1 | Having such a large, varied, and evocative discography, there are quite logically parts which make one laud his efforts. |
2 | |
3 | * Although some of Juan's bigger works such as the [[{{Doorstopper}} multi-disc]] Iris Is Missing are too long for a single listening session, his sheer determination and, sometimes, quality of work merits them multiple sessions to take in. Each of these can be very rewarding. |
4 | ** The things are around ''10 discs long'' for gods' sake! |
5 | ** The last third of 22/08/69 is particularly awesome for including several mild earworms and really very beautiful guitar work |
6 | * The feeling one gets when a part of the discography is unfogged or a selection of songs named |
7 | * The ''Samplers'' |
8 | ** Especially "EFX" and "Zen" for clearing up some of Juan's WordSaladTitle |
9 | * Any time a Deliriant Mutant song gets to a bit where the tape has over-saturated by the sheer signal coming from the instruments being played into it. One can hear and certainly feel the frustration and relentless energy coming from Juan and Ken |
10 | * The "Follow The Dollar" album for concisely collecting together the industrial music Juan and Co. made in the late 80s and early 90s |
11 | ** There's a point starting at the fourth track to the ninth where the album really picks up and throws every bit of you around |
12 | |
13 | !! Specific songs |
14 | |
15 | * "Carolina's Blues" from ''22/08/69''. Check out the guitar work and that opening riff. The vocals may be Juan's best vocal delivery; so tender and open. |
16 | * "Outsider" from ''22/08/69''. |
17 | * "Kill The Dog In You" from ''Follow The Dollar''. The way the song builds up to the digital piano; nothing is speeding up but god, that last note hits one in the heart. This is industrial music at its most accessible and catchy. |
18 | * The bit at the end of "The Drowning From The Too Fat Body" |
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