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* PlayingAgainstType: This film was made in the middle of Creator/SidneyPoitier's golden age of iconic film roles, most of which were stories in which race relations were seriously addressed (''Film/InTheHeatOfTheNight'', ''Film/GuessWhosComingToDinner'',''Film/ToSirWithLove'',''Film/LiliesOfTheField''). But in this film, his character's race is a complete non-issue and isn't even mentioned.
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* PlayingAgainstType: This film was made in the middle of Creator/SidneyPoitier's golden age of iconic film roles, most of which were stories in which race relations were seriously addressed (''Film/InTheHeatOfTheNight'', ''Film/GuessWhosComingToDinner'',''Film/ToSirWithLove'',''Film/LiliesOfTheField'').''Film/GuessWhosComingToDinner'',''Film/ToSirWithLove'', ''Film/LiliesOfTheField''). But in this film, his character's race is a complete non-issue and isn't even mentioned.
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* PlayingAgainstType: This film was made in the middle of Creator/SidneyPotier's golden age of iconic film roles, most of which were stories in which race relations were seriously addressed (''Film/InTheHeatOfTheNight'', ''Film/GuessWhosComingToDinner'',''Film/ToSirWithLove'',''Film/LiliesOfTheField''). But in this film, his character's race is a complete non-issue and isn't even mentioned.
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* PlayingAgainstType: This film was made in the middle of Creator/SidneyPotier's Creator/SidneyPoitier's golden age of iconic film roles, most of which were stories in which race relations were seriously addressed (''Film/InTheHeatOfTheNight'', ''Film/GuessWhosComingToDinner'',''Film/ToSirWithLove'',''Film/LiliesOfTheField''). But in this film, his character's race is a complete non-issue and isn't even mentioned.
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* PlayingAgainstType: This film was made in the middle of Sidney Potier's golden age of iconic film roles, most of which were stories in which race relations were seriously addressed (''Film/InTheHeatOfTheNight'', ''Film/GuessWhosComingToDinner'',''Film/ToSirWithLove'',''Film/LiliesOfTheField''). But in this film, his character's race is a complete non-issue and isn't even mentioned.
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* PlayingAgainstType: This film was made in the middle of Sidney Potier's Creator/SidneyPotier's golden age of iconic film roles, most of which were stories in which race relations were seriously addressed (''Film/InTheHeatOfTheNight'', ''Film/GuessWhosComingToDinner'',''Film/ToSirWithLove'',''Film/LiliesOfTheField''). But in this film, his character's race is a complete non-issue and isn't even mentioned.mentioned.
* WhatCouldHaveBeen: Creator/WoodyAllen was offered the part of Merlin Queffle, but turned it down.
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* WhatCouldHaveBeen: Creator/WoodyAllen was offered the part of Merlin Queffle, but turned it down.
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Changed line(s) 1 (click to see context) from:
* PlayingAgainstType: This film was made in the middle of Sidney Potier's golden age of iconic film roles, most of which were stories in which race relations were seriously addressed (''Film/InTheHeatOfTheNight'', ''Film/GuessWhosComingToDinner'',''Film/ToSirWithLove''). But in this film, his character's race is a complete non-issue and isn't even mentioned.
to:
* PlayingAgainstType: This film was made in the middle of Sidney Potier's golden age of iconic film roles, most of which were stories in which race relations were seriously addressed (''Film/InTheHeatOfTheNight'', ''Film/GuessWhosComingToDinner'',''Film/ToSirWithLove'').''Film/GuessWhosComingToDinner'',''Film/ToSirWithLove'',''Film/LiliesOfTheField''). But in this film, his character's race is a complete non-issue and isn't even mentioned.
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Changed line(s) 1 (click to see context) from:
* PlayingAgainstType: This film was made in the middle of Sidney Potier's golden age of iconic film roles, most of which were stories where American racial relations were brought out into the light for serious evaluation (''Film/InTheHeatOfTheNight'', ''Film/GuessWhosComingToDinner''). But in this film, his character's race is a complete non-issue and isn't even mentioned.
to:
* PlayingAgainstType: This film was made in the middle of Sidney Potier's golden age of iconic film roles, most of which were stories where American racial in which race relations were brought out into the light for serious evaluation seriously addressed (''Film/InTheHeatOfTheNight'', ''Film/GuessWhosComingToDinner'').''Film/GuessWhosComingToDinner'',''Film/ToSirWithLove''). But in this film, his character's race is a complete non-issue and isn't even mentioned.
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* PlayingAgainstType: This film was made in the middle of Sidney Potier's golden age of iconic film roles, most of which were stories where American racial relations were brought out into the light for serious evaluation (''Film/InTheHeatOfTheNight'', ''Film/GuessWhosComingToDinner''). But in this film, his character's race is a complete non-issue and isn't even mentioned.
