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* StoryBranching: A typical trope for visual novels, with one big difference: The game explicitly tells you that taking a character's route will not change their role in the overall story. [[spoiler: In other words, taking a character's romance route won't save them.]]
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* StoryBranching: A typical trope Subverted; there are several different love interests the player can choose to pursue, but the game's story itself cannot be changed for visual novels, with the most part. At one big difference: The point the game explicitly tells you that taking a character's route will not change their role in the overall story. [[spoiler: In other words, taking if you happen to be on a character's romance route won't save them.path when their scripted death comes along, the scene plays out differently but doesn't actually stop them from dying, and you're subsequently kicked off their route. For example, August will always die in a bomb attack at the end of Act One, but if the player has taken his route, then it happens right after he confesses his feelings for Elfriede and moves in to kiss her.]]
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* OnlySaneMan: Only Elfriede and Gerhardt were willing to question the glory of the war before it happned, although Eugen privately admitted some doubts beforehand.
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* OnlySaneMan: Only Elfriede and Gerhardt were willing to question the glory of the war before it happned, happened, although Eugen privately admitted some doubts beforehand.
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* SanitySlippage: Thanks to both the stresses of his position and horrors of war, [[spoilers: Horst's]] mental state rapidly deteriorates as the game progresses. [[spoiler: By the end of Act II, the sight of an enemy soldier in his private quarters is enough to send him into a full blown mental breakdown.]]
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* SanitySlippage: Thanks to both the stresses of his position and horrors of war, [[spoilers: [[spoiler: Horst's]] mental state rapidly deteriorates as the game progresses. [[spoiler: By the end of Act II, the sight of an enemy soldier in his private quarters is enough to send him into a full blown mental breakdown.]]
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* StoryBranching: A typical trope for visual novels, with one big difference: The game explicitly tells you that taking a character's route will not change their role in the overall story. [[spoiler: August, for example, dies whether you take his route or not.]]
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* StoryBranching: A typical trope for visual novels, with one big difference: The game explicitly tells you that taking a character's route will not change their role in the overall story. [[spoiler: August, for example, dies whether you take his In other words, taking a character's romance route or not.won't save them.]]
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* ThousandYardStare: [[spoiler:Wolf post shell shock.]]
* TheUnfettered: Out of the entire cast, Otto is the only one who isn't particularly bothered by the increadible loss of life surrounding him - in fact, as a [[OverpopulationCrisis Malthusian]], he views the war as more like a necessary natural phenomena. As a result he treats his current actions as little different to when he shot his rifle for hunting, and is more easygoing by far than anyone else.
* TheUnfettered: Out of the entire cast, Otto is the only one who isn't particularly bothered by the increadible loss of life surrounding him - in fact, as a [[OverpopulationCrisis Malthusian]], he views the war as more like a necessary natural phenomena. As a result he treats his current actions as little different to when he shot his rifle for hunting, and is more easygoing by far than anyone else.
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* ThousandYardStare: [[spoiler:Wolf post shell shock.[[spoiler:Wolf, after the bomb attack that leaves Eugen blinded and August dead.]]
* TheUnfettered: Out of the entire cast, Otto is the only one who isn't particularly bothered by theincreadible incredible loss of life surrounding him - in fact, as a [[OverpopulationCrisis Malthusian]], he views the war as more like a necessary natural phenomena. As a result he treats his current actions as little different to when he shot his rifle for hunting, and is more easygoing by far than anyone else.
* TheUnfettered: Out of the entire cast, Otto is the only one who isn't particularly bothered by the
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* WarIsGlorious: The view of a number of characters early on, particularly Eugen, who venerates his aristocratic family's wartime legacy. It doesn't last.
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* WarIsGlorious: The view of a number of characters early on, particularly Eugen, who venerates his aristocratic family's wartime legacy. [[DeconstructedTrope It doesn't last.]]
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* WhiteShirtOfDeath: [[spoiler: You get two illustrations of Gottfried after Elfriede's time in No man's land in Act II. In the first, where he is alive, his uniform is mostly buttoned up, obscuring the white shirt underneath. In the second, his uniform isn't hiding how blood-stained his shirt is and he is declared dead not long after.]]
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* WhiteShirtOfDeath: [[spoiler: You get two illustrations of Gottfried after Elfriede's time in No man's land Man's Land in Act II. In the first, where he is alive, his uniform is mostly buttoned up, obscuring the white shirt underneath. In the second, his uniform isn't hiding how blood-stained his shirt is and he is declared dead not long after.]]
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* TheDulcineaEffect: A gender inverted example is seen in Elfriede's behavior towards Dory, as she constantly jumps in to protect him from harm [[spoiler:due to him reminding her of August. Once the illusion is shatter at the climax of the Act she leaves him well and truly out to dry.]]
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* TheDulcineaEffect: A gender inverted example is seen in Elfriede's behavior towards Dory, as she constantly jumps in to protect him from harm [[spoiler:due to him reminding her of August. Once the illusion is shatter shattered at the climax of the Act she leaves him well and truly out to dry.]]
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* SanitySlippage: Thanks to both the stresses of his position and horrors of war, [[spoilers: Horst's]] mental state rapidly deteriorates as the game progresses. [[spoiler: By the end of Act II, the sight of an enemy soldier in his private quarters is enough to send him into a full blown mental breakdown.]]
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* UptownGirl: Happens if Elfriede, village postwoman, gets together with Horst, the son of a cabinet minister. [[spoiler: Elfriede lampshades this after Horst dies, bemoaning the fact that they'll never get a chance to face down his father's disapproval together.]]
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* NoLoveForTheWicked: Walter is a sociopath who does not care whether his fellow humans live or die. He is also the only non-romantic route option, his bio stating that he "could not be less interested in friendship or romance."
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* VillainousAromanticAsexual: Walter is a sociopath who does not care whether his fellow humans live or die. He is also the only non-romantic route option, his bio stating that he "could not be less interested in friendship or romance."
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** [[spoiler: Gerhardt]] tries his very best to rile Wolfe up [[spoiler: in an attempt to break through his shell shock, so that Wolfe has a fighting chance when the whole company is ordered into No Man's Land.]]
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** [[spoiler: Gerhardt]] tries his very best to rile Wolfe Wolf up [[spoiler: in an attempt to break through his shell shock, so that Wolfe Wolf has a fighting chance when the whole company is ordered into No Man's Land.]]
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* BerserkButton: Act II has several instances where characters deliberately invoke this in a bid to manipulate another party.
** Elfriede pushes all of [[spoiler:Otto's]] buttons in order to rattle him enough that she can [[spoiler:slip past him into No Man's Land.]]
** [[spoiler: Gerhardt]] tries his very best to rile Wolfe up [[spoiler: in an attempt to break through his shell shock, so that Wolfe has a fighting chance when the whole company is ordered into No Man's Land.]]
** Elfriede pushes all of [[spoiler:Otto's]] buttons in order to rattle him enough that she can [[spoiler:slip past him into No Man's Land.]]
** [[spoiler: Gerhardt]] tries his very best to rile Wolfe up [[spoiler: in an attempt to break through his shell shock, so that Wolfe has a fighting chance when the whole company is ordered into No Man's Land.]]
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* TheDulcineaEffect: A gender inverted example is seen in Elfriede's behavior towards Dory, as she constantly jumps in to protect him from harm [[spoiler:due to him reminding her of August.]]
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* TheDulcineaEffect: A gender inverted example is seen in Elfriede's behavior towards Dory, as she constantly jumps in to protect him from harm [[spoiler:due to him reminding her of August. Once the illusion is shatter at the climax of the Act she leaves him well and truly out to dry.]]
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* LoveInterestTraitor: An inverted variaint appears when [[spoiler: Horst]], the love interest, believes that Elfriede has betrayed her country for Leyland.
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* LovingAShadow: [[spoiler:All Elfriede's positive feelings towards Dory are due to him reminding her so strongly of pre-war August. Once the illusion shatters in the climax of Act II, she completely rejects him. Similarly, Dory is latching so strongly onto Elfriede because she's a close enough match to the picture of Ethel that he has in his head.]]
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* FirstEpisodeSpoiler: By the end of Act I, by far the shortest act, [[spoiler:not only has all optimism been completely sapped from the cast, an unexpected attack has left Eugen blinded, Wolf shell-shocked, and August, who had been portrayed to the letter as the main love interest, is dead.]]
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* FirstEpisodeSpoiler: FirstEpisodeTwist: By the end of Act I, by far the shortest act, [[spoiler:not only has all optimism been completely sapped from the cast, an unexpected attack has left Eugen blinded, Wolf shell-shocked, and August, who had been portrayed to the letter as the main love interest, is dead.]]
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* ReplacementGoldfish: In Act II, Elfriede very quickly starts using [[spoiler:Dory]] to fill the [[spoiler:August]] shaped void in her heart. [[spoiler: A huge part of her breakdown at the end of the Act is due to her finally recognising exactly what she's doing, a fact that's also lampshaded by Dory himself.]]
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* TheDulcineaEffect: A gender inverted example is seen in Elfriede's behavior towards Dory, as she constantly jumps in to protect him from harm [[spoiler:due to him reminding her of August.]]
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* MistakenForBetrayal: During the climax of Act II, [[spoiler: Horst]] stumbles upon Dory and Elfriede holding hands in his dugout. The sight, combined with his fragile state of mind, causes him to immediately jump to the conclusion that Elfriede has been in cahoots with Leyland from the beginning. The perceived betrayal is amplified should Elfriede be on his route, as he outright wonders if their whole relationship was a sham. [[spoiler:He ultimately goes to his grave under this assumption, much to Elfriede's anguish.]]
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crosswicking for the new trope
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* VillainousAromanticAsexual: Walter is a sociopath who does not care whether his fellow humans live or die. He is also the only non-romantic route option, his bio stating that he "could not be less interested in friendship or romance."
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Trope names shouldn't be spoiled out.
* FaceDeathWithDignity: [[spoiler:Marius, while lying on top of a live grenade, still has the presence of mind to ask Elfriede and Helmut to watch out for Gerhardt for him, and also to entreat the two of them to live long enough to see peace.]]
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* [[spoiler:JumpingOnAGrenade: Marius, in order to protect Elfriede and Helmut. And there's nothing the player can do about it.]]
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* [[spoiler:JumpingOnAGrenade: JumpingOnAGrenade: [[spoiler: Marius, in order to protect Elfriede and Helmut. And there's nothing the player can do about it.]]Helmut.]]
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* [[spoiler:RazorFloss: Gerhardt brings Elfriede to Wolf's body after a battle, which is tangled up in barbed wire.]]
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* [[spoiler:RazorFloss: RazorFloss: [[spoiler: Gerhardt brings Elfriede to Wolf's body after a battle, which is tangled up in barbed wire.]]
* SorryThatImDying: [[spoiler:Marius, knowing that he'll never be able to make good on his promise to Gerhardt.]]
--->[[spoiler:'''Marius''' Tell Gerhardt I'm sorry.]]
--->[[spoiler:'''Marius''' Tell Gerhardt I'm sorry.]]
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* [[spoiler:WhiteShirtOfDeath: You get two illustrations of Gottfried after Elfriede's time in No man's land in Act II. In the first, where he is alive, his uniform is mostly buttoned up, obscuring the white shirt underneath. In the second, his uniform isn't hiding how blood-stained his shirt is and he is declared dead not long after.]]
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* [[spoiler:WhiteShirtOfDeath: WhiteShirtOfDeath: [[spoiler: You get two illustrations of Gottfried after Elfriede's time in No man's land in Act II. In the first, where he is alive, his uniform is mostly buttoned up, obscuring the white shirt underneath. In the second, his uniform isn't hiding how blood-stained his shirt is and he is declared dead not long after.]]
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* [[spoiler:RazorFloss: Gerhardt brings Elfriede to Wolf's body after a battle, which is tangled up in barbed wire.]]
* RepeatToConfirm: [[spoiler:Ethel Winter's entire job as a Leylandian telephonist appears to be to receive then repeat reports of casualties from the Leylandian trenches.]]
* RepeatToConfirm: [[spoiler:Ethel Winter's entire job as a Leylandian telephonist appears to be to receive then repeat reports of casualties from the Leylandian trenches.]]
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* RepeatToConfirm: [[spoiler:Ethel Winter's entire job as a Leylandian telephonist appears to be to receive then repeat reports of casualties from the Leylandian trenches.]]
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* TheFaceless: Any sprite, that isn't one of the main characters, has their eyes obscured by either a helmet for men or bangs for women. While there is the obvious reason of the time needed to create individual sprites for characters that may appear only once, there is explanation is also given in game that[[spoiler: Elfriede isn't worried about them, she almost doesn't really see them as people. Floris de Witt removes his helmet in Act II, marking his transition from one of these faceless sprites to potential love interest for Elfriede.]]
--->[[spoiler:'''Elfriede''' Drat, drat, drat! I can't do this! Floris isn't a person! Not a real one. He doesn't have anything to offer someone like me.]]
--->[[spoiler:'''Elfriede''' Drat, drat, drat! I can't do this! Floris isn't a person! Not a real one. He doesn't have anything to offer someone like me.]]
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** Laurent [[spoiler:and Eugen]] in Act II.
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* WideEyedIdealist: Many of the characters were optimistic about the war, but none more than plucky young August, who saw it as the opportunity he needed to make himself a man worthy of Elfriede... to the extent that he was reluctant even to think about having to actually ''kill'' somebody. Dory, who doesn't appear in Act I, is also this way; his character title is 'Someone Else's August'.
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* WideEyedIdealist: Many of the characters were optimistic about the war, but none more than plucky young August, who saw it as the opportunity he needed to make himself a man worthy of Elfriede... to the extent that he was reluctant even to think about having to actually ''kill'' somebody. Dory, who doesn't appear in Act I, is also this way; his character title is 'Someone Else's August'.August'.
* [[spoiler:WhiteShirtOfDeath: You get two illustrations of Gottfried after Elfriede's time in No man's land in Act II. In the first, where he is alive, his uniform is mostly buttoned up, obscuring the white shirt underneath. In the second, his uniform isn't hiding how blood-stained his shirt is and he is declared dead not long after.]]
* [[spoiler:WhiteShirtOfDeath: You get two illustrations of Gottfried after Elfriede's time in No man's land in Act II. In the first, where he is alive, his uniform is mostly buttoned up, obscuring the white shirt underneath. In the second, his uniform isn't hiding how blood-stained his shirt is and he is declared dead not long after.]]
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* [[spoiler:JumpingOnAGrenade: Marius, in order to protect Elfriede and Helmut. And there's nothing the player can do about it.]]
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* FlashbackEcho: [[spoiler: Elfriede flashes back to August's death when she kisses another LoveInterest during Act II.]]
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* RepeatToConfirm: [[spoiler:Ethel Winter's entire job as a Leylandian telephonist appears to be to receives then repeats reports of casualties from the Leylandian trenches.]]
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* RepeatToConfirm: [[spoiler:Ethel Winter's entire job as a Leylandian telephonist appears to be to receives receive then repeats repeat reports of casualties from the Leylandian trenches.]]
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* RepeatToConfirm: [[spoiler:Ethel Winter, a Leylandian telephonist, receives then repeats reports of casualties from the Leylandian trenches.]]
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* RepeatToConfirm: [[spoiler:Ethel Winter, Winter's entire job as a Leylandian telephonist, telephonist appears to be to receives then repeats reports of casualties from the Leylandian trenches.]]
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* RepeatToConfirm: [[spoiler:Ethel Winter, a Leylandian telephonist, receives then repeats reports of casualties from the Leylandian trenches.]]
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** In Act II, [[spoiler:Elfriede and Marius find Gerhardt trying to work up the nerve to shoot himself in the foot after he's conscripted.]]
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[[http://becausewerehere.tumblr.com/ Because We're Here]] is a brutal OtomeGame VisualNovel set in a UsefulNotes/WorldWarI-inspired fictional land, about a young woman finding her way through the evils of war - and just maybe finding something to make living all worth it. Act I of four was released on July 19 2018, with Act II planned to be released in June 2019.
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[[http://becausewerehere.tumblr.com/ Because We're Here]] is a brutal OtomeGame VisualNovel set in a UsefulNotes/WorldWarI-inspired fictional land, about a young woman finding her way through the evils of war - and just maybe finding something to make living all worth it. Act I of four was released on July 19 2018, with 19, 2018. Act II planned to be was released in June on September 28, 2019.
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[[http://becausewerehere.tumblr.com/ Because We're Here]] is a brutal OtomeGame VisualNovel set in a UsefulNotes/WorldWarI-inspired fictional land, about a young woman finding her way through the evils of war - and just maybe finding something to make living all worth it. Act I of four was released on July 19, with Act II planned to be released by the end of 2018.
to:
[[http://becausewerehere.tumblr.com/ Because We're Here]] is a brutal OtomeGame VisualNovel set in a UsefulNotes/WorldWarI-inspired fictional land, about a young woman finding her way through the evils of war - and just maybe finding something to make living all worth it. Act I of four was released on July 19, 19 2018, with Act II planned to be released by the end of 2018.
in June 2019.
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* DraftDodging: Gerhardt, who evades service for reasons he refuses to explain (though he eventually admits it's partilly because he's terrified of going to war). As happened in real life, he is abused by the rest of the town for refusing to step up, leading to him eventually becoming a shut-in. Gottfried also elects to become a war artist with the intention of avoiding battle by painting propaganda of the home front, only to be sent to paint in the trenches instead. As Elfriede points out and he admits, he probably would've been safer if he hadn't tried to pull a fast one.
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* DraftDodging: Gerhardt, who evades service for reasons he refuses to explain (though he eventually admits it's partilly partially because he's terrified of going to war). As happened in real life, he is abused by the rest of the town for refusing to step up, leading to him eventually becoming a shut-in. Gottfried also elects to become a war artist with the intention of avoiding battle by painting propaganda of the home front, only to be sent to paint in the trenches instead. As Elfriede points out and he admits, he probably would've been safer if he hadn't tried to pull a fast one.
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* PatientChildhoodFriend: It's clear to everyone that August has been in love with Elfriede for ages but has never been able to make a move. When the war begins, he finds his motivation.
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* PatientChildhoodFriend: PatientChildhoodLoveInterest: It's clear to everyone that August has been in love with Elfriede for ages but has never been able to make a move. When the war begins, he finds his motivation. [[spoiler: Then he dies horribly. If you take his route, he dies ''while he and Elfriede are about to kiss''.]]
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* StoryBranching: A typical trope for visual novels, with one big difference: The game explicitly tells you that taking a character's route will not change their role in the overall story. [[spoiler: August, for example, dies whether you take his route or not.]]
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* MenAreTheExpendableGender: It's never questioned even for a moment that Elfriede won't be able to fight. In fact, the reason why she is able to become a field postman is because her earlier male counterparts were eventually asked to become soldiers instead.
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* OnlySaneMan: Only Elfriede and Gerhardt were willing to question the glory of the war before it happned, although Eugen privately admitted some doubts beforehand.
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[[http://becausewerehere.tumblr.com/ Because We're Here]] is a brutal OtomeGame VisualNovel set in a UsefulNotes/WorldWarI-inspired invented land, about a young woman finding her way through the evils of war - and just maybe finding something to make living all worth it. Act I of four was released on July 19, with Act II planned to be released by the end of 2018.
to:
[[http://becausewerehere.tumblr.com/ Because We're Here]] is a brutal OtomeGame VisualNovel set in a UsefulNotes/WorldWarI-inspired invented fictional land, about a young woman finding her way through the evils of war - and just maybe finding something to make living all worth it. Act I of four was released on July 19, with Act II planned to be released by the end of 2018.
* DirtyCoward: Gerhardt is seen by the townspeople as this for refusing to sign up. Elfriede however is much more sympathetic, even if his route isn't taken, and the narrative ultimately portrays his choice as entirely understandable.
* DraftDodging: Gerhardt, who evades service for reasons he refuses to explain (though he eventually admits it's partilly because he's terrified of going to war). As happened in real life, he is abused by the rest of the town for refusing to step up, leading to him eventually becoming a shut-in. Gottfried also elects to become a war artist with the intention of avoiding battle by painting propaganda of the home front, only to be sent to paint in the trenches instead. As Elfriede points out and he admits, he probably would've been safer if he hadn't tried to pull a fast one.
* DisabledLoveInterest: Helmut, who was stricken with polio at a young age and so is too physically incapable to fight.
* DraftDodging: Gerhardt, who evades service for reasons he refuses to explain (though he eventually admits it's partilly because he's terrified of going to war). As happened in real life, he is abused by the rest of the town for refusing to step up, leading to him eventually becoming a shut-in. Gottfried also elects to become a war artist with the intention of avoiding battle by painting propaganda of the home front, only to be sent to paint in the trenches instead. As Elfriede points out and he admits, he probably would've been safer if he hadn't tried to pull a fast one.
* DisabledLoveInterest: Helmut, who was stricken with polio at a young age and so is too physically incapable to fight.
* FirstNameBasis: Otto to the privates, despite being a Lance-Corporal, because he earned his rank mainly just because he outlived a bunch of people and so doesn't feel like a superior at all. Elfriede accidentally addresses Horst by his first name when they first meet, too - despite being even more unprepared for his rank, actually being the youngest in the cast, Horst attempts to create a more disciplined atmosphere and isn't particularly pleased. If Elfriede chooses to give [[spoiler:August's brooch]] to him, she wil run through her head all of the many complicated and personal reasons why he is her best choice, before saying out loud that it's merely an apology for using his first name earlier.
* GreenEyedMonster: Non-romantic example - Helmut is intensely jealous of everyone who is able to go fight in the war while he is left alone, manning a home guard that everyone knows is useless. Even when Elfriede tells him she will be becoming a field postman, it takes him a moment to bite back his jealousy and support her.
* HomeByChristmas: Referenced by name, of course. The story begins in July, with Elfriede's first trip into the trenches taking place six months later in January, but even as she admits they had been a bit optimistic with that earlier, she's still completely unprepared when told the war could go on for ''years''.
* LargeHam: Even after seeing the war for himself, Eugen has a tendency to speak in an unnecessarily dramatic way. August also gets in on this briefly in his excitement at the declaration of war.
* LovableCoward: Gottfried positions himself as this, openly wearing the title of coward. However, he's more dedicated to his job than he first lets on.
* TheMedic: Marius.
* MyCountryRightOrWrong: Walter believes that anybody who isn't fully determined to lay down their life for Wessling is a traitor. Wolf also shows stripes of this before the trenches, saying that fighting for a country is something he can understand.
* {{Nakige}}
* NiceGuy: Most notably August, but a number of guys also qualify.
* PatientChildhoodFriend: It's clear to everyone that August has been in love with Elfriede for ages but has never been able to make a move. When the war begins, he finds his motivation.
* PeriodPiece: Is essentially this for 1910s Europe, despite technically being set in a fictional world.
* GreenEyedMonster: Non-romantic example - Helmut is intensely jealous of everyone who is able to go fight in the war while he is left alone, manning a home guard that everyone knows is useless. Even when Elfriede tells him she will be becoming a field postman, it takes him a moment to bite back his jealousy and support her.
* HomeByChristmas: Referenced by name, of course. The story begins in July, with Elfriede's first trip into the trenches taking place six months later in January, but even as she admits they had been a bit optimistic with that earlier, she's still completely unprepared when told the war could go on for ''years''.
* LargeHam: Even after seeing the war for himself, Eugen has a tendency to speak in an unnecessarily dramatic way. August also gets in on this briefly in his excitement at the declaration of war.
* LovableCoward: Gottfried positions himself as this, openly wearing the title of coward. However, he's more dedicated to his job than he first lets on.
* TheMedic: Marius.
* MyCountryRightOrWrong: Walter believes that anybody who isn't fully determined to lay down their life for Wessling is a traitor. Wolf also shows stripes of this before the trenches, saying that fighting for a country is something he can understand.
* {{Nakige}}
* NiceGuy: Most notably August, but a number of guys also qualify.
* PatientChildhoodFriend: It's clear to everyone that August has been in love with Elfriede for ages but has never been able to make a move. When the war begins, he finds his motivation.
* PeriodPiece: Is essentially this for 1910s Europe, despite technically being set in a fictional world.
* ScrewTheRulesIHaveConnections: Horst, the son of a cabinet minister, was sent to war as a private precisely to avoid the appearance of this.
* SingleWomanSeeksGoodMan: [[spoiler:It's implied that Elfriede was ready to return August's feelings right before he died.]] May also occur depending on whose route the player chooses.
* SurvivorGuilt: Elfriede decides to become a field postwoman partially as a form of penance for accidentally creating the circumstances in which [[spoiler:August was killed, Eugen blinded, and Wolf struck with shell-shock.]]
* SurvivorGuilt: Elfriede decides to become a field postwoman partially as a form of penance for accidentally creating the circumstances in which [[spoiler:August was killed, Eugen blinded, and Wolf struck with shell-shock.]]
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* SurvivorGuilt: Elfriede decides to become a field postwoman partially as a form of penance for accidentally creating the circumstances in which [[spoiler:August was killed, Eugen blinded, and Wolf struck with shell-shock.]]
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* SurvivorGuilt: Elfriede decides to become a field postwoman partially TheUnfettered: Out of the entire cast, Otto is the only one who isn't particularly bothered by the increadible loss of life surrounding him - in fact, as a form of penance [[OverpopulationCrisis Malthusian]], he views the war as more like a necessary natural phenomena. As a result he treats his current actions as little different to when he shot his rifle for accidentally creating the circumstances in which [[spoiler:August was killed, Eugen blinded, hunting, and Wolf struck with shell-shock.]]is more easygoing by far than anyone else.
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Changed line(s) 6,7 (click to see context) from:
[[http://becausewerehere.tumblr.com/ Because We're Here]] is a brutal OtomeGame VisualNovel set in a WorldWarI-inspired fantasy land, about a young woman finding her way through the evils of war - and just maybe finding something to make living all worth it. Act I of four was released on July 19, with Act II planned to be released by the end of 2018.
to:
[[http://becausewerehere.tumblr.com/ Because We're Here]] is a brutal OtomeGame VisualNovel set in a WorldWarI-inspired fantasy UsefulNotes/WorldWarI-inspired invented land, about a young woman finding her way through the evils of war - and just maybe finding something to make living all worth it. Act I of four was released on July 19, with Act II planned to be released by the end of 2018.
* ActualPacifist: Marius, who used to be a boxer, but who believes that political violence is somethine else entirely, and so took on a job as a stretcher-bearer. Elfriede notes that, as he has to enter No-Man's Land unarmed, he's probably braver than anyone. Compare Gottfried and Gerhardt, who also avoid active combat, but for less selfless reasons.
* CharacterDevelopment: Each of the three characters we meet before they sign up as soldiers - August, Wolf, and Eugen - have changed immeasurably when Elfriede finally manages to see them again six months later.
* CharacterDevelopment: Each of the three characters we meet before they sign up as soldiers - August, Wolf, and Eugen - have changed immeasurably when Elfriede finally manages to see them again six months later.
* FireForgedFriends: Before the beginning of the story, Wolf, a petty thief, punches his employer Eugen in the face. Eugen however insists that once they join up as soldiers together, they will become bonded under a single shared cause. August and Elfriede are more skeptical, but it actually does happen - when she reunites with them six months later, they have become something like friends. This doesn't apply to all soldiers, however - Walter is too unsettling and mean to get this benefit.
* FirstEpisodeSpoiler: By the end of Act I, by far the shortest act, [[spoiler:not only has all optimism been completely sapped from the cast, an unexpected attack has left Eugen blinded, Wolf shell-shocked, and August, who had been portrayed to the letter as the main love interest, is dead.]]
* FirstEpisodeSpoiler: By the end of Act I, by far the shortest act, [[spoiler:not only has all optimism been completely sapped from the cast, an unexpected attack has left Eugen blinded, Wolf shell-shocked, and August, who had been portrayed to the letter as the main love interest, is dead.]]
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* WarIsGlorious: The view of a number of characters early on, particularly Eugen, who venerates his aristocratic family's wartime legacy. It doesn't last.
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* ShellShockedVeteran: [[spoiler:The bomb blast which results in August's death and Eugen's blindness causes this in Wolf. It's mentioned that many other soldiers have fared similarly, and that it isn't considered a reason to send them home.]]
* TheStoic: Horst von Sankt most obviously, though most of the characters seem pulled in this direction as a result of the unending awfulness of their situation.
* ThousandYardStare: [[spoiler:Wolf post shell shock.]]
* SurvivorGuilt: Elfriede decides to become a field postwoman partially as a form of penance for accidentally creating the circumstances in which [[spoiler:August was killed, Eugen blinded, and Wolf struck with shell-shock.]]
* WarIsGlorious: The view of a number of characters early on, particularly Eugen, who venerates his aristocratic family's wartime legacy. It doesn'tlast.last.
* WarIsHell: The main theme.
* WideEyedIdealist: Many of the characters were optimistic about the war, but none more than plucky young August, who saw it as the opportunity he needed to make himself a man worthy of Elfriede... to the extent that he was reluctant even to think about having to actually ''kill'' somebody. Dory, who doesn't appear in Act I, is also this way; his character title is 'Someone Else's August'.
* TheStoic: Horst von Sankt most obviously, though most of the characters seem pulled in this direction as a result of the unending awfulness of their situation.
* ThousandYardStare: [[spoiler:Wolf post shell shock.]]
* SurvivorGuilt: Elfriede decides to become a field postwoman partially as a form of penance for accidentally creating the circumstances in which [[spoiler:August was killed, Eugen blinded, and Wolf struck with shell-shock.]]
* WarIsGlorious: The view of a number of characters early on, particularly Eugen, who venerates his aristocratic family's wartime legacy. It doesn't
* WarIsHell: The main theme.
* WideEyedIdealist: Many of the characters were optimistic about the war, but none more than plucky young August, who saw it as the opportunity he needed to make himself a man worthy of Elfriede... to the extent that he was reluctant even to think about having to actually ''kill'' somebody. Dory, who doesn't appear in Act I, is also this way; his character title is 'Someone Else's August'.
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Added DiffLines:
[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/tumblr_oj402dhvyv1upvlgto1_r2_500.png]]
[[caption-width-right:350: [[https://www.youtube.com/watch?v=3Ps85649fWk We're here because we're here because...]]]]
One morning, everything changes for postwoman Elfriede Rauss: war is declared between her home country, Wesslinger, and Leyland. The cause is a dispute over a fertile parcel of a small neighboring land, Vermorel, also to be the site of the battlefield, but the politics are almost irrelevant. Having been called to come defend their country, the small town of Brachsburg raises up in joy, eager to do their part - but Elfriede, almost alone, is worried. Will this war really be the dashing, man-making affair her childhood friend assumes it will be? But if her gut is right, what awaits them are horrors beyond their understanding.
[[http://becausewerehere.tumblr.com/ Because We're Here]] is a brutal OtomeGame VisualNovel set in a WorldWarI-inspired fantasy land, about a young woman finding her way through the evils of war - and just maybe finding something to make living all worth it. Act I of four was released on July 19, with Act II planned to be released by the end of 2018.
----
!! ''Because We're Here'' contains examples of the following tropes:
* DeliberateValuesDissonance: The first half drips with DramaticIrony, in which characters openly celebrate at the prospect of joining the war, and even the good characters get involved with bullying a draft-dodger. More subtly, Elfriede doesn't blink when Marius says that the point of being a soldier is to protect women, nor does anyone when Gerhardt protests at being lumped in with the ''disabled''.
* PropagandaMachine: Gottfried is hired to paint the war, and openly admits that he's encouraged to be inspiring more than accurate.
* WarIsGlorious: The view of a number of characters early on, particularly Eugen, who venerates his aristocratic family's wartime legacy. It doesn't last.
[[caption-width-right:350: [[https://www.youtube.com/watch?v=3Ps85649fWk We're here because we're here because...]]]]
One morning, everything changes for postwoman Elfriede Rauss: war is declared between her home country, Wesslinger, and Leyland. The cause is a dispute over a fertile parcel of a small neighboring land, Vermorel, also to be the site of the battlefield, but the politics are almost irrelevant. Having been called to come defend their country, the small town of Brachsburg raises up in joy, eager to do their part - but Elfriede, almost alone, is worried. Will this war really be the dashing, man-making affair her childhood friend assumes it will be? But if her gut is right, what awaits them are horrors beyond their understanding.
[[http://becausewerehere.tumblr.com/ Because We're Here]] is a brutal OtomeGame VisualNovel set in a WorldWarI-inspired fantasy land, about a young woman finding her way through the evils of war - and just maybe finding something to make living all worth it. Act I of four was released on July 19, with Act II planned to be released by the end of 2018.
----
!! ''Because We're Here'' contains examples of the following tropes:
* DeliberateValuesDissonance: The first half drips with DramaticIrony, in which characters openly celebrate at the prospect of joining the war, and even the good characters get involved with bullying a draft-dodger. More subtly, Elfriede doesn't blink when Marius says that the point of being a soldier is to protect women, nor does anyone when Gerhardt protests at being lumped in with the ''disabled''.
* PropagandaMachine: Gottfried is hired to paint the war, and openly admits that he's encouraged to be inspiring more than accurate.
* WarIsGlorious: The view of a number of characters early on, particularly Eugen, who venerates his aristocratic family's wartime legacy. It doesn't last.
