Line #46 Film/OnDrakon


1	[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/89d2872e_ded4_41aa_b43d_63d10be58ba7.jpeg]]
2	[[caption-width-right:350:''Literature/BeautyAndTheBeast meets Series/GameOfThrones'']]
3
4
5	->''"I'll teach you to be human."''
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7	''Он – дракон'' (transliterated as ''On Drakon,'' translated in English ''I Am Dragon'' or ''He's A Dragon'') is a 2015 Russian Romantic {{Fantasy}} film starring Maria Poezzhaeva and Matvey Lykov.
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9	For hundreds of years, the people of a certain kingdom sacrificed their daughters in a ritual to appease a ferocious dragon. One day, a knight whose beloved was taken traveled to the island of the dragons and avenged his beloved's death by killing the dragon himself. Now, two generations later, the grandson of the dragon-slayer, Igor, is pledged to be married to the duke's youngest daughter, Miroslava - the ritual to appease the dragon has been transformed into a marriage rite. But when they sing the dragon song, the dragon they thought long dead kidnaps her and takes her to his magical island in the middle of the sea... and is revealed to not only be a deadly monster, but a man who hates and fears the dragon within him.
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11	----
12	!!This film provides examples of:
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14	* AnachronismStew: The film's setting is seemingly Kievan Rus (with its intermixture of Slavic and Norse material culture), but also uses elements of 18th-and-19th century Russian culture and features Asian shadow puppetry as a prominent element. [[JustifiedTrope Of course, the film never claims to be in any historical setting.]]
15	* AnnoyingYoungerSibling: Miroslava to her older sister, Yaroslava. She weaponizes this against Arman to make him talk to her.
16	* ArtShift: Certain important scenes, such as the prologue, are done with shadow puppets interspersed with flashbacks.[[spoiler: This turns out to be a FramingDevice, as Arman is telling his and Mira's little girl their story with the shadow puppets.]]
17	* BabiesEverAfter: The last scene shows [[spoiler: Arman and Mira with a daughter]].
18	* BadassBystander: The helmsman (implied to be Igor's best man), who not only attempts a mutiny when Igor decides to give up the search for Mira early, but [[spoiler: punches Igor in the face to prevent him from killing the dragon]].
19	* BeastAndBeauty: Arman as the Beast and Mira as the Beauty, though Arman is a conventionally-attractive man when not a dragon.
20	* BlessedWithSuck: Arman strongly sees his ability as this, since he can't control the transformations, has no control over what he does when transformed, and the way dragons reproduce in this film is ''not'' pretty.
21	* ChekhovsArmoury: Shown in [[OnceMoreWithClarity one large flashback]], but includes [[ChekhovsSkill Arman teaching Mira to "see the wind."]]
22	* CostumePorn: Everything Mira wears is gorgeous, especially the dresses she finds in chests while on the island of dragons. The costumes worn by her family back home are not bad either.
23	* CreativeClosingCredits: They're done in the style of shadow puppets.
24	* DamselOutOfDistress: Mira, who never stops trying to find a way home and considers ''letting her captor drown'' before deciding she needs him.
25	* DisposableFiance: Igor, though unlike most disposable fiancés, Mira has never met him and never loved him.
26	* DoesThisRemindYouOfAnything: The involuntary nature of the dragon transformation, plus the circumstances surrounding it (mere touching can "set it off," and it's necessary to [[spoiler:reproduce, as the virgin must burn alive]]), seems like some kind of metaphor for sexuality. [[spoiler: And then Mira tames the dragon through love, and is able to control the dragon ''by riding it''...]]
27	* DrivenToSuicide: Arman, who is terrified of what might happen if he can't control the dragon and decides he's better off dead. [[spoiler:Mira sings the dragon-calling song and forces him to transform, stopping him from dying.]]
28	* EnemyWithin: Arman considers "the dragon" a separate being from himself, one that he is terrified of and which he can barely control.
29	* FiveSecondForeshadowing: Arman's dragon transformation is foreshadowed by a stream of little sparks. [[spoiler: His arrival as the dragon during both weddings is foreshadowed by a similar stream of snowflakes.]]
30	* FromDressToDressing: Mira rips the sleeve off of her wedding dress to bandage Arman after he's injured by his transformation.
31	* GeneticMemory: Dragons have this; it's why Arman knows the history of the dragons despite growing up mostly on his own.
32	* IChooseToStay: [[spoiler: Eventually, Mira chooses to live with Arman on the island rather than marry Igor]].
33	* ImportantHaircut: Mira starts the film with a braid that goes to her ankles - she roughly cuts it to chin length with a rock in order to use it as a rope. Her shorter hair symbolizes the relative freedom she has with Arman.
34	* IslandOfMystery: The island of dragons, which is home to many magical creatures and protected by an impenetrable magical fog that prevents anyone from entering. However, [[ThePowerOfLove the love of a woman]] can guide a searcher through the fog.
35	* LyricalDissonance: The dragon-summoning song. What used to be an ironic song about how the girl is to be sacrificed to her "bridegroom," the dragon, is now used by Mira's time completely un-ironically as a wedding song.
36	* MeaningfulRename: The dragon has no name prior to meeting Mira; she names him "Arman," which she says means "dream."
37	* MedievalEuropeanFantasy: The film is set in a fantasy world that is primarily based on Russian history, in particular Kievan Rus.
38	* MonsterShapedMountain: Arman's island is actually the skeleton of one of his ancestors - a truly colossal dragon.
39	* MrFanservice: Arman, when not transformed, is handsome, well built, and [[WalkingShirtlessScene perpetually shirtless.]]
40	* MurderByInaction: Mira strongly considers this, when she realizes that Arman is the dragon and that she could simply leave him to drown. She almost walks away from him before changing her mind.
41	* NatureHero: Arman, who grew up completely isolated from humans and has no concept of human conventions like handshakes or [[InnocentFanserviceGuy modesty]], but can speak as humans do.
42	* NoInfantileAmnesia: Arman remembers the day he was born, though he dearly wishes he couldn't.
43	* NonHumanSidekick: The aye-aye that lives on the island with Arman. It's made quite clear that it's been his only company since his father died.
44	* OldMaid: Mira's sister Yara, who is unmarried despite being in her twenties.
45	* OnceMoreWithClarity: [[spoiler: Mira's plan to run away]] is explained by repeating scenes of her and Arman together as she gains the knowledge necessary to do so: [[spoiler: the chests of clothes for traveling, the fireworks as a signal flare, and the ability to see the wind to be able to sail]].
46	* OurDragonsAreDifferent: These ones appear human, but transform into dragons when the occasion arises. They also have shared memories of all past dragons and [[spoiler:reproduce by burning virgins alive until a child emerges from the ashes]]. However, [[spoiler:Arman and Mira find that they can conceive a child through their genuine love for each other; Mira describes it by explaining that dragons "find their children in the sky", as her love for Arman makes her ''feel'' like she can fly alone as she rides up on his back]].
47	* SceneryPorn: The dragon island, which is an island literally made of a giant dragon's bones and surrounded by a gorgeous sea.
48	* VirginSacrifice: The initial ritual was this; by Mira's time it's just a marriage rite.
49	* VisualPun: Arman leaves an odd-looking tropical fruit for Mira at one point. It's never named but it is, of course, a [[https://en.wikipedia.org/wiki/Pitaya dragon fruit]].
50	* WalkingShirtlessScene: Arman; the closest he ever gets is a long open-fronted robe.
51	* WeddingDeadline: Mira's wedding to Igor is stopped before it can be completed due to the arrival of the dragon at the beginning of the film. [[spoiler: And again at the end of the film, when Mira stops it herself]].
52	* YouAreWorthHell: After [[spoiler:Mira summons the dragon again and is returned to the island, she affirms that she loves him whether he is man or dragon and kneels in a manner that suggests she would let the dragon kill her if he explicitly can't stop himself]].

Context Film / OnDrakon