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* SuspiciouslySimilarSong: In the second film, the song Jean-Claude sings while stuck on his ski lift is very obviously intended to be the classic song ''Étoile des neiges'': the copyright owners at the time asked for way more money than expected, forcing Michel Blanc to dub over himself in post with the infamous new lyrics.
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* SuspiciouslySimilarSong: In the second film, the song Jean-Claude sings while stuck on his ski lift is very obviously intended to be the classic song ''Étoile des neiges'': the copyright owners at the time asked for way more money than expected, forcing Michel Blanc to dub over himself in post with the infamous famous new lyrics.
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* SuspiciouslySimilarSong: In the second film, the song Jean-Claude sings while stuck on his ski lift is very obviously intended to be the classic song ''Étoile des neiges'': the copyright owners at the time asked for way more money than expected, forcing Michel Blanc to dub over himself in post with the infamous new lyrics.
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* SequelDisplacement: The second one (''Les Bronzés font du ski'') is the most popular by far and is the most likely to pop up in discussions, although the first one is still fairly popular. The third one, while hugely successful in theaters back in 2006, gets the short end of the stick when it comes to quotability since its humor has ironically aged poorly when compared to the installments from TheSeventies due to its desperate attempts to modernize the franchise and being part of a trend of poorly conceived and poorly executed French comedies that keeps going since the early 2000s.
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* SequelDisplacement: The second one (''Les Bronzés font du ski'') is the most popular by far and is the most likely to pop up in discussions, although the first one is still fairly popular. The third one, while hugely successful in theaters back in 2006, gets the short end of the stick when it comes to quotability since quotability. The reason is that its humor has ironically aged poorly when compared to the installments from TheSeventies due to its desperate attempts to modernize the franchise franchise, and also being part of a trend of poorly conceived and poorly executed French comedies that keeps going since the early 2000s.
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* SoBadItsGood: The song from the second film, [[https://youtu.be/JHpTAgrTubU "Just Because of You"]], written and composed by Pierre Bachelet and performed by one Dan Perlman ({{stage name|s}} of Jean-Denis Perez).
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Changed line(s) 7 (click to see context) from:
* SoBadItsGood: The song [[https://youtu.be/JHpTAgrTubU "Just Because of You"]], written and composed by Pierre Bachelet and performed by one Dan Perlman ({{stage name|s}} of Jean-Denis Perez).
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* SoBadItsGood: The song from the second film, [[https://youtu.be/JHpTAgrTubU "Just Because of You"]], written and composed by Pierre Bachelet and performed by one Dan Perlman ({{stage name|s}} of Jean-Denis Perez).
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* SoBadItsGood: The song [[https://youtu.be/JHpTAgrTubU "Just Because of You"]], written and composed by Pierre Bachelet and performed by one Dan Perlman ({{stage name|s}} of Jean-Denis Perez).
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Changed line(s) 6 (click to see context) from:
* SequelDisplacement: The second one (''Les Bronzés font du ski'') is the most popular by far and is the most likely to pop up in discussions, although the first one is still fairly popular. The third one, while hugely successful in theaters back in 2006, gets the short end of the stick when it comes to quotability since its humor has ironically aged poorly when compared to the installments from TheSeventies due to its desperate attempts to modernize the franchise and being part of a trend of poorly conceived and poorly executed French comedies that kept going since the early 2000s.
to:
* SequelDisplacement: The second one (''Les Bronzés font du ski'') is the most popular by far and is the most likely to pop up in discussions, although the first one is still fairly popular. The third one, while hugely successful in theaters back in 2006, gets the short end of the stick when it comes to quotability since its humor has ironically aged poorly when compared to the installments from TheSeventies due to its desperate attempts to modernize the franchise and being part of a trend of poorly conceived and poorly executed French comedies that kept keeps going since the early 2000s.
