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1Having such a large, varied, and evocative discography, there are quite logically parts which make one laud his efforts.
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3* Although some of Juan's bigger works such as the [[{{Doorstopper}} multi-disc]] Iris Is Missing are too long for a single listening session, his sheer determination and, sometimes, quality of work merits them multiple sessions to take in. Each of these can be very rewarding.
4** The things are around ''10 discs long'' for gods' sake!
5** The last third of 22/08/69 is particularly awesome for including several mild earworms and really very beautiful guitar work
6* The feeling one gets when a part of the discography is unfogged or a selection of songs named
7* The ''Samplers''
8** Especially "EFX" and "Zen" for clearing up some of Juan's WordSaladTitle
9* Any time a Deliriant Mutant song gets to a bit where the tape has over-saturated by the sheer signal coming from the instruments being played into it. One can hear and certainly feel the frustration and relentless energy coming from Juan and Ken
10* The "Follow The Dollar" album for concisely collecting together the industrial music Juan and Co. made in the late 80s and early 90s
11** There's a point starting at the fourth track to the ninth where the album really picks up and throws every bit of you around
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13!! Specific songs
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15* "Carolina's Blues" from ''22/08/69''. Check out the guitar work and that opening riff. The vocals may be Juan's best vocal delivery; so tender and open.
16* "Outsider" from ''22/08/69''.
17* "Kill The Dog In You" from ''Follow The Dollar''. The way the song builds up to the digital piano; nothing is speeding up but god, that last note hits one in the heart. This is industrial music at its most accessible and catchy.
18* The bit at the end of "The Drowning From The Too Fat Body"

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