Mike Turner and Michael "Raine" Maida formed OLP in Toronto in 1992, originally under the name As If. It was a mix of covers and originals in their first shows until they came across songwriter and producer Arnold Lanni, and began writing and recording material with him. The band eventually got their more famous Our Lady Peace monicker from a Mark Van Doren poem of the same name.
With two Mikes in the band, Michael Maida adopted the Stage Name "Raine" Maida (eventually having it legally changed). The band signed a deal with Sony Music Canada in April of 1993, and it took almost a year before their debut album, Naveed, was released in Canada, and eventually released in the United States a year after that. Naveed is where the band's eccentric sound, highlighted by Raine Maida's signature wail, was set in stone.
After touring with the likes of I Mother Earth and 54-40 and building some buzz for themselves, the band moved to Columbia Records and released their sophomore album, Clumsy (originally titled Trapeze). It was a breakthrough for the band, spawning several hit singles (such as "Superman's Dead," "4am" and the title track) and eventually becoming a diamond-certified album.
OLP released Happiness... Is Not a Fish That You Can Catch in 1999, which debuted at #1 on the Canadian Albums Chart. It's notable for tackling even weightier subject matter than before, and Raine Maida claimed the album is about "obsessions." The album got mixed reviews from critics, but was another platinum-selling hit. They continued to tackle weightier issues on Spiritual Machines, released in 2000. This album was based around Raymond Kurzweil's 1999 book The Age of Spiritual Machines which guitarist Mike Turner was a huge fan of. Notably, Spiritual Machines was even better received than the previous album, but change was in the air, as this would be the last album recorded with longtime producer Arnold Lanni.
Founding member Mike Turner was gone from the band a week after they started writing and recording with producer Bob Rock. Steve Mazur replaced him, but Turner still has rhythm guitar credits on the album. Said album was Gravity, one of the band's more controversial albums, as it streamlined the band's music back to a basic Post-Grunge sound. While the album met a cool reception from some critics, the album did spawn big hits in "Somewhere Out There" and "Innocent."
The lineup from this album pressed on with 2005's Healthy In Paranoid Times, a more politically charged album, and also produced by Bob Rock. 2009's Burn Burn is not only their shortest album, but was the first album Raine Maida personally produced. Inspired by OLP's 2010 tours performing Clumsy and Spiritual Machines in their entirety, the band released Curve in 2012 in an effort to make something closer to their old sound.
The band released their ninth album in 2018, Somethingness, which was marked by their Canadian tour with Canadian alt-rock peer Matthew Good. It is their first album with new drummer Jason Pierce, after longtime drummer Jeremy Taggart left the band in 2016.
Our Lady Peace are more or less one of Canada's most well-known rock bands in general, who had one of alt-rock's more distinctive sounds, and a long string of hit singles, plus they even broke through to the American market, and internationally. Our Lady Peace also had the rather dubious honor of being the band behind "Whatever," the theme song of wrestler Chris Benoit. When his life ended with a double-murder-suicide, the band could never play it again in good conscience.
Maida has been married to Canadian Singer-Songwriter Chantal Kreviazuk since 1999.
- Raine Maida: Lead vocals, acoustic guitar (1992-present)
- Mike Turner: Lead guitar, backing vocals (1992-2001)
- Jeremy Taggart: Drums, percussion (1993-2016)
- Duncan Coutts: Bass guitar, keyboards, backing vocals (1995-present)
- Jamie Edwards: Keyboards, rhythm guitar (1999-2002)
- Steve Mazur: Lead guitar, backing vocals (2002-present)
- Jason Pierce: Drums, percussion (2016-present)
- Naveed (1994)
- Clumsy (1997)
- Happiness... Is Not a Fish That You Can Catch (1999)
- Spiritual Machines (2000)
- Gravity (2002)
- Healthy in Paranoid Times (2005)
- Burn Burn (2009)
- Curve (2012)
- Somethingness (2018)
- The Alcoholic: The protagonist ("Sara") from "Automatic Flowers."
- Album Title Drop: Their fifth album, Gravity, gets one during its lead single "Somewhere Out There": You're falling out of reach, defying gravity...
- "Healthy In Paranoid Times" is dropped during the bridge of "Don't Stop".
- Arena Rock: Started embracing this more in the 2000s, especially Gravity.
- Careful with That Axe: Raine's vocals can go from mid-range to very high at the drop of a hat.
- Concept Album: Spiritual Machines is very much this trope as mentioned above, though Happiness... is this to a lesser extent.
- Drugs Are Bad: A theme in their song "Life."
- Epic Rocking: A few songs, like "The Birdman," "Naveed" and "Stealing Babies" cross the 5 minute mark, with "Naveed" almost 6 minutes.
- Littlest Cancer Patient: A fan of the band, Mina Kim, was this, and her succumbing to cancer inspired "Thief." The music video ends with the message "Each year, terminal illness steals the lives of thousands of children. Mina Kim was one."
- Mohs Scale of Rock and Metal Hardness: Often a 4, and rarely more than a 5.
- There are exceptions, though: On the heavier side, "All For You", "Whatever" & "Dirty Walls" reach a 6, while songs like "Are You Sad?", "Will Someday Change" & "Apology" are on the softer side, around a 2.
- Mondegreen: Raine's vocals can lead to mistaken fans, like the line "surgery an a new nose" in Innocent sounding like "Maria Menounos'
- My God, What Have I Done?: When Raine Maida was young, he played a prank on his friend with a gun which he didn't realize was loaded. No one was hurt, but his remorse at scaring his friend lead to the song "Big Dumb Rocket."
- Non-Appearing Title: "4am" was indeed written at 4am, but the time is never mentioned in the song.
- Non-Indicative Name: There are no ladies whatsoever in Our Lady Peace.
- One Mike Limit: Raine chose his Stage Name to avert this and separate himself from Mike Turner.
- Perishing Alt-Rock Voice: Raine Maida, blessed with a huge vocal range in his prime, still manages to get a little of this.
- It's so distinguishing that, when Gravity came around, the lack of Maida's falsetto in most of the songs was pointed as the reason why it sucked.
- One-Woman Song: "Julia" and "Annie"
- Post-Grunge: Managed to establish themselves in both the first and second wave of this style. The Bob Rock-produced Gravity was meant to get them back to basics, and the result isn't all that far removed from Turn of the Millennium post-grunge bands like Theory Of A Deadman or 3 Doors Down.
- Wanderlust Song: "Naveed" from the album of the same name.
- Word Salad Lyrics: The band are well-known for their depth, but their poetic touch and colorful use of metaphors lead to lots of this.
- You Are Not Alone: A popular interpretation of the Title Track from Clumsy. Some would say it's a deconstruction of the trope, in that the protagonist wants to help a friend going down a wrong path, but the friend won't let them in.
- "Right Behind You (Mafia)" from Spiritual Machines is a much more straight example of this trope.
- A common theme in most of their works. "Are You Sad?" is sung from the perspective of person trying to convince a friend this, but they won't listen, while "A Story About A Girl" is much more forceful and blatant.
- You See, I'm Dying: Power ballad "4am" is about a desire to fix a relationship with an estranged father, after learning that said father is dying. It was based off a dream Maida had.