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-->'''Mangosuthu Buthelezi:''' Even if the past is uncomfortable, and perhaps especially when the past is uncomfortable, it needs to be examined and unpacked rather than hidden away... There was no fuss about race, no discrimination, no bigotry. It was simply a community of people working together to recreate a part of history that held tremendous meaning for them all... But something more emerges from the film. The deep respect that develops between the warring armies, and the nobility of King Cetshwayo's warriors as they salute the enemy, demanded a different way of thinking from the average viewer at the time of the film's release. Indeed, it remains a film that demands a thoughtful response.[[note]] Buthelezi's take on this matter should be viewed with scepticism, as he was an ardent supporter of the National Party regime and a bitter opponent of universal suffrage right up to the first free election in 1994. He had considerable power within the apartheid system thanks to his status as a tribal chief, which is why he was fiercely opposed to the ANC and other activists who wished to dismantle apartheid. With the support and approval of the South African military, militias associated with his Inkatha Freedom Party (IFP) extra-judicially terrorized and murdered innumerable political dissidents during the civil unrest of the 1980's.[[/note]]

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-->'''Mangosuthu Buthelezi:''' Even if the past is uncomfortable, and perhaps especially when the past is uncomfortable, it needs to be examined and unpacked rather than hidden away... There was no fuss about race, no discrimination, no bigotry. It was simply a community of people working together to recreate a part of history that held tremendous meaning for them all... But something more emerges from the film. The deep respect that develops between the warring armies, and the nobility of King Cetshwayo's warriors as they salute the enemy, demanded a different way of thinking from the average viewer at the time of the film's release. Indeed, it remains a film that demands a thoughtful response.[[note]] Buthelezi's take on this matter should still be viewed taken with scepticism, a tablespoon of salt, as he was an ardent supporter of the National Party regime and a bitter opponent of universal suffrage right up to the first free election in 1994. He had considerable power within the apartheid system thanks to his status as a tribal chief, which is why he was fiercely opposed to the ANC and other activists who wished to dismantle apartheid. With the support and approval of the South African military, militias associated with his Inkatha Freedom Party (IFP) extra-judicially terrorized and murdered innumerable political dissidents during the civil unrest of the 1980's.[[/note]]
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** Corporal Schiesse is nineteenth in the credits but is easily one of the five or ten best characters in the film due to his respect for the Zulus' abilities and positively epic HandicappedBadass SugarWiki/MomentOfAwesome.

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** Corporal Schiesse is nineteenth in the credits but is easily one of the five or ten best characters in the film due to his respect for the Zulus' abilities and positively epic HandicappedBadass SugarWiki/MomentOfAwesome.
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* RootingForTheEmpire: Or rather, rooting against the British Empire, as many Black American and South African audiences identified with the Zulu opponents. For instance, Afrika Bambaataa formed the Universal Zulu Nation, a group of ConsciousHipHop artists, in honor of them, which he viewed as powerful images of Black solidarity standing against an oppressor. It's worth noting that in reality, the British Empire instigated the Anglo-Zulu War and was technologically superior to its Zulu opponents.

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* RootingForTheEmpire: Or rather, rooting against the British Empire, as many Black American and South African audiences identified with the Zulu opponents. For instance, Afrika Bambaataa formed the Universal Zulu Nation, a group of ConsciousHipHop artists, in honor honour of them, which he viewed as powerful images of Black solidarity standing against an oppressor. It's worth noting that in reality, the British Empire instigated the Anglo-Zulu War and was technologically superior to its Zulu opponents.

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* EnsembleDarkhorse: '''Colour Sergeant Bourne'''. Mostly for his SomeoneHasToDoIt attitude and being a SergeantRock. Not to mention the fact that he shows HiddenDepths by his bonding with Witt over Psalm 46, proving that RealMenLoveJesus

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* EnsembleDarkhorse: EnsembleDarkhorse:
**
'''Colour Sergeant Bourne'''. Mostly for his SomeoneHasToDoIt attitude and being a SergeantRock. Not to mention the fact that he shows HiddenDepths by his bonding with Witt over Psalm 46, proving that RealMenLoveJesusRealMenLoveJesus
** Corporal Schiesse is nineteenth in the credits but is easily one of the five or ten best characters in the film due to his respect for the Zulus' abilities and positively epic HandicappedBadass SugarWiki/MomentOfAwesome.
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-->'''Mangosuthu Buthelezi:''' Even if the past is uncomfortable, and perhaps especially when the past is uncomfortable, it needs to be examined and unpacked rather than hidden away... There was no fuss about race, no discrimination, no bigotry. It was simply a community of people working together to recreate a part of history that held tremendous meaning for them all... But something more emerges from the film. The deep respect that develops between the warring armies, and the nobility of King Cetshwayo's warriors as they salute the enemy, demanded a different way of thinking from the average viewer at the time of the film's release. Indeed, it remains a film that demands a thoughtful response.[[note]] Buthelezi's take on this matter should be viewed with skepticism, as he was an ardent supporter of the National Party regime and a bitter opponent of universal suffrage right up to the first free election in 1994. He had considerable power within the apartheid system thanks to his status as a tribal chief, which is why he was fiercely opposed to the ANC and other activists who wished to dismantle apartheid. With the support and approval of the South African military, militias associated with his Inkatha Freedom Party (IFP) extra-judicially terrorized and murdered innumerable political dissidents during the civil unrest of the 1980's.[[/note]]

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-->'''Mangosuthu Buthelezi:''' Even if the past is uncomfortable, and perhaps especially when the past is uncomfortable, it needs to be examined and unpacked rather than hidden away... There was no fuss about race, no discrimination, no bigotry. It was simply a community of people working together to recreate a part of history that held tremendous meaning for them all... But something more emerges from the film. The deep respect that develops between the warring armies, and the nobility of King Cetshwayo's warriors as they salute the enemy, demanded a different way of thinking from the average viewer at the time of the film's release. Indeed, it remains a film that demands a thoughtful response.[[note]] Buthelezi's take on this matter should be viewed with skepticism, scepticism, as he was an ardent supporter of the National Party regime and a bitter opponent of universal suffrage right up to the first free election in 1994. He had considerable power within the apartheid system thanks to his status as a tribal chief, which is why he was fiercely opposed to the ANC and other activists who wished to dismantle apartheid. With the support and approval of the South African military, militias associated with his Inkatha Freedom Party (IFP) extra-judicially terrorized and murdered innumerable political dissidents during the civil unrest of the 1980's.[[/note]]

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-->'''Mangosuthu Buthelezi:''' Even if the past is uncomfortable, and perhaps especially when the past is uncomfortable, it needs to be examined and unpacked rather than hidden away... There was no fuss about race, no discrimination, no bigotry. It was simply a community of people working together to recreate a part of history that held tremendous meaning for them all... But something more emerges from the film. The deep respect that develops between the warring armies, and the nobility of King Cetshwayo's warriors as they salute the enemy, demanded a different way of thinking from the average viewer at the time of the film's release. Indeed, it remains a film that demands a thoughtful response.[[note]] Buthelezi's take on this matter should be viewed with scepticism, as he was an ardent supporter of the National Party regime and a bitter opponent of universal suffrage right up to the first free election in 1994. He had considerable power within the apartheid system thanks to his status as a tribal chief, which is why he was fiercely opposed to the ANC and other activists who wished to dismantle apartheid. With the support and approval of the South African military, militias associated with his Inkatha Freedom Party (IFP) extra-judicially terrorized and murdered innumerable political dissidents during the civil unrest of the 1980's.[[/note]]

to:

-->'''Mangosuthu Buthelezi:''' Even if the past is uncomfortable, and perhaps especially when the past is uncomfortable, it needs to be examined and unpacked rather than hidden away... There was no fuss about race, no discrimination, no bigotry. It was simply a community of people working together to recreate a part of history that held tremendous meaning for them all... But something more emerges from the film. The deep respect that develops between the warring armies, and the nobility of King Cetshwayo's warriors as they salute the enemy, demanded a different way of thinking from the average viewer at the time of the film's release. Indeed, it remains a film that demands a thoughtful response.[[note]] Buthelezi's take on this matter should be viewed with scepticism, skepticism, as he was an ardent supporter of the National Party regime and a bitter opponent of universal suffrage right up to the first free election in 1994. He had considerable power within the apartheid system thanks to his status as a tribal chief, which is why he was fiercely opposed to the ANC and other activists who wished to dismantle apartheid. With the support and approval of the South African military, militias associated with his Inkatha Freedom Party (IFP) extra-judicially terrorized and murdered innumerable political dissidents during the civil unrest of the 1980's.[[/note]]



* RetroactiveRecognition: In ''Zulu Dawn'', there's Creator/BobHoskins!

to:

* RetroactiveRecognition: In ''Zulu Dawn'', there's Creator/BobHoskins!Creator/BobHoskins!
* RootingForTheEmpire: Or rather, rooting against the British Empire, as many Black American and South African audiences identified with the Zulu opponents. For instance, Afrika Bambaataa formed the Universal Zulu Nation, a group of ConsciousHipHop artists, in honor of them, which he viewed as powerful images of Black solidarity standing against an oppressor. It's worth noting that in reality, the British Empire instigated the Anglo-Zulu War and was technologically superior to its Zulu opponents.
Is there an issue? Send a MessageReason:
None


-->'''Mangosuthu Buthelezi:''' Even if the past is uncomfortable, and perhaps especially when the past is uncomfortable, it needs to be examined and unpacked rather than hidden away... There was no fuss about race, no discrimination, no bigotry. It was simply a community of people working together to recreate a part of history that held tremendous meaning for them all... But something more emerges from the film. The deep respect that develops between the warring armies, and the nobility of King Cetshwayo's warriors as they salute the enemy, demanded a different way of thinking from the average viewer at the time of the film's release. Indeed, it remains a film that demands a thoughtful response.[[note]] Buthelezi's take on this matter should be viewed with skepticism, as he was an ardent supporter of the National Party regime and a bitter opponent of universal suffrage right up to the first free election in 1994. He had considerable power within the apartheid system thanks to his status as a tribal chief, which is why he was fiercely opposed to the ANC and other activists who wished to dismantle apartheid. With the support and approval of the South African military, militias associated with his Inkatha Freedom Party (IFP) extra-judicially terrorized and murdered innumerable political dissidents during the civil unrest of the 1980's.[[/note]]
* FirstInstallmentWins: You may have noticed from the page description that this film actually had a prequel called ''Zulu Dawn''. It's fair to say that not many people have seen it despite having some amazing battle scenes.

to:

-->'''Mangosuthu Buthelezi:''' Even if the past is uncomfortable, and perhaps especially when the past is uncomfortable, it needs to be examined and unpacked rather than hidden away... There was no fuss about race, no discrimination, no bigotry. It was simply a community of people working together to recreate a part of history that held tremendous meaning for them all... But something more emerges from the film. The deep respect that develops between the warring armies, and the nobility of King Cetshwayo's warriors as they salute the enemy, demanded a different way of thinking from the average viewer at the time of the film's release. Indeed, it remains a film that demands a thoughtful response.[[note]] Buthelezi's take on this matter should be viewed with skepticism, scepticism, as he was an ardent supporter of the National Party regime and a bitter opponent of universal suffrage right up to the first free election in 1994. He had considerable power within the apartheid system thanks to his status as a tribal chief, which is why he was fiercely opposed to the ANC and other activists who wished to dismantle apartheid. With the support and approval of the South African military, militias associated with his Inkatha Freedom Party (IFP) extra-judicially terrorized and murdered innumerable political dissidents during the civil unrest of the 1980's.[[/note]]
* FirstInstallmentWins: FirstInstalmentWins: You may have noticed from the page description that this film actually had a prequel called ''Zulu Dawn''. It's fair to say that not many people have seen it despite having some amazing battle scenes.
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It's not "wrong think" to state this. This isn't a matter of a difference in opinion, it's historical fact. He was an active collaborator with the apartheid regime because he wanted to maintain the privileges he had over other Africans. The Inkatha paramilitary under his command was responsible for carrying out legitimate crimes against humanity during the civil unrest of the 1980's. Buthelezi's militias more or less functioned as state-sponsored death squads for the South African Defense Force, who provided them training and logistics so they could "disappear" anti-apartheid activists and commit mass murder (IE, the Boipatong massacre). They also signed a solidarity pact with a literal neo-nazi terrorist group called the Afrikaner Weerstandsbeweging so they could work together in extra-judicially executing anyone who was critical of apartheid. I said that Buthelezi's opinion here is suspect because he and his supporters were far-right reactionaries who did truly ghastly things to maintain a racist and unjust system for self-serving reasons.


-->'''Mangosuthu Buthelezi:''' Even if the past is uncomfortable, and perhaps especially when the past is uncomfortable, it needs to be examined and unpacked rather than hidden away... There was no fuss about race, no discrimination, no bigotry. It was simply a community of people working together to recreate a part of history that held tremendous meaning for them all... But something more emerges from the film. The deep respect that develops between the warring armies, and the nobility of King Cetshwayo's warriors as they salute the enemy, demanded a different way of thinking from the average viewer at the time of the film's release. Indeed, it remains a film that demands a thoughtful response.

to:

-->'''Mangosuthu Buthelezi:''' Even if the past is uncomfortable, and perhaps especially when the past is uncomfortable, it needs to be examined and unpacked rather than hidden away... There was no fuss about race, no discrimination, no bigotry. It was simply a community of people working together to recreate a part of history that held tremendous meaning for them all... But something more emerges from the film. The deep respect that develops between the warring armies, and the nobility of King Cetshwayo's warriors as they salute the enemy, demanded a different way of thinking from the average viewer at the time of the film's release. Indeed, it remains a film that demands a thoughtful response.[[note]] Buthelezi's take on this matter should be viewed with skepticism, as he was an ardent supporter of the National Party regime and a bitter opponent of universal suffrage right up to the first free election in 1994. He had considerable power within the apartheid system thanks to his status as a tribal chief, which is why he was fiercely opposed to the ANC and other activists who wished to dismantle apartheid. With the support and approval of the South African military, militias associated with his Inkatha Freedom Party (IFP) extra-judicially terrorized and murdered innumerable political dissidents during the civil unrest of the 1980's.[[/note]]

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* EnsembleDarkhorse: '''Colour Sergeant Bourne'''. Mostly for his SomeoneHasToDoIt attitude and being a SergeantRock.
** Not to mention the fact that he shows HiddenDepths by his bonding with Witt over Psalm 46, proving that RealMenLoveJesus

to:

* EnsembleDarkhorse: '''Colour Sergeant Bourne'''. Mostly for his SomeoneHasToDoIt attitude and being a SergeantRock.
**
SergeantRock. Not to mention the fact that he shows HiddenDepths by his bonding with Witt over Psalm 46, proving that RealMenLoveJesus
Is there an issue? Send a MessageReason:
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* FairForItsDay: The Zulus, despite being obviously primitive, are depicted as WorthyOpponent types to the British and crafty in their own right (their ambush at Isandlwana is shown at the beginning of the movie, and they try both envelopment and making use of captured European weapons against the enemy- albeit to no success). The South African extras portraying the Zulu soldiers were also all bused in and paid in full despite Apartheid being in effect at the time. In the face of (British) criticism of the movie for racism, [[https://www.thetimes.co.uk/article/tribal-chief-mangosuthu-buthelezi-defends-michael-caine-film-zulu-in-racism-battle-lkrs75fr0 one of the actors from the movie]] (namely the current chief of the Zulu tribe and great-grandson of Cetshwayo) defended the film:

to:

* FairForItsDay: The Zulus, despite being obviously primitive, are depicted as WorthyOpponent types to the British and crafty in their own right (their ambush at Isandlwana is shown at the beginning of the movie, and they try both envelopment and making use of captured European weapons against the enemy- albeit enemy—albeit to no success). The South African extras portraying the Zulu soldiers were also all bused in and paid in full despite Apartheid being in effect at the time. In the face of (British) criticism of the movie for racism, [[https://www.thetimes.co.uk/article/tribal-chief-mangosuthu-buthelezi-defends-michael-caine-film-zulu-in-racism-battle-lkrs75fr0 one of the actors from the movie]] (namely the a current chief of the Zulu tribe and great-grandson of Cetshwayo) defended the film:
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* AndStarring: In the opening, Creator/MichaelCaine is given the "''And Introducing''..." credit. And it turned out absolutely true that a star had debuted.

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* AndStarring: In the opening, Creator/MichaelCaine is given the "''And Introducing''..." credit. And it turned out absolutely true that a star had debuted.



* RetroactiveRecognition: Creator/MichaelCaine!

to:

* RetroactiveRecognition: Creator/MichaelCaine!In ''Zulu Dawn'', there's Creator/BobHoskins!

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