History WebVideo / DisneyVillainSongsLydiaTheBard

** "''Tiana's Villain Song''": A second wishing star is visible outside of Tiana's window, implying that Ray is already dead in this timeline. An alligator that is presumably meant to be Louis can briefly be seen fleeing from one of Tiana's bulldozers as she sets out to destroy the swampland.

* PetTheDog: In ''Tiana's Villain Song'', Tiana offers for Charlotte to [[WeCanRuleTogether join her]] as opposed to trying to harm her, and let's her leave without a fuss when she refuses, albeit mainly because she has a "with me or against me" mentality.

** "Anastasia's Villain Song": Anya didn't present the music box which validates her claim to be the lost Romanov, and the Dowager Empress rejected her out of hand.

** "''Cinderella's Villain Song''": Cinderella's animal friends never appear.
** "''Anastasia's Villain Song''": Puka and Vlad aren't anywhere to be seen. [[FridgeBrilliance This is likely because they were kind to her throughout the film, so she saw no need to include them in her revenge.]]

** "''Isabela's Villain Song''": Downplayed. Alma is actively forbidding Isabela from making anything other than flowers from childhood and outright throwing her in her room for ''playing in the mud'', contrast to canon where Isabela was seemingly ''completely unaware'' that she could make anything other flowers and never showed any interest in playing around until the latter half of the movie.

* AlternateUniverseFic: Mostly WhatIf[='s=], but there are a couple {{continuation}}s where the princess's start of darkness occurs ''after'' their source work's canon ending has passed.

* SingleTear: [[EvenEvilHasLovedOnes Merida sheds a tear after running Fergus through with his own sword]]. [[AlasPoorVillain Fergus tries to reach up to thumb it away and show Merida affection one final time, but dies before he can touch her face]].

* SingleTear: Merida sheds a tear after running Fergus through with his own sword. Fergus tries to reach up to thumb it away and show Merida affection one final time, but dies before he can touch her face.

** Anastasia has control of Russia via her DealWithTheDevil, yet she keeps her grandmother and Dmitri alive (albeit tied up and clearly terrified for their lives). She claims that they're "the special few blessed to join [her] table", that they're her new family. After years alone in an orphanage, it makes sense that she'd want ''anything'' resembling a family, even a hostage/fake one.

** Tinkerbell swears this in regards to her targetting Wendy; even using the phrase as a lyric in her song.

* NothingPersonal: Tinkerbell swears this in regards to her targetting Wendy; even using the phrase as a lyric in her song.

* TragicVillain: More of the princesses than not turn evil because they've hit their breaking point and lost all hope of getting what they want through any other way than wicked ways.

* WhatIf: Most of the videos' stories kick off the Disney Princess's transformation into a villain by changing one meaningful event from their source material that has far-reaching consequences. For examples, "what if Ursula won," "what if Hercules didn't forgive Megara," "what if Anna's frozen heart corrupted her personality instead of her body," "what if Cinderella was too late to meet with the Grand Duke," etc.

* CynicismCatalyst: Many of the [[PointOfDivergence points of diveregence]] boil down to this, such as Ariel, Rapunzel, Megara and Cinderella feeling betrayed by their respective {{Love Interest}}s, or Snow White grappling with the knowledge that her own stepmother wanted her dead.
* DarkerAndEdgier: While none of the other villain songs are sugary and sweet, *Tinkerbell's Villain Song*, is, by far, the darkest one Lydia had made for the channel. With the death of Silvermist and Fawn, Tink and her friends kidnapping kids (and creating the Lost Boys) so they won't die from non belief, and the fact that we see an (offscreen) murder of a child, how could it not be?

* AccompliceByInaction: Mirabel calls out Dolores for hearing everything that was said about her and Bruno, but saying and doing nothing to defend either of them.

* BreakTheCutie: Many of the characters in these songs were once their canon, happy selves. However, many of them went through horrors so traumatic that they were left broken and either sought revenge or took a path that their canon selves never would have. A key example is Tinker Bell; it's all but stated that this is the same Tinker Bell from the ''Franchise/DisneyFairies'' movies, meaning that she was once a kind, curious, helpful person. But after people started to lose their belief in fairies, Pixie Hollow saw a mass extinction event that left all but a few fairies (Tink and a handful of her friends) alive. Tink tried everything she could to find a cure, only to fail each time (even having to watch [[DiedInYourArmsTonight Fawn die in her arms]]). Tinker Bell resorted to kidnapping Peter and the boys who would become the Lost Boys simply because ''she had no other choice''.

* CallingTheOldManOut: Both Mirabel and Isabela confront their families with how they treated the former as TheUnfavorite and TheScapegoat and forced the latter to act as their perfect little model granddaughter, respectively.

** "''Tinkerbell's Villain Song"'': First, it's shown that Silvermist and Fawn have been killed by nonbelief before Tinker Bell could set up the Lost Boys. Then, at the end of the animatic, Wendy falls from the pirate ship as it's flying back to London, and dies.

* HappyEndingOverride: Mirabel puts the doorknob in the rebuilt Casita, everyone regains their powers... and then Dolores ''snaps'' and begins magically stealing everyone's voices.

* TheKindnapper: Tinker Bell and her friends basically kidnapped Peter and the Lost Boys. This is because Tink realized that if the children whose laughter gave them life never stopped believing, then the fairies they were connected to could keep living. The only way to ensure they never stopped believing (in other words, never grew up) was to take them to Neverland. To her credit, the kidnapped boys are clearly happy there, as they can be children forever. But Tink does acknowledge that she stole children from their families, and she clearly feels guilt over it, but believes that there's no other option.

* NothingPersonal: Tinker Bell swears this in regards to her targetting Wendy; even using the phrase as a lyric in her song.

** "''Tinkerbell's Villain Song''": As Wendy is plummeting to the ground, Tinkerbell flies in front of her face to smile and tell her it won't hurt ''that'' bad.

** Peter Pan's more insensitive moments like laughing at a group of mermaids trying to attack Wendy and refusing to return with Wendy to London seems to be downplayed.

** Dolores' snapping and turn to villainy occurs during the happy ending of ''WesternAnimation/{{Encanto}}.''

* DelicateAndSickly: The still-living members of Tinkerbell's friend group are very ill, needing Tinkerbell to brew medicine for them. One is shown to be so weak she can't even drink on her own, and Tinkerbell has to help her.

* AdaptationalHeroism: As Asha descends into villainy, King Magnifico [[HeelRealization apologizes to her for his harsh reactions and admits to only being human]], in contrast to his egotistical film self who becomes increasingly self-righteous and villainous.

* DarkerAndEdgier: While none of the other villain songs are sugary and sweet, *Tinkerbell's Villain Song*, is, by far, the darkest one Lydia had made for the channel. With the death of Silvermist and Faw, Tink and her friends kidnapping kids (and creating the Lost Boys) so they won't die from non belief, and the fact that we see an (on-screen) murder of a child, how could it not be?

* DarkerAndEdgier: While none of the other villain songs are sugary and sweet, *Tinkerbell's Villain Song*, is, by far, the darkest one Lydia had made for the channel. With the death of Silvermist and Faw, Tink and her friends kidnapping kids (and creating the lost boys) so they won't die from non belief, and the fact that we see an (on-screen) murder of a child, how could it not be?