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* GenreAdultery:

to:

* GenreAdultery:CreatorsOddball:
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* BreakawayPopHit: "That's What Friends Are For" was originally written by Carole Bayer Sager and Burt Bacharach for the film's closing credits, where it was performed by Music/RodStewart. A couple years later Music/DionneWarwick saw the movie on TV and decided to cover the song herself after hearing it, with Music/StevieWonder, Music/GladysKnight, and Music/EltonJohn joining in. Although this is still considered an early 80s comedy classic, very few people know its connection to the song; in fact, more than a few people have probably just thought that it was Rod Stewart covering a Dionne Warwick song.

to:

* BreakawayPopHit: "That's What Friends Are For" was originally written by Carole Bayer Sager and Burt Bacharach Music/BurtBacharach for the film's closing credits, where it was performed by Music/RodStewart. A couple years later Music/DionneWarwick saw the movie on TV and decided to cover the song herself after hearing it, with Music/StevieWonder, Music/GladysKnight, and Music/EltonJohn joining in. Although this is still considered an early 80s comedy classic, very few people know its connection to the song; in fact, more than a few people have probably just thought that it was Rod Stewart covering a Dionne Warwick song.
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* BreakawayPopHit: "That's What Friends Are For" was originally written by Carole Bayer Sager and Burt Bacharach for the film's closing credits, where it was performed by Music/RodStewart. A couple years later Music/DionneWarwick was watched the movie on TV and decided to cover the song herself after hearing it, with Music/StevieWonder, Music/GladysKnight, and Music/EltonJohn joining in. Although this is still considered an early 80s comedy classic, very few people know its connection to the song; in fact, more than a few people have probably just thought that it was Rod Stewart covering a Dionne Warwick song.

to:

* BreakawayPopHit: "That's What Friends Are For" was originally written by Carole Bayer Sager and Burt Bacharach for the film's closing credits, where it was performed by Music/RodStewart. A couple years later Music/DionneWarwick was watched saw the movie on TV and decided to cover the song herself after hearing it, with Music/StevieWonder, Music/GladysKnight, and Music/EltonJohn joining in. Although this is still considered an early 80s comedy classic, very few people know its connection to the song; in fact, more than a few people have probably just thought that it was Rod Stewart covering a Dionne Warwick song.
Is there an issue? Send a MessageReason:
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* BreakawayPopHit: "That's What Friends Are For" was originally written by Carole Bayer Sager and Burt Bacharach for the film's closing credits, where it was performed by Music/RodStewart. A couple years later Music/DionneWarwick was watched the movie on TV and decided to cover the song herself after hearing it. Although this is still considered an early 80s comedy classic, very few people know its connection to the song; in fact, more than a few people have probably just thought that it was Rod Stewart covering a Dionne Warwick song.

to:

* BreakawayPopHit: "That's What Friends Are For" was originally written by Carole Bayer Sager and Burt Bacharach for the film's closing credits, where it was performed by Music/RodStewart. A couple years later Music/DionneWarwick was watched the movie on TV and decided to cover the song herself after hearing it.it, with Music/StevieWonder, Music/GladysKnight, and Music/EltonJohn joining in. Although this is still considered an early 80s comedy classic, very few people know its connection to the song; in fact, more than a few people have probably just thought that it was Rod Stewart covering a Dionne Warwick song.

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Moved an entry from main page to this one.


* BonusMaterial: "One for the Road" is set in the same continuity as ''Literature/SalemsLot'', a couple of years after.



* ScienceMarchesOn : While they haven't managed to get close to Venus yet, the talk about leprosy in "I Am The Doorway" seems antiquated through a modern lens. With a number of drugs, leprosy has been cured in areas where the patients can afford the cure (about $200), and the stigma has all but disappeared in modern times.

to:

* ScienceMarchesOn : While they haven't managed to get close to Venus yet, the talk about leprosy leprosy[[note]]also known as Hansen's disease[[/note]] in "I Am The Doorway" seems antiquated through a modern lens. With a number of drugs, leprosy has been cured in areas where the patients can afford the cure (about $200), and the stigma has all but disappeared in modern times.
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* BreakawayPopHit: "That's What Friends Are For" was originally recorded by Music/RodStewart for the film, where it played over the closing credits. A couple years later Music/DionneWarwick was watching it on TV and decided to cover the song herself. Although this is still considered an early 80s comedy classic, very few people know its connection to the song; in fact, more than a few people have probably just thought that it was Rod Stewart covering a Dionne Warwick song.

to:

* BreakawayPopHit: "That's What Friends Are For" was originally recorded written by Music/RodStewart Carole Bayer Sager and Burt Bacharach for the film, film's closing credits, where it played over the closing credits. was performed by Music/RodStewart. A couple years later Music/DionneWarwick was watching it watched the movie on TV and decided to cover the song herself.herself after hearing it. Although this is still considered an early 80s comedy classic, very few people know its connection to the song; in fact, more than a few people have probably just thought that it was Rod Stewart covering a Dionne Warwick song.
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* PlayingAgainstType: Creator/HenryWinkler was offered the choice of either lead, and took the role of the wimpy morgue director, in part, to go against type, and play a character opposite of the macho [[Series/HappyDays Fonzie]] character. "I thought I'd play Richie Cunningham for once," he said on Twitter.

to:

* PlayingAgainstType: CastTheRunnerUp: Creator/HenryWinkler was offered the choice of either lead, and took the role of the wimpy morgue director, in part, to go against type, and play a character opposite of the macho [[Series/HappyDays Fonzie]] character. "I thought I'd play Richie Cunningham for once," he said on Twitter.

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* WriteWhatYouKnow: "Graveyard Shift" and "The Mangler" are inspired by Creator/StephenKing's own experiences working in a textile mill and an industrial laundry. It's unusual for King's MostWritersAreWriters habit, as very few working writers appear in the stories.

to:

* WriteWhatYouKnow: WriteWhatYouKnow:
**
"Graveyard Shift" and "The Mangler" are inspired by Creator/StephenKing's own experiences working in a textile mill and an industrial laundry. It's unusual for King's MostWritersAreWriters habit, as very few working writers appear in the stories.
** "The Woman in the Room" was inspired by the death of King's mother.
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* PlayingAgainstType: Creator/HenryWinkler took this role of the wimpy morgue director, in part, to go against type, and play a character opposite of the macho [[Series/HappyDays Fonzie]] character. "I thought I'd play Richie Cunningham for once," he said on Twitter.

to:

* PlayingAgainstType: Creator/HenryWinkler was offered the choice of either lead, and took this the role of the wimpy morgue director, in part, to go against type, and play a character opposite of the macho [[Series/HappyDays Fonzie]] character. "I thought I'd play Richie Cunningham for once," he said on Twitter.
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“Splash” was Ron Howard’s breakthrough hit


* BreakthroughHit: For Creator/RonHoward.

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* WhatCouldHaveBeen: Creator/JohnBelushi was offered the role of Bill, but turned it down. He later died during production of the film. Creator/MickeyRourke and Creator/KurtRussell auditioned for the part.

to:

* WhatCouldHaveBeen: WhatCouldHaveBeen:
** Creator/JohnTravolta was offered the role of Chuck.
**
Creator/JohnBelushi was offered the role of Bill, but turned it down. He later died during production of the film. Creator/MickeyRourke and Creator/KurtRussell auditioned for the part.part.
----
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!! The book



* WriteWhatYouKnow: "Graveyard Shift" and "The Mangler" are inspired by Creator/StephenKing's own experiences working in a textile mill and an industrial laundry. It's unusual for King's MostWritersAreWriters habit, as very few working writers appear in the stories.

to:

* WriteWhatYouKnow: "Graveyard Shift" and "The Mangler" are inspired by Creator/StephenKing's own experiences working in a textile mill and an industrial laundry. It's unusual for King's MostWritersAreWriters habit, as very few working writers appear in the stories.stories.

!!The film
* BreakawayPopHit: "That's What Friends Are For" was originally recorded by Music/RodStewart for the film, where it played over the closing credits. A couple years later Music/DionneWarwick was watching it on TV and decided to cover the song herself. Although this is still considered an early 80s comedy classic, very few people know its connection to the song; in fact, more than a few people have probably just thought that it was Rod Stewart covering a Dionne Warwick song.
* BreakthroughHit: For Creator/RonHoward.
* PlayingAgainstType: Creator/HenryWinkler took this role of the wimpy morgue director, in part, to go against type, and play a character opposite of the macho [[Series/HappyDays Fonzie]] character. "I thought I'd play Richie Cunningham for once," he said on Twitter.
* StarMakingRole: For Creator/MichaelKeaton.
* WhatCouldHaveBeen: Creator/JohnBelushi was offered the role of Bill, but turned it down. He later died during production of the film. Creator/MickeyRourke and Creator/KurtRussell auditioned for the part.

Changed: 129

Removed: 129

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much'' later was included in ''Literature/JustAfterSunset'') was deleted from ''Shift'' as well, but this is possibly apocryphal.



* WhatCouldHaveBeen: As recounted by King in the "Notes" section of ''Literature/NightmaresAndDreamscapes'', "Gray Matter" almost didn't make it into the book. King says "Suffer the Little Children" (eventually published in ''N&D'') was also up for inclusion in ''Shift'', having been written during the same period as most of ''Shift'''s other stories. But his editor said the book was getting "too unwieldy" (read: too expensive to print or sell), and one story had to be left out. King voted for "Matter," his editor for "Children," and King ended up going along with his editor's judgment. Legend has it that "The Cat from Hell" (which King also wrote during this same period of his career, and which ''

to:

* WhatCouldHaveBeen: As recounted by King in the "Notes" section of ''Literature/NightmaresAndDreamscapes'', "Gray Matter" almost didn't make it into the book. King says "Suffer the Little Children" (eventually published in ''N&D'') was also up for inclusion in ''Shift'', having been written during the same period as most of ''Shift'''s other stories. But his editor said the book was getting "too unwieldy" (read: too expensive to print or sell), and one story had to be left out. King voted for "Matter," his editor for "Children," and King ended up going along with his editor's judgment. Legend has it that "The Cat from Hell" (which King also wrote during this same period of his career, and which ''''much'' later was included in ''Literature/JustAfterSunset'') was deleted from ''Shift'' as well, but this is possibly apocryphal.

Added: 737

Changed: 1587

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* WhatCouldHaveBeen: As recounted by King in the "Notes" section of ''Literature/NightmaresAndDreamscapes'', "Gray Matter" almost didn't make it into the book. King says "Suffer the Little Children" (eventually published in ''N&D'') was also up for inclusion in ''Shift'', having been written during the same period as most of ''Shift'''s other stories. But his editor said the book was getting "too unwieldy" (read: too expensive to print or sell), and one story had to be left out. King voted for "Matter," his editor for "Children," and King ended up going along with his editor's judgment. Legend has it that "The Cat from Hell" (which King also wrote during this same period of his career, and which ''much'' later was included in ''Literature/JustAfterSunset'') was deleted from ''Shift'' as well, but this is possibly apocryphal.

to:

* WhatCouldHaveBeen: As recounted by King in the "Notes" section of ''Literature/NightmaresAndDreamscapes'', "Gray Matter" almost didn't make it into the book. King says "Suffer the Little Children" (eventually published in ''N&D'') was also up for inclusion in ''Shift'', having been written during the same period as most of ''Shift'''s other stories. But his editor said the book was getting "too unwieldy" (read: too expensive to print or sell), and one story had to be left out. King voted for "Matter," his editor for "Children," and King ended up going along with his editor's judgment. Legend has it that GenreAdultery:
**
"The Cat from Hell" (which King Last Rung on the Ladder", a melancholic story with no supernatural or horror elements.
** "The Ledge" is a straightforward crime-and-revenge story that
also wrote during this same period of lacks any supernatural content.
** "The Woman in the Room" is much like "The Last Rung on the Ladder" in that it's more a tragedy than a horror story. It's painfully realistic, being about a man agonizing over the decision to euthanize
his career, and which ''much'' elderly, terminally ill mother.
** "The Lawnmower Man" has an unusually comedic style for a Creator/StephenKing story (though the protagonist [[spoiler: still gets slaughtered by an autonomous lawnmower]]).
much''
later was included in ''Literature/JustAfterSunset'') was deleted from ''Shift'' as well, but this is possibly apocryphal.



* TruthInTelevision: Horrifyingly, the giant rats in "Graveyard Shift" were inspired by a story one of his work buddies told him about going into the sewer and finding ''rats as big as dogs.''
* WriteWhatYouKnow: "Graveyard Shift" and "The Mangler" are inspired by Stephen King's own experiences working in a textile mill and an industrial laundry. It's unusual for King's MostWritersAreWriters habit, as very few working writers appear in the stories.

to:

* TruthInTelevision: Horrifyingly, WhatCouldHaveBeen: As recounted by King in the giant rats in "Graveyard Shift" were inspired by a story one "Notes" section of his work buddies told him about going ''Literature/NightmaresAndDreamscapes'', "Gray Matter" almost didn't make it into the sewer book. King says "Suffer the Little Children" (eventually published in ''N&D'') was also up for inclusion in ''Shift'', having been written during the same period as most of ''Shift'''s other stories. But his editor said the book was getting "too unwieldy" (read: too expensive to print or sell), and finding ''rats as big as dogs.''
one story had to be left out. King voted for "Matter," his editor for "Children," and King ended up going along with his editor's judgment. Legend has it that "The Cat from Hell" (which King also wrote during this same period of his career, and which ''
* WriteWhatYouKnow: "Graveyard Shift" and "The Mangler" are inspired by Stephen King's Creator/StephenKing's own experiences working in a textile mill and an industrial laundry. It's unusual for King's MostWritersAreWriters habit, as very few working writers appear in the stories.

Added: 259

Changed: 187

Is there an issue? Send a MessageReason:
None


* Write What You Know: "Graveyard Shift" and "The Mangler" are inspired by Stephen King's own experiences working in a textile mill and an industrial laundry.

to:

* Write What You Know: TruthInTelevision: Horrifyingly, the giant rats in "Graveyard Shift" were inspired by a story one of his work buddies told him about going into the sewer and finding ''rats as big as dogs.''
* WriteWhatYouKnow:
"Graveyard Shift" and "The Mangler" are inspired by Stephen King's own experiences working in a textile mill and an industrial laundry.laundry. It's unusual for King's MostWritersAreWriters habit, as very few working writers appear in the stories.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* ScienceMarchesOn : While they haven't managed to get close to Venus yet, the talk about leprosy in "I Am The Doorway" seems antiquated through a modern lens. With a number of drugs, leprosy has been cured in areas where the patients can afford the cure (about $200), and the stigma has all but disappeared in modern times.
Is there an issue? Send a MessageReason:
None


* WhatCouldHaveBeen: As recounted by King in the "Notes" section of ''Literature/NightmaresAndDreamscapes'', "Gray Matter" almost didn't make it into the book. King says "Suffer the Little Children" (eventually published in ''N&D'') was also up for inclusion in ''Shift'', having been written during the same period as most of ''Shift'''s other stories. But his editor said the book was getting "too unwieldy" (read: too expensive to print or sell), and one story had to be left out. King voted for "Matter," his editor for "Children," and King ended up going along with his editor's judgment. Legend has it that "The Cat from Hell" (which King also wrote during this same period of his career, and which ''much'' later was included in ''Literature/JustAfterSunset'') was deleted from ''Shift'' as well, but this is possibly apocryphal.

to:

* WhatCouldHaveBeen: As recounted by King in the "Notes" section of ''Literature/NightmaresAndDreamscapes'', "Gray Matter" almost didn't make it into the book. King says "Suffer the Little Children" (eventually published in ''N&D'') was also up for inclusion in ''Shift'', having been written during the same period as most of ''Shift'''s other stories. But his editor said the book was getting "too unwieldy" (read: too expensive to print or sell), and one story had to be left out. King voted for "Matter," his editor for "Children," and King ended up going along with his editor's judgment. Legend has it that "The Cat from Hell" (which King also wrote during this same period of his career, and which ''much'' later was included in ''Literature/JustAfterSunset'') was deleted from ''Shift'' as well, but this is possibly apocryphal.apocryphal.
* Write What You Know: "Graveyard Shift" and "The Mangler" are inspired by Stephen King's own experiences working in a textile mill and an industrial laundry.
Is there an issue? Send a MessageReason:
None


* WhatCouldHaveBeen: As recounted by King in the "Notes" section of ''Literature/NightmaresAndDreamscapes'', "Gray Matter" almost didn't make it into the book. King says "Suffer the Little Children" (eventually published in ''Nightmares'') was also up for inclusion in ''Shift'', having been written during the same period as most of ''Shift'''s other stories. But his editor said the book was getting "too unwieldy" (read: too expensive to print or sell), and one story had to be left out. King voted for "Matter," his editor for "Children," and King ended up going along with his editor's judgment. Legend has it that "The Cat from Hell" (which King also wrote during this same period of his career, and which ''much'' later was included in ''Literature/JustAfterSunset'') was deleted from ''Shift'' as well, but this is possibly apocryphal.

to:

* WhatCouldHaveBeen: As recounted by King in the "Notes" section of ''Literature/NightmaresAndDreamscapes'', "Gray Matter" almost didn't make it into the book. King says "Suffer the Little Children" (eventually published in ''Nightmares'') ''N&D'') was also up for inclusion in ''Shift'', having been written during the same period as most of ''Shift'''s other stories. But his editor said the book was getting "too unwieldy" (read: too expensive to print or sell), and one story had to be left out. King voted for "Matter," his editor for "Children," and King ended up going along with his editor's judgment. Legend has it that "The Cat from Hell" (which King also wrote during this same period of his career, and which ''much'' later was included in ''Literature/JustAfterSunset'') was deleted from ''Shift'' as well, but this is possibly apocryphal.
Is there an issue? Send a MessageReason:
None


* WhatCouldHaveBeen: As recounted by King in the "Notes" section of ''Literature/NightmaresAndDreamscapes'', "Gray Matter" almost didn't make it into the book. King says "Suffer the Little Children" (eventually published in ''Nightmares'') was also up for inclusion in ''Shift'', having been written during the same period as most of ''Shift'''s other stories. But his editor said the book was getting "too unwieldy" (read: too expensive to print or sell), and one story had to be left out. King voted for "Matter," his editor for "Children," and King ended up going along with his editor's judgment. Legend has it that "The Cat from Hell" (which King also wrote during this same period of his career) was deleted from ''Shift'', but this is possibly apocryphal.

to:

* WhatCouldHaveBeen: As recounted by King in the "Notes" section of ''Literature/NightmaresAndDreamscapes'', "Gray Matter" almost didn't make it into the book. King says "Suffer the Little Children" (eventually published in ''Nightmares'') was also up for inclusion in ''Shift'', having been written during the same period as most of ''Shift'''s other stories. But his editor said the book was getting "too unwieldy" (read: too expensive to print or sell), and one story had to be left out. King voted for "Matter," his editor for "Children," and King ended up going along with his editor's judgment. Legend has it that "The Cat from Hell" (which King also wrote during this same period of his career) career, and which ''much'' later was included in ''Literature/JustAfterSunset'') was deleted from ''Shift'', ''Shift'' as well, but this is possibly apocryphal.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* WhatCouldHaveBeen: As recounted by King in the "Notes" section of ''Literature/NightmaresAndDreamscapes'', "Gray Matter" almost didn't make it into the book. King says "Suffer the Little Children" (eventually published in ''Nightmares'') was also up for inclusion in ''Shift'', having been written during the same period as most of ''Shift'''s other stories. But his editor said the book was getting "too unwieldy" (read: too expensive to print or sell), and one story had to be left out. King voted for "Matter," his editor for "Children," and King ended up going along with his editor's judgment. Legend has it that "The Cat from Hell" (which King also wrote during this same period of his career) was deleted from ''Shift'', but this is possibly apocryphal.

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