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* DoingItForTheArt: Neil Boyle created the film with pre-digital animation techniques (hand-drawn pencil-and-paper animation, inked and painted onto cels and filmed with an Oxberry camera) to prove to younger animators that the process was still as relevant as newer techniques.

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* DoingItForTheArt: InspirationForTheWork: Neil Boyle created the film with pre-digital animation techniques (hand-drawn pencil-and-paper animation, inked and painted onto cels and filmed with an Oxberry camera) to prove to younger animators that the process was still as relevant as newer techniques.
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* DoingItForTheArt: Neil Boyle created the film with pre-digital animation techniques (hand-drawn pencil-and-paper animation, inked and painted onto cels and filmed with an Oxberry camera) to prove to younger animators that the process was still as relevant as newer techniques.

to:

* DoingItForTheArt: Neil Boyle created the film with pre-digital animation techniques (hand-drawn pencil-and-paper animation, inked and painted onto cels and filmed with an Oxberry camera) to prove to younger animators that the process was still as relevant as newer techniques.techniques.
* WhatCouldHaveBeen: [[http://thelastbelleblog.blogspot.com/2013/03/character-design-part-two.html In early drafts of the script, most of the focus was put on Wally trying to get to his date.]]
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* DoingItForTheArt: Neil Boyle created the film with pre-digital animation techniques (hand-drawn pencil-and-paper animation, inked and painted onto cels and filmed with an Oxburry camera) to prove to younger animators that the process was still as relevant as newer techniques.

to:

* DoingItForTheArt: Neil Boyle created the film with pre-digital animation techniques (hand-drawn pencil-and-paper animation, inked and painted onto cels and filmed with an Oxburry Oxberry camera) to prove to younger animators that the process was still as relevant as newer techniques.
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* DoingItForTheArt: Neil Boyle created the film with pre-digital animation techniques (hand-drawn pencil-and-paper animation, inked and painted onto cels and filmed with an Oxburry camera) to prove to younger animators that the process was still as relevant as newer techniques.

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