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Changed line(s) 2 (click to see context) from:
* ExecutiveMeddling: More like '[[[[http://www.nytimes.com/2013/08/04/magazine/stephen-kings-family-business.html?pagewanted=all&_r=0 parental meddling]]':
to:
* ExecutiveMeddling: More like '[[[[http://www.'[[http://www.nytimes.com/2013/08/04/magazine/stephen-kings-family-business.html?pagewanted=all&_r=0 parental meddling]]':
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Changed line(s) 2,3 (click to see context) from:
* ExecutiveMeddling: More like 'parental meddling':
-->'''Joe Hill:''' When I wrote ''[=NOS4A2=]'', I wrote a really bleak ending, and I was artistically committed to it, come hell or high water — right up until Mum read it. She said, 'You know, Joe, that ending really won’t do.' I was like, 'Aww, all right.' My artistic integrity lasted about 15 seconds on the phone with my mum. [[http://www.nytimes.com/2013/08/04/magazine/stephen-kings-family-business.html?pagewanted=all&_r=0]]
-->'''Joe Hill:''' When I wrote ''[=NOS4A2=]'', I wrote a really bleak ending, and I was artistically committed to it, come hell or high water — right up until Mum read it. She said, 'You know, Joe, that ending really won’t do.' I was like, 'Aww, all right.' My artistic integrity lasted about 15 seconds on the phone with my mum. [[http://www.nytimes.com/2013/08/04/magazine/stephen-kings-family-business.html?pagewanted=all&_r=0]]
to:
* ExecutiveMeddling: More like 'parental meddling':
'[[[[http://www.nytimes.com/2013/08/04/magazine/stephen-kings-family-business.html?pagewanted=all&_r=0 parental meddling]]':
-->'''Joe Hill:''' When I wrote ''[=NOS4A2=]'', I wrote a really bleak ending, and I was artistically committed to it, come hell or high water — right up until Mum read it. She said, 'You know, Joe, that ending really won’t do.' I was like, 'Aww, all right.' My artistic integrity lasted about 15 seconds on the phone with my mum. [[http://www.nytimes.com/2013/08/04/magazine/stephen-kings-family-business.html?pagewanted=all&_r=0]]
-->'''Joe Hill:''' When I wrote ''[=NOS4A2=]'', I wrote a really bleak ending, and I was artistically committed to it, come hell or high water — right up until Mum read it. She said, 'You know, Joe, that ending really won’t do.' I was like, 'Aww, all right.' My artistic integrity lasted about 15 seconds on the phone with my mum.
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Changed line(s) 3 (click to see context) from:
-->'''Joe Hill:''' When I wrote ‘[=NOS4A2=],’ I wrote a really bleak ending, and I was artistically committed to it, come hell or high water — right up until Mum read it. She said, ‘You know, Joe, that ending really won’t do.’ I was like, ‘Aww, all right.’ My artistic integrity lasted about 15 seconds on the phone with my mum. [[http://www.nytimes.com/2013/08/04/magazine/stephen-kings-family-business.html?pagewanted=all&_r=0]]
to:
-->'''Joe Hill:''' When I wrote ‘[=NOS4A2=],’ ''[=NOS4A2=]'', I wrote a really bleak ending, and I was artistically committed to it, come hell or high water — right up until Mum read it. She said, ‘You 'You know, Joe, that ending really won’t do.’ ' I was like, ‘Aww, 'Aww, all right.’ ' My artistic integrity lasted about 15 seconds on the phone with my mum. [[http://www.nytimes.com/2013/08/04/magazine/stephen-kings-family-business.html?pagewanted=all&_r=0]]
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Changed line(s) 6 (click to see context) from:
* SeparatedAtBirthCasting: In the TV series, Ashleigh Cummings (Vic) looks like Jason David (Vic's son Wayne) with their facial structure, eyes and hair close enough that it was quite believable she is his mother.
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* SeparatedAtBirthCasting: In the TV series, Ashleigh Cummings (Vic) looks like Jason David (Vic's son Wayne) with their facial structure, eyes and hair close enough that it was quite believable she is his mother.mother.
* UnderageCasting: Vic's parents in the series are played by actors only eleven and fourteen years older than her actor, respectively (though of course, Vic's actor is significantly older than her character).
* UnderageCasting: Vic's parents in the series are played by actors only eleven and fourteen years older than her actor, respectively (though of course, Vic's actor is significantly older than her character).
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Changed line(s) 6 (click to see context) from:
* SeparatedAtBirthCasting: In the TV series, Ashleigh Cummings (Vic) looks like Jason David (Vic's son Wayne) with their facial structure, eyes and hair that it's quite believable she is his mother.
to:
* SeparatedAtBirthCasting: In the TV series, Ashleigh Cummings (Vic) looks like Jason David (Vic's son Wayne) with their facial structure, eyes and hair close enough that it's it was quite believable she is his mother.
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Changed line(s) 5 (click to see context) from:
* LimitedSpecialCollectorsUltimateEdition: Subterranean Press released a limited edition that includes illustrations by [[ComicBook/LockeAndKey Gabriel Rodriguez]], an alternate ending, a novella that was cut from the novel and -- if you got the ''lettered'' edition -- a replica of Charlie Manx's autopsy bone mallet.
to:
* LimitedSpecialCollectorsUltimateEdition: Subterranean Press released a limited edition that includes illustrations by [[ComicBook/LockeAndKey Gabriel Rodriguez]], an alternate ending, a novella that was cut from the novel and -- if you got the ''lettered'' edition -- a replica of Charlie Manx's autopsy bone mallet.mallet.
* SeparatedAtBirthCasting: In the TV series, Ashleigh Cummings (Vic) looks like Jason David (Vic's son Wayne) with their facial structure, eyes and hair that it's quite believable she is his mother.
* SeparatedAtBirthCasting: In the TV series, Ashleigh Cummings (Vic) looks like Jason David (Vic's son Wayne) with their facial structure, eyes and hair that it's quite believable she is his mother.
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Changed line(s) 1 (click to see context) from:
* DawsonCasting: In the series, Vic (who's seventeen at the start) is played by twenty six year old Ashleigh Cummings. Similar age gaps exist with the actors who play other teenage characters.
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* DawsonCasting: In the series, Vic (who's seventeen at the start) is played by twenty six twenty-six year old Ashleigh Cummings. Similar age gaps exist with the actors who play other teenage characters. Vic comes a lot closer to the actress' real-life age in the second season, thanks to an eight-year TimeSkip.
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Added DiffLines:
* FakeAmerican: American main character Vic is played by Australian Ashleigh Cummings.
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Added DiffLines:
* DawsonCasting: In the series, Vic (who's seventeen at the start) is played by twenty six year old Ashleigh Cummings. Similar age gaps exist with the actors who play other teenage characters.
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Changed line(s) 2 (click to see context) from:
-->'''Joe Hill:''' When I wrote ‘[=NOS4A2=],’ I wrote a really bleak ending, and I was artistically committed to it, come hell or high water — right up until Mum read it. She said, ‘You know, Joe, that ending really won’t do.’ I was like, ‘Aww, all right.’ My artistic integrity lasted about 15 seconds on the phone with my mum. [[http://www.nytimes.com/2013/08/04/magazine/stephen-kings-family-business.html?pagewanted=all&_r=0]]
to:
-->'''Joe Hill:''' When I wrote ‘[=NOS4A2=],’ I wrote a really bleak ending, and I was artistically committed to it, come hell or high water — right up until Mum read it. She said, ‘You know, Joe, that ending really won’t do.’ I was like, ‘Aww, all right.’ My artistic integrity lasted about 15 seconds on the phone with my mum. [[http://www.nytimes.com/2013/08/04/magazine/stephen-kings-family-business.html?pagewanted=all&_r=0]]html?pagewanted=all&_r=0]]
* LimitedSpecialCollectorsUltimateEdition: Subterranean Press released a limited edition that includes illustrations by [[ComicBook/LockeAndKey Gabriel Rodriguez]], an alternate ending, a novella that was cut from the novel and -- if you got the ''lettered'' edition -- a replica of Charlie Manx's autopsy bone mallet.
* LimitedSpecialCollectorsUltimateEdition: Subterranean Press released a limited edition that includes illustrations by [[ComicBook/LockeAndKey Gabriel Rodriguez]], an alternate ending, a novella that was cut from the novel and -- if you got the ''lettered'' edition -- a replica of Charlie Manx's autopsy bone mallet.
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Changed line(s) 2 (click to see context) from:
-->Joe Hill: When I wrote ‘[=NOS4A2=],’ I wrote a really bleak ending, and I was artistically committed to it, come hell or high water — right up until Mum read it. She said, ‘You know, Joe, that ending really won’t do.’ I was like, ‘Aww, all right.’ My artistic integrity lasted about 15 seconds on the phone with my mum. [[http://www.nytimes.com/2013/08/04/magazine/stephen-kings-family-business.html?pagewanted=all&_r=0]]
to:
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Added DiffLines:
* ExecutiveMeddling: More like 'parental meddling':
-->Joe Hill: When I wrote ‘[=NOS4A2=],’ I wrote a really bleak ending, and I was artistically committed to it, come hell or high water — right up until Mum read it. She said, ‘You know, Joe, that ending really won’t do.’ I was like, ‘Aww, all right.’ My artistic integrity lasted about 15 seconds on the phone with my mum. [[http://www.nytimes.com/2013/08/04/magazine/stephen-kings-family-business.html?pagewanted=all&_r=0]]
-->Joe Hill: When I wrote ‘[=NOS4A2=],’ I wrote a really bleak ending, and I was artistically committed to it, come hell or high water — right up until Mum read it. She said, ‘You know, Joe, that ending really won’t do.’ I was like, ‘Aww, all right.’ My artistic integrity lasted about 15 seconds on the phone with my mum. [[http://www.nytimes.com/2013/08/04/magazine/stephen-kings-family-business.html?pagewanted=all&_r=0]]
