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There has to be objective proof for an Audience Alienating Premise, like low sales or ratings. The manga is still running, so it does have an audience.


* AudienceAlienatingPremise: It's about a young girl who hires a maid who turns out to have [[ComedicLolicon a huge Lolita complex that's played entirely for comedy]]. Naturally, this isn't the kind of premise most people are drawn to.

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* {{Squick}}: Several moments with Tsubame are this, but one ImagineSpot in particular involves Tsubame fantasizing about kissing Misha as they were slurping on an udon noodle.

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* {{Squick}}: {{Squick}}:
** Chapter one, published in a since-defunct yuri magazine, has some panels of Misha bathing that are way more detailed than they need to be. The manga switched to a seinen magazine after that, which ironically made it ''less'' risque. The digital English release wisely took an airbrush to the offending panels to hide as much as they could behind layers of fake steam.
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Several moments with Tsubame are this, but one ImagineSpot in particular involves Tsubame fantasizing about kissing Misha as they were slurping on an udon noodle.
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* CommonKnowledge: ''[=UzaMaid!=]'' is often dismissed as "that show glorifying the lolicon maid." Tsubame is neither the protagonist nor are her antics portrayed in a positive light. Misha -- the actual protagonist -- spends most of her time creeped out by Tsubame's advances and loudly berating her for being a pervert, even as she tries to exploit Tsubame's culinary skills for her own ends. The manga has some very sketchy illustrations at the beginning (when it was published in a since-cancelled yuri magazine), but those were toned down in later chapters and for the anime adaptation, so it's not as lurid as its reputation suggests either.

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* CommonKnowledge: ''[=UzaMaid!=]'' is often dismissed as "that show glorifying the lolicon maid." Tsubame is neither the protagonist nor are her antics portrayed in a positive light. Misha -- the actual protagonist -- spends most of her time creeped out by Tsubame's advances advances[[note]] ''Tsubame is literally accompanied by PsychoStrings, in case you don't get she's supposed to be the antagonist''[[/note]] and loudly berating her for being a pervert, even as she tries to exploit Tsubame's culinary skills for her own ends. The manga has some very sketchy illustrations at the beginning (when it was published in a since-cancelled yuri magazine), but those were toned down in later chapters and for the anime adaptation, so it's not as lurid as its reputation suggests either.

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* CrossesTheLineTwice: Tsubame's ComedicLolicon antics has crossed the line so many times.

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* CrossesTheLineTwice: Tsubame's ComedicLolicon antics has have crossed the line so many times.



* MemeticMolester: Tsubame for obvious reasons.
** Ukai Midori is also shaping up to be one despite it being [[MistakenForPedophile unintentional]]. Given how she kidnapped Mimika while running from the police and was shown feeling up a young girl in a flashback as part of her "research," it doesn't help her case much.

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* MemeticMolester: Tsubame for obvious reasons.
MemeticMolester:
** Tsubame, a physically-imposing, unrepentant ComedicLolicon who has a habit of trailing Misha in disguise.
** Ukai Midori is also shaping up to be one Midori, despite it being largely [[MistakenForPedophile unintentional]]. Given how she kidnapped Mimika while running from the police and was shown feeling up a young girl in a flashback as part of her "research," it doesn't help her case much.



* ParanoiaFuel: The fact that Tsubame could be anywhere thanks to her military training making her very stealthy is this.

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* ParanoiaFuel: The fact that Tsubame could be anywhere anywhere, thanks to her stealthy military training making her very stealthy is this.and expertise at disguising herself.
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* CommonKnowledge: ''[=UzaMaid!=]'' is often dismissed as "that show glorifying the lolicon maid." Tsubame is neither the protagonist nor are her antics portrayed in a positive light. Misha -- the actual protagonist -- spends most of her time creeped out by Tsubame's advances and loudly berating her for being a pervert, even as she tries to exploit Tsubame's culinary skills for her own ends. The manga has some very sketchy illustrations at the beginning (when it was published in a since-cancelled yuri magazine), but those were toned down in later chapters and for the anime adaptation.

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* CommonKnowledge: ''[=UzaMaid!=]'' is often dismissed as "that show glorifying the lolicon maid." Tsubame is neither the protagonist nor are her antics portrayed in a positive light. Misha -- the actual protagonist -- spends most of her time creeped out by Tsubame's advances and loudly berating her for being a pervert, even as she tries to exploit Tsubame's culinary skills for her own ends. The manga has some very sketchy illustrations at the beginning (when it was published in a since-cancelled yuri magazine), but those were toned down in later chapters and for the anime adaptation.adaptation, so it's not as lurid as its reputation suggests either.
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Added DiffLines:

* CommonKnowledge: ''[=UzaMaid!=]'' is often dismissed as "that show glorifying the lolicon maid." Tsubame is neither the protagonist nor are her antics portrayed in a positive light. Misha -- the actual protagonist -- spends most of her time creeped out by Tsubame's advances and loudly berating her for being a pervert, even as she tries to exploit Tsubame's culinary skills for her own ends. The manga has some very sketchy illustrations at the beginning (when it was published in a since-cancelled yuri magazine), but those were toned down in later chapters and for the anime adaptation.
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* AccidentalInnuendo: The title of the seventh episode "My Maid Doesn't Come Anymore."
* AudienceAlienatingPremise: It's about a young girl who hires a maid who turns out to have [[ComedicLolicon a huge Lolita complex that's played entirely for comedy]]. Naturally, this isn't the kind of premise most people are drawn to.
* CaptainObviousReveal: Fighter pilots need exceptional [=20/20=] vision. In a flashback to Tsubame leaving the [=JSDF=], the camera conspicuously avoids showing her right eye. In the present, she wears an eyepatch over that same eye. It doesn't take a genius to figure out why she stopped being a pilot long before she reveals the answer.
* CrossesTheLineTwice: Tsubame's ComedicLolicon antics has crossed the line so many times.
* DracoInLeatherPants: Tsubame receives this treatment quite often despite her being genuinely creepy. Case in point? In the seventh episode of the anime, many fans criticized Misha for firing Tsubame… even though Tsubame admits to liking girls that hadn't been through their menstruation cycle yet.
* LikeYouWouldReallyDoIt: Come on, would you really think that Tsubame would leave Misha at any cost?
* MemeticMolester: Tsubame for obvious reasons.
** Ukai Midori is also shaping up to be one despite it being [[MistakenForPedophile unintentional]]. Given how she kidnapped Mimika while running from the police and was shown feeling up a young girl in a flashback as part of her "research," it doesn't help her case much.
* MemeticMutation: "I'm garbage, so I'm waiting to be picked up with the other garbage."[[labelnote: Explanation]] This is said by Midori after being rejected by Tsubame in episode 6. Calling oneself trash or the like for their questionable tastes is often used online as a form of SelfDeprecatingHumor.[[/labelnote]]
* ParanoiaFuel: The fact that Tsubame could be anywhere thanks to her military training making her very stealthy is this.
* {{Squick}}: Several moments with Tsubame are this, but one ImagineSpot in particular involves Tsubame fantasizing about kissing Misha as they were slurping on an udon noodle.
* SugarWiki/VisualEffectsOfAwesome: One of the anime's strong points is the effort put into its animation. The camerawork in the scene where Misha scrambles downstairs from her room in episode 1 is commendable.
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