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* SpiritualSuccessor: Arguably to Manet's ''Art/{{Olympia}}'', another controversial depiction of a contemporary figure which was shown at the Paris Salon. Critics accused Sargent of trying to become a 'success by scandal' as Manet had done.
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* IAmNotShazam: Downplayed. While the character of Madame X was certainly based on its model, Sargent himself pronounced that the person depicted in the picture was not Gautreau, but an original character inspired by her. This was considered highly unusual for a portrait in his time.
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* IAmNotShazam: Downplayed. While the character of [[Art/PortraitOfMadameX Madame X X]] was certainly based on its model, Sargent himself pronounced that the person depicted in the picture was not Gautreau, but an original character inspired by her. This was considered highly unusual for a portrait in his time.
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* CultClassic: When it was released, it was panned by critics and general audiences as nothing more than {{Fanservice}}, with reports of the model's mother demanding that the painting to be removed from the show for fear of her daughter's reputation. Nowadays, it is one of Sargent's most well-remembered works and a famous example of portraits in the Modern Era of art.
* IAmNotShazam: Downplayed. While the character of Madame X was certainly based off of its model, Sargent himself pronounced that the person depicted in the picture was not Gautreau, but an original character based off of her. This was considered highly unusual for a portrait in his time.
* TheissTitillationTheory: Madame's dress seems about to fall open over her right breast; in earlier concepts the strap on that side had slipped over her shoulder. (In reality the bodice of the dress was rigid and corsetlike and couldn't have fallen lower even if it wanted to.)
* IAmNotShazam: Downplayed. While the character of Madame X was certainly based off of its model, Sargent himself pronounced that the person depicted in the picture was not Gautreau, but an original character based off of her. This was considered highly unusual for a portrait in his time.
* TheissTitillationTheory: Madame's dress seems about to fall open over her right breast; in earlier concepts the strap on that side had slipped over her shoulder. (In reality the bodice of the dress was rigid and corsetlike and couldn't have fallen lower even if it wanted to.)
to:
* CultClassic: When it was released, it was panned by critics and general audiences as nothing more than {{Fanservice}}, with reports of the model's mother demanding that the painting to be removed from the show for fear of her daughter's reputation. Nowadays, it is one of Sargent's most well-remembered works and a famous example of portraits in the Modern Era of art.
* IAmNotShazam: Downplayed. While the character of Madame X was certainly basedoff of on its model, Sargent himself pronounced that the person depicted in the picture was not Gautreau, but an original character based off of inspired by her. This was considered highly unusual for a portrait in his time.
* TheissTitillationTheory: Madame's dress seems about to fall open over her right breast; in earlierconcepts concepts, the strap on that side had slipped over her shoulder. (In reality In reality, the bodice of the dress was rigid and corsetlike and couldn't have fallen lower even if it wanted to.)to.
* VindicatedByHistory: When originally exhibited, it caused a great deal of scandal in the art circle. Sargent was forced to leave Paris as a result. The {{painting|s}} would become one of his and the era's most iconic pieces.
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* IAmNotShazam: Downplayed. While the character of Madame X was certainly based
* TheissTitillationTheory: Madame's dress seems about to fall open over her right breast; in earlier
* VindicatedByHistory: When originally exhibited, it caused a great deal of scandal in the art circle. Sargent was forced to leave Paris as a result. The {{painting|s}} would become one of his and the era's most iconic pieces.
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* TheissTitillationTheory: The one shoulder strap seems ''perilously' close to coming loose. (In reality the bodice of the dress was rigid and corsetlike, and the straps were purely ornamental.)
to:
* TheissTitillationTheory: The one shoulder Madame's dress seems about to fall open over her right breast; in earlier concepts the strap seems ''perilously' close to coming loose. on that side had slipped over her shoulder. (In reality the bodice of the dress was rigid and corsetlike, corsetlike and the straps were purely ornamental.couldn't have fallen lower even if it wanted to.)
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Changed line(s) 2 (click to see context) from:
* IAmNotShazam: Downplayed. While the character of Madame X was certainly based off of its model, Sargent himself pronounced that the person depicted in the picture was not Gautreau, but an original character based off of her. This was considered highly unusual for a portrait in his time.
to:
* IAmNotShazam: Downplayed. While the character of Madame X was certainly based off of its model, Sargent himself pronounced that the person depicted in the picture was not Gautreau, but an original character based off of her. This was considered highly unusual for a portrait in his time.time.
* TheissTitillationTheory: The one shoulder strap seems ''perilously' close to coming loose. (In reality the bodice of the dress was rigid and corsetlike, and the straps were purely ornamental.)
* TheissTitillationTheory: The one shoulder strap seems ''perilously' close to coming loose. (In reality the bodice of the dress was rigid and corsetlike, and the straps were purely ornamental.)
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None
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* CultClassic: When it was released, it was panned by critics and general audiences as nothing more than {{Fanservice}}, with reports of the model's mother demanding that the show be painting to be removed from the show for fear of her reputation. Nowadays, it is one of Sargent's most well-remembered works and a famous example of portraits in the Modern Era of art.
to:
* CultClassic: When it was released, it was panned by critics and general audiences as nothing more than {{Fanservice}}, with reports of the model's mother demanding that the show be painting to be removed from the show for fear of her daughter's reputation. Nowadays, it is one of Sargent's most well-remembered works and a famous example of portraits in the Modern Era of art.
Is there an issue? Send a MessageReason:
None
Changed line(s) 1,2 (click to see context) from:
* IAmNotShazam: Downplayed. While the character of Madame X was certainly based off of its model, Sargent himself pronounced that the person depicted in the picture was not Gautreau, but an original character based off of her. This was considered highly unusual for a portrait in his time.
* CultClassic: When it was released, it was panned by critics and general audiences as nothing more than {{Fanservice}}, with reports of the model's mother demanding that the show be painting to be removed from the show for fear of her reputation. Nowadays, it is one of Sargent's most well-remembered works and a famous example of portraits in the Modern Era of art.
* CultClassic: When it was released, it was panned by critics and general audiences as nothing more than {{Fanservice}}, with reports of the model's mother demanding that the show be painting to be removed from the show for fear of her reputation. Nowadays, it is one of Sargent's most well-remembered works and a famous example of portraits in the Modern Era of art.
to:
* IAmNotShazam: Downplayed. While the character of Madame X was certainly based off of its model, Sargent himself pronounced that the person depicted in the picture was not Gautreau, but an original character based off of her. This was considered highly unusual for a portrait in his time.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* IAmNotShazam: Downplayed. While the character of Madame X was certainly based off of its model, Sargent himself pronounced that the person depicted in the picture was not Gautreau, but an original character based off of her. This was considered highly unusual for a portrait in his time.
* CultClassic: When it was released, it was panned by critics and general audiences as nothing more than {{Fanservice}}, with reports of the model's mother demanding that the show be painting to be removed from the show for fear of her reputation. Nowadays, it is one of Sargent's most well-remembered works and a famous example of portraits in the Modern Era of art.
* CultClassic: When it was released, it was panned by critics and general audiences as nothing more than {{Fanservice}}, with reports of the model's mother demanding that the show be painting to be removed from the show for fear of her reputation. Nowadays, it is one of Sargent's most well-remembered works and a famous example of portraits in the Modern Era of art.
