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Changed line(s) 2 (click to see context) from:
* MoralEventHorizon: For most of the short, Hugh is a bully who scares other into working for him, but he undoubtably goes too far when he starts assaulting Daphne and nearly kills Tiny.
to:
* MoralEventHorizon: For most of the short, Hugh is a bully who scares other into working for him, but he undoubtably goes too far when he starts assaulting Daphne and nearly kills Tiny.both of them.
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Changed line(s) 3 (click to see context) from:
* NightmareFuel: Mr. Hugh soul being taken away by the ghostly organist, who rises out of the orchestra pit and, presumably, takes him to hell.
to:
* NightmareFuel: Mr. Hugh Hugh's soul being taken away by the ghostly organist, who rises out of the orchestra pit and, presumably, takes him to hell.
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Moved to YMMV.Stage Fright 1950.
Changed line(s) 6,21 (click to see context) from:
* TheWoobie: Tiny. To a lesser extent, Daphne.
!! The Hitchcock Film:
* AlternateCharacterInterpretation: TheReveal throws Charlotte's character into a different light. [[spoiler: Jonathan murdered her husband for her. He claimed she made him do it but how true is that? Although she doesn't seem sad about her husband's death, she's perfectly nice to her employees, and is it possible Jonathan just did this on his own and Charlotte got caught in the crossfire? Or is Charlotte even more manipulative than she appears? Did she attract Jonathan knowing his history, hoping he would commit the murder for her? She notably drops him pretty quickly once she thinks she's in the clear.]]
* BigLippedAlligatorMoment: Mostly a standard mid-career Hitchcock suspense film, but Charlotte's songs and Commodore Gill's scene with the wacky "Lovely Ducks" woman seem like they were pasted in from entirely different films. Understandable, though, since it might've seemed odd to audiences to have Creator/MarleneDietrich and Alastair Sim in the film, but to ''not'' have her sing or have him do comedy.
* EnsembleDarkhorse: Alastair Sim (Commodore Gill) and Joyce Grenfell ("Lovely Ducks") both make strong impressions in secondary roles.
* HilariousInHindsight:
** In a couple of years, there would be another [[Film/AllAboutEve thriller about a manipulative actress with a character called Eve]].
** The RADA scene was apparently filmed on location, and signs with the names of actual former students are visible in the rehearsal room. One name listed is Creator/RichardAttenborough.
** Modern viewers might find themselves distracted by the eerie resemblance of Creator/MichaelWilding (Smith) to Creator/AlanCumming.
* OneSceneWonder: Joyce Grenfell as the pompous lady operating a shooting game at the garden party. ''Kitty Hollywood'' in her review notes that she almost "walks away with the film". In the credits she's only listed as 'Lovely Ducks'.
* RomanticPlotTumour: Subverted brilliantly. Eve's growing romance with Smith seems to take time away from the main plot, but it pays off [[spoiler: when Eve's love for Smith is what convinces her to refuse to help Jonathan when she discovers he's a murderer]].
* RewatchBonus: When you know the twist, you pick up on how [[spoiler:self-serving Jonathan's explanation to Eve was, especially trying to paint himself as innocent, but also how much his portrayal of Charlotte is at odds with her true character]].
* SeinfeldIsUnfunny: The twist here is that [[spoiler:Jonathan was lying the entire time, in particular the fact that there was a flashback showing Jonathan's false version of the events, because it broke a long-established cinematic convention that flashbacks were always a true account of earlier events]]. Audiences were shocked at the time, and felt they had been cheated. The reaction was so negative that Hitchcock himself apologised for it. With the [[spoiler:UnreliableNarrator and TheRashomon]] trope becoming quite common these days, modern viewers would be de-sensitised to such a thing. Viewers might also pick up on how evasive Charlotte's dialogue with Jonathan is.
* ValuesDissonance: The baffled looks that the punters give Eve when she walks into the bar might seem odd to a modern viewer, likewise Eve's hesitation before going in. In those days a young woman wouldn't dream of going into a pub alone. This is underlined by her mother's annoyance that that's where she met Smith.
!! The Hitchcock Film:
* AlternateCharacterInterpretation: TheReveal throws Charlotte's character into a different light. [[spoiler: Jonathan murdered her husband for her. He claimed she made him do it but how true is that? Although she doesn't seem sad about her husband's death, she's perfectly nice to her employees, and is it possible Jonathan just did this on his own and Charlotte got caught in the crossfire? Or is Charlotte even more manipulative than she appears? Did she attract Jonathan knowing his history, hoping he would commit the murder for her? She notably drops him pretty quickly once she thinks she's in the clear.]]
* BigLippedAlligatorMoment: Mostly a standard mid-career Hitchcock suspense film, but Charlotte's songs and Commodore Gill's scene with the wacky "Lovely Ducks" woman seem like they were pasted in from entirely different films. Understandable, though, since it might've seemed odd to audiences to have Creator/MarleneDietrich and Alastair Sim in the film, but to ''not'' have her sing or have him do comedy.
* EnsembleDarkhorse: Alastair Sim (Commodore Gill) and Joyce Grenfell ("Lovely Ducks") both make strong impressions in secondary roles.
* HilariousInHindsight:
** In a couple of years, there would be another [[Film/AllAboutEve thriller about a manipulative actress with a character called Eve]].
** The RADA scene was apparently filmed on location, and signs with the names of actual former students are visible in the rehearsal room. One name listed is Creator/RichardAttenborough.
** Modern viewers might find themselves distracted by the eerie resemblance of Creator/MichaelWilding (Smith) to Creator/AlanCumming.
* OneSceneWonder: Joyce Grenfell as the pompous lady operating a shooting game at the garden party. ''Kitty Hollywood'' in her review notes that she almost "walks away with the film". In the credits she's only listed as 'Lovely Ducks'.
* RomanticPlotTumour: Subverted brilliantly. Eve's growing romance with Smith seems to take time away from the main plot, but it pays off [[spoiler: when Eve's love for Smith is what convinces her to refuse to help Jonathan when she discovers he's a murderer]].
* RewatchBonus: When you know the twist, you pick up on how [[spoiler:self-serving Jonathan's explanation to Eve was, especially trying to paint himself as innocent, but also how much his portrayal of Charlotte is at odds with her true character]].
* SeinfeldIsUnfunny: The twist here is that [[spoiler:Jonathan was lying the entire time, in particular the fact that there was a flashback showing Jonathan's false version of the events, because it broke a long-established cinematic convention that flashbacks were always a true account of earlier events]]. Audiences were shocked at the time, and felt they had been cheated. The reaction was so negative that Hitchcock himself apologised for it. With the [[spoiler:UnreliableNarrator and TheRashomon]] trope becoming quite common these days, modern viewers would be de-sensitised to such a thing. Viewers might also pick up on how evasive Charlotte's dialogue with Jonathan is.
* ValuesDissonance: The baffled looks that the punters give Eve when she walks into the bar might seem odd to a modern viewer, likewise Eve's hesitation before going in. In those days a young woman wouldn't dream of going into a pub alone. This is underlined by her mother's annoyance that that's where she met Smith.
to:
* TheWoobie: Tiny. To a lesser extent, Daphne.
!! The Hitchcock Film:
* AlternateCharacterInterpretation: TheReveal throws Charlotte's character into a different light. [[spoiler: Jonathan murdered her husband for her. He claimed she made him do it but how true is that? Although she doesn't seem sad about her husband's death, she's perfectly nice to her employees, and is it possible Jonathan just did this on his own and Charlotte got caught in the crossfire? Or is Charlotte even more manipulative than she appears? Did she attract Jonathan knowing his history, hoping he would commit the murder for her? She notably drops him pretty quickly once she thinks she's in the clear.]]
* BigLippedAlligatorMoment: Mostly a standard mid-career Hitchcock suspense film, but Charlotte's songs and Commodore Gill's scene with the wacky "Lovely Ducks" woman seem like they were pasted in from entirely different films. Understandable, though, since it might've seemed odd to audiences to have Creator/MarleneDietrich and Alastair Sim in the film, but to ''not'' have her sing or have him do comedy.
* EnsembleDarkhorse: Alastair Sim (Commodore Gill) and Joyce Grenfell ("Lovely Ducks") both make strong impressions in secondary roles.
* HilariousInHindsight:
** In a couple of years, there would be another [[Film/AllAboutEve thriller about a manipulative actress with a character called Eve]].
** The RADA scene was apparently filmed on location, and signs with the names of actual former students are visible in the rehearsal room. One name listed is Creator/RichardAttenborough.
** Modern viewers might find themselves distracted by the eerie resemblance of Creator/MichaelWilding (Smith) to Creator/AlanCumming.
* OneSceneWonder: Joyce Grenfell as the pompous lady operating a shooting game at the garden party. ''Kitty Hollywood'' in her review notes that she almost "walks away with the film". In the credits she's only listed as 'Lovely Ducks'.
* RomanticPlotTumour: Subverted brilliantly. Eve's growing romance with Smith seems to take time away from the main plot, but it pays off [[spoiler: when Eve's love for Smith is what convinces her to refuse to help Jonathan when she discovers he's a murderer]].
* RewatchBonus: When you know the twist, you pick up on how [[spoiler:self-serving Jonathan's explanation to Eve was, especially trying to paint himself as innocent, but also how much his portrayal of Charlotte is at odds with her true character]].
* SeinfeldIsUnfunny: The twist here is that [[spoiler:Jonathan was lying the entire time, in particular the fact that there was a flashback showing Jonathan's false version of the events, because it broke a long-established cinematic convention that flashbacks were always a true account of earlier events]]. Audiences were shocked at the time, and felt they had been cheated. The reaction was so negative that Hitchcock himself apologised for it. With the [[spoiler:UnreliableNarrator and TheRashomon]] trope becoming quite common these days, modern viewers would be de-sensitised to such a thing. Viewers might also pick up on how evasive Charlotte's dialogue with Jonathan is.
* ValuesDissonance: The baffled looks that the punters give Eve when she walks into the bar might seem odd to a modern viewer, likewise Eve's hesitation before going in. In those days a young woman wouldn't dream of going into a pub alone. This is underlined by her mother's annoyance that that's where she met Smith.Daphne.
!! The Hitchcock Film:
* AlternateCharacterInterpretation: TheReveal throws Charlotte's character into a different light. [[spoiler: Jonathan murdered her husband for her. He claimed she made him do it but how true is that? Although she doesn't seem sad about her husband's death, she's perfectly nice to her employees, and is it possible Jonathan just did this on his own and Charlotte got caught in the crossfire? Or is Charlotte even more manipulative than she appears? Did she attract Jonathan knowing his history, hoping he would commit the murder for her? She notably drops him pretty quickly once she thinks she's in the clear.]]
* BigLippedAlligatorMoment: Mostly a standard mid-career Hitchcock suspense film, but Charlotte's songs and Commodore Gill's scene with the wacky "Lovely Ducks" woman seem like they were pasted in from entirely different films. Understandable, though, since it might've seemed odd to audiences to have Creator/MarleneDietrich and Alastair Sim in the film, but to ''not'' have her sing or have him do comedy.
* EnsembleDarkhorse: Alastair Sim (Commodore Gill) and Joyce Grenfell ("Lovely Ducks") both make strong impressions in secondary roles.
* HilariousInHindsight:
** In a couple of years, there would be another [[Film/AllAboutEve thriller about a manipulative actress with a character called Eve]].
** The RADA scene was apparently filmed on location, and signs with the names of actual former students are visible in the rehearsal room. One name listed is Creator/RichardAttenborough.
** Modern viewers might find themselves distracted by the eerie resemblance of Creator/MichaelWilding (Smith) to Creator/AlanCumming.
* OneSceneWonder: Joyce Grenfell as the pompous lady operating a shooting game at the garden party. ''Kitty Hollywood'' in her review notes that she almost "walks away with the film". In the credits she's only listed as 'Lovely Ducks'.
* RomanticPlotTumour: Subverted brilliantly. Eve's growing romance with Smith seems to take time away from the main plot, but it pays off [[spoiler: when Eve's love for Smith is what convinces her to refuse to help Jonathan when she discovers he's a murderer]].
* RewatchBonus: When you know the twist, you pick up on how [[spoiler:self-serving Jonathan's explanation to Eve was, especially trying to paint himself as innocent, but also how much his portrayal of Charlotte is at odds with her true character]].
* SeinfeldIsUnfunny: The twist here is that [[spoiler:Jonathan was lying the entire time, in particular the fact that there was a flashback showing Jonathan's false version of the events, because it broke a long-established cinematic convention that flashbacks were always a true account of earlier events]]. Audiences were shocked at the time, and felt they had been cheated. The reaction was so negative that Hitchcock himself apologised for it. With the [[spoiler:UnreliableNarrator and TheRashomon]] trope becoming quite common these days, modern viewers would be de-sensitised to such a thing. Viewers might also pick up on how evasive Charlotte's dialogue with Jonathan is.
* ValuesDissonance: The baffled looks that the punters give Eve when she walks into the bar might seem odd to a modern viewer, likewise Eve's hesitation before going in. In those days a young woman wouldn't dream of going into a pub alone. This is underlined by her mother's annoyance that that's where she met Smith.
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None
Changed line(s) 20 (click to see context) from:
* SeinfeldIsUnfunny: The twist here is that [[spoiler: Jonathan was lying the entire time]]. Audiences were shocked at the time, and felt they had been cheated. The reaction was so negative that Hitchcock himself apologised for it. With the [[spoiler: UnreliableNarrator]] trope becoming quite common these days, modern viewers would be de-sensitised to such a thing. Viewers might also pick up on how evasive Charlotte's dialogue with Jonathan is.
to:
* SeinfeldIsUnfunny: The twist here is that [[spoiler: Jonathan [[spoiler:Jonathan was lying the entire time]].time, in particular the fact that there was a flashback showing Jonathan's false version of the events, because it broke a long-established cinematic convention that flashbacks were always a true account of earlier events]]. Audiences were shocked at the time, and felt they had been cheated. The reaction was so negative that Hitchcock himself apologised for it. With the [[spoiler: UnreliableNarrator]] [[spoiler:UnreliableNarrator and TheRashomon]] trope becoming quite common these days, modern viewers would be de-sensitised to such a thing. Viewers might also pick up on how evasive Charlotte's dialogue with Jonathan is.
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None
Changed line(s) 4,5 (click to see context) from:
-->"''Going... down''."
* SugarWiki/VisualEffectsOfAwesome: In addition to the excellent character animation, especially on the dogs, which were mere ''inches'' high, making them notoriously difficult to animate, there's also the double-exposed Mr. Hugh being taken away by the glowing, ghostly organist.
* SugarWiki/VisualEffectsOfAwesome: In addition to the excellent character animation, especially on the dogs, which were mere ''inches'' high, making them notoriously difficult to animate, there's also the double-exposed Mr. Hugh being taken away by the glowing, ghostly organist.
to:
* SugarWiki/VisualEffectsOfAwesome:
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Changed line(s) 1 (click to see context) from:
!! The Short:
to:
!! The Creator/AardmanAnimations Short:
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Changed line(s) 15 (click to see context) from:
** There are signs with names of past award-winning drama students on the column in the rehearsal room at the RADA. One name listed is Creator/RichardAttenborough.
to:
** There are The RADA scene was apparently filmed on location, and signs with the names of past award-winning drama actual former students on the column are visible in the rehearsal room at the RADA. room. One name listed is Creator/RichardAttenborough.Creator/RichardAttenborough.
** Modern viewers might find themselves distracted by the eerie resemblance of Creator/MichaelWilding (Smith) to Creator/AlanCumming.
** Modern viewers might find themselves distracted by the eerie resemblance of Creator/MichaelWilding (Smith) to Creator/AlanCumming.
Is there an issue? Send a MessageReason:
None
* BigLippedAlligatorMoment: Mostly a standard mid-career Hitchcock suspense film, but Charlotte's songs and Commodore Gill's scene with the wacky "Lovely Ducks" woman seem like they were pasted in from entirely different films. Understandable, though, since it might've seemed odd to audiences to have Creator/MarleneDietrich and Alastair Sim in the film, but to ''not'' have her sing or have him do comedy.
Changed line(s) 12 (click to see context) from:
* HilariousInHindsight: In a couple of years, there would be another [[Film/AllAboutEve thriller about a manipulative actress with a character called Eve]].
to:
* HilariousInHindsight: HilariousInHindsight:
** In a couple of years, there would be another [[Film/AllAboutEve thriller about a manipulative actress with a character calledEve]]. Eve]].
** There are signs with names of past award-winning drama students on the column in the rehearsal room at the RADA. One name listed is Creator/RichardAttenborough.
** In a couple of years, there would be another [[Film/AllAboutEve thriller about a manipulative actress with a character called
** There are signs with names of past award-winning drama students on the column in the rehearsal room at the RADA. One name listed is Creator/RichardAttenborough.
Added DiffLines:
* RewatchBonus: When you know the twist, you pick up on how [[spoiler:self-serving Jonathan's explanation to Eve was, especially trying to paint himself as innocent, but also how much his portrayal of Charlotte is at odds with her true character]].
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* EnsembleDarkhorse: Alastair Sim (Commodore Gill) and Joyce Grenfell ("Lovely Ducks") both make strong impressions in secondary roles.
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None
Changed line(s) 5 (click to see context) from:
* VisualEffectsOfAwesome: In addition to the excellent character animation, especially on the dogs, which were mere ''inches'' high, making them notoriously difficult to animate, there's also the double-exposed Mr. Hugh being taken away by the glowing, ghostly organist.
to:
* VisualEffectsOfAwesome: SugarWiki/VisualEffectsOfAwesome: In addition to the excellent character animation, especially on the dogs, which were mere ''inches'' high, making them notoriously difficult to animate, there's also the double-exposed Mr. Hugh being taken away by the glowing, ghostly organist.
Is there an issue? Send a MessageReason:
No Real Life Examples Please and not YMMV
Deleted line(s) 13 (click to see context) :
* RewatchBonus: Notice that Jonathan throws the dress on the fire the second Eve says the stain has been smeared on there. [[spoiler: Jonathan himself put the stain there, and he destroys it because he now realises it'll be useless to frame Charlotte with]].
Changed line(s) 15 (click to see context) from:
* SeinfeldIsUnfunny: The twist here is that [[spoiler: Jonathan was lying the entire time]]. Audiences were shocked at the time, and felt they had been cheated. The reaction was so negative that Hitchcock himself apologised for it. With the [[spoiler: UnreliableNarrator]] trope becoming quite common these days, modern viewers would be de-sensitised to such a thing. GenreSavvy viewers might also pick up on how evasive Charlotte's dialogue with Jonathan is.
to:
* SeinfeldIsUnfunny: The twist here is that [[spoiler: Jonathan was lying the entire time]]. Audiences were shocked at the time, and felt they had been cheated. The reaction was so negative that Hitchcock himself apologised for it. With the [[spoiler: UnreliableNarrator]] trope becoming quite common these days, modern viewers would be de-sensitised to such a thing. GenreSavvy viewers Viewers might also pick up on how evasive Charlotte's dialogue with Jonathan is.
Is there an issue? Send a MessageReason:
None
* OneSceneWonder: Joyce Grenfell as the pompous lady operating a shooting game at the garden party. ''Kitty Hollywood'' in her review notes that she almost "walks away with the film". In the credits she's only listed as 'Lovely Ducks'.
* RewatchBonus: Notice that Jonathan throws the dress on the fire the second Eve says the stain has been smeared on there. [[spoiler: Jonathan himself put the stain there, and he destroys it because he now realises it'll be useless to frame Charlotte with]].
* RewatchBonus: Notice that Jonathan throws the dress on the fire the second Eve says the stain has been smeared on there. [[spoiler: Jonathan himself put the stain there, and he destroys it because he now realises it'll be useless to frame Charlotte with]].
Changed line(s) 13 (click to see context) from:
* SeinfeldIsUnfunny: The twist here is that [[spoiler: Jonathan was lying the entire time]]. Audiences were shocked at the time, and felt they had been cheated. The reaction was so negative that Hitchcock himself apologised for it. With the [[spoiler: UnreliableNarrator]] trope becoming quite common these days, modern viewers would be de-sensitised to such a thing.
to:
* SeinfeldIsUnfunny: The twist here is that [[spoiler: Jonathan was lying the entire time]]. Audiences were shocked at the time, and felt they had been cheated. The reaction was so negative that Hitchcock himself apologised for it. With the [[spoiler: UnreliableNarrator]] trope becoming quite common these days, modern viewers would be de-sensitised to such a thing. GenreSavvy viewers might also pick up on how evasive Charlotte's dialogue with Jonathan is.
Is there an issue? Send a MessageReason:
None
Added line(s) 5 (click to see context) :
!! The Short:
Changed line(s) 5 (click to see context) from:
* TheWoobie: Tiny. To a lesser extent, Daphne.
to:
* TheWoobie: Tiny. To a lesser extent, Daphne.Daphne.
!! The Hitchcock Film:
* AlternateCharacterInterpretation: TheReveal throws Charlotte's character into a different light. [[spoiler: Jonathan murdered her husband for her. He claimed she made him do it but how true is that? Although she doesn't seem sad about her husband's death, she's perfectly nice to her employees, and is it possible Jonathan just did this on his own and Charlotte got caught in the crossfire? Or is Charlotte even more manipulative than she appears? Did she attract Jonathan knowing his history, hoping he would commit the murder for her? She notably drops him pretty quickly once she thinks she's in the clear.]]
* HilariousInHindsight: In a couple of years, there would be another [[Film/AllAboutEve thriller about a manipulative actress with a character called Eve]].
* RomanticPlotTumour: Subverted brilliantly. Eve's growing romance with Smith seems to take time away from the main plot, but it pays off [[spoiler: when Eve's love for Smith is what convinces her to refuse to help Jonathan when she discovers he's a murderer]].
* SeinfeldIsUnfunny: The twist here is that [[spoiler: Jonathan was lying the entire time]]. Audiences were shocked at the time, and felt they had been cheated. The reaction was so negative that Hitchcock himself apologised for it. With the [[spoiler: UnreliableNarrator]] trope becoming quite common these days, modern viewers would be de-sensitised to such a thing.
* ValuesDissonance: The baffled looks that the punters give Eve when she walks into the bar might seem odd to a modern viewer, likewise Eve's hesitation before going in. In those days a young woman wouldn't dream of going into a pub alone. This is underlined by her mother's annoyance that that's where she met Smith.
!! The Hitchcock Film:
* AlternateCharacterInterpretation: TheReveal throws Charlotte's character into a different light. [[spoiler: Jonathan murdered her husband for her. He claimed she made him do it but how true is that? Although she doesn't seem sad about her husband's death, she's perfectly nice to her employees, and is it possible Jonathan just did this on his own and Charlotte got caught in the crossfire? Or is Charlotte even more manipulative than she appears? Did she attract Jonathan knowing his history, hoping he would commit the murder for her? She notably drops him pretty quickly once she thinks she's in the clear.]]
* HilariousInHindsight: In a couple of years, there would be another [[Film/AllAboutEve thriller about a manipulative actress with a character called Eve]].
* RomanticPlotTumour: Subverted brilliantly. Eve's growing romance with Smith seems to take time away from the main plot, but it pays off [[spoiler: when Eve's love for Smith is what convinces her to refuse to help Jonathan when she discovers he's a murderer]].
* SeinfeldIsUnfunny: The twist here is that [[spoiler: Jonathan was lying the entire time]]. Audiences were shocked at the time, and felt they had been cheated. The reaction was so negative that Hitchcock himself apologised for it. With the [[spoiler: UnreliableNarrator]] trope becoming quite common these days, modern viewers would be de-sensitised to such a thing.
* ValuesDissonance: The baffled looks that the punters give Eve when she walks into the bar might seem odd to a modern viewer, likewise Eve's hesitation before going in. In those days a young woman wouldn't dream of going into a pub alone. This is underlined by her mother's annoyance that that's where she met Smith.
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None
Changed line(s) 5 (click to see context) from:
* The Woobie: Tiny. To a lesser extent, Daphne.
to:
* The Woobie: TheWoobie: Tiny. To a lesser extent, Daphne.
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None
Changed line(s) 1,2 (click to see context) from:
* NightmareFuel: Mr. Hugh soul being taken away by the ghostly organist, who rises out of the orchestra pit and, presumably, drags him to hell.
-->"''Going... down''."
-->"''Going... down''."
to:
* MoralEventHorizon: For most of the short, Hugh is a bully who scares other into working for him, but he undoubtably goes too far when he starts assaulting Daphne and nearly kills Tiny.
* NightmareFuel: Mr. Hugh soul being taken away by the ghostly organist, who rises out of the orchestra pit and, presumably,drags takes him to hell.
-->"''Going... down''.""
* VisualEffectsOfAwesome: In addition to the excellent character animation, especially on the dogs, which were mere ''inches'' high, making them notoriously difficult to animate, there's also the double-exposed Mr. Hugh being taken away by the glowing, ghostly organist.
* The Woobie: Tiny. To a lesser extent, Daphne.
* NightmareFuel: Mr. Hugh soul being taken away by the ghostly organist, who rises out of the orchestra pit and, presumably,
-->"''Going... down''.
* VisualEffectsOfAwesome: In addition to the excellent character animation, especially on the dogs, which were mere ''inches'' high, making them notoriously difficult to animate, there's also the double-exposed Mr. Hugh being taken away by the glowing, ghostly organist.
* The Woobie: Tiny. To a lesser extent, Daphne.
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None
Changed line(s) 2 (click to see context) from:
-->"''Going... ''down''."
to:
-->"''Going... ''down''.down''."
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* NightmareFuel: Mr. Hugh soul being taken away by the ghostly organist, who rises out of the orchestra pit and, presumably, drags him to hell.
-->"''Going... ''down''."
-->"''Going... ''down''."