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* CatharsisFactor: The mid-credits scene. [[spoiler:Given that the rich elites on board (especially Isherwell and Orlean) were directly responsible for ending all life on Earth, seeing them [[EpicFail completely fail]] to properly survive on the alien planet they were meant to escape to feels like a KarmicDeath.]]

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* CatharsisFactor: The mid-credits scene. [[spoiler:Given that the rich elites on board (especially Isherwell and Orlean) were directly responsible for ending all life on Earth, seeing them [[EpicFail completely fail]] to properly survive on the alien planet they were meant to escape to feels like a KarmicDeath. While the ending is unquestionably a bleak and depressing one, viewers can at least take some solace in the fact that the rich ghouls ''didn't'' get the last laugh.]]
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** According to Isherwell's data, President Orlean will die at the hands of a bronteroc. The amusing part comes from the fact that even ''Isherwell'' has no clue what a bronteroc is.

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* CriticalDissonance: Critics were mixed, seeing the film as well-made and well-intentioned, but also heavy-handed and mean-spirited, garnering the film a 56% on Website/RottenTomatoes. It still managed to debut at #1 on Netflix, and while not ''universally'' loved with audiences, the audience score on the same site was a much better 77%. One group that unanimously adored it were climate scientists, who felt that some of the criticisms of the movie revealed more about the people making them than about the film itself. It's to the point that [[https://www.forbes.com/sites/davidrvetter/2021/12/28/why-sneering-critics-dislike-netflixs-dont-look-up-but-climate-scientists-love-it/?sh=394d26ef2ee8 "critics vs. scientists"]] became a common narrative after it debuted, ironically mirroring the in-universe frustration that the main characters come to have with the media themselves. Politically active viewers on the left in general love the film, recommending it highly to others (even if it's an uncomfortable watch) because they feel SomeAnvilsNeedToBeDropped.

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* CriticalDissonance: Critics were mixed, seeing the film as well-made and well-intentioned, but also heavy-handed and mean-spirited, garnering the film a 56% on Website/RottenTomatoes. It still managed to debut at #1 on Netflix, and while not ''universally'' loved with audiences, the audience score on the same site was a much better 77%. It was also included on AFI's and NBR's respective "Best Movies of 2021" lists, among others. One group that unanimously adored it were climate scientists, who felt that some of the criticisms of the movie revealed more about the people making them than about the film itself. It's to the point that [[https://www.forbes.com/sites/davidrvetter/2021/12/28/why-sneering-critics-dislike-netflixs-dont-look-up-but-climate-scientists-love-it/?sh=394d26ef2ee8 "critics vs. scientists"]] became a common narrative after it debuted, ironically mirroring the in-universe frustration that the main characters come to have with the media themselves. Politically active viewers on the left in general love the film, recommending it highly to others (even if it's an uncomfortable watch) because they feel SomeAnvilsNeedToBeDropped.


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* SugarWiki/HeartwarmingMoments:
** The general camaraderie between Kate and Randall, especially seeing the latter comfort the former after her boyfriend breaks up with her in a humiliating fashion.
** The final scene where Randall and his family (along with Kate, Teddy, and Yule) enjoy dinner together.
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* CriticalDissonance: Critics were mixed, seeing the film as well-made and well-intentioned, but also heavy-handed and mean-spirited, garnering the film a 56% on Website/RottenTomatoes. It still managed to debut at #1 on Netflix, and while not ''universally'' loved with audiences, the audience score on the same site was a much better 77%. One group that unanimously adored it were climate scientists, who felt that some of the criticisms of the movie revealed more about the people making them than about the film itself. It's to the point that [[https://www.forbes.com/sites/davidrvetter/2021/12/28/why-sneering-critics-dislike-netflixs-dont-look-up-but-climate-scientists-love-it/?sh=394d26ef2ee8 "critics vs. scientists"]] became a common narrative after it debuted, ironically mirroring the in-universe frustration that the main characters come to have with the media themselves.

to:

* CriticalDissonance: Critics were mixed, seeing the film as well-made and well-intentioned, but also heavy-handed and mean-spirited, garnering the film a 56% on Website/RottenTomatoes. It still managed to debut at #1 on Netflix, and while not ''universally'' loved with audiences, the audience score on the same site was a much better 77%. One group that unanimously adored it were climate scientists, who felt that some of the criticisms of the movie revealed more about the people making them than about the film itself. It's to the point that [[https://www.forbes.com/sites/davidrvetter/2021/12/28/why-sneering-critics-dislike-netflixs-dont-look-up-but-climate-scientists-love-it/?sh=394d26ef2ee8 "critics vs. scientists"]] became a common narrative after it debuted, ironically mirroring the in-universe frustration that the main characters come to have with the media themselves. Politically active viewers on the left in general love the film, recommending it highly to others (even if it's an uncomfortable watch) because they feel SomeAnvilsNeedToBeDropped.
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** Nicholas Britell's score is generally great, but every variation of its [[https://www.youtube.com/watch?v=yZHk3gWsBu4 main theme]] is legitimately awesome, with the jazzy and energetic nature of the the main version clashing with the doom-laden tone of the four note descending scale being unsettling yet catchy at the same time. Likewise, "[[https://www.youtube.com/watch?v=aE854zHWEHo&list=PLaK2kuexAkFP6SaXWs3CItbXC47xnExTf&index=26 Memento Mori]]", the cue that plays over the final scene, is ''beautifully'' depressing and moving, and manages to hold the same amount of emotion on its own as it does in the film, even down to its [[NoEnding abrupt ending]].
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* MisaimedFandom: Senator Kyrsten Sinema of Arizona [[https://twitter.com/kyrstensinema/status/1475226162964013059 praised the movie]] and showed interest in it, despite the fact that the film was made from a leftist perspective made to criticize corporate-aligned politicians such as herself regardless of party affiliation. Some even [[https://twitter.com/papermarkis/status/1476398857365995535 directly compared her to President Orlean herself]] in the replies.
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* CatharsisFactor: The mid-credits scene. [[spoiler:Given that the rich elites on board (especially Isherwell and Orlean) were directly responsible for ending all life on Earth, seeing them [[EpicFail completely fail]] to properly survive on the alien planet they were meant to escape to feels like a KarmicDeath.]]
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* MoralEventHorizon: Isherwell crosses it when [[spoiler:he fires Dr. Mindy's colleagues from his BEAD project for asking too many questions and lets the project go on without adequate review, dooming the entire planet to destruction.]]

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* MoralEventHorizon: Isherwell crosses it when [[spoiler:he fires Dr. Mindy's colleagues from his BEAD project for asking too many questions and lets the project go on without adequate review, dooming the entire planet to destruction.]] While [[spoiler:his prior decision to abort the mission was already incredibly greedy and dangerous, it ''could'' have potentially been excused by his backup plan to safely destroy the comet; however, his treatment of the scientists on board as well as the existence of his SleeperShip show that he truly didn't have a care about the survival of Earth.]]
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* MoralEventHorizon: Isherwell crosses it when [[spoiler:he fires Dr. Mindy's colleagues from his BEAD project for asking too many questions and lets the project go on without adequate review, dooming the entire planet to destruction.]]
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* CriticalDissonance: Critics were mixed, seeing the film as well-made and well-intentioned, but also heavy-handed and mean-spirited, garnering the film a 56% on Website/RottenTomatoes. It still managed to debut at #1 on Netflix, and while the audience score was a more positive but not spectacular 77%, one group that unanimously adored it were climate scientists, who felt that some of the criticisms of the movie revealed more about the people making them than about the film itself. It's to the point that [[https://www.forbes.com/sites/davidrvetter/2021/12/28/why-sneering-critics-dislike-netflixs-dont-look-up-but-climate-scientists-love-it/?sh=394d26ef2ee8 "critics vs. scientists"]] became a common narrative after it debuted, ironically mirroring the in-universe frustration that the main characters come to have with the media themselves.

to:

* CriticalDissonance: Critics were mixed, seeing the film as well-made and well-intentioned, but also heavy-handed and mean-spirited, garnering the film a 56% on Website/RottenTomatoes. It still managed to debut at #1 on Netflix, and while not ''universally'' loved with audiences, the audience score on the same site was a more positive but not spectacular 77%, one much better 77%. One group that unanimously adored it were climate scientists, who felt that some of the criticisms of the movie revealed more about the people making them than about the film itself. It's to the point that [[https://www.forbes.com/sites/davidrvetter/2021/12/28/why-sneering-critics-dislike-netflixs-dont-look-up-but-climate-scientists-love-it/?sh=394d26ef2ee8 "critics vs. scientists"]] became a common narrative after it debuted, ironically mirroring the in-universe frustration that the main characters come to have with the media themselves.
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* CriticalDissonance: Critics were mixed, seeing the film as well-made and well-intentioned, but also heavy-handed and mean-spirited. It still managed to debut at #1 on Netflix, and while audiences on the whole seem to be just as mixed on the film as critics, one group that unanimously adored it were climate scientists, who felt that some of the criticisms of the movie revealed more about the people making them than about the film itself. It's to the point that [[https://www.forbes.com/sites/davidrvetter/2021/12/28/why-sneering-critics-dislike-netflixs-dont-look-up-but-climate-scientists-love-it/?sh=394d26ef2ee8 "critics vs. scientists"]] became a common narrative after it debuted, ironically mirroring the in-universe frustration that the main characters come to have with the media themselves.

to:

* CriticalDissonance: Critics were mixed, seeing the film as well-made and well-intentioned, but also heavy-handed and mean-spirited. mean-spirited, garnering the film a 56% on Website/RottenTomatoes. It still managed to debut at #1 on Netflix, and while audiences on the whole seem to be just as mixed on the film as critics, audience score was a more positive but not spectacular 77%, one group that unanimously adored it were climate scientists, who felt that some of the criticisms of the movie revealed more about the people making them than about the film itself. It's to the point that [[https://www.forbes.com/sites/davidrvetter/2021/12/28/why-sneering-critics-dislike-netflixs-dont-look-up-but-climate-scientists-love-it/?sh=394d26ef2ee8 "critics vs. scientists"]] became a common narrative after it debuted, ironically mirroring the in-universe frustration that the main characters come to have with the media themselves.
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* TooBleakStoppedCaring: It's a movie about smart people being ignored by mostly unsympathetic authority figures and a moronic populace that is ignorant to the doomsday closing in on them. In the end, [[spoiler:nearly everyone dies, and anyone who survived won't have very long to live]]. Not helping matters is that it dropped ''on Christmas Eve''. Notably, even its trailer caused this, as it did not beat around the bush regarding its tone and story, leading many people to correctly predict the ending months in advance.

to:

* TooBleakStoppedCaring: It's a movie about smart people mostly being ignored by mostly greedy and unsympathetic authority figures and a moronic populace that is ignorant to the doomsday closing in on them. In the end, [[spoiler:nearly everyone dies, and anyone who survived won't have very long to live]]. Not helping matters is that it dropped ''on Christmas Eve''. Notably, even its trailer caused this, as it did not beat around the bush regarding its tone and story, leading many people to correctly predict the ending months in advance.
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* DontShootTheMessage: While they agree with the message of the film, more than a few critics and audiences were not amused by the movie's incredibly blunt take on human avarice and willful ignorance.

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* DontShootTheMessage: While they agree with the message of the film, more than a few critics and audiences were not amused by the movie's incredibly blunt and over-the-top take on human avarice and willful ignorance.
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* CriticalDissonance: Critics were mixed, seeing the film as well-made and well-intentioned but heavy-handed and mean-spirited. It still debuted at #1 on Netflix. Notably, climate scientists absolutely loved the film and felt that some of the criticisms of it revealed more about the people making them than about the film itself, to the point that [[https://www.forbes.com/sites/davidrvetter/2021/12/28/why-sneering-critics-dislike-netflixs-dont-look-up-but-climate-scientists-love-it/?sh=394d26ef2ee8 "critics vs. scientists"]] became a common narrative after it debuted.

to:

* CriticalDissonance: Critics were mixed, seeing the film as well-made and well-intentioned well-intentioned, but also heavy-handed and mean-spirited. It still debuted managed to debut at #1 on Netflix. Notably, climate scientists absolutely loved Netflix, and while audiences on the whole seem to be just as mixed on the film and as critics, one group that unanimously adored it were climate scientists, who felt that some of the criticisms of it the movie revealed more about the people making them than about the film itself, itself. It's to the point that [[https://www.forbes.com/sites/davidrvetter/2021/12/28/why-sneering-critics-dislike-netflixs-dont-look-up-but-climate-scientists-love-it/?sh=394d26ef2ee8 "critics vs. scientists"]] became a common narrative after it debuted.debuted, ironically mirroring the in-universe frustration that the main characters come to have with the media themselves.
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None


* CriticalDissonance: Critics were mixed, seeing the film as well-made and well-intentioned but heavy-handed and mean-spirited. It still debuted at #1 on Netflix. Notably, climate scientists absolutely loved the film, to the point that [[https://www.forbes.com/sites/davidrvetter/2021/12/28/why-sneering-critics-dislike-netflixs-dont-look-up-but-climate-scientists-love-it/?sh=394d26ef2ee8 "critics vs. scientists"]] became a common narrative after it debuted.

to:

* CriticalDissonance: Critics were mixed, seeing the film as well-made and well-intentioned but heavy-handed and mean-spirited. It still debuted at #1 on Netflix. Notably, climate scientists absolutely loved the film, film and felt that some of the criticisms of it revealed more about the people making them than about the film itself, to the point that [[https://www.forbes.com/sites/davidrvetter/2021/12/28/why-sneering-critics-dislike-netflixs-dont-look-up-but-climate-scientists-love-it/?sh=394d26ef2ee8 "critics vs. scientists"]] became a common narrative after it debuted.
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None

Added DiffLines:

* CriticalDissonance: Critics were mixed, seeing the film as well-made and well-intentioned but heavy-handed and mean-spirited. It still debuted at #1 on Netflix. Notably, climate scientists absolutely loved the film, to the point that [[https://www.forbes.com/sites/davidrvetter/2021/12/28/why-sneering-critics-dislike-netflixs-dont-look-up-but-climate-scientists-love-it/?sh=394d26ef2ee8 "critics vs. scientists"]] became a common narrative after it debuted.
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** For all his flaws, it's hard not to feel sorry for [[spoiler: Jason after his own mother abandons him to save herself (she didn't seem to do it intentionally, but by the time she realises she forgot about him she makes no attempt to go back.) Even if he ends up surviving the comet strike, the shot of him sitting alone at mission control believing he's about to die whilst still in total denial that his mother would leave him is actually quite heartbreaking.]]

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** For all his flaws, it's hard not to feel sorry for [[spoiler: Jason after his own mother abandons him to save herself (she didn't seem to do it intentionally, but by the time she realises she forgot about him she makes no attempt to go back.) Even if he ends up surviving the comet strike, the The shot of him sitting alone at in mission control believing he's about to die whilst still in total denial that his mother would leave him is actually quite heartbreaking.heartbreaking. Even though he does end up surviving the comet strike to become the last living being on Earth, he's still desperately holding on to the hope that his mom has to be somewhere out there and will come back for him.]]
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** Some people jokingly note that this movie is "the Netflix adaptation of ''Manga/HellstarRemina''". Despite the exclusion of CosmicHorrorStory aspect of Creator/JunjiIto's manga, it shares many of the same plot beats: an incoming planet-killer named after the main heroine, [[HumansAreMorons a human populace behaving irrationally over the eventual doom]], pointed satire of celebrity culture, and the ending sees [[spoiler:the main characters coming together the experience their final moments with diginity, while the rich elites successfully escape the destruction of Earth [[KarmaHoudiniWarranty only to get eaten by the alien beings of another planet]]]].

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** Some people jokingly note that this movie is "the Netflix adaptation of ''Manga/HellstarRemina''". Despite the exclusion Exclusion of CosmicHorrorStory aspect of Creator/JunjiIto's manga, it manga aside, ''Don't Look Up'' shares many of the same some similar plot beats: points: an incoming planet-killer named after the main heroine, [[HumansAreMorons a human populace behaving irrationally over the eventual doom]], after learning about it]], pointed satire of celebrity culture, and the ending sees [[spoiler:the main characters coming together the experience their final moments with diginity, while the rich elites successfully escape the destruction of Earth [[KarmaHoudiniWarranty only to get eaten by the alien beings of meet a more painful demise on another planet]]]].
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** Some people jokingly note that this movie is "the Netflix adaptation of ''Manga/HellstarRemina''". Despite the exclusion of CosmicHorrorStory aspect of Creator/JunjiIto's manga, it shares many of the same plot beats. The movie has an incoming planet-killer named after the main heroine, [[HumansAreMorons human populace behaving irrationally over the eventual doom]], the story heavily satirizes of celebrity culture and political/corporate greed, and the story ends with [[spoiler:the main characters coming together the experience their final moments together, while the rich elites [[KarmaHoudiniWarranty successfully escape the destruction of Earth only to get eaten by the alien beings of another planet]]]].

to:

** Some people jokingly note that this movie is "the Netflix adaptation of ''Manga/HellstarRemina''". Despite the exclusion of CosmicHorrorStory aspect of Creator/JunjiIto's manga, it shares many of the same plot beats. The movie has beats: an incoming planet-killer named after the main heroine, [[HumansAreMorons a human populace behaving irrationally over the eventual doom]], the story heavily satirizes pointed satire of celebrity culture and political/corporate greed, culture, and the story ends with ending sees [[spoiler:the main characters coming together the experience their final moments together, with diginity, while the rich elites [[KarmaHoudiniWarranty successfully escape the destruction of Earth [[KarmaHoudiniWarranty only to get eaten by the alien beings of another planet]]]].
Is there an issue? Send a MessageReason:
None


** Some people jokingly refers this movie as "the Netflix adaptation of ''Manga/HellstarRemina''". To all fairness, it's maybe the TruerToTheText take on Creator/JunjiIto's manga, despite the exclusion of CosmicHorrorStory aspect. The movie has an incoming planet-killer named after the main heroine, [[HumansAreMorons human populace behaving irrationally over the eventual doom]], the satire of celebrity culture and obsession, [[spoiler: the main cast members coming together for the bittersweet end]], and rich people and politicians only care about themselves and [[spoiler:later leave the planet Earth for better safety and then [[KarmaHoudiniWarranty meet their well-deserved demise of being eaten by alien beings]] in another planet]].

to:

** Some people jokingly refers note that this movie as is "the Netflix adaptation of ''Manga/HellstarRemina''". To all fairness, it's maybe the TruerToTheText take on Creator/JunjiIto's manga, despite Despite the exclusion of CosmicHorrorStory aspect. aspect of Creator/JunjiIto's manga, it shares many of the same plot beats. The movie has an incoming planet-killer named after the main heroine, [[HumansAreMorons human populace behaving irrationally over the eventual doom]], the satire story heavily satirizes of celebrity culture and obsession, [[spoiler: political/corporate greed, and the story ends with [[spoiler:the main cast members characters coming together for the bittersweet end]], and experience their final moments together, while the rich people and politicians only care about themselves and [[spoiler:later leave the planet Earth for better safety and then elites [[KarmaHoudiniWarranty meet their well-deserved demise successfully escape the destruction of being Earth only to get eaten by the alien beings]] in beings of another planet]].planet]]]].



* TooBleakStoppedCaring: It's a movie about smart people being ignored by mostly unsympathetic authority figures and a moronic populace that is ignorant to the doomsday closing in on them. In the end, [[spoiler:everyone dies, and anyone who survived won't have very long to live]]. Not helping matters is that it dropped ''on Christmas Eve''. Notably, even its trailer caused this as it did not beat around the bush regarding its tone and story, leading many people to correctly predict the ending months in advance.

to:

* TooBleakStoppedCaring: It's a movie about smart people being ignored by mostly unsympathetic authority figures and a moronic populace that is ignorant to the doomsday closing in on them. In the end, [[spoiler:everyone [[spoiler:nearly everyone dies, and anyone who survived won't have very long to live]]. Not helping matters is that it dropped ''on Christmas Eve''. Notably, even its trailer caused this this, as it did not beat around the bush regarding its tone and story, leading many people to correctly predict the ending months in advance.
Is there an issue? Send a MessageReason:
None


** Some people jokingly refers this movie as "the Netflix adaptation of ''Manga/HellstarRemina''". To all fairness, it's maybe the TruerToTheText take on Creator/JunjiIto's manga, despite the exclusion of CosmicHorrorStory aspect. The movie has an incoming planet-killer named after the main heroine, [[HumansAreMorons human populace behaving irrationally over the eventual doom]], the satire of celebrity culture and obsession, [[spoiler: the main cast members coming together for the bittersweet end]], and rich people and politicians only care about themselves and [[spoiler:later leave the planet Earth for better safety and later [[KarmaHoudiniWarranty meet their well-deserved demise of being eaten by alien beings]] in another planet]].

to:

** Some people jokingly refers this movie as "the Netflix adaptation of ''Manga/HellstarRemina''". To all fairness, it's maybe the TruerToTheText take on Creator/JunjiIto's manga, despite the exclusion of CosmicHorrorStory aspect. The movie has an incoming planet-killer named after the main heroine, [[HumansAreMorons human populace behaving irrationally over the eventual doom]], the satire of celebrity culture and obsession, [[spoiler: the main cast members coming together for the bittersweet end]], and rich people and politicians only care about themselves and [[spoiler:later leave the planet Earth for better safety and later then [[KarmaHoudiniWarranty meet their well-deserved demise of being eaten by alien beings]] in another planet]].
Is there an issue? Send a MessageReason:
None


** Some people jokingly refers this movie as "the Netflix adaptation of ''Manga/HellstarRemina''". To all fairness, it's maybe the TruerToTheText take on Creator/JunjiIto's manga, despite the exclusion of CosmicHorrorStory aspect. The movie has an incoming planet-killer named after the main heroine, [[HumansAreMoron human populace behaving irrationally over the eventual doom]], the satire of celebrity culture and obsession, [[spoiler: the main cast members coming together for the bittersweet end]], and rich people and politicians only care about themselves and [[spoiler:later leave the planet Earth for better safety and later [[KarmaHoudiniWarranty meet their well-deserved demise of being eaten by alien beings]] in another planet]].

to:

** Some people jokingly refers this movie as "the Netflix adaptation of ''Manga/HellstarRemina''". To all fairness, it's maybe the TruerToTheText take on Creator/JunjiIto's manga, despite the exclusion of CosmicHorrorStory aspect. The movie has an incoming planet-killer named after the main heroine, [[HumansAreMoron [[HumansAreMorons human populace behaving irrationally over the eventual doom]], the satire of celebrity culture and obsession, [[spoiler: the main cast members coming together for the bittersweet end]], and rich people and politicians only care about themselves and [[spoiler:later leave the planet Earth for better safety and later [[KarmaHoudiniWarranty meet their well-deserved demise of being eaten by alien beings]] in another planet]].
Is there an issue? Send a MessageReason:
None


** Some people jokingly refers this movie as "the Netflix adaptation of ''Manga/HellstarRemina''". To all fairness, it's maybe the TruerToTheText take on Creator/JunjiIto's manga, despite the exclusion of CosmicHorrorStory aspect. The movie has an incoming planet-killing Near-Earth Object is named after the main heroine, human populace behaving irrationally over the eventual doom, the satire of celebrity culture and celebrity news dominating the media, [[spoiler: the main cast members coming together for the bittersweet end]], and rich people and politicians only care about themselves and [[spoiler:later leave the planet Earth for better safety and later [[KarmaHoudiniWarranty meet their well-deserved demise of being eaten by alien beings]] in another planet]].

to:

** Some people jokingly refers this movie as "the Netflix adaptation of ''Manga/HellstarRemina''". To all fairness, it's maybe the TruerToTheText take on Creator/JunjiIto's manga, despite the exclusion of CosmicHorrorStory aspect. The movie has an incoming planet-killing Near-Earth Object is planet-killer named after the main heroine, [[HumansAreMoron human populace behaving irrationally over the eventual doom, doom]], the satire of celebrity culture and celebrity news dominating the media, obsession, [[spoiler: the main cast members coming together for the bittersweet end]], and rich people and politicians only care about themselves and [[spoiler:later leave the planet Earth for better safety and later [[KarmaHoudiniWarranty meet their well-deserved demise of being eaten by alien beings]] in another planet]].
Is there an issue? Send a MessageReason:
None


** The lyrics of ''Just Look Up'' start to get...a little on the nose.

to:

** [[SophisticatedAsHell The lyrics of of]] ''Just Look Up'' start to get...a little on the nose.

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* SpiritualAdaptation: It's what you'd get if ''Film/DrStrangelove'' was made today.

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* SpiritualAdaptation: SpiritualAdaptation:
**
It's what you'd get if ''Film/DrStrangelove'' was made today.during late 2010s[=/=]early 2020s.
** Some people jokingly refers this movie as "the Netflix adaptation of ''Manga/HellstarRemina''". To all fairness, it's maybe the TruerToTheText take on Creator/JunjiIto's manga, despite the exclusion of CosmicHorrorStory aspect. The movie has an incoming planet-killing Near-Earth Object is named after the main heroine, human populace behaving irrationally over the eventual doom, the satire of celebrity culture and celebrity news dominating the media, [[spoiler: the main cast members coming together for the bittersweet end]], and rich people and politicians only care about themselves and [[spoiler:later leave the planet Earth for better safety and later [[KarmaHoudiniWarranty meet their well-deserved demise of being eaten by alien beings]] in another planet]].
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* SpiritualLicensee: It's what you'd get if ''Film/DoctorStrangelove'' was made today.

to:

* SpiritualLicensee: SpiritualAdaptation: It's what you'd get if ''Film/DoctorStrangelove'' ''Film/DrStrangelove'' was made today.
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* SpiritualLicensee: It's what you'd get if ''Film/DoctorStrangelove'' was made today.
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* TooBleakStoppedCaring: It's a movie about smart people being ignored by mostly unsympathetic authority figures and a moronic populace that is ignorant to the doomsday closing in on them. In the end, [[spoiler:everyone dies, and anyone who survived won't have very long to live]]. Not helping matters is that it dropped ''on Christmas''. Notably, even its trailer caused this as it did not beat around the bush regarding its tone and story, leading many people to correctly predict the ending months in advance.

to:

* TooBleakStoppedCaring: It's a movie about smart people being ignored by mostly unsympathetic authority figures and a moronic populace that is ignorant to the doomsday closing in on them. In the end, [[spoiler:everyone dies, and anyone who survived won't have very long to live]]. Not helping matters is that it dropped ''on Christmas''.Christmas Eve''. Notably, even its trailer caused this as it did not beat around the bush regarding its tone and story, leading many people to correctly predict the ending months in advance.
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* {{Applicability}}: In-between the movie being announced (2019) and released (2021), there was the emergence of the Usefulnotes/Covid19Pandemic, and audiences could recognize many of the global warming-related criticisms (denialism, greed, questionable government response) as having happened related to the disease.

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* {{Applicability}}: In-between the movie being announced (2019) and released (2021), there was the emergence of the Usefulnotes/Covid19Pandemic, and audiences could recognize many of the global warming-related criticisms (denialism, greed, questionable government response) as having happened related also relating to the disease.virus.



* DontShootTheMessage: More than a few people are not amused by the movie's incredibly blunt take on human avarice and willful ignorance.

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* DontShootTheMessage: More While they agree with the message of the film, more than a few people are critics and audiences were not amused by the movie's incredibly blunt take on human avarice and willful ignorance.
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** For all his flaws, it's hard not to feel sorry for [[spoiler: Jason after his own mother abandons him to save herself (she didn't seem to do it intentionally, but by the time she realises she forgot about him she makes no attempt to go back.) Even if he ends up surviving the comet strike, the shot of him sitting alone at mission control believing he's about to die whilst still in total denial that his mother would leave him is actually quite heartbreaking.]]

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