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** This relative smoothness was not to last - in post-production, Cimino disappeared for months in editing, finally delivering a 150-minute cut of the film which he refused to make any changes to. However, in his contract, Cimino had the right to final cut ''only'' if he delivered the film at under 120 minutes. Things got worse when the distributor, 20th Century Fox, flatly refused to distribute the film unless it came in under two hours. Once this information was relayed to Cimino, he became enraged, and, days later, he delivered a cut of the film [[MagnificentBastard with all of the action scenes removed]], which brought it under 120 minutes but angered the producers.

to:

** This relative smoothness was not to last - in post-production, Cimino disappeared for months in editing, finally delivering a 150-minute cut of the film which he refused to make any changes to. However, in his contract, Cimino had the right to final cut ''only'' if he delivered the film at under 120 minutes. Things got worse when the distributor, 20th Century Fox, flatly refused to distribute the film unless it came in under two hours. Once this information was relayed to Cimino, he became enraged, and, days later, he delivered a cut of the film [[MagnificentBastard with all of the action scenes removed]], removed, which brought it under 120 minutes but angered the producers.
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* BoxOfficeBomb: Budget, $16.5 million. Box office, $5,406,879 (domestic). This film continued the descent of Creator/MichaelCimino's career. Cimino and the film were also hurt by a post-production editing incident with Cimino [[PrimaDonnaDirector being Cimino]], which landed him in court.

to:

* BoxOfficeBomb: Budget, $16.5 million. Box office, $5,406,879 (domestic). This film continued the descent of Creator/MichaelCimino's Creator/{{Michael Cimino|Director}}'s career. Cimino and the film were also hurt by a post-production editing incident with Cimino [[PrimaDonnaDirector being Cimino]], which landed him in court.



** The film was an adaptation of the Mario Puzo novel, and Puzo was paid $1 million for the rights. In pre-production, producers David Begelman and Bruce [=McNall=] learned that Creator/ParamountPictures had the rights to Michael Corleone as a character, so he had to be written out of the film. They hired Creator/MichaelCimino to direct, but Cimino butted heads with Begelman over the screenplay and casting - Cimino wanted Creator/ChristopherLambert to play the lead, but Begelman (understandably) didn't want a French actor to play an Italian-American in an English-language movie. Begelman and [=McNall=] eventually caved so that production could move forward. Meanwhile, Creator/GoreVidal had been hired for major rewrites, and sued the Writer's Guild of America and screenwriter Steve Shagan for a writing credit.

to:

** The film was an adaptation of the Mario Puzo novel, and Puzo was paid $1 million for the rights. In pre-production, producers David Begelman and Bruce [=McNall=] learned that Creator/ParamountPictures had the rights to Michael Corleone as a character, so he had to be written out of the film. They hired Creator/MichaelCimino Creator/{{Michael Cimino|Director}} to direct, but Cimino butted heads with Begelman over the screenplay and casting - Cimino wanted Creator/ChristopherLambert to play the lead, but Begelman (understandably) didn't want a French actor to play an Italian-American in an English-language movie. Begelman and [=McNall=] eventually caved so that production could move forward. Meanwhile, Creator/GoreVidal had been hired for major rewrites, and sued the Writer's Guild of America and screenwriter Steve Shagan for a writing credit.
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** The film was an adaptation of the Mario Puzo novel, and Puzo was paid $1 million for the rights. Before production, producers David Begelman and Bruce [=McNall=] learned that Creator/ParamountPictures had the rights to Michael Corleone as a character, so he had to be written out of the film. They hired Creator/MichaelCimino to direct, but Cimino butted heads with Begelman over the screenplay and casting - Cimino wanted Creator/ChristopherLambert to play the lead, but Begelman (understandably) didn't want a French actor to play an Italian-American in an English-language movie. Begelman and [=McNall=] eventually caved so that production could move forward. Meanwhile, Creator/GoreVidal had been hired for major rewrites, and sued the Writer's Guild of America and screenwriter Steve Shagan for a writing credit.

to:

** The film was an adaptation of the Mario Puzo novel, and Puzo was paid $1 million for the rights. Before production, In pre-production, producers David Begelman and Bruce [=McNall=] learned that Creator/ParamountPictures had the rights to Michael Corleone as a character, so he had to be written out of the film. They hired Creator/MichaelCimino to direct, but Cimino butted heads with Begelman over the screenplay and casting - Cimino wanted Creator/ChristopherLambert to play the lead, but Begelman (understandably) didn't want a French actor to play an Italian-American in an English-language movie. Begelman and [=McNall=] eventually caved so that production could move forward. Meanwhile, Creator/GoreVidal had been hired for major rewrites, and sued the Writer's Guild of America and screenwriter Steve Shagan for a writing credit.
Is there an issue? Send a MessageReason:
None


** The film was an adaptation of the Mario Puzo novel, and Puzo was paid $1 million for the rights. Producers David Begelman and Bruce [=McNall=] hired Creator/MichaelCimino, but Cimino butted heads with Begelman over the screenplay and casting - Cimino wanted Creator/ChristopherLambert to play the lead, but Begelman (understandably) didn't want a French actor to play an Italian-American in an English-language movie. Begelman and [=McNall=] eventually caved so that production could move forward. Meanwhile, Creator/GoreVidal had been hired for major rewrites, and sued the Writer's Guild of America and screenwriter Steve Shagan for a writing credit.

to:

** The film was an adaptation of the Mario Puzo novel, and Puzo was paid $1 million for the rights. Producers Before production, producers David Begelman and Bruce [=McNall=] learned that Creator/ParamountPictures had the rights to Michael Corleone as a character, so he had to be written out of the film. They hired Creator/MichaelCimino, Creator/MichaelCimino to direct, but Cimino butted heads with Begelman over the screenplay and casting - Cimino wanted Creator/ChristopherLambert to play the lead, but Begelman (understandably) didn't want a French actor to play an Italian-American in an English-language movie. Begelman and [=McNall=] eventually caved so that production could move forward. Meanwhile, Creator/GoreVidal had been hired for major rewrites, and sued the Writer's Guild of America and screenwriter Steve Shagan for a writing credit.
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** Dirk Bogarde was offered the part of Prince Borsa.

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** Dirk Bogarde Creator/DirkBogarde was offered the part of Prince Borsa.
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Added: 233

Changed: 237

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* UncreditedRole: Creator/GoreVidal did uncredited work on the script.
* WhatCouldHaveBeen: Creator/AlbertFinney was offered the role of Don Croce. He was starring in a West End play at the time and declined, as there was no script. Creator/IanHolm was also considered.

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* UncreditedRole: Creator/GoreVidal did uncredited work on the script.
script. He later sued the Writer's Guild for not giving him credit.
* WhatCouldHaveBeen: WhatCouldHaveBeen:
**
Creator/AlbertFinney was offered the role of Don Croce. He was starring in a West End play at the time and declined, as there was no script. Creator/IanHolm was also considered.considered.
** Dirk Bogarde was offered the part of Prince Borsa.
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* WhatCouldHaveBeen: Creator/AlbertFinney was offered the role of Don Masino Croce. He was starring in a West End play at the time and declined, as there was no script. Creator/IanHolm was also considered.

to:

* WhatCouldHaveBeen: Creator/AlbertFinney was offered the role of Don Masino Croce. He was starring in a West End play at the time and declined, as there was no script. Creator/IanHolm was also considered.
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* FakeNationality: The only actors in the film adaptation who are actually Italian are Creator/JohnTurturro (Aspanu)[[note]]Turturro was born in New York but has Italian citizenship through his father, an immigrant from Giovinazzo, and his mother has roots in Sicily.[[/note]] ​and Giulia Boschi (Giovanna). The titular Sicilian is played by the French actor Creator/ChristopherLambert.

to:

* FakeNationality: The only actors in the film adaptation who are actually Italian are Creator/JohnTurturro (Aspanu)[[note]]Turturro was born in New York but has Italian citizenship through his father, an immigrant from Giovinazzo, father, and his mother has roots in Sicily.[[/note]] ​and Giulia Boschi (Giovanna). The titular Sicilian is played by the French actor Creator/ChristopherLambert.
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* FakeNationality: The titular Sicilian was played by the French Creator/ChristopherLambert.

to:

* FakeNationality: The only actors in the film adaptation who are actually Italian are Creator/JohnTurturro (Aspanu)[[note]]Turturro was born in New York but has Italian citizenship through his father, an immigrant from Giovinazzo, and his mother has roots in Sicily.[[/note]] ​and Giulia Boschi (Giovanna). The titular Sicilian was is played by the French Creator/ChristopherLambert.actor Creator/ChristopherLambert.
Is there an issue? Send a MessageReason:
None


* WhatCouldHaveBeen: Creator/AlbertFinney was offered the role of Don Masino Croce. He was starring in a West End play at the time and declined, as there was no script.

to:

* WhatCouldHaveBeen: Creator/AlbertFinney was offered the role of Don Masino Croce. He was starring in a West End play at the time and declined, as there was no script. Creator/IanHolm was also considered.
Is there an issue? Send a MessageReason:
None


** Things really hit the fan when, in response to Cimino's cut, the producers took Cimino to court, claiming he had cost the studio money and violated his contract. The producers hired Burt Fields, a lawyer who had earlier represented Creator/WarrenBeatty in his battle for final cut on ''Film/{{Reds}}'', and who, in doing so, established legal precedent that a filmmaker's contractual right to final cut was absolutely binding.

to:

** Things really hit the fan when, in response to Cimino's cut, the producers took Cimino to court, claiming he had cost the studio money and violated his contract. The producers hired Burt Fields, a lawyer who had earlier represented Creator/WarrenBeatty in his battle for final cut on ''Film/{{Reds}}'', ''Film/{{Reds|1981}}'', and who, in doing so, established legal precedent that a filmmaker's contractual right to final cut was absolutely binding.

Added: 204

Changed: 148

Removed: 150

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* DivorcedInstallment: The film was based on a novel that was a SpinOff of ''Film/TheGodfather'' focusing on Michael Corelone's exile in Sicily, but all references had to be removed for copyright reasons.



* WhatCouldHaveBeen:
** Creator/AlbertFinney was offered the role of Don Masino Croce. He was starring in a West End play at the time and declined, as there was no script.

to:

* WhatCouldHaveBeen:
**
WhatCouldHaveBeen: Creator/AlbertFinney was offered the role of Don Masino Croce. He was starring in a West End play at the time and declined, as there was no script.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* BoxOfficeBomb: Budget, $16.5 million. Box office, $5,406,879 (domestic). This film continued the descent of Creator/MichaelCimino's career. Cimino and the film were also hurt by a post-production editing incident with Cimino [[PrimaDonnaDirector being Cimino]], which landed him in court.
* FakeNationality: The titular Sicilian was played by the French Creator/ChristopherLambert.
* TroubledProduction: While nowhere as well-known (or troubled) as ''Film/HeavensGate'', it still deserves a mention:
** The film was an adaptation of the Mario Puzo novel, and Puzo was paid $1 million for the rights. Producers David Begelman and Bruce [=McNall=] hired Creator/MichaelCimino, but Cimino butted heads with Begelman over the screenplay and casting - Cimino wanted Creator/ChristopherLambert to play the lead, but Begelman (understandably) didn't want a French actor to play an Italian-American in an English-language movie. Begelman and [=McNall=] eventually caved so that production could move forward. Meanwhile, Creator/GoreVidal had been hired for major rewrites, and sued the Writer's Guild of America and screenwriter Steve Shagan for a writing credit.
** Production itself was relatively smooth, and, while the film did go over-budget and behind schedule, this was mostly because of delays that were out of Cimino's control. There was one exception - some shooting locations were controlled by actual mafia men, who were disrupting the shoot. Cimino suggested Begelman and [=McNall=] meet the criminals, which they did, finding out that the mobsters wanted parts in the movie. The producers decided to incorporate them in minor roles and as extras, which gave Cimino access to new shooting locations and local labour.
** This relative smoothness was not to last - in post-production, Cimino disappeared for months in editing, finally delivering a 150-minute cut of the film which he refused to make any changes to. However, in his contract, Cimino had the right to final cut ''only'' if he delivered the film at under 120 minutes. Things got worse when the distributor, 20th Century Fox, flatly refused to distribute the film unless it came in under two hours. Once this information was relayed to Cimino, he became enraged, and, days later, he delivered a cut of the film [[MagnificentBastard with all of the action scenes removed]], which brought it under 120 minutes but angered the producers.
** Things really hit the fan when, in response to Cimino's cut, the producers took Cimino to court, claiming he had cost the studio money and violated his contract. The producers hired Burt Fields, a lawyer who had earlier represented Creator/WarrenBeatty in his battle for final cut on ''Film/{{Reds}}'', and who, in doing so, established legal precedent that a filmmaker's contractual right to final cut was absolutely binding.
** When producer Dino De Laurentiis was called to the stand to testify on whether Cimino was given final cut, De Laurentiis said:
--->'''De Laurentiis''': Final cut? [[FunetikAksent I no give-a him final cut]].\\
'''Fields''': But we've seen the contract.\\
'''De Laurentiis''': [[WhamLine Have you seen the side letter?]]
** Turns out, when Cimino signed his contract with De Laurentiis - a contract which ''did'' give Cimino final cut privilege - attached to it was a side letter, written by De Laurentiis, that stated Cimino did not have final cut on an earlier film, ''Year of the Dragon''. The producers argued that, because Cimino withheld the letter, he was intentionally defrauding them. The judge agreed, and Begelman personally reinstated the action scenes and cut the film down to 115 minutes for release, without Cimino's involvement. ''The Sicilian'' was eventually released in 1987, to negative reviews and commercial indifference. A 149-minute "Director's Cut" did emerge, and, while it has received better reviews, with critics finding it more cohesive, reception was still average at best.
* UncreditedRole: Creator/GoreVidal did uncredited work on the script.
* WhatCouldHaveBeen:
** Creator/AlbertFinney was offered the role of Don Masino Croce. He was starring in a West End play at the time and declined, as there was no script.
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