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BonsaiForest2014-11-16 09:01:04

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Chapter 10 - Boat action

So in the last chapter, Archie, Billy and Hank (in that order, probably) realized they're darn near trapped out here on the river, because they made the downright stupid mistake of taking an inflatable boat onto a river on a day where it was overcast and looking like it was going to rain hard. When the clouds burst and the rain poured forth, our three idiots got caught up in the river.

Chapter 10 begins with some surprisingly decent writing for a change:

The boat continued to move downriver at a faster and faster pace, moving at an astonishing rate of speed. The boys looked at each other with fearful eyes, as the hard rain continued to fall upon them. They were frightened now, more frightened than they had ever been in their lives. The wrath of nature had wreaked severe hardship upon them, and they were not prepared for it. Now they were in a fierce struggle for their lives.

Slightly stiff, but a surprisingly competent paragraph of action drama.

A few paragraphs later, it regresses to this:

They presently gave up on trying to get over near either riverbank. Now they were just concerned with attempting to maneuver the boat around the worsening white water sections in the river, so the boat would not turn over. They managed this reasonably well for a short distance and began to feel confident, as the rain lessened and visibility improved.

Annnd, we're back to clinical, almost medical descriptions of action. It just doesn't work.

Let's put it this way. Picture someone who went camping in the woods and got attacked by a bear. How do you think that person would describe the incident? A regular person might describe it like this:

"So I was camping, and this bear attacked me! I was sitting at the campfire, listening to music, when I heard this growl. And since my music was real loud, I thought it was just part of the music, you know? I was listening to death metal. But then I saw it out of corner of my eye. And the bear jumped on me and my head hit the ground before I even knew what happened. The bear's face was like right in front of mine, and I was like 'Holy crap, I'm screwed', and it started clawing at my face and..."

If that person was the author of this book, they'd describe it like this:

"While camping, as I was sitting at the campfire and listening to music, the sound of a growl was made about twenty feet to the right from where I sat. However, due to the loud sound of my music, I originally mistook it for part of the soundtrack. This is because I was listening to death metal, whose loud sounds are indistinct at times. Therefore, I didn't initially recognize the bear. Five seconds later, the bear jumped on top of me and knocked my head into the dirt in a painful manner. I thought 'Darn me, I'm in trouble now!' The bear's face was two inches from mine, and it swiped its claw across my face multiple times..."

Which sounds like a more exciting story? I think our author should, at the very least, have read other books' action scenes if he was going to write one of his own.

Anyway, back in Gifford Bailey's story, the kids spot

a low-lying wooden footbridge, of the makeshift variety, hanging out across the river. It was barely above the waterline because of the rising water level of the storm.

Archie comes up with a way to avoid it, and the book comes up with more explanations for what they're doing while they're doing it, while describing things as exactly as possible.

The boat was moving faster and faster toward the footbridge now, traveling at an awesome rate of speed. With desperate eyes, the boys looked across the bridge from one end to the other. They noticed the bridge sagged a little toward the middle of the river. That meant the amount of clearance underneath it was slightly more toward the right and left riverbanks. Since the boys were already drifting somewhat closer to the left riverbank, they desperately started steering the boat toward that direction. In less than a minute, they luckily managed to maneuver the boat a few yards over that way.

How do you mangle an action scene so badly? See my above example of the camper and the bear. While that person's storytelling style is very unprofessional, it would be a lot more exciting than what we get here.

"Now I can see the spot we're heading for!" Archie yelled out. "You see it, guys?"

"Yeah!" both Billy and Hank hollered.

Now you see the spot you're headed for? What does that even mean? "Now we're finally reaching the place that we're going to go to! See it?" "Yeah!" They didn't even plan to go this way, so what is he even talking about with the whole "spot we're heading for" thing?

Also, another Billyhank uniquote.

Next, we get more exact descriptions of measurements:

The spot had about a four-foot clearance between the water and the bottom of the bridge. The height of their boat was slightly over two feet off the water. That gave the boys slightly less than two feet to make it underneath the bridge.

I get that the author is probably trying to imagine in his head how the scene would work, and that explains the exact size measurements. Still, that doesn't make for exciting writing. He should instead think in terms of how a person who survived a situation like this would actually describe it, then transplant such a description to a third-person narrator.

If the boat happened to bob up just as they were about to pass under the bridge, they would crash into it. This would probably cause the boat to puncture and sink, or perhaps turn over. Such an occurrence would be a disaster.

Really, it would be a disaster? You sure? Needless to say, if writing adds nothing to the scene, it should be removed.

The boat continues to have hard times with the water.

If the boat happened to crash, the boys knew they would have to grab onto the bottom of the bridge if they could, in order to avoid being swept away downriver. But they hoped this situation would not occur, because it would be extremely difficult — perhaps impossible — to hang on and pull themselves up.

"I sure do hope the situation with the boat crashing and us getting swept away downriver doesn't occur!"

I'd like to know also just how the rain turned this harsh so quickly. Never mind the idiocy involved in planning to use a boat when it's dark overhead and threatening rain the whole day; I'd like to know how the river got so threatening so quickly.

After a few more paragraphs, they manage to get under the bridge.

"Woo! We made it!" Archie yelled out with relief, as he glanced back at the footbridge. "We made it! We're okay!"

"Alright!" both Billy and Hank yelled, as they lay partially sprawled underneath Archie. "Alright!"

I'm picturing Billy and Hank laying sprawled on the boat, both yelling "Alright! Alright!" at the exact same time. It looks more undignified in my imagination than the writing makes it sound.

The boys slowly got off of one another and shook each other in a moment of relief, glad they were unharmed. Then they righted themselves and resumed their previous positions.

What is this, a cartoon??? A video game animation? What would this even look like? Did they get up, take turns shaking each other, then sit up, and go shift into their exact original spot and position?

The rain begins to subside, and soon, they spot something in the distance that looks like a lake.

Archie saw a dam structure in the distance, and then immediately knew what it was. "No, it's not a lake! It's Riverwood Reservoir! It's got to be! I can tell by that dam across the way there! I've been there fishing with my dad a few times, and I recognize that dam from here!"

"That's where the river must end, then!" Hank reasoned. "It must go into the reservoir!"

Hank uses his reasoning skills to realize that anything Archie says is always right.

The boat continues heading towards the reservoir, and only when they're very close do they notice the waterfall.

Then suddenly, as visibility became clearer, all three boys noticed something unusual up ahead, where the river met the reservoir. They noticed the water in the river was not on an even level with the water in the reservoir. That meant that there was a drop, or waterfall, from the river down into the reservoir.

It could be a drop, or it could be a waterfall, which I believe is what it's called when water drops.

They realize they're probably going to go over the waterfall, fight against it, then realize that they're definitely going to go over the waterfall and there's nothing they can do about it. So they just take it.

"Try and stay together!" Archie shouted.

Those were the last words uttered before the boat raced out over the waterfall, and descended some forty feet down into the reservoir. All three boys were thrown from the boat almost immediately. They each plunged down into the deep water, feet first. But all three boys survived the impact, and, being good swimmers, surfaced seconds later near one another.

You just can't separate these three. They do everything in unison, no exceptions. They get thrown from the boat in unison. They all land in the water, feet first, in unison. Heck, they're such identically perfect swimmers, that they surface near each other at the same time. I mean, you could easily rewrite that paragraph to refer to a single character. Watch. I'll do it.

"Archiebillyhank was thrown from the boat almost immediately. He plunged down into the deep water, feet first. But he survived the impact, and, being a good swimmer, surfaced seconds later."

Still not good writing, but it makes more sense since it's referring to one character, not three who act totally in unison.

The three boys now began doggy paddling about, looking around desperately for the little rubber boat.

I thought they were good swimmers?! Now suddenly they switch to doggy paddling. I wonder how much actual "swimming" they did. When they fell in the water, did they actually swim back to the surface, or just float to the surface? I guess doggy paddling is equal to swimming in the author's mind.

But the boys had to find the boat quickly in order to survive, because they were about eighty yards from the nearest reservoir shore, and exhausted. In a few seconds they located it. It was about twenty yards away, floating upside down. The boys swam to it and held onto it for several minutes, until they regained their strength and their wits.

Then they began looking around for the paddles, which were buoyant. They spotted both of them floating about fifteen yards away from the boat, and retrieved them.

Yes, describe to us why they need the boat to survive. You could just have said that they were exhausted first, and then describe how they're likely to pass out from exhaustion and drown, and make the search for the boat more exciting. In fact, I'm realizing that if the explanations for things were shown first, and then the action, the story would flow better.

Now all they had to do was push the little rubber boat over, so it was right side up. They accomplished this after several attempts, and lifted themselves up into the boat.

Exciting flip boat over action! The story doesn't even show their attempts, or try to make it exciting. It just tell us "they had to do this. After a few tries, they did it." Heck, even a single sentence like "After several attempts, they managed to flip the rubber boat right side up, and then climbed in" would work better.

In the end, the piece of paper with the lock combination number was no longer in Archie's pocket. But good thing the boys still remember the combination number: 5-31-18. Yes, all three remembered it. It's not like they're separate characters, with separate abilities, such as having better or worse memory, or anything.

And this chapter ends.

Billyhank hive mind dialog count: 10

Crushing something on someone's head count: 4½

Total victory celebration length: 32 minutes

Comments

Ellowen Since: Dec, 1969
Nov 14th 2014 at 3:23:05 PM
spot on about the way stories are usually told. detail is good, but the clinical, emotionless way this book does it is jut terrible.
Jinxmenow Since: Dec, 1969
Nov 15th 2014 at 1:06:56 PM
"We are many. We are legion. Resistance is futile. You will be assimilated in precisely 14 and a half minutes."
MetaFour Since: Dec, 1969
Nov 17th 2014 at 6:17:23 PM
What if... in the first draft, Archie was the only protagonist. All the dialogue was the same, but it was just Archie vocalizing every thought in his head. When the author showed off the first draft, his readers told him the story needed more characters. So he added Hank and Billy, attributed some of Archie's dialogue to them, added some bits of them agreeing with whatever Archie said... and then forgot to make them do anything that wasn't already in the first draft.
AccidentalHermit Since: Dec, 1969
Feb 28th 2015 at 8:37:33 PM
Wow. I thought Ranger's Apprentice overexplained during action scenes but this really tops anything I could have imagined. It's the kind of writing I do when I try to make my essays sound acceptable to turn in.
BonsaiForest Since: Dec, 1969
Apr 16th 2015 at 7:56:19 AM
I'd like to see some examples of Ranger's Apprentice's overexplaining, actually. I'm curious how bad it is compared to this, even if this is worse!
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