Follow TV Tropes

Following

History YMMV / KidA

Go To

OR

Is there an issue? Send a MessageReason:
None

Added DiffLines:

** "KID A Pitchfork review" [[labelnote:Explanation]] When KID A received a mixed reaction from the music press, the most overtly positive response was from the then-nascent website Pitchfork, which gave it a perfect 10. The review and KID A's future appraisal has since led Pitchfork to become one of the biggest and most respected music reviewing sources. However, it has also since been made extensively fun of for its oftentimes [[PurpleProse overwrought]] writing and general emphasis on abstract superlatives over any meaningful analysis. Many now use it as a shining example of pretentious online critics, with the review's whole text sometimes being used as copypasta in response to any overwritten musical analysis.[[/labelnote]]
Is there an issue? Send a MessageReason:
Not ymmv


* JustForFun/XMeetsY: ''Kid A'' is essentially what one would get if ''Music/{{Wish You Were Here|1975}}'', ''Music/{{Low|DavidBowieAlbum}}'', and ''Music/RemainInLight'' had a threesome.
Is there an issue? Send a MessageReason:
None


** "Radiohead predicted ''WesternAnimation/IceAge''!"[[labelnote:Explanation]]The second verse of "Idioteque" opens with the lines "ice age coming/ice age coming." ''Kid A'' came out in 2000, while the first ''Ice Age'' movie came out in 2002; the discovery of this coincidence led to many fans joking about it whenever "Idioteque" or ''Kid A'' as a whole comes up.[[/labelnote]]

to:

** "Radiohead predicted ''WesternAnimation/IceAge''!"[[labelnote:Explanation]]The second verse of "Idioteque" opens with the lines "ice age coming/ice age coming." ''Kid A'' came out in 2000, while the first ''Ice Age'' ''WesternAnimation/IceAge1'' movie came out in 2002; the discovery of this coincidence led to many fans joking about it whenever "Idioteque" or ''Kid A'' as a whole comes up.[[/labelnote]]

Added: 512

Changed: 8

Removed: 503

Is there an issue? Send a MessageReason:
None


* BrokenBase: At first; upon release, the album was highly divisive for its genre shift to electronic-tinged PostRock, with many desiring for the band to return to the abstract guitar-driven AlternativeRock of ''Music/OKComputer''. ''Music/{{Amnesiac}}'' drew similarly mixed responses for being a direct continuation of ''Kid A'', and this led to ''Music/HailToTheThief'' being a considerable source of hype among those who felt alienated by the more experimental direction Radiohead had taken in 2000.



* ContestedSequel: At first; upon release, the album was highly divisive for its genre shift to electronic-tinged PostRock, with many desiring for the band to return to the abstract guitar-driven AlternativeRock of ''Music/OKComputer''. ''Music/{{Amnesiac}}'' drew similarly mixed responses for being a direct continuation of ''Kid A'', and this led to ''Music/HailToTheThief'' being a considerable source of hype among those who felt alienated by the more experimental direction Radiohead had taken in 2000.



* JustForFun/XMeetsY: ''Kid A'' is essentially what one would get if ''Music/WishYouWereHere1975'', ''Music/{{Low|DavidBowieAlbum}}'', and ''Music/RemainInLight'' had a threesome.

to:

* JustForFun/XMeetsY: ''Kid A'' is essentially what one would get if ''Music/WishYouWereHere1975'', ''Music/{{Wish You Were Here|1975}}'', ''Music/{{Low|DavidBowieAlbum}}'', and ''Music/RemainInLight'' had a threesome.threesome.
----
Is there an issue? Send a MessageReason:
None


* NightmareFuel: [[NightmareFuel/{{Radiohead}} The Kid A Mnesia folder]] counts a lot of creepy things in this album.

to:

* NightmareFuel: [[NightmareFuel/{{Radiohead}} The Kid A Mnesia folder]] counts a lot of lists the ''many'' creepy things you can find in this album.the album, from the tracks themselves to Stanley Donwood's art.

Changed: 95

Removed: 3488

Is there an issue? Send a MessageReason:
None


* NightmareFuel: Packed to the brim with it.
** Nearly any of the promotional 'blips' that were made. Downright creepy scenes and imagery, and incredibly apocalyptic and futuristic. One that particularly captivates viewers with its unsettling content features a stick figure staggering away from another lying in the snow, bleeding out; many infer that the mobile stick figure murdered the bleeding one.
** The song "Kid A" is initially only kind of unsettling. It gets creepier when you figure out the lyrics ("standing in the shadows at the end of my bed...") and the fact that to Thom they represent something so horrible he distorted his voice in the song to distance himself from it. The speculation regarding what exactly that is doesn't help (the creepy pied piper imagery suggests pedophilia, while Thom has hinted it's about cloning or mind control). Then you look up its pages in the maze section of the Radiohead website, one of which is a picture of a man with his eyes sewn shut. And then you look up the lyrical outtakes, made by Thom's usual semi-comprehensible stream of consciousness to seem like they were written by a lunatic (several lyrics also made it into the outtake "Follow Me Around"):
---> ''I am the bloody pied piper rats and children follow me out of town a scarecrow that dont scare the crows nowadays i get panicked i have ceased to exist my words you know are out of ink. drooling looney tunes moving room to room did you lie to us [[UsefulNotes/TonyBlair tony]]? we thought you were different but now were not so sure now you know were not so sure. we can blow a hole in anything [[UsefulNotes/MargaretThatcher thatchers]] children see you on the way back down. kill the enemy within unhinged cowboys and indians moving statues yur safe until you look away. i would like to change back now please to the shadow of my former self. iam the bloody pied piper. & the rats and the children will follow me around so you hade better make it worth my while. please allow me the suspension of your disbelief the benefit of the doubt.''
---> ''never say anything''
---> ''be instrumental''
** While the title track may be the strongest example, the entire album is creepy and offputting, though never outright scary (in general, it just sounds.... ''wrong''). Here are some of the more unsettling qualities, track by track:
*** "Everything in Its Right Place's" strange synths and Thom's distorted voice, combined with its constant build up.
*** "The National Anthem," when the instruments drop out and we're left with distorted samples of dialogue and an orchestra at the end.
*** "How to Disappear Completely's" calm but dissonant string arrangement.
*** "Treefingers" is comparatively soft, but is still empty and cold.
*** "In Limbo" is hazy, off-balance, and ends with what sounds like a siren wailing through a snowstorm.
*** "Idioteque" is an extremely anxious and paranoid dance song. Its rhythmic energy doesn't make it lighter, but instead more desperate. The song ends on another distorted sample, this time of wailing, atonal strings.
*** "Morning Bell" comes in on Idioteque's LastNoteNightmare.
*** "Motion Picture Soundtrack" is an ironic example. The harp samples are so sweet as to be sickly and seem to have deliberately invoked Disney soundtracks, but the lyrics are still cold, distant, and offputting, especially with its references to the afterlife.
** The album's hidden booklet, especially the caricature of UsefulNotes/TonyBlair with a SlasherSmile, as well as the liberal doses of WordSaladHorror.

to:

* NightmareFuel: Packed to the brim with it.
** Nearly any
[[NightmareFuel/{{Radiohead}} The Kid A Mnesia folder]] counts a lot of the promotional 'blips' that were made. Downright creepy scenes and imagery, and incredibly apocalyptic and futuristic. One that particularly captivates viewers with its unsettling content features a stick figure staggering away from another lying things in the snow, bleeding out; many infer that the mobile stick figure murdered the bleeding one.
** The song "Kid A" is initially only kind of unsettling. It gets creepier when you figure out the lyrics ("standing in the shadows at the end of my bed...") and the fact that to Thom they represent something so horrible he distorted his voice in the song to distance himself from it. The speculation regarding what exactly that is doesn't help (the creepy pied piper imagery suggests pedophilia, while Thom has hinted it's about cloning or mind control). Then you look up its pages in the maze section of the Radiohead website, one of which is a picture of a man with his eyes sewn shut. And then you look up the lyrical outtakes, made by Thom's usual semi-comprehensible stream of consciousness to seem like they were written by a lunatic (several lyrics also made it into the outtake "Follow Me Around"):
---> ''I am the bloody pied piper rats and children follow me out of town a scarecrow that dont scare the crows nowadays i get panicked i have ceased to exist my words you know are out of ink. drooling looney tunes moving room to room did you lie to us [[UsefulNotes/TonyBlair tony]]? we thought you were different but now were not so sure now you know were not so sure. we can blow a hole in anything [[UsefulNotes/MargaretThatcher thatchers]] children see you on the way back down. kill the enemy within unhinged cowboys and indians moving statues yur safe until you look away. i would like to change back now please to the shadow of my former self. iam the bloody pied piper. & the rats and the children will follow me around so you hade better make it worth my while. please allow me the suspension of your disbelief the benefit of the doubt.''
---> ''never say anything''
---> ''be instrumental''
** While the title track may be the strongest example, the entire album is creepy and offputting, though never outright scary (in general, it just sounds.... ''wrong''). Here are some of the more unsettling qualities, track by track:
*** "Everything in Its Right Place's" strange synths and Thom's distorted voice, combined with its constant build up.
*** "The National Anthem," when the instruments drop out and we're left with distorted samples of dialogue and an orchestra at the end.
*** "How to Disappear Completely's" calm but dissonant string arrangement.
*** "Treefingers" is comparatively soft, but is still empty and cold.
*** "In Limbo" is hazy, off-balance, and ends with what sounds like a siren wailing through a snowstorm.
*** "Idioteque" is an extremely anxious and paranoid dance song. Its rhythmic energy doesn't make it lighter, but instead more desperate. The song ends on another distorted sample,
this time of wailing, atonal strings.
*** "Morning Bell" comes in on Idioteque's LastNoteNightmare.
*** "Motion Picture Soundtrack" is an ironic example. The harp samples are so sweet as to be sickly and seem to have deliberately invoked Disney soundtracks, but the lyrics are still cold, distant, and offputting, especially with its references to the afterlife.
** The album's hidden booklet, especially the caricature of UsefulNotes/TonyBlair with a SlasherSmile, as well as the liberal doses of WordSaladHorror.
album.
Is there an issue? Send a MessageReason:
None


* JustForFun/XMeetsY: ''Kid A'' is essentially what one would get if ''Music/WishYouWereHere'', ''Music/{{Low|DavidBowieAlbum}}'', and ''Music/RemainInLight'' had a threesome.

to:

* JustForFun/XMeetsY: ''Kid A'' is essentially what one would get if ''Music/WishYouWereHere'', ''Music/WishYouWereHere1975'', ''Music/{{Low|DavidBowieAlbum}}'', and ''Music/RemainInLight'' had a threesome.
Is there an issue? Send a MessageReason:
Uncanny Valley is IUEO now and the subjective version has been split; cleaning up misuse and ZCE in the process


* UncannyValley: A creepy CGI version of Thom's disembodied shows up in a couple of blips (specifically ones made for the TitleTrack), calmly gazing into space as digital snow falls on his face; in one blip he gradually suffers a nosebleed. Brrrrrrrr.
Is there an issue? Send a MessageReason:
None


* JustForFun/XMeetsY: ''Kid A'' is essentially what one would get if ''Music/WishYouWereHere'', ''Music/LowDavidBowieAlbum'', and ''Music/RemainInLight'' had a threesome.

to:

* JustForFun/XMeetsY: ''Kid A'' is essentially what one would get if ''Music/WishYouWereHere'', ''Music/LowDavidBowieAlbum'', ''Music/{{Low|DavidBowieAlbum}}'', and ''Music/RemainInLight'' had a threesome.
Is there an issue? Send a MessageReason:
None


** The song "Kid A" is initially only kind of unsettling. It gets creepier when you figure out the lyrics ("standing in the shadows at the end of my bed...") and the fact that to Thom they represent something so horrible he distorted his voice in the song to distance himself from it. The speculation regarding what exactly that is doesn't help (the creepy pied piper imagery suggests pedophilia, while Thom has hinted it's about cloning or mind control). Then you look up its pages in the maze section of the Radiohead website, one of which is a picture of a man with his eyes sewn shut. And then you look up the lyrical outtakes, made by Thom's usual semi-comprehensible stream of consciousness to seem like they were written by a lunatic:

to:

** The song "Kid A" is initially only kind of unsettling. It gets creepier when you figure out the lyrics ("standing in the shadows at the end of my bed...") and the fact that to Thom they represent something so horrible he distorted his voice in the song to distance himself from it. The speculation regarding what exactly that is doesn't help (the creepy pied piper imagery suggests pedophilia, while Thom has hinted it's about cloning or mind control). Then you look up its pages in the maze section of the Radiohead website, one of which is a picture of a man with his eyes sewn shut. And then you look up the lyrical outtakes, made by Thom's usual semi-comprehensible stream of consciousness to seem like they were written by a lunatic:lunatic (several lyrics also made it into the outtake "Follow Me Around"):
Is there an issue? Send a MessageReason:
None


--> ''I am the bloody pied piper rats and children follow me out of town a scarecrow that dont scare the crows nowadays i get panicked i have ceased to exist my words you know are out of ink. drooling looney tunes moving room to room did you lie to us [[UsefulNotes/TonyBlair tony]]? we thought you were different but now were not so sure now you know were not so sure. we can blow a hole in anything [[UsefulNotes/MargaretThatcher thatchers]] children see you on the way back down. kill the enemy within unhinged cowboys and indians moving statues yur safe until you look away. i would like to change back now please to the shadow of my former self. iam the bloody pied piper. & the rats and the children will follow me around so you hade better make it worth my while. please allow me the suspension of your disbelief the benefit of the doubt.''
--> ''never say anything''
--> ''be instrumental''

to:

--> ---> ''I am the bloody pied piper rats and children follow me out of town a scarecrow that dont scare the crows nowadays i get panicked i have ceased to exist my words you know are out of ink. drooling looney tunes moving room to room did you lie to us [[UsefulNotes/TonyBlair tony]]? we thought you were different but now were not so sure now you know were not so sure. we can blow a hole in anything [[UsefulNotes/MargaretThatcher thatchers]] children see you on the way back down. kill the enemy within unhinged cowboys and indians moving statues yur safe until you look away. i would like to change back now please to the shadow of my former self. iam the bloody pied piper. & the rats and the children will follow me around so you hade better make it worth my while. please allow me the suspension of your disbelief the benefit of the doubt.''
--> ---> ''never say anything''
--> ---> ''be instrumental''



-->''"It's not like the movies\\

to:

-->''"It's --->''"It's not like the movies\\
Is there an issue? Send a MessageReason:
None


* TheyChangedItNowItSucks: Many listeners initially weren't kind to Radiohead's GenreShift on this album, having expected ''OK Computer 2'' and instead getting the exact opposite. Fans who disliked the band's experimentalism gravitated toward Music/{{Coldplay}}, who had their breakthrough around this time for the same reason.

to:

* TheyChangedItNowItSucks: Many listeners initially weren't kind to Radiohead's GenreShift on this album, having expected ''OK Computer 2'' and instead getting the exact opposite. Fans who disliked the band's experimentalism gravitated toward bands like Music/{{Coldplay}}, who had their breakthrough around this time for the same reason.

Added: 832

Changed: 451

Removed: 105

Is there an issue? Send a MessageReason:
None


* MemeticMutation: "FASTER JONNY"[[labelnote:Explanation]]A phrase Thom Yorke often shouts to Jonny Greenwood during live performances of "Idioteque" to cue him to speed up the song's tempo; it being as common as it is led to it quickly catching on among fans, resulting in it often being invoked whenever the song comes up anywhere, as well as leading fans to joke about Jonny viewing the song as TheDreaded for how often he's told to speed up during it.[[/labelnote]]

to:

* MemeticMutation: MemeticMutation:
**
"FASTER JONNY"[[labelnote:Explanation]]A phrase Thom Yorke often shouts to Jonny Greenwood during live performances of "Idioteque" to cue him to speed up the song's tempo; it being as common as it is led to it quickly catching on among fans, resulting in it often being invoked whenever the song comes up anywhere, as well as leading fans to joke about Jonny viewing the song as TheDreaded for how often he's told to speed up during it.[[/labelnote]]
** "Radiohead predicted ''WesternAnimation/IceAge''!"[[labelnote:Explanation]]The second verse of "Idioteque" opens with the lines "ice age coming/ice age coming." ''Kid A'' came out in 2000, while the first ''Ice Age'' movie came out in 2002; the discovery of this coincidence led to many fans joking about it whenever "Idioteque" or ''Kid A'' as a whole comes up.
[[/labelnote]]



** Stanley Donwood's artwork is naturally kind of creepy, but the ''Kid A'' art deserves special mention.
Is there an issue? Send a MessageReason:
None


* TheyChangedItNowItSucks: Many listeners initially weren't kind to Radiohead's GenreShift on this album, having expected ''OK Computer 2'' and instead getting the exact opposite.

to:

* TheyChangedItNowItSucks: Many listeners initially weren't kind to Radiohead's GenreShift on this album, having expected ''OK Computer 2'' and instead getting the exact opposite. Fans who disliked the band's experimentalism gravitated toward Music/{{Coldplay}}, who had their breakthrough around this time for the same reason.
Is there an issue? Send a MessageReason:
None


--> ''I am the bloody pied piper rats and children follow me out of town a scarecrow that dont scare the crows nowadays i get panicked i have ceased to exist my words you know are out of ink. drooling looney tunes moving room to room did you lie to us [[UsefulNotes/TonyBlair tony]]? we thought you were different but now were not so sure now you know were not so sure. we can blow a hole in anything thatchers children see you on the way back down. kill the enemy within unhinged cowboys and indians moving statues yur safe until you look away. i would like to change back now please to the shadow of my former self. iam the bloody pied piper. & the rats and the children will follow me around so you hade better make it worth my while. please allow me the suspension of your disbelief the benefit of the doubt.''

to:

--> ''I am the bloody pied piper rats and children follow me out of town a scarecrow that dont scare the crows nowadays i get panicked i have ceased to exist my words you know are out of ink. drooling looney tunes moving room to room did you lie to us [[UsefulNotes/TonyBlair tony]]? we thought you were different but now were not so sure now you know were not so sure. we can blow a hole in anything thatchers [[UsefulNotes/MargaretThatcher thatchers]] children see you on the way back down. kill the enemy within unhinged cowboys and indians moving statues yur safe until you look away. i would like to change back now please to the shadow of my former self. iam the bloody pied piper. & the rats and the children will follow me around so you hade better make it worth my while. please allow me the suspension of your disbelief the benefit of the doubt.''
Is there an issue? Send a MessageReason:
None


* CommonKnowledge: ''Kid A'' is often referred to as the album where Radiohead abandoned the use of guitar. In reality, most of the album's tracks still used guitar, just not always in the conventional way. In fact, only two tracks are entirely devoid of guitar, those being "Everything in Its Right Place" and "Motion Picture Soundtrack" ([[BookEnds the first and last tracks on the album]]), whilst the ambient track "Treefingers" is largely constructed from recordings of Ed O'Brien's guitar playing.

to:

* CommonKnowledge: ''Kid A'' is often referred to as the album where Radiohead abandoned the use of guitar. In reality, most of the album's tracks still used guitar, just not always in the conventional way. In fact, only two tracks are entirely devoid of guitar, those being "Everything in Its Right Place" and "Motion Picture Soundtrack" ([[BookEnds the first and last tracks on the album]]), whilst the ambient track "Treefingers" is largely constructed from manipulated recordings of Ed O'Brien's guitar playing.
Is there an issue? Send a MessageReason:
None


* CommonKnowledge: ''Kid A'' is often referred to as the album where Radiohead abandoned the use of guitar. In reality, most of the album's tracks still used guitar, just not always in the conventional way. In fact, only two tracks are entirely devoid of guitar, those being "Everything in Its Right Place" and "Motion Picture Soundtrack" ([[BookEnds the first and last tracks on the album]]).

to:

* CommonKnowledge: ''Kid A'' is often referred to as the album where Radiohead abandoned the use of guitar. In reality, most of the album's tracks still used guitar, just not always in the conventional way. In fact, only two tracks are entirely devoid of guitar, those being "Everything in Its Right Place" and "Motion Picture Soundtrack" ([[BookEnds the first and last tracks on the album]]).album]]), whilst the ambient track "Treefingers" is largely constructed from recordings of Ed O'Brien's guitar playing.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* MemeticMutation: "FASTER JONNY"[[labelnote:Explanation]]A phrase Thom Yorke often shouts to Jonny Greenwood during live performances of "Idioteque" to cue him to speed up the song's tempo; it being as common as it is led to it quickly catching on among fans, resulting in it often being invoked whenever the song comes up anywhere, as well as leading fans to joke about Jonny viewing the song as TheDreaded for how often he's told to speed up during it.[[/labelnote]]
Is there an issue? Send a MessageReason:
None


* CommonKnowledge: ''Kid A'' is often referred to as the album where Radiohead abandoned the use of guitar.In reality, most of the album's tracks still used guitar, just not always in the conventional way. In fact, only two tracks are entirely devoid of guitar, those being "Everything in Its Right Place" and "Motion Picture Soundtrack" ([[BookEnds the first and last tracks on the album]]).

to:

* CommonKnowledge: ''Kid A'' is often referred to as the album where Radiohead abandoned the use of guitar. In reality, most of the album's tracks still used guitar, just not always in the conventional way. In fact, only two tracks are entirely devoid of guitar, those being "Everything in Its Right Place" and "Motion Picture Soundtrack" ([[BookEnds the first and last tracks on the album]]).
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* CommonKnowledge: ''Kid A'' is often referred to as the album where Radiohead abandoned the use of guitar.In reality, most of the album's tracks still used guitar, just not always in the conventional way. In fact, only two tracks are entirely devoid of guitar, those being "Everything in Its Right Place" and "Motion Picture Soundtrack" ([[BookEnds the first and last tracks on the album]]).
Is there an issue? Send a MessageReason:
The National Anthem's riff is a good one.

Added DiffLines:

** The bass riff in "The National Anthem" stands out throughout the whole track, even during the flurry of horns.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* BrokenBase: At first; upon release, the album was highly divisive for its genre shift to electronic-tinged PostRock, with many desiring for the band to return to the abstract guitar-driven AlternativeRock of ''Music/OKComputer''. ''Music/{{Amnesiac}}'' drew similarly mixed responses for being a direct continuation of ''Kid A'', and this led to ''Music/HailToTheThief'' being a considerable source of hype among those who felt alienated by the more experimental direction Radiohead had taken in 2000.
* EnsembleDarkhorse: A number of fans and critics consider ''Kid A'' a more viable candidate for Radiohead's greatest album than its much better-known predecessor, ''Music/OKComputer''. "Idioteque" in particular deserves mention for becoming so much of a cult hit among fans that it ended up being one of Radiohead's best-known songs.
* EpicRiff: "Idioteque" manages to pull this off with a sampled keyboard.
* EvenBetterSequel: Fans of ''Kid A'' tend to treat it as this in comparison to ''Music/OKComputer'' immediately before it.
* NightmareFuel: Packed to the brim with it.
** Nearly any of the promotional 'blips' that were made. Downright creepy scenes and imagery, and incredibly apocalyptic and futuristic. One that particularly captivates viewers with its unsettling content features a stick figure staggering away from another lying in the snow, bleeding out; many infer that the mobile stick figure murdered the bleeding one.
** The song "Kid A" is initially only kind of unsettling. It gets creepier when you figure out the lyrics ("standing in the shadows at the end of my bed...") and the fact that to Thom they represent something so horrible he distorted his voice in the song to distance himself from it. The speculation regarding what exactly that is doesn't help (the creepy pied piper imagery suggests pedophilia, while Thom has hinted it's about cloning or mind control). Then you look up its pages in the maze section of the Radiohead website, one of which is a picture of a man with his eyes sewn shut. And then you look up the lyrical outtakes, made by Thom's usual semi-comprehensible stream of consciousness to seem like they were written by a lunatic:
--> ''I am the bloody pied piper rats and children follow me out of town a scarecrow that dont scare the crows nowadays i get panicked i have ceased to exist my words you know are out of ink. drooling looney tunes moving room to room did you lie to us [[UsefulNotes/TonyBlair tony]]? we thought you were different but now were not so sure now you know were not so sure. we can blow a hole in anything thatchers children see you on the way back down. kill the enemy within unhinged cowboys and indians moving statues yur safe until you look away. i would like to change back now please to the shadow of my former self. iam the bloody pied piper. & the rats and the children will follow me around so you hade better make it worth my while. please allow me the suspension of your disbelief the benefit of the doubt.''
--> ''never say anything''
--> ''be instrumental''
** Stanley Donwood's artwork is naturally kind of creepy, but the ''Kid A'' art deserves special mention.
** While the title track may be the strongest example, the entire album is creepy and offputting, though never outright scary (in general, it just sounds.... ''wrong''). Here are some of the more unsettling qualities, track by track:
*** "Everything in Its Right Place's" strange synths and Thom's distorted voice, combined with its constant build up.
*** "The National Anthem," when the instruments drop out and we're left with distorted samples of dialogue and an orchestra at the end.
*** "How to Disappear Completely's" calm but dissonant string arrangement.
*** "Treefingers" is comparatively soft, but is still empty and cold.
*** "In Limbo" is hazy, off-balance, and ends with what sounds like a siren wailing through a snowstorm.
*** "Idioteque" is an extremely anxious and paranoid dance song. Its rhythmic energy doesn't make it lighter, but instead more desperate. The song ends on another distorted sample, this time of wailing, atonal strings.
*** "Morning Bell" comes in on Idioteque's LastNoteNightmare.
*** "Motion Picture Soundtrack" is an ironic example. The harp samples are so sweet as to be sickly and seem to have deliberately invoked Disney soundtracks, but the lyrics are still cold, distant, and offputting, especially with its references to the afterlife.
** The album's hidden booklet, especially the caricature of UsefulNotes/TonyBlair with a SlasherSmile, as well as the liberal doses of WordSaladHorror.
* SampledUp: The keyboard line and glitchy drum fills from "Idioteque" were sampled from Paul Lansky's "Mild und Leise" and Arthur Krieger's "Short Piece", respectively. Since neither sample was an especially prominent part of its original song but became vital parts of "Idioteque", the average music fan probably associates the two clips more with Radiohead than with Lansky or Krieger.
* SpecialEffectFailure: While fans generally agree that the quality of the blips is top-notch, even they accept that the full-color CGI Modified Bears are... wanting, to say the least (the stark black-and-white ones are generally considered to be better-looking). This seems to be why they only barely show up in the blips, as well as why they received a substantial redesign for their return in the blips for ''Music/{{Amnesiac}}''.
* SugarWiki/SweetDreamsFuel: The ambient sounds at the very end of "Motion Picture Soundtrack", which deliberately invoke a heavenly atmosphere and are downright soothing to listen to because of it.
* TearJerker:
** "How to Disappear Completely" is a good example. Thom painfully singing, "I'm not here; this isn't happening" is enough to bring many to tears. The lines were actually given to Yorke by [[Music/{{REM}} Michael Stipe]] as a sort of mantra, a way to disconnect himself from a situation, avoiding discomfort, particularly with performing onstage.
** "Motion Picture Soundtrack," the final track, has an air of desperation to it. It's a sad and almost pathetic reconciliation with the rest of the world after the most alien and emotionally tangled album Radiohead has ever put out. Oh, and the angelic harps are killer.
-->''"It's not like the movies\\
They fed us on little... white lies."''
* TheyChangedItNowItSucks: Many listeners initially weren't kind to Radiohead's GenreShift on this album, having expected ''OK Computer 2'' and instead getting the exact opposite.
* UglyCute: The Modified Bear logo/character created for promoting this album manages to be oddly endearing despite its unsettling design.
* UncannyValley: A creepy CGI version of Thom's disembodied shows up in a couple of blips (specifically ones made for the TitleTrack), calmly gazing into space as digital snow falls on his face; in one blip he gradually suffers a nosebleed. Brrrrrrrr.
* VindicatedByHistory: The album got mixed reviews when it first came out, but now it's considered the best album of the 2000s by many and an incredible note to close the 20th century out on (a verdict that Pitchfork might have had a hand in).
* JustForFun/XMeetsY: ''Kid A'' is essentially what one would get if ''Music/WishYouWereHere'', ''Music/LowDavidBowieAlbum'', and ''Music/RemainInLight'' had a threesome.

Top