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*** Idea A for Mash featured Habetrot as Faerie Knight Galahad in the scenario where Mash [[spoiler:travels back in time to Tonelico's era.]] Idea B featured Mash rendered amnesiac by faerie dust and presented as tribute to Queen Morgan. She would then become a Faerie Knight and Chaldea's enemy, only to rejoin the protagonist at the very end.
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*** Idea A for Mash featured Habetrot as Faerie Knight Galahad in the scenario where Mash [[spoiler:travels back in time to Tonelico's Aesc's era.]] Idea B featured Mash rendered amnesiac by faerie dust and presented as tribute to Queen Morgan. She would then become a Faerie Knight and Chaldea's enemy, only to rejoin the protagonist at the very end.
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* Nasu originally planned for the ''VisualNovel/WitchOnTheHolyNight'' crossover to be set in Germany with an atmosphere remniscient of ''VideoGame/SilentHill'' as Chaldea faced off against Heinrich Kramer, but he changed it to a Japanese inn murder mystery as a more effective means of evoking the visual novel's 1980s setting.
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I crucially forgot to clarify I was referring to Avalon le Fae Synopsis, not the actual in-game story itself in my previous edit reason.
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Veers too much into Specluative Troping, concluding the Avalon le Fae rewrites were responsible for changing her arc is reading too much into Avalon le Fae's throwaway line of "The next chapter will conclude her story!" since it only states she was not to be wrapped up in that Lostbelt.
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* Comments from the author of Tunguska Sanctuary indicate that it wasn't in the initial draft as they thought Koyanskaya's plotline would have concluded in either Traum or Lostbelt 7. Likely due to the changes to Lostbelt 6 and wanting to end the year with a shake-up in the story, it was created to conclude her story.
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* Comments from the author of Tunguska Sanctuary indicate that it wasn't in the initial draft as they thought Koyanskaya's plotline would have concluded in either Traum or Lostbelt 7. Likely due to the changes to Lostbelt 6 and wanting to end the year with a shake-up in the story, it was created to conclude her story.
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* in the first few drafts for Atlantis Drake was planned on having a much larger role compared to the bit role she played in the final draft. The reason for the change was that Nasu thought that Drake detracted too much from the image of underdog heroes that the story was centered around.
* Comments from the author of Tunguska Sanctuary indicate that it wasn't in the initial draft as they thought Koyanskaya's plotline would have concluded in either Traum or Lostbelt 7.
* Comments from the author of Tunguska Sanctuary indicate that it wasn't in the initial draft as they thought Koyanskaya's plotline would have concluded in either Traum or Lostbelt 7.
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* in In the first few drafts for Atlantis Drake was planned on having a much larger role compared to the bit role she played in the final draft. The reason for the change was that Nasu thought that Drake detracted too much from the image of underdog heroes that the story was centered around.
* Comments from the author of Tunguska Sanctuary indicate that it wasn't in the initial draft as they thought Koyanskaya's plotline would have concluded in either Traum or Lostbelt 7. Likely due to the changes to Lostbelt 6 and wanting to end the year with a shake-up in the story, it was created to conclude her story.
* Comments from the author of Tunguska Sanctuary indicate that it wasn't in the initial draft as they thought Koyanskaya's plotline would have concluded in either Traum or Lostbelt 7. Likely due to the changes to Lostbelt 6 and wanting to end the year with a shake-up in the story, it was created to conclude her story.
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* Takeuchi had intended for Saber Ryougi's third Ascension to take cues from [[spoiler: Shiki's look as a mother in ''Future Gospel'']], but since he felt that was out of place for the game, he instead decided to give her motifs from the legend of Princess Kaguya and went in a direction that was inspired by another Nasu-written work, ‘’Literature/TsukiNoSango''.
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* Takeuchi had intended for Saber Ryougi's third Ascension to take cues from [[spoiler: Shiki's look as a mother in ''Future Gospel'']], but since he felt that was out of place for the game, he instead decided to give her motifs from the legend of Princess Kaguya and went in a direction that was inspired by another Nasu-written work, ‘’Literature/TsukiNoSango''.''Literature/TsukiNoSango''.
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* Takeuchi had intended for Saber Ryougi's third Ascension to take cues from [[spoiler: Shiki's look as a mother in ''Future Gospel'']], but since he felt that was out of place for the game, he instead decided to give her motifs from the legend of Princess Kaguya and went in a direction that was inspired by another Nasu-written work, ''Tsuki no Sango''.
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* Takeuchi had intended for Saber Ryougi's third Ascension to take cues from [[spoiler: Shiki's look as a mother in ''Future Gospel'']], but since he felt that was out of place for the game, he instead decided to give her motifs from the legend of Princess Kaguya and went in a direction that was inspired by another Nasu-written work, ''Tsuki no Sango''.‘’Literature/TsukiNoSango''.
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* Kukulkan's artist, Rei Hiroe, originally drew Kukulkan with dinosaur like features, such as a tail and scales on her body. This idea was dropped in favor for the one seen in game. Her original design also had the primary colors as red and silver instead of what her final design had.
