Characters.Charlie And The Chocolate Factory is full of overly-huge examples and several folders could likely be trimmed.
" Because You Were Nice to Me: It's likely that few in the world of this show would show basic politeness to a grumpy old homeless man, but Charlie (perhaps owing in part to his own humble background) is so good-natured and nonjudgmental that he is open and friendly to him. He's completely unaware that the tramp is actually someone very powerful who happens to be seeking a good child to become his heir, and if Charlie can be nice to the lowest-of-the-low, it stands to reason... That Charlie also shows a genuine appreciation of Mr. Wonka's work means a great deal to the latter, who's long felt taken for granted, and from that meeting on the boy is an unknowing Morality Pet whose path to an incredible happy ending is Mr. Wonka's work...with a few hoops the boy must jump through placed along the way to thoroughly test his kindness and creativity."
" Character Development: Subtly so. As Douglas Hodge sees it, Mr. Wonka "lost his faith in innocence" over time, disillusioned with/by a cynical adult world, and developed a Sugar and Ice Personality. He also feels wanderlust to bring other wonderlands he's imagined into being, but he loves his factory too much to leave the beautiful, strange world within it to just anyone. (Hodge noted in a Broadway.com interview that he's thus "put himself on the scrapheap" — a Pun once one learns this plot twist.note ) When he meets Charlie in his tramp disguise, he quickly realizes that the boy is everything he's looking for in a successor, and his Hidden Heart of Gold is moved to action. As he leaves at the end, Mr. Wonka regards the whole business as putting the past behind him...which would mean he's put the disappointments that came with it behind him as well."
" Morality Pet: Charlie, though he doesn't know it, can defrost Mr. Wonka's Sugar and Ice Personality and bring out his kindest nature for several reasons: The boy appreciates his work in a way that others don't, he shows him unconditional kindness and politeness no matter what "form" he takes, and he reminds him of his own childhood self. (Again, there's some Rewatch Bonus here — pay attention to his reaction to Charlie's reaction to the sight of the Chocolate Room, or the boy insisting that "an Everlasting Gobstopper is still an amazing present.")"
" The Three Faces of Adam: Charlie is the Hunter, while Mr. Wonka is both the Lord and the Prophet — he wants to create new works elsewhere, but not before he finds someone who can ensure the continued success of the factory, which he still cares deeply about. His masquerade as the tramp is the visualization of his Prophet aspect: elderly, world-weary, fearful that the values he cherishes (innocence and creativity in particular) mean nothing to younger generations. As Charlie has more in common with Mr. Wonka than he realizes — not for nothing is the Pep-Talk Song Wonka sings to him called "A Little Me" — it's more pronounced than in other versions that the two are distinct-yet-related aspects of one metaphorical being. Among touchpoints between the two:"
etc.
The Protomen enhanced my life.
Do we really need the boss character page for Final Fantasy VII?
1) Marvel Cinematic Universe - I could create a page for "Avengers and Their Allies", & if anyone want's me to, I could fill it up with all the tropes for the Avengers from the Avengers Initiative page & redirect all the characters to their relevant pages.
2) Star Wars - I'm willing to tidy up the "Other Character Pages" for both the Rebel Alliance and New Republic & Galactic Empire pages, by creating links to the top of the page (such as what we do for the Doctor in Doctor Who)
3) The X-Files - In my opinion, the character page for the franchise is looking a bit untidy and not up-to-date with recent episodes (regarding structures and what-not), & as such, I could tidy it up a bit.
Any thoughts and/or comments?