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* CareerResurrection: This film, along with others like ''Film/TheLostCityOfZ'' and ''Film/GoodTime'', helped Creator/RobertPattinson erase the taint he had from working on the ''Literature/{{Twilight}}'' films. Critics who had once dismissed him as a TeenIdol were pleasantly surprised by his legitimate acting chops in this film.

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** Creator/AnyaTaylorJoy apparently requested to portray the mermaid that Winslow sees in his mind, but Robert Eggers declined, telling her that portraying [[BestKnownForTheFanservice this particular mermaid]] might not be a good fit for her.


** In the original script, when Winslow/Howard stares into the light at the end of the film, he reached his hand into it, touches it, and burns his hand off.

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** In the original script, when Winslow/Howard stares into the light at the end of the film, he reached his hand into it, touches it, and burns his hand off.off when he reaches in to touch it.


** According to Robert Eggers, the two lead characters represent figures in Greek mythology: Wake represents Proteus, an old prophetic sea-god, who was called the "Old Man of the Sea". Winslow represents Prometheus, a Titan and trickster figure, who defies the gods (Wake's character) by stealing fire (represented by the light of the lighthouse).

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* CareerResurrection: This film, along with others like ''Film/TheLostCityOfZ'' and ''Film/GoodTime'', helped Creator/RobertPattinson erase the taint he had from working on the ''Literature/{{Twilight}}'' films. Critics who had once dismissed him as a TeenIdol were pleasantly surprised by his legitimate acting chops in this film.

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* CaliforniaDoubling: Nova Scotia, Canada was used as a stand-in for Maine.


* ActingInTheDark: The script didn't explain what Wake and Winslow's characters were seeing when they are staring into the light of the lighthouse. When Creator/WillemDafoe and Creator/RobertPattinson were playing these scenes, they didn't know either. The script only explained how their characters felt while looking at the light.
* AwardCategoryFraud: Creator/WillemDafoe was campaigned as a supporting actor, despite the fact that most agree his role was that of a lead. While Creator/RobertPattinson does have more moments from his point of view where Dafoe isn't seen, they're comparatively few to the scenes shared between them which make up the bulk of the movie. And despite Pattinson being the main viewpoint character, Dafoe's role is more talkative, having many long speeches in comparison to his more quiet costar. In the end though, [[AwardSnub Dafoe didn't make any of the major awards ceremonies that year]].

to:

* ActingInTheDark: The script didn't explain what Wake and Winslow's characters were seeing when they are staring into the light of the lighthouse. When Creator/WillemDafoe and Creator/RobertPattinson were playing these scenes, they didn't know know, either. The script only explained how their characters felt while looking at the light.
* AwardCategoryFraud: Creator/WillemDafoe was campaigned as a supporting actor, despite the fact that most agree his role was that of a lead. While Creator/RobertPattinson does have more moments from his point of view where Dafoe isn't seen, they're comparatively few to the scenes shared between them which make up the bulk of the movie. And despite Pattinson being the main viewpoint character, Dafoe's role is more talkative, having many long speeches in comparison to his more quiet costar. In the end end, though, [[AwardSnub Dafoe didn't make any of the major awards ceremonies that year]].



** To give the movie its old-fashioned look, Robert Eggers shot it not only in black-and-white film but also in 1.19:1 aspect ratio, one which old movies such as ''Film/{{M}}'' were filmed in back in the '20s and '30s. He also used vintage Bausch & Lomb Baltar lenses from the '30s[[note]]Baltar lenses are incredibly rare these days, even moreso for those in working condition.[[/note]] and had custom short pass filters installed in the film cameras to emulate vintage [[https://en.wikipedia.org/wiki/Orthochromasia#Orthochromatic_photography orthochromatic photography]]. This limited the amount of light that the film in the cameras received and required more elaborate lighting setups.
** The lighthouse as shown in the movie is an actual 70-foot working lighthouse that was specifically constructed for the movie.
* DyeingForYourArt: Creator/RobertPattinson's and Creator/WillemDafoe's facial hair was all real. However, Pattinson had to dye his mustache dark because he's naturally dark blonde. Dafoe's bad teeth were a prosthetic.

to:

** To give the movie its old-fashioned look, Robert Eggers shot it not only in black-and-white film but also in 1.19:1 aspect ratio, one which old movies such as ''Film/{{M}}'' were filmed in back in the '20s and '30s. He also used vintage Bausch & Lomb Baltar lenses from the '30s[[note]]Baltar lenses are incredibly rare these days, even moreso for those in working condition.[[/note]] and had custom short pass filters installed in the film cameras to emulate vintage [[https://en.wikipedia.org/wiki/Orthochromasia#Orthochromatic_photography orthochromatic photography]]. This limited the amount of light that the film in the cameras received and required more elaborate lighting setups.
** The lighthouse as shown in the movie is an actual functional 70-foot working lighthouse that was specifically constructed for the movie.
* DyeingForYourArt: DyeingForYourArt:
**
Creator/RobertPattinson's and Creator/WillemDafoe's facial hair was all real. However, Pattinson had to dye his mustache dark because he's naturally dark blonde. blonde.
**
Dafoe's bad teeth were a prosthetic.

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* AwardCategoryFraud: Creator/WillemDafoe was campaigned as a supporting actor, despite the fact that most agree his role was that of a lead. While Creator/RobertPattinson does have more moments from his point of view where Dafoe isn't seen, they're comparatively few to the scenes shared between them which make up the bulk of the movie. And despite Pattinson being the main viewpoint character, Dafoe's role is more talkative, having many long speeches in comparison to his more quiet costar. In the end though, [[AwardSnub Dafoe didn't make any of the major awards ceremonies that year]].


** In the original script, Thomas Wake had a glass eye, a peg leg, and three missing fingers. This was changed because Eggers felt the audience could misinterpret Wake as a pirate, and that the effects aquired for his appearence would be too difficult under a tight budget.

to:

** In the original script, Thomas Wake had a glass eye, a peg leg, and three missing fingers. This was changed because Eggers felt the audience could misinterpret Wake as a pirate, and that the effects aquired necessary for his appearence appearance would be too difficult under a tight budget.


* DoingItForTheArt

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* DoingItForTheArtDoingItForTheArt:


* FakeBrit: American Willem Dafoe playing English Thomas Wake.

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* FakeBrit: American Willem Dafoe playing FakeAmerican: The English Thomas Wake.actor Robert Pattinson plays a character with an archaic New England accent.

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** The crew didn't fare much better. The film equipment was constantly breaking due to the absolutely miserable weather conditions, and sometimes the lens would fog up, thus ruining the shot. One scene of Robert Pattinson walking into the ocean had to be shot a whopping 25 times before the lens didn't fog up. Seagulls also plagued the area, and began bothering the cast and film crew, once the gulls quickly realized they were a source for food.

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* ActingInTheDark: The script didn't explain what Wake and Winslow's characters were seeing when they are staring into the light of the lighthouse. When Creator/WillemDafoe and Creator/RobertPattinson were playing these scenes, they didn't know either. The script only explained how their characters felt while looking at the light.


Added DiffLines:

* DyeingForYourArt: Creator/RobertPattinson's and Creator/WillemDafoe's facial hair was all real. However, Pattinson had to dye his mustache dark because he's naturally dark blonde. Dafoe's bad teeth were a prosthetic.


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* WhatCouldHaveBeen:
** In the original script, Thomas Wake had a glass eye, a peg leg, and three missing fingers. This was changed because Eggers felt the audience could misinterpret Wake as a pirate, and that the effects aquired for his appearence would be too difficult under a tight budget.
** In the original script, when Winslow/Howard stares into the light at the end of the film, he reached his hand into it, touches it, and burns his hand off.


* WordOfGod: In multiple interviews, Robert Eggers confirmed that [[spoiler:Winslow is meant to either be or represent Prometheus and Wake is similarly a representation of Proteus,]] which had been a popular interpretation of several key scenes, including the ending.

to:

* WordOfGod: In multiple interviews, Robert Eggers confirmed that [[spoiler:Winslow is meant to either be or represent Prometheus and Wake is similarly a representation of Proteus,]] which had been a popular interpretation of several key scenes, [[spoiler: including the ending.ending]].
** According to Robert Eggers, the two lead characters represent figures in Greek mythology: Wake represents Proteus, an old prophetic sea-god, who was called the "Old Man of the Sea". Winslow represents Prometheus, a Titan and trickster figure, who defies the gods (Wake's character) by stealing fire (represented by the light of the lighthouse).


** To give the movie its old-fashioned look, Robert Eggers shot it not only in black-and-white film but also in 1.19:1 aspect ratio, one which old movies such as ''Film/{{M}}'' were filmed in back in the '20s and '30s. He also used vintage Bausch & Lomb Baltar lenses from the '30s[[note]]Baltar lenses are incredibly rare these days, even moreso for those in working condition.[[/note]] and had custom short pass filters installed in the film cameras to emulate vintage [[https://en.m.wikipedia.org/wiki/Orthochromasia#Orthochromatic_photography orthochromatic photography]]. This limited the amount of light that the film in the cameras received and required more elaborate lighting setups.
** The lighthouse in the movie is an actual 70-foot working lighthouse that was specifically constructed for the movie.

to:

** To give the movie its old-fashioned look, Robert Eggers shot it not only in black-and-white film but also in 1.19:1 aspect ratio, one which old movies such as ''Film/{{M}}'' were filmed in back in the '20s and '30s. He also used vintage Bausch & Lomb Baltar lenses from the '30s[[note]]Baltar lenses are incredibly rare these days, even moreso for those in working condition.[[/note]] and had custom short pass filters installed in the film cameras to emulate vintage [[https://en.m.wikipedia.org/wiki/Orthochromasia#Orthochromatic_photography orthochromatic photography]]. This limited the amount of light that the film in the cameras received and required more elaborate lighting setups.
** The lighthouse as shown in the movie is an actual 70-foot working lighthouse that was specifically constructed for the movie.

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