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Changed line(s) 15 (click to see context) from:
** On a different note, whether or not Christ is actually divine is ambiguous. There is evidence both for (his prophecy to Peter and Judas) and against (Jesus running from the lepers instead of healing them, and his prayers in Gethsemane) in the music, and it is typically left to the individual production to sort it out, usually in Judas' "Jesus Christ Superstar" number and after Jesus' death, where some productions will throw in a hint that he has resurrected.'
to:
** On a different note, whether or not Christ is actually divine is ambiguous. There is evidence both for (his prophecy to Peter and Judas) and against (Jesus running from the lepers instead of healing them, and his prayers in Gethsemane) in the music, and it is typically left to the individual production to sort it out, usually in Judas' "Jesus Christ Superstar" number and after Jesus' death, where some productions will throw in a hint that he has resurrected.'
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Moved from the Trivia page.
Changed line(s) 8,9 (click to see context) from:
--->'''Jesus:''' There will be poor always, ''pathetically'' struggling; look at the good things you've got!
---> ...You'll be lost, and you'll be ''so'' sorry, when I'm gone!
---> ...You'll be lost, and you'll be ''so'' sorry, when I'm gone!
to:
--->'''Jesus:''' There will be poor always, ''pathetically'' struggling; look at the good things you've got!
---> ...got!\\
...You'll be lost, and you'll be ''so'' sorry, when I'm gone!
---> ...
...You'll be lost, and you'll be ''so'' sorry, when I'm gone!
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* EnsembleDarkhorse: It tends to vary depending on the production, so here is a list of examples.
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* EnsembleDarkhorse: It tends to vary depending on the production, so here is a list of examples.examples:
Added DiffLines:
* GermansLoveDavidHasselhoff: Both the movie and the musical were quite big in 1980's USSR. [[RealityIsUnrealistic Yeah, you heard that right]].
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Changed line(s) 16 (click to see context) from:
** Herod is usually played one of two ways: as a petulant Manchild who expects Jesus to perform miracles on his command (after all, he's King and normally his every whim is law) and throws a tantrum when Jesus won't dignify him with a response, or as a SmugSnake who doesn't believe in Jesus' divinity and is only out to mock and humiliate Him. Josh Mostel in the 1973 version is the former kind; Victor Spinetti on the 20th anniversary London cast album and Alice Cooper in the 2018 version are the latter kind.
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** Herod is usually played one of two ways: as a petulant Manchild who expects Jesus to perform miracles on his command (after all, he's King and normally his every whim is law) and throws a tantrum when Jesus won't dignify him with a response, or as a SmugSnake who doesn't believe in Jesus' divinity and is only out to mock and humiliate Him. Josh Mostel in the 1973 version is the former kind; Victor Spinetti on the 20th anniversary London cast album album, Chris Moyles in the 2012 O2 concert and Alice Cooper in the 2018 version are the latter kind.
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Changed line(s) 16 (click to see context) from:
** Herod is usually played one of two ways: as a petulant Manchild who expects Jesus to perform miracles on his command (after all, he's King and normally his every whim is law) and throws a tantrum when Jesus won't dignify him with a response, or as a SmugSnake who doesn't believe in Jesus' divinity and is only out to mock and humiliate him. Josh Mostel in the 1973 version is the former kind; Victor Spinetti on the 20th anniversary London cast album and Alice Cooper in the 2018 version are the latter kind.
to:
** Herod is usually played one of two ways: as a petulant Manchild who expects Jesus to perform miracles on his command (after all, he's King and normally his every whim is law) and throws a tantrum when Jesus won't dignify him with a response, or as a SmugSnake who doesn't believe in Jesus' divinity and is only out to mock and humiliate him.Him. Josh Mostel in the 1973 version is the former kind; Victor Spinetti on the 20th anniversary London cast album and Alice Cooper in the 2018 version are the latter kind.
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Changed line(s) 15 (click to see context) from:
** On a different note, whether or not Christ is actually divine is ambiguous. There is evidence both for (his prophecy to Peter and Judas) and against (Jesus running from the lepers instead of healing them, and his prayers in Gethsemane) in the music, and it is typically left to the individual production to sort it out, usually in Judas' "Jesus Christ Superstar" number and after Jesus' death, where some productions will throw in a hint that he has resurrected.
to:
** On a different note, whether or not Christ is actually divine is ambiguous. There is evidence both for (his prophecy to Peter and Judas) and against (Jesus running from the lepers instead of healing them, and his prayers in Gethsemane) in the music, and it is typically left to the individual production to sort it out, usually in Judas' "Jesus Christ Superstar" number and after Jesus' death, where some productions will throw in a hint that he has resurrected.'
** Herod is usually played one of two ways: as a petulant Manchild who expects Jesus to perform miracles on his command (after all, he's King and normally his every whim is law) and throws a tantrum when Jesus won't dignify him with a response, or as a SmugSnake who doesn't believe in Jesus' divinity and is only out to mock and humiliate him. Josh Mostel in the 1973 version is the former kind; Victor Spinetti on the 20th anniversary London cast album and Alice Cooper in the 2018 version are the latter kind.
** Herod is usually played one of two ways: as a petulant Manchild who expects Jesus to perform miracles on his command (after all, he's King and normally his every whim is law) and throws a tantrum when Jesus won't dignify him with a response, or as a SmugSnake who doesn't believe in Jesus' divinity and is only out to mock and humiliate him. Josh Mostel in the 1973 version is the former kind; Victor Spinetti on the 20th anniversary London cast album and Alice Cooper in the 2018 version are the latter kind.
