive in the universe, suddenly thrust into a life of excitement and adventure (and, more importantly, authority [at least, in her own mind] over more experienced adults). Isn't that what lots of kids fantasize about ([[IfYouKnowWhatIMean among other things]])?
** Which might explain the outfit.
* Orko on ''He-ManAndTheMastersOfTheUniverse'' was clearly supposed to represent the target demographic viewer.
* Most of the princes and princessses in the DisneyAnimatedCanon.
[[/folder]]
* Ahsoka in ''StarWarsTheCloneWars'': a child, not having learned yet all she needs in order to survive in the universe, suddenly thrust into a life of excitement and adventure (and, more importantly, authority [at least, in her own mind] over more experienced adults). Isn't that what lots of kids fantasize about ([[IfYouKnowWhatIMean among other things]])?
** Which might explain the outfit.
* Orko on ''He-ManAndTheMastersOfTheUniverse'' was clearly supposed to represent the target demographic viewer.
* Most of the princes and princessses in the DisneyAnimatedCanon.
[[/folder]]
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[[folder:Western Animation]]
* Ahsoka in ''StarWarsTheCloneWars'': a child, not having learned yet all she needs in order to survive in the universe, suddenly thrust into a life of excitement and adventure (and, more importantly, authority [at least, in her own mind] over more experienced adults). Isn't that what lots of kids fantasize about ([[IfYouKnowWhatIMean among other things]])?
** Which might explain the outfit.
* Orko on ''{{He-Man And The Masters Of The Universe}}'' was clearly supposed to represent the target demographic viewer.
* Most of the princes and princesses in the DisneyAnimatedCanon.
[[/folder]]
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oops
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Compare SlidingScaleOfAudienceIntelligence.
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Compare SlidingScaleOfAudienceIntelligence.
SlidingScaleOfViewerIntelligence.
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Compare SlidingScaleOfAudienceIntelligence.
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* When Fred Rogers is alone with the camera, he's a parental character. But when he's with a friend, they become the parental figure and Mr. Rogers becomes a child on behalf of the audience.
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* ''[=~Mister Rogers' Neighborhood~=]'': When Fred Rogers is alone with the camera, he's a parental character. But when he's with a friend, they become the parental figure and Mr. Rogers becomes a child on behalf of the audience.
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* Ahsoka in ''StarWarsTheCloneWars'': a child, not having learned yet all she needs in order to survive in the universe, suddenly thrust into a life of excitement and adventure (and, more importantly, authority [at least, in her own mind] over more experienced adults). Isn't that what lots of kids fantasize about ([[IfYouKnowWhatIMean among other things]])
to:
* Ahsoka in ''StarWarsTheCloneWars'': a child, not having learned yet all she needs in order to survive in the universe, suddenly thrust into a life of excitement and adventure (and, more importantly, authority [at least, in her own mind] over more experienced adults). Isn't that what lots of kids fantasize about ([[IfYouKnowWhatIMean among other things]])things]])?
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* Orko on ''He-Man and the Masters of the Universe'' was clearly supposed to represent the target demographic viewer.
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* Orko on ''He-Man and the Masters of the Universe'' ''He-ManAndTheMastersOfTheUniverse'' was clearly supposed to represent the target demographic viewer.
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** It has been hypothesised that this is the reason why the nuttier Twilight fans are so violently defensive of the series. They've basically replaced Bella with themselves and so consider any criticism of the series as a personal attack.
** Although it could just as easily be that no one likes a constant barrage of insults aimed not only at a work that they enjoy, but aimed at themselves for enjoying it.
** Although it could just as easily be that no one likes a constant barrage of insults aimed not only at a work that they enjoy, but aimed at themselves for enjoying it.
to:
** It has been hypothesised that this is the reason why the nuttier Twilight fans are so violently defensive of the series. They've basically replaced Bella with themselves and so consider any criticism of the series as a personal attack.
**attack. Although it could just as easily be that no one likes a constant barrage of insults [[{{Hatedom}} aimed not only at a work that they enjoy, enjoy]], but [[FanHaters aimed at themselves for enjoying it.it]].
**
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* Joe Black in 'Meet Joe Black,' particularly at the beginning (when he serves as the exploratory vehicle within Bill Paxton's estate), and the end, when he tears up watching the party-farewells and acts as the receptacle for Bill's summative reflections - essentially parroting the anticipated reaction of the audience watching the end of the movie.
to:
* Joe Black in 'Meet Joe Black,' 'MeetJoeBlack,' particularly at the beginning (when he serves as the exploratory vehicle within Bill Paxton's estate), and the end, when he tears up watching the party-farewells and acts as the receptacle for Bill's summative reflections - essentially parroting the anticipated reaction of the audience watching the end of the movie.
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* A refreshing example from {{Inception}} is Ariadne, who doesn't sit there and ask questions. She adapted easily to the dream world and was the one to [[spoiler: find out about Cobb's wife infiltrating his mind.]] Then, it was her idea to [[spoiler: go into the fourth level]] after Cobb and Eames had given up.
to:
* A refreshing example from {{Inception}} is Ariadne, who doesn't sit there there, ask questions and ask questions. let others do the work for her. She adapted easily to the dream world and was the one to [[spoiler: find out about Cobb's wife infiltrating his mind.]] mind]], afterwards actively trying to help Cobb. Then, it was her idea to [[spoiler: go into the fourth level]] after Cobb and Eames had given up. In other words, she is the character that behaves as the audience would if they were in her place.
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* A refreshing example from {{Inception}} is Ariadne, who doesn't sit there and ask questions. She adapted easily to the dream world and was the one to [[spoiler: find out about Cobb's wife infiltrating his mind.]] Then, it was her idea to [[spoiler: go into the fourth level]] after Cobb and Eames had given up.
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*Joe Black in 'Meet Joe Black,' particularly at the beginning (when he serves as the exploratory vehicle within Bill Paxton's estate), and the end, when he tears up watching the party-farewells and acts as the receptacle for Bill's summative reflections - essentially parroting the anticipated reaction of the audience watching the end of the movie.
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->'''Nikki Reed (Rosalie Hale):''' Knock it off, dad. So, Kristen, there must be something really special about you for {{Robert|Pattinson}} to take such a liking to you and risk the lives of his entire family. Tell us about yourself.\\
'''KristenStewart (Bella Swan):''' Me? Oh, no. I'm just a hollow placeholder for all of the teenage girls in the audience to project their personalities onto. I have none of my own whatsoever.
-->-- ''{{Twilight}}: [[http://www.the-editing-room.com/twilight.html The Abridged Script]]''
'''KristenStewart (Bella Swan):''' Me? Oh, no. I'm just a hollow placeholder for all of the teenage girls in the audience to project their personalities onto. I have none of my own whatsoever.
-->-- ''{{Twilight}}: [[http://www.the-editing-room.com/twilight.html The Abridged Script]]''
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* [[InnocentFlowerGirl Hanami]] in ''{{Tasakeru}}''.
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* [[InnocentFlowerGirl Hanami]] in ''{{Tasakeru}}''.
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* [[InnocentFlowerGirl Hanami]] in ''{{Tasakeru}}''.
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It already says mileage varies. Plus, first person and emoticons.
Deleted line(s) 46 (click to see context) :
** I think this is a case of variable milage. ;) Bella may be a person that one would aspire to be, but very few people can honestly say that they are a low maintenance, very mature and unusually intelligent at a tender age of 17. Bella always acts and dresses practically. Figures out motivations of the antagonists like Victoria even when the century old vampires can not. Realizes that Edward is a vampire in under three days. Never once loses her composure, or blames Edward for the danger she is in, and best of all, never once whines for life to be normal, as is typical for audience subs. So I don't see her as one. She is simply too unusual a character to be a good audience sub, even if she is subdued. I also don't see how she lacks in personality. I think it is simply that she is polite and calm and lacks in outbursts. That would make her a poor substitute for an average teen girl.
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** I think this is a case of variable milage. ;) Bella may be a person that one would aspire to be, but very few people can honestly say that they are a low maintenance, very mature and unusually intelligent at a tender age of 17. Bella always acts and dresses practically. Figures out motivations of the antagonists like Victoria even when the century old vampires can not. Realizes that Edward is a vampire in under three days. Never once loses her composure, or blames Edward for the danger she is in, and best of all, never once whines for life to be normal, as is typical for audience subs. So I don't see her as one. She is simply too unusual a character to be a good audience sub, even if she is subdued. I also don't see how she lacks in personality. I think it is simply that she is polite and calm and lacks in outbursts. That would make her a poor substitute for an average teen girl.
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** Although it could just as easily be that no one likes a constant barrage of insults aimed not only at a work that they enjoy, but aimed at themselves for enjoying it.
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* ''{{LOST}}'' did this a couple times to acknowledge fans' desire for answers. In season 1, Hurley gets frustrated at one point with all the mysterious happenings on the Island, saying that he wants answers. Then, in the epilogue, "The New Man in Charge," Ben comes to visit the guys at the DHARMA packing plant. As he turns to go, one of them says "Wait! You can't just leave without giving us any answers!" which is exactly what the viewers were all thinking at that point.
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Changed line(s) 9,11 (click to see context) from:
ThisLoserIsYou is an AudienceSurrogate by definition. SuperTrope of AscendedFanboy, TheEveryman, and ArthurDent (See CanonicalListOfSubtleTropeDistinctions for an explanation of the difference), and related to OtakuSurrogate. Examples below should not cover these.
See also EscapistCharacter.
See also EscapistCharacter.
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ThisLoserIsYou is an AudienceSurrogate by definition. SuperTrope of for AscendedFanboy, TheEveryman, and ArthurDent (See CanonicalListOfSubtleTropeDistinctions for an explanation of the difference), and related to EscapistCharacter and OtakuSurrogate. Examples below should not cover these.
See also EscapistCharacter.these.
See also EscapistCharacter.
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Since Audience Surrogate is trope-defined as sentence #3 in isolation, I removed pothole to specific subtrope.
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# A character who the audience (or the children in the audience) doesn't just sympathize with, but are supposed [[EscapistCharacter to actively see themselves as]].
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# A character who the audience (or the children in the audience) doesn't just sympathize with, but are supposed [[EscapistCharacter to actively see themselves as]].
as -- by desire, by default, or by author inference.
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* J.K. Simmons as the unnamed CIA director in BurnAfterReading.
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* Director Bruce Robinson used this trope so literally that the second half of his titular duo in ''WithnailandI'' doesn't even get a ''name.'' Paul [=McGann's=] character (credited as "...& I" in the credits, but revealed to be named "Marwood" in the script) is never named in the course of the film, allowing the audience to more easily identify with his misfortunes.
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* Director Bruce Robinson used this trope so literally that the second half of his titular duo in ''WithnailandI'' ''[[WithnailAndI Withnail & I]]'' doesn't even get a ''name.'' Paul [=McGann's=] character (credited as "...& I" in the credits, but revealed to be named "Marwood" in the script) is never named in the course of the film, allowing the audience to more easily identify with his misfortunes.
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What's SBS?
Deleted line(s) 20 (click to see context) :
* According to WordOfGod in one of the SBSes, Usopp was intended to be this, which is why he will always remain the weakest fighter of the crew, with human-normal abilities (other than his ImprobableAimingSkills). He ''may'' also be an ArthurDent, but considering his coping mechanism is "freak out, yell at people, cower, fake illness, and then get over it and JustShootHim..." yeah. Not sure.
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Changed line(s) 34 (click to see context) from:
* In [[Fanfic/ToyHammer ToyHammer]], this role is passed between Michael, Alice and Vincent.
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* In [[Fanfic/ToyHammer ToyHammer]], Toy Hammer]], this role is passed between Michael, Alice and Vincent.Vincent.
* [[TroperWorks/ThePrivateDiaryOfElizabethQuatermain Elizabeth Quatermain]] was pretty much designed for this purpose, allowing the reader to get an idea of what it would be like to be an ordinary person among the LeagueOfExtraordinaryGentlemen.
* [[TroperWorks/ThePrivateDiaryOfElizabethQuatermain Elizabeth Quatermain]] was pretty much designed for this purpose, allowing the reader to get an idea of what it would be like to be an ordinary person among the LeagueOfExtraordinaryGentlemen.
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* The little girl (boy?) in the ''[[StarWars Ewok]]'' TV movies.
** It's a girl. [[ViewerGenderConfusion Trust me on this]].
** It's a girl. [[ViewerGenderConfusion Trust me on this]].
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* The Cindel Towani, the little girl (boy?) in the ''[[StarWars Ewok]]'' TV movies.
** It's a girl. [[ViewerGenderConfusion Trust me on this]].movies.
** It's a girl. [[ViewerGenderConfusion Trust me on this]].