Is there an issue? Send a MessageReason:
None
Added DiffLines:
* SugarWiki/AwesomeMusic: Orchestral arrangement of Scott Joplin's "The Entertainer" is a delight to listen to, and the light playful mood of the piece fits perfectly in the lovable scamp con artist mood.
Is there an issue? Send a MessageReason:
None
Deleted line(s) 1 (click to see context) :
----
Deleted line(s) 5,6 (click to see context) :
* SugarWiki/FunnyMoments: Many, but particularly the poker game, in which Gondorff is trying to become utterly despised.
-->'''Gondorff:''' Sorry I'm late, I was taking a crap.
-->'''Gondorff:''' Sorry I'm late, I was taking a crap.
Is there an issue? Send a MessageReason:
None
Changed line(s) 2 (click to see context) from:
* AwardSnub
to:
* AwardSnubAwardSnub:
Changed line(s) 6 (click to see context) from:
--> '''Gondorff:''' Sorry I'm late, I was taking a crap.
to:
Is there an issue? Send a MessageReason:
None
Changed line(s) 4,5 (click to see context) from:
** The Best Actor nomination went to Creator/RobertRedford over Creator/PaulNewman, who didn't even get a Best Supporting Actor consideration either.
* FridgeBrilliance: Music/MarvinHamlisch's adaption of Creator/ScottJoplin's ragtime music may be an odd choice for the score since they're from the turn of the century and out of fashion by the time of the movie's setting, 1936. However, it was the music of the younger days of older con men like Luther, Walter Gondorf and the other members of the team. The jazz of the more "modern" gangster wouldn't fit. On top of that, it fits with the wire con that the main characters are running, which they chose specifically because it was old and no longer in style.
* FridgeBrilliance: Music/MarvinHamlisch's adaption of Creator/ScottJoplin's ragtime music may be an odd choice for the score since they're from the turn of the century and out of fashion by the time of the movie's setting, 1936. However, it was the music of the younger days of older con men like Luther, Walter Gondorf and the other members of the team. The jazz of the more "modern" gangster wouldn't fit. On top of that, it fits with the wire con that the main characters are running, which they chose specifically because it was old and no longer in style.
to:
** The Best Actor nomination went to Creator/RobertRedford over Creator/PaulNewman, who In spite of this film being one of the all-time classic actor pairings, Creator/PaulNewman didn't even get a nominated for Best Supporting Actor consideration either.
* FridgeBrilliance: Music/MarvinHamlisch's adaption of Creator/ScottJoplin's ragtime music may be an odd choice for the score since they're from the turn of the century and out of fashion by the time of the movie's setting, 1936. However, it was the music of the younger days of older con men like Luther, Walter Gondorf and the other members of the team. The jazz of the more "modern" gangster wouldn't fit. On top of that, it fits with the wire con that the main characters are running, which they chose specifically because it was old and no longer in style.Actor.
* FridgeBrilliance: Music/MarvinHamlisch's adaption of Creator/ScottJoplin's ragtime music may be an odd choice for the score since they're from the turn of the century and out of fashion by the time of the movie's setting, 1936. However, it was the music of the younger days of older con men like Luther, Walter Gondorf and the other members of the team. The jazz of the more "modern" gangster wouldn't fit. On top of that, it fits with the wire con that the main characters are running, which they chose specifically because it was old and no longer in style.
Deleted line(s) 10 (click to see context) :
* WTHCastingAgency: Hollywood MrFanservice Creator/RobertRedford's LoveInterest is rather plain. And is not like she has a intriguing personality or something like other movies tried to address, she is a random diner waitress [[spoiler:though she is actually an assassin]]. Which is a nice case of FridgeBrilliance: she seems just the kind of unimportant, tertiary character you'd never suspect of having any relevance to the story. Plus, it makes it more believable that she'd be into a random, shady guy whose name she does not know just for his attractiveness.
Is there an issue? Send a MessageReason:
None
Changed line(s) 5 (click to see context) from:
* FridgeBrilliance: Music/MarvinHamlisch's adaption of Creator/ScottJoplin's ragtime music may be an odd choice for the the score since they're from the turn of the century and out of fashion by the time of the movie's setting, 1936. However, it was the music of the younger days of older con men like Luther, Walter Gondorf and the other members of the team. The jazz of the more "modern" gangster wouldn't fit. On top of that, it fits with the wire con that the main characters are running, which they chose specifically because it was old and no longer in style.
to:
* FridgeBrilliance: Music/MarvinHamlisch's adaption of Creator/ScottJoplin's ragtime music may be an odd choice for the the score since they're from the turn of the century and out of fashion by the time of the movie's setting, 1936. However, it was the music of the younger days of older con men like Luther, Walter Gondorf and the other members of the team. The jazz of the more "modern" gangster wouldn't fit. On top of that, it fits with the wire con that the main characters are running, which they chose specifically because it was old and no longer in style.
Is there an issue? Send a MessageReason:
None
Changed line(s) 5 (click to see context) from:
* FridgeBrilliance: Music/MarvinHamlisch's adaption of Creator/ScottJoplin's ragtime music may be an odd choice for the the score since they're from the turn of the century and out of fashion by the time of the movie's setting, 1936. However, it was the music of the younger days of older con men like Luther, Walter Gondorf and the other members of the team. The jazz of the more "modern" gangster wouldn't fit.
to:
* FridgeBrilliance: Music/MarvinHamlisch's adaption of Creator/ScottJoplin's ragtime music may be an odd choice for the the score since they're from the turn of the century and out of fashion by the time of the movie's setting, 1936. However, it was the music of the younger days of older con men like Luther, Walter Gondorf and the other members of the team. The jazz of the more "modern" gangster wouldn't fit. On top of that, it fits with the wire con that the main characters are running, which they chose specifically because it was old and no longer in style.
