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** ''Uta Awase Ranbu Kyouran'' (2020): Story-centric concert, replaced ''Shinken Ranbu Sai'' in 2020.

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** ''Uta Awase Ranbu Kyouran'' (2020): (2019-2020): Story-centric concert, replaced ''Shinken Ranbu Sai'' in 2020.



* ''Touken Ranbu: Tsuki no Tsurugi Enishi no Kiri no wa'' - A KabukiTheatre adaptation. Originally performed live, it was edited into movie format and given a theatrical release in 2024.

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* ''Theatre/KabukiToukenRanbu'' (2023 - ): A series of KabukiTheatre adaptations for the franchise.
**
''Touken Ranbu: Tsuki no Tsurugi Enishi no Kiri no wa'' - A The first KabukiTheatre adaptation. Originally performed live, it was edited into movie format and given a theatrical release in 2024.

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* TwentyMinutesIntoTheFuture: {{Downplayed|Trope}}; The game takes place in 2205, as does all of its spin-offs, although, as far as the players are shown, there are no significant technological advancements, with the citadel itself seemingly devoid of even most modern technology like TV's, washing machines, computers, and so on, with the Touken Danshi likewise not understanding what any of those things are when discussing them. Time travel exists in 2205, but most depictions of it either don't explain how it works or show it as something that happens magically. In some citadels, the most technological advancements shown are holograms that only Konnosuke and the Saniwa (in one instance) have access to. ''Katsugeki/Touken Ranbu'' stands out because it's the only work where the 2205 appears to be sufficiently technologically advanced, with Konnosuke and his clones outright being robots from the Saniwa's era rather than magical talking creatures.



* BadFuture: While the current state of the world is never explored outside of the serene-looking Honmaru, the year 2205 is set in one, after a global crisis claimed the majority of the population and necessitated the recruitment of Touken Danshi to replace human warriors.

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* BadFuture: While the current state {{Downplayed|Trope}}; The backstory of the world series is never explored outside of the serene-looking Honmaru, the year that 2205 is set in one, as the story begins after a the world was hit by an unspecified global crisis that claimed the majority of the Japan's population and necessitated the recruitment of Touken Danshi to replace human warriors. Beyond this, unlike most instances of this trope, not much is actually known about what 2205 is like, as the original browser game and its spin-offs focus more on the need to preserve history and the consequences that follow, than on the actual world. In fact, the world as it appears in 2205 isn't actually seen at all beyond the boundary of the serene-looking citadel in any work.

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* BigFancyCastle: Honmaru, the home of the Touken Danshi and Saniwa, is portrayed in every work as being a large, traditional Japanese citadel with beautiful scenery.

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* BeautyEqualsGoodness: All of the Touken Danshi are attractive, including swords that are supposed to be "plain" like Doudanuki. Meanwhile, the Historical Revisionists, the antagonists in the story, are literally colorless and varying degrees of monstrous, just so you know you're not supposed to root for them.
* BigFancyCastle: Honmaru, The citadel, the home of the Touken Danshi and Saniwa, is portrayed in every work as being a large, traditional Japanese citadel with beautiful scenery.scenery, and often far more colorful than the time periods the Touken Danshi visit.



* BloodlessCarnage: Zig-zagged; A number of characters bleed when they are injured, though this is usually dependent on the artist who is drawing them.

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* BloodlessCarnage: Zig-zagged; A number of characters bleed when they are injured, though this is usually dependent Zig-zagged, as it depends on the artist artist, but there are plenty of Touken Danshi who is drawing them.get cut up pretty bad but come out only looking a little dirty with torn up clothes despite their scars.



* TheProudElite: Zig-zagged in a number of cases;
** Notably averted with the Tenka Goken. They're known as the "five great swords of Japan," and as such, they're some of the most important swords in the game, as well as history. Despite this, they don't dwell on their position, with Oodenta openly feeling insecure about it.
** Yamanbagiri Chougi, who is very proud of his pedigree and spends a lot of time in the spin-offs trying to convince people that he is better than Yamanbagiri Kunihiro.
** Also Ookanehira, who is known as one of the "champions of all swords" and loves reminding the Saniwa of his position, but is also deeply insecure because he is not considered one of the Tenka Goken and is constantly complaining about it.

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* TheProudElite: Zig-zagged in a number of cases;
** Notably averted with
ProtagonistCenteredMorality: The adaptations tend to lean into this heavily when it comes to the Tenka Goken. They're known as Touken Danshi's attempts to alter history for their benefit versus when the "five great swords of Japan," Historical Revisionists do it. When the Touken Danshi do it, it's always for a sympathetic reason, and as such, they're some of the most important swords forgiven in the game, as well as history. Despite this, end whether or not they don't dwell on go through an arc or revelation as to why their position, actions are bad, whereas when the Historical Revisionists do it, it's always bad, and they're killed off, often without the characters attempting to understand or sympathize with Oodenta openly feeling insecure about it.
** Yamanbagiri Chougi, who is very proud
their actions. The musicals are at least somewhat self-aware of his pedigree this trope and spends a lot occasionally give the Historical Revisionists sympathetic reasons for their motives, but they're still killed instead of time forgiven or spared in the spin-offs trying to convince people that he is better than Yamanbagiri Kunihiro.
** Also Ookanehira, who is known as one of the "champions of all swords" and loves reminding the Saniwa of his position, but is also deeply insecure because he is not considered one of the Tenka Goken and is constantly complaining about it.
end.
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* RetCanon: Elements from ''Touken Ranbu'''s numerous adaptations occasionally make their way back to the original browser game, such as musical dialogue used in Recollections, or characters who have no historical basis for knowing each other interacting during Internal Affairs dialogue because they interacted in an adaptation, such as Sengo Muramasa's interactions with the entire ''Mihotose'' cast.
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** ''Touken Ranbu ~Nihongo Tsurezure Sake~''

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** * ''Touken Ranbu ~Nihongo Tsurezure Sake~''



* ''Touken Ranbu - Uijin''

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* ''Touken Ranbu - Uijin''A non-comprehensive list of Touken Ranbu's many anthology adaptations. These are not complete stories, but rather collections of different interpretations of citadels and scenarios by various artists and writers.



* ''Touken Ranbu ONLINE Anthology ~Hibana Chirase, Touken Danshi~'' (2015)



* ''Touken Ranbu Anthology ~ Preparations For Departure!''

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* ''Touken Ranbu - Uijin''
* ''Hibana Chirase, Touken Danshi''
* ''Touken Danshi Makuaigeki''
* ''Touken Danshi Shutsujin Junbichuu!''
* ''Touken Ranbu Anthology ~ Preparations For Departure!''Monthly Bushiroad 4-koma Anthology'': Official 4koma for the franchise.



* ''Touken Ranbu Online Anthology: Tadaima Kikan!''
* ''Touken Ranbu Online Anthology: Senjin''
* ''Touken Ranbu Online Anthology: Asobi''
* ''Touken Ranbu Online: Comic Anthology - Touken Danshi Funjin''
* ''Touken Ranbu Online: Comic Anthology: Touken Otokoshi Jinrai''
* ''Touken Ranbu Online Anthology: Senjou ni Sakaseru Hana''



* ''Touken Ranbu Anthology ~ Records of Fresh Breeze~''
* ''Touken Ranbu ONLINE Anthology ~Touken Danshi Makuaigeki~''
* ''Touken Ranbu ONLINE Anthology - Hibana Mae, Touken Danshi''



* ''Touken Ranbu- ONLINE-Anthology - Touken Danshi Jin Haya''
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** ''Touken Ranbu ~Nihongo Tsurezure Sake~''
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* ''Touken Ranbu: Outdoor Ibun - Touken Camp'' (2022): A SliceOfLife spin-off manga series following an EnsembleCast of Touken Danshi as they use the Saniwa's outdoor equipment to go camping. It is serialized in Monthly Princess.

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* ''Touken Ranbu: Outdoor Ibun - Touken Camp'' Manga/ToukenCamp'' (2022): A SliceOfLife spin-off manga series following an EnsembleCast of Touken Danshi as they use the Saniwa's outdoor equipment to go camping. It is serialized in Monthly Princess.



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* ''Touken Ranbu Academy''

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* ''Touken Ranbu Academy''Academy'' (2015): An official HighSchoolAU anthology for the franchise. Focuses on an EnsembleCast in an ElevatorSchool to accommodate all of the characters that appear. Serialized in Hana to Yume during it's run.
* ''Touken Ranbu ONLINE Anthology ~Hibana Chirase, Touken Danshi~'' (2015)
* ''Touken Ranbu Monthly Bushiroad 4-koma Anthology'': Official 4koma for the franchise.



* ''Touken Ranbu Monthly Bushiroad 4-koma Anthology''
* ''"Touken Ranbu -ONLINE-" anthology comic "4 Koma Ranbu ~Petit Ranbu~"''



* ''Touken Ranbu ONLINE Anthology ~Hibana Chirase, Touken Danshi~''







** In most adaptations, the arbitrary battle mechanics from the game—like some sword types being nerfed to give weaker types an advantage—are typically ignored. For example, most swords aren’t shown to be at a disadvantage during nighttime combat despite how big of a mechanic that is in the game.

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** In most adaptations, the arbitrary battle mechanics from the game—like some sword types being nerfed to give weaker types an advantage—are typically ignored. For example, most swords aren’t shown to be at a disadvantage during nighttime combat despite how big of a mechanic that is in the game. If the mechanics are referenced in a work, such as in the anthologies or in ''Touken Ranbu: Hanamaru'', it's always PlayedForLaughs and, in the latter case, dismissed right after.
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* ''Manga Touken Ranbu Warriors'': Manga adaptation of the spin-off video game ''VideoGame/ToukenRanbuWarriors''.

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* ''Manga Touken Ranbu Warriors'': Warriors'' (2024): Manga adaptation of the spin-off video game ''VideoGame/ToukenRanbuWarriors''.
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* ''Touken Ranbu: Hanamaru'': Manga adaptation of the Anime ''Touken Ranbu: Hanamaru''
* ''Touken Ranbu: Outdoor Ibun - Touken Camp''
* ''Touken Ranbu Side Story: Tale of Ayakashi''
* ''Movie Touken Ranbu'': Manga adaptation of the Touken Ranbu movie
* ''Katsugeki / Touken Ranbu'': Manga adaptation of Katsugeki Touken Ranbu ''
* ''Manga Musical "Touken Ranbu" Bakumatsu Tenrouden'': Manga adaptation of one of the musical ''Bakumatsu Tenrouden.''
* ''Manga Musical "Touken Ranbu" Atsukashiyama Ibun'': Manga adaptation of one of the musical ''Atsukashiyama Ibun.''
* ''Manga Touken Ranbu Warriors''

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* ''Touken Ranbu: Hanamaru'': Manga adaptation of the Anime anime ''Touken Ranbu: Hanamaru''
* ''Touken Ranbu: Outdoor Ibun - Touken Camp''
* ''Touken Ranbu Side Story: Tale of Ayakashi''
* ''Movie Touken Ranbu'': Manga adaptation of the Touken Ranbu movie
Hanamaru''.
* ''Katsugeki / Touken Ranbu'': Manga adaptation of Katsugeki the anime ''Katsugeki Touken Ranbu''.
* ''Movie Touken Ranbu'': Manga adaptation of the first live-action
Touken Ranbu ''
movie.
* ''Manga Musical "Touken Ranbu" Bakumatsu Tenrouden'': Atsukashiyama Ibun'': Manga adaptation of one of the musical ''Bakumatsu Tenrouden.''Atsukashiyama Ibun.''
* ''Manga Musical "Touken Ranbu" Atsukashiyama Ibun'': Bakumatsu Tenrouden'': Manga adaptation of one of the musical ''Atsukashiyama Ibun.''Bakumatsu Tenrouden.''
* ''Touken Ranbu: Outdoor Ibun - Touken Camp'' (2022): A SliceOfLife spin-off manga series following an EnsembleCast of Touken Danshi as they use the Saniwa's outdoor equipment to go camping. It is serialized in Monthly Princess.
* ''Touken Ranbu Side Story: Tale of Ayakashi'' (2022): An official spin-off manga telling an original story in the franchise. Features a main storyline, as well as side stories that focus on the more SliceOfLife aspects of the citadel. It is serialized on Comic Zenon.
* ''Manga Touken Ranbu Warriors''Warriors'': Manga adaptation of the spin-off video game ''VideoGame/ToukenRanbuWarriors''.

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* ''Touken Ranbu - Uijin''
* ''Touken Ranbu Academy''

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* ''Touken Ranbu - Uijin''
* ''Touken Ranbu Academy''
[[AC: Official Manga]]



* ''Touken Ranbu Anthology ~ Preparations For Departure!''
* ''Touken Ranbu Anthology ~ SQEX Formation ~''
* ''Touken Ranbu -ONLINE- Anthology ~Honmaru 1st! ~''
* ''Touken Ranbu Monthly Bushiroad 4-koma Anthology''
* ''Manga Musical "Touken Ranbu" Bakumatsu Tenrouden'': Manga adaptation of one of the musical ''Bakumatsu Tenrouden.''
* ''Manga Musical "Touken Ranbu" Atsukashiyama Ibun'': Manga adaptation of one of the musical ''Atsukashiyama Ibun.''
* ''"Touken Ranbu -ONLINE-" anthology comic "4 Koma Ranbu ~Petit Ranbu~"''



* ''Manga Musical "Touken Ranbu" Bakumatsu Tenrouden'': Manga adaptation of one of the musical ''Bakumatsu Tenrouden.''
* ''Manga Musical "Touken Ranbu" Atsukashiyama Ibun'': Manga adaptation of one of the musical ''Atsukashiyama Ibun.''
* ''Manga Touken Ranbu Warriors''
[[AC: Anthologies]]
* ''Touken Ranbu - Uijin''
* ''Touken Ranbu Academy''
* ''Touken Ranbu Anthology ~ Preparations For Departure!''
* ''Touken Ranbu Anthology ~ SQEX Formation ~''
* ''Touken Ranbu -ONLINE- Anthology ~Honmaru 1st! ~''
* ''Touken Ranbu Monthly Bushiroad 4-koma Anthology''
* ''"Touken Ranbu -ONLINE-" anthology comic "4 Koma Ranbu ~Petit Ranbu~"''



* ''Manga Touken Ranbu Warriors''
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** The Sanjou school was one of the first offenders, as in the early years there were no inter-school interactions between any Sanjou in the browser game except Iwatooshi and Imanotsurugi, who are close but didn't specify the nature of their relationship. The first musical, which included the entire Sanjou school, would go on to silently confirm that in that continuity the Sanjou don't exactly view themselves as a family, which is exemplified by how they use formal, antiquated honorifics when referring to each other, [[note]]Mikazuki only uses "-dono" for Kogitsunemaru and Ishikirimaru, and refers to Imanotsurugi and Iwatooshi without honorifics; Kogitsunemaru uses "-dono" for all of the other Sanjou, as does Ishikirimaru; Iwatooshi uses "-dono" for everyone except Imanotsurugi; and Imanotsurugi refers to the other Sanjou as "-sama," except Iwatooshi[[/note]] but that they maintain a sense of closeness and community despite their high regard for each other.

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** The Sanjou school was one of the first offenders, as in the early years there were no inter-school interactions between any Sanjou in the browser game except Iwatooshi and Imanotsurugi, who are close but didn't specify the nature of their relationship. The first musical, which included the entire Sanjou school, would go on to silently confirm that in that continuity the Sanjou don't exactly view themselves as a family, which is exemplified by how they use formal, antiquated honorifics when referring to each other, [[note]]Mikazuki only uses "-dono" for Kogitsunemaru and Ishikirimaru, and refers to Imanotsurugi and Iwatooshi without honorifics; Ishikirimaru uses "-dono" for Mikazuki and Kogitsunemaru but "-san" for Iwatooshi and Imanotsurugi; Kogitsunemaru uses "-dono" for all of the other Sanjou, as does Ishikirimaru; Sanjou; Iwatooshi uses "-dono" for everyone except Imanotsurugi; and Imanotsurugi refers to the other Sanjou as "-sama," except Iwatooshi[[/note]] but that they maintain a sense of closeness and community despite their high regard for each other.
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A ''[[VideoGame/DynastyWarriors Warriors]]'' SpinOff on PlatformNintendoSwitch and PC, ''VideoGame/ToukenRanbuWarriors'', has been [[https://twitter.com/touken_musou/status/1425411695736856577 announced]], with its release date revealed to be Feburary 17, 2022 on the September 24 Japanese Nintendo Direct. A worldwide release on May 24, 2022 was announced later.

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A ''[[VideoGame/DynastyWarriors Warriors]]'' SpinOff on PlatformNintendoSwitch Platform/NintendoSwitch and PC, ''VideoGame/ToukenRanbuWarriors'', has been [[https://twitter.com/touken_musou/status/1425411695736856577 announced]], with its release date revealed to be Feburary 17, 2022 on the September 24 Japanese Nintendo Direct. A worldwide release on May 24, 2022 was announced later.
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A ''[[VideoGame/DynastyWarriors Warriors]]'' SpinOff on UsefulNotes/NintendoSwitch and PC, ''VideoGame/ToukenRanbuWarriors'', has been [[https://twitter.com/touken_musou/status/1425411695736856577 announced]], with its release date revealed to be Feburary 17, 2022 on the September 24 Japanese Nintendo Direct. A worldwide release on May 24, 2022 was announced later.

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A ''[[VideoGame/DynastyWarriors Warriors]]'' SpinOff on UsefulNotes/NintendoSwitch PlatformNintendoSwitch and PC, ''VideoGame/ToukenRanbuWarriors'', has been [[https://twitter.com/touken_musou/status/1425411695736856577 announced]], with its release date revealed to be Feburary 17, 2022 on the September 24 Japanese Nintendo Direct. A worldwide release on May 24, 2022 was announced later.
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* ''Touken Ranbu Kai -Kouden Moyuru Honnoji-'' (2024): An Anime adaptation of the first stage play. It was announced in 2022 and began streaming in April of 2024.

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* ''Touken Ranbu Kai ''Anime/ToukenRanbuKai -Kouden Moyuru Honnoji-'' (2024): An Anime adaptation of the first stage play. It was announced in 2022 and began streaming in April of 2024.
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* ''Manga Touken Ranbu Warriors''

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* ArtEvolution: After Kiwame training, along with having new designs, a majority of the characters new art reflects their artists advancements in technical skill.

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* ArtEvolution: ArtEvolution:
** Every year, the opening movie for the game is updated, often featuring new animation and an updated art style. The best way to see how much the art style has changed is usually to look at Mikazuki Munechika, who often has a close-up in these movies (especially the earlier ones), as his model is updated almost every time. Funnily enough, it seems that not even animators are able to figure out how to translate his artist's style into 3D, a problem that the MMD community has long faced.
**
After Kiwame training, along with having new designs, a majority of the characters new art reflects their artists advancements in technical skill.
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** In most adaptations, the arbitrary battle mechanics from the game—like some sword types being nerfed to give weaker types an advantage—are typically ignored. For example, most swords aren’t shown to be at a disadvantage during nighttime combat despite how big of a mechanic that is in the game.

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* FishOutOfTemporalWater: Oddly, all of the Touken Danshi are treated like this despite existing in the far, far future. The adaptations reveal that the majority of them are unfamiliar with the fundamentals of modern technology (for example, no one understands what a camera is until Mutsunokami brings one to Honmaru in Hanamaru) and often imply that their knowledge is limited to earlier periods of Japan's history, with the traditions and technology of our time being lost on them.



** Despite being a Joseimuke, there is no direct romance between the Touken Danshi and the Saniwa, with the player only receiving attractive men who are extremely loyal and, in some cases, a little flirtatious, but nothing more beyond it. This is also the case even in the spin-offs where the Saniwa is an actual character that the Touken Danshi interact with directly.
** Also the case with the Touken Danshi. A number of them do receive ShipTease with each other, one-sidedly or otherwise, but it not only is never explicitly stated whether their feelings are romantic, it also never evolves into an actual relationship.

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** Despite being While the game is a Joseimuke, there is no direct romance or potential for romance between the Touken Danshi player and the Saniwa, with Touken Danshi. At best, the player only receiving receives attractive men who are extremely loyal and, in some cases, a little flirtatious, flirtatious and attached, but nothing more beyond it. This is also the case even more.
** The lack of romance
in the spin-offs game is best demonstrated with it's first Valentine's Day-themed event, where the Saniwa is an actual character that the instead of being able to give chocolates to your favorite Touken Danshi interact on Valentine's Day and receiving a love confession in response, as would be the case with directly.
most mobile games, Konnosuke drops the implication that Valentine's Day in 2205 no longer exists as a day to express one's love to one's crush or close companions in history books, with the reception of "Chiyoko/ちよこ" (as opposed to "Choco/チョコ") instead being treated as a way to determine who the strongest warrior is, scrubbing the day of all romantic implications. The player can also not directly give "Chiyoko" to the Touken Danshi, nor do any of them have voice-lines regarding the event; instead, it is just a gameplay mechanic that lets you to trade for the sword you want.
** Also This is also the case with the Touken Danshi. A number of them do receive ShipTease with each other, one-sidedly or otherwise, but it not only is never explicitly stated whether their feelings are romantic, it also never evolves into an actual relationship.


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* ValentinesDayViolence: In 2024, ''Touken Ranbu'' held its first Valentine's Day-themed event, "Tactical Enhancement Training ~Operation Chiyoko~," where Konnosuke explains that this event, according to history books, is used to determine the strongest warrior based on who receives the most Chiyoko (rather than Choco). To obtain Chiyoko, the player must clear the mission puzzles, which include completing specific mission requirements such as clearing certain battles. The Chiyoko can then be used to exchange for their Touken Danshi of choice up to four times. Needless to say, unlike most mobile games of its kind, where the player would simply give their favorite character chocolate and receive a love confession in exchange, ''Touken Ranbu'' has an unusual idea for their "romantic" holiday, in that it isn't romantic at all, but very characteristic of the series.
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* DependingOnTheWriter: Practically everything about ''Touken Ranbu'' as a series runs on this trope, from the characterization of the swords (though their vague in-game characterization is always used as a "starting point"), to how they interact with each other, to how the citadel operates, to how (or if) they have additional powers on top of being excellent swordsmen. Even whether Konnosuke is actually a talking fox, is just a normal animal that resides in the citadel, or is a robot varies on the adaptation, [[AdaptedOut if he shows up at all]]. The main thing every portrayed citadel has in common is the basic plot line of personified swords fighting to protect history, but everything else seems to be fair game. Even then, some adaptations don't focus on that in favor of portraying everyday life in the citadel.

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* DependingOnTheWriter: Practically everything about As per WordOfGod, the writers' interpretation ultimately determines how the world functions in ''Touken Ranbu'' as a series runs on this trope, since there is no established canon apart from the characterization premise and the characters. That means that almost every other aspect of the swords (though their vague in-game characterization is always used as a "starting point"), setting varies from adaptation to how they interact with each other, to how adaptation: the citadel operates, to how (or if) they have additional powers on top of being excellent swordsmen. Even whether Konnosuke is actually a talking fox, is just a normal animal that resides in characterization, the Saniwa, the citadel, or is a robot varies on the adaptation, [[AdaptedOut if he shows up at all]]. The main thing every portrayed citadel has in common is powers (if any) of the basic plot line of personified swords fighting to protect history, but everything else seems to be fair game. Even then, some adaptations don't focus on that in favor of portraying everyday life in the citadel.Touken Danshi, time travel, and so on, with all being considered equally valid interpretations.



** Many, many Touken Danshi tend to fall under the radar even in adaptations, owing in part to the sheer number of them in the game, with many more added every year. Unless the sword is extremely popular, has a history tied to another fairly popular sword (or sword group), or is one of the series’ six mascots, they usually don't get much attention, even if they've been in the game since it's inception.

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** Many, many Touken Danshi tend to fall under the radar even in adaptations, owing in part to the sheer number of them in the game, browser game with many more added every year. Unless the While some adaptations attempt to compensate for this by focusing on a different sword is extremely popular, has group in each installment (and ''Hanamaru'' introduces a history new Touken Danshi or two with each episode), more well-known and well-liked swords are almost always given priority when it comes to appearances, especially if they're tied to another fairly a popular sword (or sword group), or is one of the series’ six mascots, they usually don't get much attention, even if they've been in the game since it's inception.historical period.
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* ''Theatre/MusicalToukenRanbu'' (2016 - ): A series of 2.5D stage musicals, announced at the same time as ''Stage Touken Ranbu'', although it was the first to premiere. It was also the very first major spin-off of ''Touken Ranbu''. Notably, musicals are tied into two segments: Honpen, which is the main story, and Lives, where the Touken Danshi return to stage as IdolSingers. There are also a series of concerts, solo and duet events, tours, and one example of a side story performance.

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* ''Theatre/MusicalToukenRanbu'' (2016 - ): A series of 2.5D stage musicals, announced at the same time as ''Stage Touken Ranbu'', although it was the first to premiere. It was also the very first major spin-off of ''Touken Ranbu''. Notably, musicals are tied into two segments: Honpen, which is the main story, and Lives, where the Touken Danshi return to stage as IdolSingers.{{Idol Singer}}s. There are also a series of concerts, solo and duet events, tours, and one example of a side story performance.

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* ''Theatre/ToukenRanbuStage'' (2016 - ): A stage play adaptation of Touken Ranbu, announced in 2015 at the same time as Musical: Touken Ranbu.
** ''Kyoden: Moyuru Honnoji'' (2016): The first stage play in the series. An Anime adaptation was announced in 2022.
** ''Giden: Akatsuki no Dokuganryƫ'' (2017)
** ''Joden: Mitsura Boshi Katanagatari'' (2017)
** ''Gaiden: Kono Yora no Odawara'' (2018)
** ''Hiden: Yui no Me no Hototogisu'' (2018)
** ''Jiden: Hibi no Ha Yo Chiruran'' (2019)
** ''Iden: Oboro no Shishitachi'' (2019)
** ''Kahakugeki Butai “Touken Ranbu / Tomoshibi”'' (2020)
** ''Tenden: Aozora no Tsuwamono -Osaka Fuyu no Jin-'' (2021)
** ''Muden: Yuukure no Samurai -Siege of Osaka Summer Campaign-''
** Kiden: Ikusayu no Adabana (2022)
** ''Touken Ranbu - Muden Yukure No Samurai - Osaka Natsu No Jin'' (2021)
** ''Guden: Mujun Genji Monogatari (2023)'': Notably the first Touken Ranbu work to prominently feature female characters, and as well as have female actors play the roles of the Touken Danshi.
** ''Yamanbagiri Kunihiro Tandokuko -Nihontoshi-'' (2023)
** ''7th Anniversary Thanksgiving -Yumegatari Katana no Utage-'' (2023)
** ''Touken Ranbu: Daienren'' (Cancelled): Planned to be a meeting of the Touken Ranbu Stage and Musical Touken Ranbu citadel, but cancelled due to the COVID-19 Pandemic.

* ''Theatre/MusicalToukenRanbu'' (2016 - ): A series of 2.5D stage musicals, announced at the same time as Stage Touken Ranbu. It is tied into two segments, with main story performances and non-canon concerts such as the Shinken Ranbusai performances.

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* ''Theatre/ToukenRanbuStage'' (2016 - ): A stage play adaptation of Touken Ranbu, announced in 2015 at the same time as Musical: Touken Ranbu.
** ''Kyoden: Moyuru Honnoji'' (2016): The first stage play in the series. An Anime adaptation was announced in 2022.
** ''Giden: Akatsuki no Dokuganryƫ'' (2017)
** ''Joden: Mitsura Boshi Katanagatari'' (2017)
** ''Gaiden: Kono Yora no Odawara'' (2018)
** ''Hiden: Yui no Me no Hototogisu'' (2018)
** ''Jiden: Hibi no Ha Yo Chiruran'' (2019)
** ''Iden: Oboro no Shishitachi'' (2019)
** ''Kahakugeki Butai “Touken Ranbu / Tomoshibi”'' (2020)
** ''Tenden: Aozora no Tsuwamono -Osaka Fuyu no Jin-'' (2021)
** ''Muden: Yuukure no Samurai -Siege of Osaka Summer Campaign-''
** Kiden: Ikusayu no Adabana (2022)
** ''Touken Ranbu - Muden Yukure No Samurai - Osaka Natsu No Jin'' (2021)
** ''Guden: Mujun Genji Monogatari (2023)'': Notably the first Touken Ranbu work to prominently feature female characters, and as well as have female actors play the roles of the Touken Danshi.
** ''Yamanbagiri Kunihiro Tandokuko -Nihontoshi-'' (2023)
** ''7th Anniversary Thanksgiving -Yumegatari Katana no Utage-'' (2023)
** ''Touken Ranbu: Daienren'' (Cancelled): Planned to be a meeting of the Touken Ranbu Stage and Musical Touken Ranbu citadel, but cancelled due to the COVID-19 Pandemic.

* ''Theatre/MusicalToukenRanbu'' (2016 - ): A series of 2.5D stage musicals, announced at the same time as Stage ''Stage Touken Ranbu. Ranbu'', although it was the first to premiere. It is was also the very first major spin-off of ''Touken Ranbu''. Notably, musicals are tied into two segments, with segments: Honpen, which is the main story, and Lives, where the Touken Danshi return to stage as IdolSingers. There are also a series of concerts, solo and duet events, tours, and one example of a side story performances and non-canon concerts such as the Shinken Ranbusai performances.performance.


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* ''Theatre/ToukenRanbuStage'' (2016 - ): A stage play adaptation of ''Touken Ranbu'', announced in 2015 at the same time as Musical: Touken Ranbu.
** ''Kyoden: Moyuru Honnoji'' (2016): The first stage play in the series. An Anime adaptation was announced in 2022.
** ''Giden: Akatsuki no Dokuganryƫ'' (2017)
** ''Joden: Mitsura Boshi Katanagatari'' (2017)
** ''Gaiden: Kono Yora no Odawara'' (2018)
** ''Hiden: Yui no Me no Hototogisu'' (2018)
** ''Jiden: Hibi no Ha Yo Chiruran'' (2019)
** ''Iden: Oboro no Shishitachi'' (2019)
** ''Kahakugeki Butai “Touken Ranbu / Tomoshibi”'' (2020)
** ''Tenden: Aozora no Tsuwamono -Osaka Fuyu no Jin-'' (2021)
** ''Muden: Yuukure no Samurai -Siege of Osaka Summer Campaign-''
** Kiden: Ikusayu no Adabana (2022)
** ''Touken Ranbu - Muden Yukure No Samurai - Osaka Natsu No Jin'' (2021)
** ''Guden: Mujun Genji Monogatari (2023)'': Notably the first Touken Ranbu work to prominently feature female characters, and as well as have female actors play the roles of the Touken Danshi.
** ''Yamanbagiri Kunihiro Tandokuko -Nihontoshi-'' (2023)
** ''7th Anniversary Thanksgiving -Yumegatari Katana no Utage-'' (2023)
** ''Touken Ranbu: Daienren'' (Cancelled): Planned to be a meeting of the Touken Ranbu Stage and Musical Touken Ranbu citadel, but cancelled due to the COVID-19 Pandemic.
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* ''Stage Touken Ranbu'' (2016 - ): A stage play adaptation of Touken Ranbu, announced in 2015 at the same time as Musical: Touken Ranbu.

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* ''Stage Touken Ranbu'' ''Theatre/ToukenRanbuStage'' (2016 - ): A stage play adaptation of Touken Ranbu, announced in 2015 at the same time as Musical: Touken Ranbu.



* ''Musical: Touken Ranbu'' (2016 - ): A series of 2.5D stage musicals, announced at the same time as Stage Touken Ranbu. It is tied into two segments, with main story performances and non-canon concerts such as the Shinken Ranbusai performances.

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* ''Musical: Touken Ranbu'' ''Theatre/MusicalToukenRanbu'' (2016 - ): A series of 2.5D stage musicals, announced at the same time as Stage Touken Ranbu. It is tied into two segments, with main story performances and non-canon concerts such as the Shinken Ranbusai performances.
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* StaticCharacter: While most characters return from Kiwame training with character development that also affects how they behave, there are instances where a character returns essentially the same person they were when they left, with the excuse in their letters usually being that they accept who they are and don't think it would be worthwhile to change. Justified because some characters—like Nansen, whose appeal comes from him being a cat boy—have peculiarities that define who they are or make them attractive archetypes; eliminating these traits would detract from their appeal or defeat the purpose of them embodying a specific archetype.
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** All three of Mikazuki Munechika's actors—voice actor Kousuke Toriumi (as the narrator), Kuroba Mario from the musicals, and Hiroki Suzuki from the live-action films and stage plays—were featured in a special program called "Hajimari no Uta, Hajimari no Tsurugi" that was released on the official ''Touken Ranbu'' YouTube channel in 2021. The program was a sword dedication project that also featured Yumi Matsutoya, the singer of the browser game's opening theme song, and covered topics related to sword culture and future hopes related to it. [[https://youtube.com/watch?v=X1tNl8LoF2A It can be watched for free here]].

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** All three of Mikazuki Munechika's actors—voice actor Kousuke Toriumi (as the narrator), Kuroba Mario from the musicals, and Hiroki Suzuki from the live-action films and stage plays—were featured in a special program called "Hajimari no Uta, Hajimari no Tsurugi" that was released on the official ''Touken Ranbu'' YouTube Platform/YouTube channel in 2021. The program was a sword dedication project that also featured Yumi Matsutoya, the singer of the browser game's opening theme song, and covered topics related to sword culture and future hopes related to it. [[https://youtube.com/watch?v=X1tNl8LoF2A It can be watched for free here]].
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** The Sanjou school was one of the first offenders, as in the early years there were no inter-school interactions between any Sanjou in the browser game except Iwatooshi and Imanotsurugi, who are close but didn't specify the nature of their relationship. The first musical, which included the entire Sanjou school, would go on to silently confirm that in that continuity the Sanjou don't exactly view themselves as a family, which is exemplified by how they use formal, antiquated honorifics when referring to each other, [[note]]Mikazuki only uses "-dono" for Kogitsunemaru and Ishikirimaru, and refers to Imanotsurugi and Iwatooshi without honorifics; Kogitsunemaru uses "-dono" for all of the other Sanjou, as does Ishikirimaru; Iwatooshi uses "-dono" for everyone except Imanotsurugi; and Imanotsurugi refers to all of the other Sanjou as "-sama."[[/note]] but that they maintain a sense of closeness and community despite their high regard for each other.

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** The Sanjou school was one of the first offenders, as in the early years there were no inter-school interactions between any Sanjou in the browser game except Iwatooshi and Imanotsurugi, who are close but didn't specify the nature of their relationship. The first musical, which included the entire Sanjou school, would go on to silently confirm that in that continuity the Sanjou don't exactly view themselves as a family, which is exemplified by how they use formal, antiquated honorifics when referring to each other, [[note]]Mikazuki only uses "-dono" for Kogitsunemaru and Ishikirimaru, and refers to Imanotsurugi and Iwatooshi without honorifics; Kogitsunemaru uses "-dono" for all of the other Sanjou, as does Ishikirimaru; Iwatooshi uses "-dono" for everyone except Imanotsurugi; and Imanotsurugi refers to all of the other Sanjou as "-sama."[[/note]] "-sama," except Iwatooshi[[/note]] but that they maintain a sense of closeness and community despite their high regard for each other.
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** Outside of Shokudaikiri Mitsutada

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** Despite his role as MissionControl in the browser game and his status as a SeriesMascot, Konnosuke doesn’t appear in non-animated spin-offs due to his nature as a talking fox.

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** Despite his role as MissionControl in the browser game and his status as a SeriesMascot, Konnosuke doesn’t appear in non-animated spin-offs due to his nature as is absent from all of the live action continuities by virtue of being a talking fox.fox. TheMusical and live-action film do reference him in the form of props, although his existence is never verbally acknowledged InUniverse.



** Surprisingly, horses have only ever shown up in ''Katsugeki/Touken Ranbu''… for one episode.



* AGodIAmNot: [[SubvertedTrope A variant]]. The Touken Danshi are gods of objects given human form. However, the Touken Danshi not only do not embrace the fact that they are gods (although they do remind the player/audience that they aren't human, and occasionally that they are superior to humans), but they are also subservient to the Saniwa, who is a lower life form, as they believe that the person who owns their blades is more important in ranking, which is why they refer to the Saniwa as "Master."

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* AGodIAmNot: [[SubvertedTrope A variant]]. The Touken Danshi are gods of objects given human form. However, the Touken Danshi not only do not embrace the fact that they are gods (although they do remind the player/audience that they aren't human, and occasionally that they are superior to humans), human), but they are also subservient to the Saniwa, who is a lower life form, as they believe that the person who owns their blades is more important in ranking, which is why they refer to the Saniwa as "Master."


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* AmbiguouslyRelated: Since many of the swords in the browser game are from the same schools, they are sometimes considered to be "related," usually brothers, according to ''Touken Ranbu'''s shaky standards, though in other cases it's not made clear whether they see themselves as family or not:
** The Sanjou school was one of the first offenders, as in the early years there were no inter-school interactions between any Sanjou in the browser game except Iwatooshi and Imanotsurugi, who are close but didn't specify the nature of their relationship. The first musical, which included the entire Sanjou school, would go on to silently confirm that in that continuity the Sanjou don't exactly view themselves as a family, which is exemplified by how they use formal, antiquated honorifics when referring to each other, [[note]]Mikazuki only uses "-dono" for Kogitsunemaru and Ishikirimaru, and refers to Imanotsurugi and Iwatooshi without honorifics; Kogitsunemaru uses "-dono" for all of the other Sanjou, as does Ishikirimaru; Iwatooshi uses "-dono" for everyone except Imanotsurugi; and Imanotsurugi refers to all of the other Sanjou as "-sama."[[/note]] but that they maintain a sense of closeness and community despite their high regard for each other.
*** Another long-standing mystery surrounds Tsurumaru Kuninaga's status as "related" to the Sanjou swords: although he was actually forged by Sanjou Munechika's apprentice, his school isn't listed in the game, he doesn't interact with the Sanjou, and he's treated more like a Dategumi[[note]]Swords once owned by the Date clan, them being Tsurumaru Kuninaga, Shokudaikiri Mitsutada, Taikogane Sadamune, and Ookurikara[[/note]] sword. The adaptations also don't clarify his relationship to the Sanjou swords either, but they do establish a connection between him and Mikazuki Munechika whenever they appear in a work together.
** None of the Sadamune swords interact, with Taikogane Sadamune being treated more like a Dategumi sword, as is Tsurumaru Kuninaga, leaving it unclear how he feels about the other members of his school.
** In the browser game and even in the spin-off works, most of Osafune swords don't interact with or acknowledge one another, with a few exceptions, such as Shokudaikiri Mitsutada and Fukushima Mitsutada having a Recollection. Interestingly, Fukushima's dialogue suggested that brotherly dynamics can be determined by the swords themselves, since he wants to be considered Shokudaikiri's older brother despite being from a later generation.
** Like the Sanjou swords, the Gou swords all behave more like a close-knit group of friends than a family and imply that they've known each other for a long time, though they never explicitly state their relationship to each other.
** Outside of Shokudaikiri Mitsutada

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* GameplayAndStorySegregation: Many of the Touken Danshi return to the citadel with spiritual abilities after completing Kiwame training, and their artwork reflects this. But aside from the stat increases that come with training, the spiritual abilities that characters acquire have no bearing whatsoever on the gameplay.



* PhysicalGod: The Touken Danshi are the gods of their respective sword given human form by the Saniwa. While they appear to be completely human, they are stronger than ordinary humans, inherently more skilled than ordinary humans, appear to have SuperStrength in some cases, and are usually said or shown to have additional powers, with those who (apparently) don't gaining spiritual powers after Kiwame training. They're also immortal, but can be killed if their sword, which is their original body and the house of their spirit, breaks.

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* PhysicalGod: The Touken Danshi are the gods spirits of their respective sword given human form by the Saniwa. While they appear to be They look completely human, human—that is, until they are positioned next to real humans—but they are the manifestation of ancient sword techniques, and are stronger than ordinary humans, inherently and more skilled than ordinary humans, appear to have SuperStrength typical humans by nature, in some cases, and are scenarios appearing to even have super strength. Some Touken Danshi also possess spiritual abilities, usually said or shown to have additional powers, stemming from legends associated with their blades, but even those who (apparently) don't gaining spiritual start out with any powers acquire them after returning to the citadel following Kiwame training. They're also immortal, but can be killed if their sword, which is their original body and the house of their spirit, breaks.training.

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