Line #37 Music/Nomeansno


1	[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/700_2.jpg]]
2	[[caption-width-right:350:From left to (w)right: John Wright, Andy Kerr, Rob Wright]]
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4	->''He kept trying''\
5	''He kept trying''\
6	''But he couldn't find out''\
7	''Why he couldn't stop crying''\
8	''Only so many songs can be sung with two lips, two lungs and one tongue''\
9	--"'''Two Lips, Two Lungs, and One Tongue'''"
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11	'''Nomeansno''' (sometimes written as '''[=NoMeansNo=]''' or '''No Means No''') were a Canadian punk band formed in 1979 in Victoria, British Columbia by bassist Rob Wright and his younger brother John on drums and keyboards. Later on they were joined by guitarist Andy Kerr, who left in 1992 and was replaced by Tom Holliston. Second drummer Ken Kempster played with the band from 1993-1997 before they went back to being a trio.
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13	Nomeansno’s sound was characterized by Rob’s groovy and darkly melodic basslines, John’s precise and powerful drumming, and—especially during the Andy Kerr years—screeching, rhythmic guitar. Their lyrics were often bizarre and surreal, sometimes violent and horrific, but just as often (if not simultaneously) humorous or comedic. Their genre-bending ways, musicianship, and use of [[UncommonTime atypical rhythms and time signatures]] often gets them categorized as jazz punk, and they are widely considered forerunners of math rock.
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15	The band formed in 1979 after Rob and John saw {{UsefulNotes/Vancouver}} punk rock legends {{Music/DOA}} play a chaotic show at the University of Victoria on March 23 of that year; from then on, John was enamoured with punk rock. Taking their name from an anti-rape slogan, they rehearsed and made home recordings in their parents’ basement and released their debut single, a surreal synthpop song called "Look, Here Come the Wormies", in 1980.
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17	They began to play live as a drums-and-bass duo in 1981. Their debut full-length ''Mama'' was released the following year, and the year after that they persuaded guitarist Andy Kerr (John’s former bandmate in the local group Infamous Scientists) to round out their lineup. Around the same time, the band began moonlighting as a [[Music/TheRamones Ramones]] cover band called '''The Hanson Brothers'''--named after characters in the movie ''Film/SlapShot''--for which they eventually began writing their own hockey-themed Ramones-esque songs.
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19	Nomeansno’s second full-length, 1986’s ''Sex Mad'', featured the minor college radio hit “Dad”, in which the teenage narrator details an evening of horrific domestic abuse. Around this time, Rob developed nodules on his vocal cords, leading Andy to take over as main vocalist. The band signed with former Music/DeadKennedys frontman Music/JelloBiafra’s label Creator/AlternativeTentacles and released the EP ''The Day Everything Became Nothing'' and the album ''Small Parts Isolated and Destroyed''. By the following year, Rob’s larynx had sufficiently healed and he resumed lead vocalist duties in time to record what is widely considered the band’s greatest album, the 1989 LP ''Wrong''.
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21	In 1990 Biafra recorded a song with Nomeansno, “Falling Space Junk”, for the soundtrack to the low-budget dystopian satire ''Film/TerminalCityRicochet'' in which Biafra played a supporting role. A full-length collaborative album, ''The Sky Is Falling and I Want My Mommy'', was released in 1991 and led to the band's [[GermansLoveDavidHasselhoff enduring popularity in Europe]]. The same year they released ''0 + 2 = 1'', the final album to feature Andy Kerr, who left the band to emigrate to UsefulNotes/TheNetherlands. In 1992, The Hanson Brothers (now featuring drummer Ken Jensen to allow John to focus solely on singing) recorded their debut full-length album ''Gross Misconduct'' and John produced D.O.A.’s comeback album ''13 Flavours of Doom''.
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23	Nomeansno [[RevisitingTheRoots carried on as a duo]] for a time, recording and releasing the album ''Why Do They Call Me Mr. Happy?'' in 1993, with Rob handling both guitar and bass, before joining forces with guitarist Tom Holliston (who had already been playing with Rob and John in The Hanson Brothers) and second drummer Ken Kempster. In 1994, {{Music/Sepultura}} cancelled an appearance at the Roskilde Festival in UsefulNotes/{{Denmark}} and Nomeansno were brought in to replace them; they ended up playing for 60,000 people immediately after Music/PeterGabriel.
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25	Tragedy struck in early 1995 when Ken Jensen died in a fire caused by a discarded cigarette in a house with no smoke detector. Jensen had also been drumming for D.O.A., and John handled both production and percussion duties on the band’s next album ''The Black Spot''. Later the same year, Nomeansno released their first album with Tom Holliston, ''The Worldhood of the World (As Such)'', the title of which was inspired by Rob’s [[HiddenDepths interest]] in the writing of existentialist philosopher Martin Heidegger.
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27	The Hanson Brothers released their second album ''Sudden Death'' in 1996, with Ken Kempster taking over for Ken Jensen on drums. The album featured a cover of Canadian troubadour Stompin’ Tom Connors' classic “The Hockey Song”, the music video for which became popular on Creator/MuchMusic.
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29	Touring with two drummers had become a logistical and financial headache for Nomeansno, and the band was a trio again for their next album ''Dance of the Headless Bourgeoisie''. The album took a much more experimental, avant-garde approach than previous records and featured some of the band’s [[EpicRocking longest songs]] to date. Reception was mixed, and John later said it was [[OldShame “not our greatest effort”]].
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31	The band’s next album, ''One'', was released in 2000 and was much more well-received. It featured two cover songs: a slow, plodding rendition of The Ramones’ “Beat on the Brat” and a 15-minute-long cover of jazz legend Music/MilesDavis’ “Bitches Brew”.
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33	In 2002, Nomeansno left Alternative Tentacles and The Hanson Brothers released their final full-length album ''My Game'' (the cover and title song of which parody Music/BlackFlag’s ''My War'') on Mint Records with new drummer Ernie Hawkins. Nomeansno’s output slowed after this, and it wasn’t until 2006 that they released what turned out to be their final full-length album, ''All Roads Lead to Ausfahrt''.
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35	The band unceremoniously announced their retirement in 2016, shortly after Tom Holliston announced he was leaving the group. Their last show was an acoustic performance in their hometown of Victoria the previous year celebrating their induction into the Western Canadian Music Hall of Fame.
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37	Tom Holliston has since maintained a solo career, touring the world periodically with just an acoustic guitar. John Wright’s first major output post-breakup was writing and recording songs for the Berlin-based all-robot rock band [[https://www.youtube.com/channel/UC0YxDJBJTMGQE8e2uzg7Ctw Compressorhead]]’s first album, 2017’s ''Party Machine'', which also included a cover of the Hanson Brothers song “My Girlfriend’s A Robot”. For a time, he also owned and operated a brewpub in his adopted hometown of Powell River, British Columbia. In 2023, he released a self-produced solo album under the name Dead Bob and assembled a band of the same name for live performances. Rob Wright has completely retired from music, and one of his prized Fender Precision bass guitars now resides in the Punk Rock Museum in Las Vegas.
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39	!! Studio Albums:
40	* ''Mama'' (1982)
41	* ''Sex Mad'' (1986)
42	* ''Small Parts Isolated and Destroyed'' (1988)
43	* ''Wrong'' (1989)
44	* ''The Sky Is Falling and I Want My Mommy'' (1991) -- collaboration with Music/JelloBiafra
45	* ''0 + 2 = 1'' (1991)
46	* ''Why Do They Call Me Mr. Happy?'' (1993)
47	* ''The Worldhood of the World (As Such)'' (1995)
48	* ''Dance of the Headless Bourgeoisie'' (1998)
49	* ''One'' (2000)
50	* ''All Roads Lead To Ausfahrt'' (2006)
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52	!! [=EPs=]:
53	* ''Betrayal, Fear, Anger, Hatred'' (1981)
54	* ''You Kill Me'' (1985)
55	* ''The Day Everything Became Nothing'' (1988)
56	* ''The Power of Positive Thinking'' (1990)
57	* ''Would We Be Alive?'' (1996)
58	* ''In the Fishtank 1'' (1996)
59	* ''Generic Shame'' (2001)
60	* ''Tour EP 1'' (2010)
61	* ''Tour EP 2'' (2010)
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63	!! as The Hanson Brothers:
64	* ''Gross Misconduct'' (1992)
65	* ''Sudden Death'' (1996)
66	* ''My Game'' (2002)
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68	!! Nomeansno's music provides examples of the following tropes:
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70	* ACappella:
71	** The American release of ''Sex Mad'' features a vocals-only mix (not counting the jazzy hi-hat cymbal intro) of the song "No Fkuigcn".
72	** The Music/DeadKennedys tribute album ''Virus 100'' features the band's ''a cappella'' rendition of the song "Forward to Death".
73	* AffectionateParody: The Hanson Brothers side project is one of Music/TheRamones. The members adopt Ramones-esque stage names (diminutive of their real first names + "Hanson"), John wears a leather jacket onstage, and their album titles and covers parody those of other punk bands (detailed below under ShoutOut).
74	* ApocalypseHow: Several of the band’s songs depict an apocalypse of one kind or another; sometimes separate songs on the same album depict completely different scenarios. Some examples:
75	** "Look, Here Come the Wormies" depicts the world being taken over by worms.
76	** "The Day Everything Became Nothing" is about everyone in the world forgetting who they are at the same time and trying to sort out how to proceed from there.
77	** "It’s Catching Up", the opening track from ''Wrong'', is about someone trying to outrun a zombie. Track 6, "The End of All Things", has more ambiguous lyrics, but the title and chorus evoke the Christian idea of apocalypse at least metaphorically. Reissues of the album end with the bonus track "End of the World", a cover of the Skeeter Davis hit that compares the devastation of a breakup to feeling as though the world is ending.
78	** "Falling Space Junk" and "Chew"—both from their collaborative album with Jello Biafra—depict, respectively, the world ending because of a crashing spaceship carrying plutonium, and gigantic gangs of rats devouring everything in sight.
79	* BandOfRelatives: Brothers John and Rob Wright were the band's core creative duo and only constant members.
80	* BlackComedy: In ''spades''.
81	* {{Bowdlerise}}: The Hanson Brothers released a rewritten version of Nomeansno’s “Dad” as a single; their version is retitled “Brad” and is about the narrator’s little brother trashing his bedroom instead of his father going on a violent rampage.
82	* CarefulWithThatAxe: “Stop It” off ''You Kill Me'' begins with a blood-curdling scream.
83	* CountryMatters: The song "No Fkuicgn" packs the line "All I see are cocks and cunts!" six times into 31 seconds.
84	* CoverVersion:
85	** The band played covers of Music/TheRamones throughout their career; side-project The Hanson Brothers evolved out of the group moonlighting as a Ramones cover band, and some of Nomeansno’s final gigs were as a Ramones tribute act. Their 2000 album ''One'' ends with a nearly four-minute-long cover of The Ramones' "Beat on the Brat", immediately following a fifteen-minute long cover of Music/MilesDavis' "Bitches Brew'.
86	** ''You Kill Me'' features a cover of Music/JimiHendrix's "Manic Depression".
87	** The 2005 CD reissue of ''Wrong'' ends with a cover of the melancholy 1960s Skeeter Davis hit “End of the World”, performed solo by Rob on vocals and bass guitar.
88	** During the ''Wrong'' sessions, the band recorded two covers of Vancouver-area hardcore punk bands they were fans and friends of—“New Age” by {{Music/DOA}} and “Oh Canaduh” by The Subhumans—they were later released a benefit single for the Prisoners Rights Group.
89	** The ''Wrong'' sessions also produced an ''a cappella'' cover of their then-label boss (and future collaborator) Music/JelloBiafra's old band Music/DeadKennedys' song "Forward to Death", which was later featured on the [=DKs=] tribute album ''Virus 100''.
90	* EarlyInstallmentWeirdness: Not that their entire output isn’t weird, but the A-side of the band’s first single, “Look, Here Come the Wormies”, is a brooding synth pop song that bears little resemblance to their later output. The band’s status as a drums-and-bass duo wasn’t solidified until sometime later, after they decided that setup made for easier gigging. The band’s full-length debut ''Mama'' contains some lingering notes of synthpop, but the addition of guitarist Andy Kerr and follow-up releases ''You Kill Me'' and ''Sex Mad'' established them as a full-on punk band.
91	* EpicRocking: Each of the band's albums feature at least one song more than five minutes long, but 2000's ''One'' takes the cake with only one song clocking in at under ''6'' minutes long and a cover of Music/MilesDavis' "Bitches Brew" that's ''fifteen'' minutes long.
92	* GaiasVengeance: Their debut single “Look, Here Come the Wormies” is about rebellious worms—“anarchaic annelids”—taking over the world.
93	* GenreRoulette: Though the band is known for their signature style of extremely groovy and meticulous punk rock, they had diverse stylistic influences, and their output ranges from raucous hardcore to synthpop to progressive rock to jazz to a capella.
94	* HiddenDepths: Bassist, main vocalist and lyricist Rob Wright has a keen interest in philosophy; the album title ''The Worldhood of the World (As Such)'' was inspired by the [[UsefulNotes/{{Existentialism}} existentialist]] writings of Martin Heidegger, and several interviews have mentioned his interest in UsefulNotes/{{Buddhism}}, [[Main/ItalianNeorealism Italian neorealist cinema]] and [[UsefulNotes/{{Ireland}} Irish]] writers like Creator/JamesJoyce.
95	* HilariouslyAbusiveChildhood: “Dad”, one of the band’s signature songs, narrates an evening of horrific domestic abuse in excruciating detail and ends with the understated spoken line “I’m seriously considering leaving home”.
96	* IHaveYourWife: The narrator of the title track off ''Dance of the Headless Bourgeoisie'' has kidnapped the listener's wife, son, and daughter.
97	* MilitaryCoup: “Rich Guns” off their debut album ''Mama'' is about a counterrevolution in a Latin American country staged at the behest of a rich ruling class.
98	* MindScrew: Their lyrics are often inscrutable, but fan favourite “Everyday I Start To Ooze” appears to simply be a series of extremely odd non sequiturs.
99	** ''"I guess you heard my head turned brown... I lost several pounds and juuuuuuuuust look terrible!"''
100	* MinisculeRocking: "No Fkuicgn" off ''Sex Mad'' is 31 seconds long.
101	* MotorMouth: Many of their songs feature rapid-fire lyrics, with "Sex Mad", "Big Dick" and "I See a Mansion in the Sky" being prime examples.
102	* ParentalIncest: The song "Dad" ends with the titular patriarch [[spoiler:molesting his daughter]].
103	* RapePillageAndBurn: The song "Rich Guns" depicts a Latin American military coup and features the line "Rape the women, they are whores, ''el puta'' / Everything they have is yours, ''el puta''".
104	* ShoutOut: The guys' stage names and personas in The Hanson Brothers reference both Music/TheRamones and a dimwitted trio of characters from the comedy sports movie ''Film/SlapShot''. In addition, the cover art for each of their three studio albums parody releases by other punk bands: the cover of ''Gross Misconduct'' parodies that of The Ramones' ''Road to Ruin'', ''Sudden Death'''s cover spoofs that of fellow B.C. punks Music/{{DOA}}'s single for ''The Prisoner'' (with a pair of feet in skates replacing a pair of bare feet), and the cover of ''My Game'' is a send-up of the cover of Music/BlackFlag's ''My War''. The title of their live album ''It's A Living'' is also a play on the Ramones live album ''It's Alive''.
105	* SongParody: The Hanson Brothers' "Blitzkrieg Hops" is a parody of The Ramones' "Blitzkrieg Bop", rewritten to be about brewing beer. (For the uninitiated, hops is an herb used in most kinds of beer to impart bitterness).
106	* TongueTwister: The lyrics to "I See a Mansion in the Sky" are composed largely of ones inspired by "How much wood could a woodchuck chuck if a woodchuck could chuck wood?" (Example: "How many holes can a young buck fuck, if a young buck could fuck holes?")
107	* TrademarkFavoriteFood: The Hanson Brothers, hockey-loving Canadian chongos that they are, can't get enough beer. In addition to songs like "Blitzkrieg Hops" and "We're Brewing", Johnny Hanson released a comedic instructional video about homebrewing in 2000 and the Canadian brewery Trou du Diable later released a signature beer based on one of his recipes, "Punk Rauch" (a kind of smoked lager).
108	** They also have the song "Pea, Pie and Pud", which refers to a dish consisting of a small meat pie, green peas and mashed potatoes. Funnily enough, it's not particularly Canadian but is most popular in UsefulNotes/NewZealand.
109	* WordSaladLyrics: The band's lyrics (especially Rob's) are often quite cryptic, and John has said in an interview: "The songs sometimes don’t even make a lot of sense but they leave you with a feeling."
110	* VillainSong: Many of the band's songs are written from the point of view of disreputable characters, but one of their songs with Music/JelloBiafra, "Bruce's Diary" off their album ''The Sky is Falling and I Want My Mommy'', is sung by the villainous character Biafra plays in the movie ''Film/TerminalCityRicochet''.

Context Music / Nomeansno