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* HoYay: Martin and Cosmo's final confrontation, especially Cosmo's cries of "I don't expect just ''anybody'' to understand this, but I ''do'' expect '''''you''''' to understand this!", and his plaintive pleading at the end of "Don't go. ''Don't'' go." positively smacks of Cosmo's UnrequitedLove for Martin.
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* HoYay: Martin and Cosmo's final confrontation, especially Cosmo's cries of "I don't expect just ''anybody'' to understand this, but I ''do'' expect '''''you''''' to understand this!", and his plaintive pleading at the end of "Don't go. ''Don't'' go." positively smacks of Cosmo's UnrequitedLove [[VillainousCrush unrequited love]] for Martin.
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* SugarWiki/AwesomeMusic: This film has one of Music/JamesHorner's most unique, most fun, and least James Hornery scores, with a jazzy saxophone courtesy of Branford Marsalis.
%%* HarsherInHindsight: The conversation between Redford and the NSA agents:
%%-->'''Martin''': You're the guys I hear breathing on the other end of my phone.\\
'''Dick Gordon''': No, that's the FBI. We're not chartered for domestic surveillance.
* HoYay: Martin and Cosmo's final confrontation, especially Cosmo's cries of "I don't expect just anybody to understand this, but I do expect YOU to understand this!", and his plaintive pleading at the end of "Don't go. Don't go." positively smacks of Cosmo's unrequited love for Marty.
%%* HarsherInHindsight: The conversation between Redford and the NSA agents:
%%-->'''Martin''': You're the guys I hear breathing on the other end of my phone.\\
'''Dick Gordon''': No, that's the FBI. We're not chartered for domestic surveillance.
* HoYay: Martin and Cosmo's final confrontation, especially Cosmo's cries of "I don't expect just anybody to understand this, but I do expect YOU to understand this!", and his plaintive pleading at the end of "Don't go. Don't go." positively smacks of Cosmo's unrequited love for Marty.
to:
* SugarWiki/AwesomeMusic: This film has one of Music/JamesHorner's most unique, most fun, playful, and least James Hornery Horner-y scores, with a jazzy saxophone courtesy of Branford Marsalis.
%%* * HarsherInHindsight: The conversation between Redford and the NSA agents:
%%-->'''Martin''': -->'''Martin''': You're the guys I hear breathing on the other end of my phone.\\
'''Dickphone.
-->'''Dick Gordon''': No, that's the FBI. We're not chartered for domestic surveillance.
* HoYay: Martin and Cosmo's final confrontation, especially Cosmo's cries of "I don't expect justanybody ''anybody'' to understand this, but I do ''do'' expect YOU '''''you''''' to understand this!", and his plaintive pleading at the end of "Don't go. Don't ''Don't'' go." positively smacks of Cosmo's unrequited love UnrequitedLove for Marty.Martin.
'''Dick
-->'''Dick Gordon''': No, that's the FBI. We're not chartered for domestic surveillance.
* HoYay: Martin and Cosmo's final confrontation, especially Cosmo's cries of "I don't expect just
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* InferredHolocaust: By the end of the movie, [[spoiler: a national party has been rendered bankrupt by the main cast.]] The political catastrophe this would generate is glossed over. As is the sort of motivation this would give [[spoiler:the incumbent administration in 1992 to track them down, deals with the NSA be damned. They might just take the PR disaster that would come from everything blowing up at that point. Oops.]]
to:
* InferredHolocaust: By the end of the movie, [[spoiler: a national party has been rendered bankrupt by the main cast.]] The potential political catastrophe this would generate is glossed over. As over, as is the sort of motivation that this would give [[spoiler:the incumbent 1992 administration in 1992 to track them down, deals with the regardless of NSA be damned.deals. They might just take the PR disaster that would come from everything blowing up at that point. Oops.]]
