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Changed line(s) 180 (click to see context) from:
* ShoutOut: In one of the vignettes during the credits, somehow Koda is able to paint Georges Seurat's ''A Sunday Afternoon on the Island of La Grande Jatte.''
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* ShoutOut: In one of the vignettes during the credits, somehow Koda is able to paint Georges Seurat's ''A Sunday Afternoon on the Island of La Grande Jatte.''''Art/ASundayAfternoonOnTheIslandOfLaGrandeJatte''.
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Changed line(s) 204 (click to see context) from:
-->''' Koda:''' And then from out of the trees, comes the hunter! And then there's nowhere my mama could go. The hunter had her pinned up against this giant glacier.
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-->''' Koda:''' Koda:''' ...And then from out of the trees, comes the hunter! And then there's nowhere my mama could go. The hunter had her pinned up against this giant glacier. The monster attacks. Pop! But mama was too quick for him, and before he could do it again, she stands up real big and yells "go away!".
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''' Koda:''' ''(guiltily)'' Your mother isn't coming back.
%%** At the cave painting: "Those monsters are scary... especially with those [[HumansAreTheRealMonsters sticks]]."
%%** At the cave painting: "Those monsters are scary... especially with those [[HumansAreTheRealMonsters sticks]]."
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''' Koda:''' Kenai:''' ''(guiltily)'' Your mother isn't coming back.
%%** At ** Kenai spends a majority of the film believing that bears are monsters and incapable of love. When he and Koda discover some cave painting: "Those paintings depicting humans hunting down animals, Koda says something that makes Kenai realize that bears aren't the real monsters, humans are.
-->''' Koda:''' Those monsters are scary... especially with those [[HumansAreTheRealMonsters sticks]]."
-->''' Koda:''' Those monsters are scary... especially with those [[HumansAreTheRealMonsters sticks]].
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Changed line(s) 203,205 (click to see context) from:
** After waiting to hear Koda tell his story about how him and his mother got separated, Kenai learns something: [[spoiler: Koda witnessed his mother being attacked by Kenai, Denahi and Sitka, the glacier collapsing, and that the bear that Kenai had killed out of revenge was Koda's mother]].
-->''' Koda:''' And then from out of the trees, comes the hunter. And then there's nowhere my mama could go. The hunter had her pinned up against this giant glacier.
%%** "Your mother isn't coming."
-->''' Koda:''' And then from out of the trees, comes the hunter. And then there's nowhere my mama could go. The hunter had her pinned up against this giant glacier.
%%** "Your mother isn't coming."
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** After waiting to hear During storytime among the bears, Koda tell his tells a story about how him and his mother got separated, fighting human hunters on a glacier, making Kenai learns something: realize [[spoiler: Koda witnessed his mother being attacked by Kenai, Denahi and Sitka, the glacier collapsing, and that the bear that Kenai had he killed out of revenge was Koda's mother]].
mother, who was only trying to protect her cub.]]
-->''' Koda:''' And then from out of the trees, comes thehunter. hunter! And then there's nowhere my mama could go. The hunter had her pinned up against this giant glacier.
%%** "Your ** After running away from the salmon run party, Kenai tells a story to Koda, [[spoiler: confessing his guilt over killing Koda's mother]].
-->''' Koda:''' ''(backing away, tearing up)'' I don't like this story.\\
''' Koda:''' ''(guiltily)'' Your mother isn'tcoming."coming back.
-->''' Koda:''' And then from out of the trees, comes the
-->''' Koda:''' ''(backing away, tearing up)'' I don't like this story.\\
''' Koda:''' ''(guiltily)'' Your mother isn't
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Changed line(s) 67 (click to see context) from:
%% * BreakUpMakeUpScenario: a very tragic one.
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Changed line(s) 75 (click to see context) from:
%% * ComingOfAgeStory
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%% * ComingOfAgeStoryComingOfAgeStory: Kenai learning to become a man.
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%% * MoralityPet
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Changed line(s) 195 (click to see context) from:
%%* TragicKeepsake: The bear totem for Denahi.
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Changed line(s) 202 (click to see context) from:
%%* WhamLine:
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** After waiting to hear Koda tell his story about how him and his mother got separated, Kenai learns something: [[spoiler: Koda witnessed his mother being attacked by Kenai, Denahi and Sitka, the glacier collapsing, and that the bear that Kenai had killed out of revenge was Koda's mother]].
-->''' Koda:''' And then from out of the trees, comes the hunter. And then there's nowhere my mama could go. The hunter had her pinned up against this giant glacier.
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Changed line(s) 52 (click to see context) from:
* BigShutUp: The two rams and their echos shout this.
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* BigShutUp: The two rams and their echos echoes shout this.
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Changed line(s) 86 (click to see context) from:
* DubNameChange: In the German dub, Rutt and Tuke the mooses are called [[Music/{{ABBA}} Björn and Benny]].
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* DubNameChange: In the German dub, Rutt and Tuke the mooses moose brothers are called [[Music/{{ABBA}} Björn and Benny]].
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Changed line(s) 39 (click to see context) from:
* ArtisticLicenseHistory: The movie is set around 10,000 years ago at the lastest, as evidenced by the presence of Woolly Mammoths, and the mention of other fauna such as the Sabretooth Tiger (Smilodon). However, this means that despite the tact implications (especially with the use of the Iñupiat language), the culture shown in the movie is not Inuit, as the ancestors of modern Inuit only arrived in America around 5,000 BP, several thousand years after the movie is set. This wasn't really avoidable, though--we don't know much about the culture of era, so it made more sense to use a later analogue. The movie and its sequel does, however, display an archaeologically accurate depiction of the Native Americans during Upper Paleolithic era- as seen with the accurate clothing, settlements, the use of “Clovis” spear tips, the use of red ocher during ceremonies, and jewellery.
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* ArtisticLicenseHistory: The movie is set around 10,000 years ago at the lastest, latest, as evidenced by the presence of Woolly Mammoths, woolly mammoths, and the mention of other fauna such as the Sabretooth Tiger sabretooth tiger (Smilodon). However, this means that despite the tact implications (especially with the use of the Iñupiat language), the culture shown in the movie is not Inuit, as the ancestors of modern Inuit only arrived in America around 5,000 BP, several thousand years after the movie is set. This wasn't really avoidable, though--we don't know much about the culture of era, so it made more sense to use a later analogue. The movie and its sequel does, however, display an archaeologically accurate depiction of the Native Americans during Upper Paleolithic era- as seen with the accurate clothing, settlements, the use of “Clovis” spear tips, the use of red ocher during ceremonies, and jewellery.jewelry.
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** Petty, destructive, irresponsible actions always have a consequence that can wind up hurting the people closest to you. Holding hate in your heart and acting on your prejudices can be just as destructive to others, even if you can't see the damage or refuse to see it yourself at first.
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* MirroringFactions: "Those monsters are ''really'' scary. Especially with those [[BladeOnAStick sticks]]."
Deleted line(s) 157 (click to see context) :
* NotSoDifferent: "Those monsters are ''really'' scary. Especially with those [[BladeOnAStick sticks]]."
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* GhostlyAnimals: When people die, their spirits take the form of their totem animals; Sitka's spirit, for example, takes the form of a bald eagle. Some of the spirits are also shown to be of deceased animals ([[BearyFriendly Koda]] notes that his grandparents are spirits during the "Night on the Mammoths" sequence and [[spoiler: at the end of the movie, Koda briefly reunites with the spirit of his dead mother before she leaves for the spirit plains.]]
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There have been rock paintings found in Alaska.
Deleted line(s) 77 (click to see context) :
* CultureChopSuey: Kenai and Koda encounter rock paintings in one scene. Prehistoric peoples of the North American Arctic are not known to have made rock paintings - in fact, the popular image of them as represented here are based on those found in Europe.
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* TranslationConvention: We get to hear what the human and animal characters are saying. We don't get to hear what the spirits are singing, but Kenai does.
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Changed line(s) 5,6 (click to see context) from:
The story tells the tale of Kenai, a young man growing up somewhere in the Alaskan wilderness about 10,000 years before it was Alaska. He is busy preparing for his coming-of-age ceremony along with his two older brothers, Sitka and Denahi, but when said ceremony occurs, he is... less than thrilled with the totem, or "spirit animal" that he is assigned, which turns out to be "The Bear of Love." To prove his toughness, he attempts to track down a basket dragged away by a bear who had stolen some food during the ceremony, and angrily provokes the bear after finding it. His brothers rush after him to find him cornered by the bear, and the three try to ward it off. Kenai and Denahi get out okay, but Sitka dies saving them. Later, Kenai hunts down the bear alone and slays it out of vengeance. The spirits of the land - Sitka now among them - are greatly disappointed with Kenai's needless violence, and, in an attempt to teach him a lesson, turn him into a bear.
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The story tells the tale of Kenai, a young man growing up somewhere in the Alaskan wilderness about 10,000 years before it was Alaska.present. He is busy preparing for his coming-of-age ceremony along with his two older brothers, Sitka and Denahi, but when said ceremony occurs, he is... less than thrilled with the totem, or "spirit animal" that he is assigned, which turns out to be "The Bear of Love." To prove his toughness, he attempts to track down a basket dragged away by a bear who had stolen some food during the ceremony, and angrily provokes the bear after finding it. His brothers rush after him to find him cornered by the bear, and the three try to ward it off. Kenai and Denahi get out okay, but Sitka dies saving them. Later, Kenai hunts down the bear alone and slays it out of vengeance. The spirits of the land - Sitka now among them - are greatly disappointed with Kenai's needless violence, and, in an attempt to teach him a lesson, turn him into a bear.
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* LookBehindYou: While travelling through a blasted waste, Koda teases Kenai with thinking that monsters are popping up behind him. The last time, though, Kenai blows off Koda's warning to look behind him right until Denahi's spear nearly impales him.
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Changed line(s) 27 (click to see context) from:
** You must always see the world througth the eyes of somebody else.
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** You must always see the world througth through the eyes of somebody else.
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Changed line(s) 85 (click to see context) from:
* TheDreaded: The bears are ''terrified'' of humans, who they regard as monsters. [[spoiler:Koda's mother's]] immediate reaction when Kenai is tracking her down is to flee and the bears at the salmon run are visibly scared when Koda tells his story.
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* TheDreaded: The bears are ''terrified'' of humans, who they regard as monsters. [[spoiler:Koda's mother's]] immediate reaction when Kenai is tracking her down is to flee in terror, and the bears at the salmon run are visibly scared shaken when Koda tells his story.
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Changed line(s) 110 (click to see context) from:
* IChooseToStay: Subverted; Kenai chooses to stay in his bear form, but he goes back to his tribe to complete his coming-of-age ceremony in that form before returning to the bear family by the river.
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* IChooseToStay: Subverted; Downplayed; Kenai chooses to stay in his bear form, form to look after Koda as his unofficial brother, but he goes back to doesn't cut ties with his tribe home village entirely either. He does return at least once to complete his coming-of-age ceremony in that form before returning to the bear family by the river.his life as a bear.
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* IChooseToStay: Subverted; Kenai chooses to stay in his bear form, but he goes back to his tribe to complete his coming-of-age ceremony in that form before returning to the bear family by the river.
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* TheDreaded: The bears are ''terrified'' of humans, who they regard as monsters. [[spoiler:Koda's mother's]] immediate reaction when Kenai is tracking her down is to flee and the bears at the salmon run are visibly scared when Koda tells his story.
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Changed line(s) 30 (click to see context) from:
** Manhood those not come from acts of bravery or tougthness. Everyone can become a man in their own way by following their hearts and be true to themselves.
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** Manhood those does not come from acts of bravery or tougthness. toughness. Everyone can become a man in their own way by following their hearts and be being true to themselves.
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Changed line(s) 5,6 (click to see context) from:
The story tells the tale of Kenai, a young man growing up somewhere in the Alaskan wilderness about 10,000 years before it was Alaska. He is busy preparing for his coming-of-age ceremony along with his two older brothers, Sitka and Denahi, but when said ceremony occurs, he is... less than thrilled with the totem, or "spirit animal" that he is assigned, which turns out to be "The Bear of Love." To prove his toughness, he attempts to track down a basket dragged away by a bear who had stolen some food during the ceremony, and angrily provokes the bear after finding it. His brothers rush after him to find him cornered by the bear, and the three try to ward it off. Kenai and Denahi get out okay, but Sitka dies saving them. Later, Kenai hunts down the bear alone and slays it out of vengeance. The spirits of the land - Sitka now among them - greatly disappointed with Kenai's needless violence, and, in an attempt to teach him a lesson, turn him into a bear.
to:
The story tells the tale of Kenai, a young man growing up somewhere in the Alaskan wilderness about 10,000 years before it was Alaska. He is busy preparing for his coming-of-age ceremony along with his two older brothers, Sitka and Denahi, but when said ceremony occurs, he is... less than thrilled with the totem, or "spirit animal" that he is assigned, which turns out to be "The Bear of Love." To prove his toughness, he attempts to track down a basket dragged away by a bear who had stolen some food during the ceremony, and angrily provokes the bear after finding it. His brothers rush after him to find him cornered by the bear, and the three try to ward it off. Kenai and Denahi get out okay, but Sitka dies saving them. Later, Kenai hunts down the bear alone and slays it out of vengeance. The spirits of the land - Sitka now among them - are greatly disappointed with Kenai's needless violence, and, in an attempt to teach him a lesson, turn him into a bear.
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Changed line(s) 29 (click to see context) from:
** Be tolerant, as intolerance can led you to become a monster worse than those you deem as monsters.
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** Be tolerant, as intolerance can led lead you to become a monster worse than those you deem as monsters.
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Changed line(s) 170 (click to see context) from:
* ScaryBlackMan: Tug is a large, dark-haired bear, voiced by Creator/MichaelClarkeDuncan.
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* ScaryBlackMan: Tug is a large, dark-haired bear, voiced by the late Creator/MichaelClarkeDuncan.
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He is actually brown but darker, especially when you compare to other bear characters.
Changed line(s) 170 (click to see context) from:
* ScaryBlackMan: Tug is a large, black-haired bear, voiced by Creator/MichaelClarkeDuncan.
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* ScaryBlackMan: Tug is a large, black-haired dark-haired bear, voiced by Creator/MichaelClarkeDuncan.
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Changed line(s) 170 (click to see context) from:
* ScaryBlackMan: Tug. He is a large and ''literally'' black-colored bear, and is voiced by Creator/MichaelClarkeDuncan.
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* ScaryBlackMan: Tug. He Tug is a large and ''literally'' black-colored large, black-haired bear, and is voiced by Creator/MichaelClarkeDuncan.
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* ScaryBlackMan: Tug. He is a large and ''literally'' black-colored bear, and is voiced by Creator/MichaelClarkeDuncan.
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* AdvertisedExtra: [[https://vignette.wikia.nocookie.net/disney/images/4/42/Brother_bear_poster_575.jpg/revision/latest?cb=20201022164532 The home video cover]] shows Kenai and Koda, comic relief Rutt and Tuke, and two rams who are only in one scene and the end credits.