Hai gaiz. You know how Icycalm already knows shit-for-all about videogames/Nietzsche/rationality, despite claiming vast knowledge in all three subjects?
Animation. Fuck. Shit. Cunt. This will end badly.
I mean, it's bad enough when things like the Animation Age Ghetto prevent the general public from viewing animation as a legitimate art form. What would happen when a totally egotistical douchebag decided to review animation? If you guessed "He'd give a scathing review of The Animaniacs", you get a consolation prize.
Let's dive in. And drown, hopefully, because I swear to God another decade-long paragraph will give me a hernia. Is that even physically possible?
A few animation "principles" were developed and refined within less than a decade!
Okay. Starts off well enough. Who the Hell was actually making animated features of stick figures is beyond me, but hey, maybe Randall Munroe finally built a time machine.
Animation, born of the also recent invention of cartoon art and comics, was a whole new way of looking at the world.
NO YELLING IN THE LIBRARY. THANK YOU.
It took all the boring parts out of life and just left the fun parts. It was fun to look at and fun to watch move. It told funny, ridiculous stories. It was the ice cream of the arts and because of it became the most popular of all the visual arts. Most people like fun — except executives who prefer market research.
To me the first half of the 20th century could be known as "The Cartoon Age" just as well as "The Jazz Age" or "The Age Of Progress".
Really. Pray tell how no animated features back then were trying to make dramatic stories, hmm?
Astoundingly, this unbelievable new creative medium didn't get much respect — surely because it was so inventive and obviously directly enjoyable by so many people.
Or maybe because, y'know, they weren't art?
hahaha
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- More detail
- Human proportions
- Elaborate special effects
- Spectacle
- Crying
- Tribes of Naked Babies
None of these things lend themselves naturally to animation. They just make the work harder and eat away precious time that could be better spent being imaginative and doing what only cartoons and animation can do.
But creative cartoons and impossible magical animation don't get respect, remember. They just generate tons of money for the studios that release them — who in turn crap on the artists who made all the money for them.
HAHAHA
Animators too busy comparing themselves unfavorably to illustrators, comic strip artists, live action movies and other related forms didn't realize how wonderful and unique their own skills were. The things you could only do in cartoons and the crazy amount of skill the animators developed in performing them came so natural to them that they didn't think much of them.
What, no examples? Though it's not like they'd improve this idiocy anyway.
You heard it here first, folks. There was no innovation or good animation after the 1940s.
Taller proportions-long legs. Much harder to move convincingly.
More detail. The more details on a character, the slower and more difficult it becomes to animate him. More effort is expended on just not making jerky mistakes than on making the characters fun and entertaining. For twenty-five years Disney's characters became harder and harder to draw, but the animation hardly varied at all. The characters moved the same way the simpler characters did — according to old Disney formulae.
Other animators see how technically well animated these elaborate Disney features are and know the incredible effort that went into them and are impressed. This doesn't automatically impress laymen or the audience though.
why is this a bad thing
By the late '50s the animation had become completely stiff and Jones' drawing style had grown tastelessly out of control.
But I thought you loved "entertainment" and hated "art."
Then at the peak of his inventiveness and the peak of the Golden Age — he up and left!
Some say he was fired; he says he quit. But I think this single event in animation history was the most catastrophic thing we've ever endured. His momentum carried Warner Bros. for a few more years even as they gradually slowed down, but it created a hole in the art form that has never been filled.
Yeah, he's influential and all, but seriously: The most influential cartoonist of all time? You're stretching this a little, bud.
History has decided to award him the creation of Bugs Bunny, somewhat arbitrarily in my opinion — but how could it be that someone who created the greatest animated cartoon character in history could never again create even a single character that the public really wanted to follow?
TEX DIDN'T CREATE CHARACTERS AND THE PUBLIC WOULD RATHER STICK WITH LESS FUNNY CHARACTERS THAN WITH FUNNIER CONCEPT CARTOONS
First, why are you saying it's dubious for him to be credited with the creation of Bugs Bunny and then wonder why he didn't create another Bugs Bunny? That's a contradiction, and God knows we can't have that. Not with Icycalm.
Second, it's a bit unfair to say he made no other lasting characters, considering he came up with, you know, Daffy fucking Duck.
It's a natural impulse for us to bond with friends. We bowl with our neighbors and party with them — even if they are not the most interesting folks in the city. Today's networks have come to realize this. They will leave a boring series on the air long past the period where they aren't getting ratings — because the audience will soon get used to the characters and accept them and even believe they are entertaining. Especially since there is no competition.
THE END
Tex was the last guy to uphold cartoon animation's roots, but wasn't enough of an influence by the '50s to halt the ever more decadent trends that the rest of his colleagues were following.
Progress died and even worse — cartoons as a unique form of entertainment and art died.
You're fucking insane, aren't you. Really? Really? There have been absolutely no good cartoons since the 50s? Recurring characters can never be entertaining? People don't remember Tex Avery's legacy (which consists of Daffy fucking Duck and Bugs fucking Bunny)? What a moro-
...
Wait what.
-scrolls back to top of page-
Well, shit. Let me fix all of this:
John is right! Animation has been long dead, with companies doing nothing but pumping out cheap, worthless sequels and commercials disguised as programming! They all suck! All glory to the cactus king!
Because there's only room for one asshole on this website.