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* ProductionPosse: Creator/RobertAldrich carried over several cast members for ''Film/WhatEverHappenedToBabyJane'' - Bette Davis, Joan Crawford (at first), Wesley Addy, Dave Wilcock and Victor Buono.

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* ProductionPosse: Creator/RobertAldrich carried over several cast members for ''Film/WhatEverHappenedToBabyJane'' - Bette Davis, Joan Crawford (at first), Wesley Addy, Creator/WesleyAddy, Dave Wilcock and Victor Buono.Creator/VictorBuono.
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* ActorAllusion:
** The painting of the young Charlotte is of Creator/BetteDavis's character in ''Jezebel''.
** Bette Davis had also played a depressed spinster called Charlotte in ''Film/NowVoyager''.



* CastingGag:
** Joseph Cotten [[spoiler: is helping in the {{Gaslighting}} process]]. He'd been on the other end of it in the [[{{Film/Gaslight}} film that]] was the TropeNamer.
** Olivia de Havilland replacing Joan Crawford in a horror film for the second time after ''Film/LadyInACage''.
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** Olivia de Havilland replacing Joan Crawford in a horror film for the second time after ''Lady in a Cage''.

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** Olivia de Havilland replacing Joan Crawford in a horror film for the second time after ''Lady in a Cage''.''Film/LadyInACage''.
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** Crawford complained later that Aldrich didn't even have the integrity to call her up and tell her she was fired; instead she heard about it on the radio in late August - although a conflicting story from Bruce Dern states that she arrived on set to find Olivia de Havilland sitting in her chair, asked what she was doing there and Bette Davis said "she's playing your role". That claim was further disputed by Robert Aldrich, who had told Bette Davis to keep the recasting quiet for two days while he informed her lawyers via letter, but she then leaked the story to the press. She never again took a role in a serious film, finishing her career over the next six years with some B-grade horror films she did [[MoneyDearBoy strictly for the check]].
** On the first day De Havilland[[note]]who didn't need the work, and didn't like her part although she admired the way Aldrich directed the film[[/note]] was on the set, she and Davis toasted with Cokes (a dig at Crawford, who was on the board of Pepsi due to her late husband having been an executive there). The film, retitled to reflect that it was no longer a retake on ''Baby Jane'', did moderately well, even gaining some Oscar nominations, although it was not the phenomenon ''Baby Jane'' had been.

to:

** Crawford complained later that Aldrich didn't even have the integrity to call her up and tell her she was fired; instead she heard about it on the radio in late August - although a conflicting story from Bruce Dern states that she arrived on set to find Olivia de Havilland sitting in her chair, asked what she was doing there and Bette Davis said "she's said, "She's playing your role". role." That claim was further disputed by Robert Aldrich, who had told Bette Davis to keep the recasting quiet for two days while he informed her lawyers via letter, but she then leaked the story to the press. She never again took a role in a serious film, finishing her career over the next six years with some B-grade horror films she did [[MoneyDearBoy strictly for the check]].
** On the first day De de Havilland[[note]]who didn't need the work, and didn't like her part although she admired the way Aldrich directed the film[[/note]] was on the set, she and Davis toasted with Cokes (a dig at Crawford, who was on the board of Pepsi due to her late husband having been an executive there). The film, retitled to reflect that it was no longer a retake on ''Baby Jane'', did moderately well, even gaining some Oscar nominations, although it was not the phenomenon ''Baby Jane'' had been.
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** The title would originally have been the same as the original short story ("What Ever Happened to Cousin Charlotte?") but Creator/BetteDavis felt that was too similar to ''Film/WhatEverHappenedToBabyJane''. Hearing the lyrics in the song written for the film, she suggested that as an alternate title.

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** The title would originally have been the same as the original (unpublished) short story ("What Ever Happened to Cousin Charlotte?") but Creator/BetteDavis felt that was too similar to ''Film/WhatEverHappenedToBabyJane''. Hearing the lyrics in the song written for the film, she suggested that as an alternate title.



* ThoseTwoActors: Joseph Cotten and Agnes Moorhead appeared together in ''Film/CitizenKane'' and ''Film/TheMagnificentAmbersons''. Bette Davis and Olivia de Havilland did six films together overall.

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* ThoseTwoActors: Joseph Cotten and Agnes Moorhead Moorehead appeared together in ''Film/CitizenKane'' and ''Film/TheMagnificentAmbersons''. Bette Davis and Olivia de Havilland did six films together overall.



** ''Baby Jane'' had been a surprise hit, and so the studio wanted nothing more than to get the two aging divas together again. Henry Farrell, whose novel had been the basis for that film, had an unpublished story perfectly titled "Whatever Happened to Cousin Charlotte?", with a similar plot where one woman manipulates an unsuspecting female relative for personal gain. It was agreed that this time around Creator/JoanCrawford would play the villainous Miriam, attempting to manipulate her titular cousin (Creator/BetteDavis) out of the estate she had just inherited. Creator/RobertAldrich agreed to direct the sequel, and the script was duly written.

to:

** ''Baby Jane'' had been a surprise hit, and so the studio wanted nothing more than to get the two aging divas together again. Henry Farrell, whose novel had been the basis for that film, had an unpublished story perfectly titled "Whatever "What Ever Happened to Cousin Charlotte?", with a similar plot where one woman manipulates an unsuspecting female relative for personal gain. It was agreed that this time around Creator/JoanCrawford would play the villainous Miriam, attempting to manipulate her titular cousin (Creator/BetteDavis) out of the estate she had just inherited. Creator/RobertAldrich agreed to direct the sequel, and the script was duly written.
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None


** The title would originally have been the same as the original book (''What Ever Happened To Cousin Charlotte?'') but Creator/BetteDavis felt that was too similar to ''Film/WhatEverHappenedToBabyJane''. Hearing the lyrics in the song written for the film, she suggested that as an alternate title.

to:

** The title would originally have been the same as the original book (''What short story ("What Ever Happened To to Cousin Charlotte?'') Charlotte?") but Creator/BetteDavis felt that was too similar to ''Film/WhatEverHappenedToBabyJane''. Hearing the lyrics in the song written for the film, she suggested that as an alternate title.

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* BreakawayPopHit: Patti Page performed a cover of the film's titular song at the 1965 Academy Awards ceremony, and proved unexpectedly popular enough to quickly warrant a single release. It sold a million copies and peaked at #8 on the charts.



** Olivia de Havilland didn't think much of the final film either, calling it 'reverse typecasting'. She found Miriam to be a bland villain with generic motives.

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** Olivia de Havilland didn't think much of the final film either, calling it 'reverse typecasting'. She found Miriam to be a bland villain with generic motives. Ultimately she only did the film as a favour to Bette Davis.



* MetaCasting: Mary Astor intended for her role as Jewel Mayhew, a "little old lady waiting to die" to be her fitting swan song.



** Crawford complained later that Aldrich didn't even have the integrity to call her up and tell her she was fired; instead she heard about it on the radio in late August. She never again took a role in a serious film, finishing her career over the next six years with some B-grade horror films she did [[MoneyDearBoy strictly for the check]].

to:

** Crawford complained later that Aldrich didn't even have the integrity to call her up and tell her she was fired; instead she heard about it on the radio in late August.August - although a conflicting story from Bruce Dern states that she arrived on set to find Olivia de Havilland sitting in her chair, asked what she was doing there and Bette Davis said "she's playing your role". That claim was further disputed by Robert Aldrich, who had told Bette Davis to keep the recasting quiet for two days while he informed her lawyers via letter, but she then leaked the story to the press. She never again took a role in a serious film, finishing her career over the next six years with some B-grade horror films she did [[MoneyDearBoy strictly for the check]].


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* WhatCouldHaveBeen: Barbara Stanwyck, who was in a slight career downturn, was originally suggested to play either Velma or Jewel Mayhew. Bette Davis vetoed this, feeling that it was too small a role for "an actress of the stature".
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Moved from YMMV.


* CreatorDrivenSuccessor: As noted above, to ''Film/WhatEverHappenedToBabyJane'', a similar spooky horror film also directed by Aldrich and starring Bette Davis and Creator/JoanCrawford. This one was based on a short story by Henry Farrell, who'd written the original ''Baby Jane'' novel, with Farrell collaborating on the screenplay with ''Baby Jane'' screenwriter Lukas Heller. Crawford was originally going to re-team with Davis, but they fought so much that Crawford left the production after two weeks, faking an illness. Olivia de Havilland was brought in to play her part.



* TypeCasting: In both this and ''{{Film/Marnie}}'' the same year, Creator/BruceDern plays a man who gets violently murdered in the female lead's backstory.

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* TypeCasting: In both this and ''{{Film/Marnie}}'' the same year, Creator/BruceDern plays a man who gets violently murdered in the female lead's backstory.backstory.
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* ThoseTwoActors: Joseph Cotton and Agnes Moorhead appeared together in ''Film/CitizenKane'' and ''Film/TheMagnificentAmbersons''. Bette Davis and Olivia de Havilland did six films together overall.

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* ThoseTwoActors: Joseph Cotton Cotten and Agnes Moorhead appeared together in ''Film/CitizenKane'' and ''Film/TheMagnificentAmbersons''. Bette Davis and Olivia de Havilland did six films together overall.
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** Joseph Cotton [[spoiler: is helping in the {{Gaslighting}} process]]. He'd been on the other end of it in the [[{{Film/Gaslight}} film that]] was the TropeNamer.

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** Joseph Cotton Cotten [[spoiler: is helping in the {{Gaslighting}} process]]. He'd been on the other end of it in the [[{{Film/Gaslight}} film that]] was the TropeNamer.

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* CastingGag: Joseph Cotton [[spoiler: is helping in the {{Gaslighting}} process]]. He'd been on the other end of it in the [[{{Film/Gaslight}} film that]] was the TropeNamer.

to:

* CastingGag: CastingGag:
**
Joseph Cotton [[spoiler: is helping in the {{Gaslighting}} process]]. He'd been on the other end of it in the [[{{Film/Gaslight}} film that]] was the TropeNamer.TropeNamer.
** Olivia de Havilland replacing Joan Crawford in a horror film for the second time after ''Lady in a Cage''.


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--> "I wasn't thrilled with the script, and I definitely didn't like my part. I was reverse-typecast, being asked to be an unsympathetic villain. It wasn't what people expected of me. It wasn't really what I wanted to do."

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* CastingGag: Joseph Cotton [[spoiler: is helping in the {{Gaslighting}} process]]. He'd been on the other end of it in the [[{{Film/Gaslight}} film that]] was the TropeNamer.



* ExecutiveMeddling: Robert Aldrich's first choice for Miriam was Ann Sheridan, but the studio wanted Joan Crawford.



* TheOtherMarty: Creator/JoanCrawford was originally cast as Miriam. Two weeks into production, she fell ill (or claimed she had) and it was clear she'd need to be recast. Creator/VivienLeigh and Creator/KatharineHepburn both declined the role, and Creator/OliviaDeHavilland came on board instead.

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* HostilityOnTheSet: In addition to the legendary beef between Bette Davis and Joan Crawford, the latter eventually stopped speaking to Robert Aldrich altogether when he demanded she be examined by the studio doctor about her illness.
* OneTakeWonder: An unused take from when Joan Crawford was on board would have Miriam arrive in a taxi, leave the car paying the driver, look up while raising her sunglasses to see Charlotte at the top of the balcony holding a shotgun. Joan Crawford nailed the scene in one take, and later on a publicist found Bette Davis practicing the action in her motel room - trying to work out how she did it all in one take.
* TheOtherMarty: Creator/JoanCrawford was originally cast as Miriam. Two weeks into production, she fell ill (or claimed she had) and it was clear she'd need to be recast. Creator/VivienLeigh and Creator/KatharineHepburn both declined the role, and Creator/OliviaDeHavilland came on board instead. The wide shot of Miriam in the taxi as she arrives is from Joan's footage. Notice that Miriam never appears in the exteriors filmed in Baton Rouge as well.



* ProductionPosse: Creator/RobertAldrich carried over three (at first) cast members for ''Film/WhatEverHappenedToBabyJane'' - Bette Davis, Joan Crawford and Victor Buono.

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* ProductionPosse: Creator/RobertAldrich carried over three (at first) several cast members for ''Film/WhatEverHappenedToBabyJane'' - Bette Davis, Joan Crawford (at first), Wesley Addy, Dave Wilcock and Victor Buono.



* ThoseTwoActors: Joseph Cotton and Agnes Moorhead appeared together in ''Film/CitizenKane'' and ''Film/TheMagnificentAmbersons''. Bette Davis and Olivia de Havilland did six films together overall.



** On the first day De Havilland[[note]]who didn't need the work, and didn't like her part although she admired the way Aldrich directed the film[[/note]] was on the set, she and Davis toasted with Cokes (a dig at Crawford, who was on the board of Pepsi due to her late husband having been an executive there). The film, retitled to reflect that it was no longer a retake on ''Baby Jane'', did moderately well, even gaining some Oscar nominations, although it was not the phenomenon ''Baby Jane'' had been.

to:

** On the first day De Havilland[[note]]who didn't need the work, and didn't like her part although she admired the way Aldrich directed the film[[/note]] was on the set, she and Davis toasted with Cokes (a dig at Crawford, who was on the board of Pepsi due to her late husband having been an executive there). The film, retitled to reflect that it was no longer a retake on ''Baby Jane'', did moderately well, even gaining some Oscar nominations, although it was not the phenomenon ''Baby Jane'' had been.been.
* TypeCasting: In both this and ''{{Film/Marnie}}'' the same year, Creator/BruceDern plays a man who gets violently murdered in the female lead's backstory.
Is there an issue? Send a MessageReason:
None


** ''Baby Jane'' had been a surprise hit, and so the studio wanted nothing more than to get the two aging divas together again. Henry Farrell, whose novel had been the basis for that film, had an unpublished story perfectly titled "Whatever Happened to Cousin Charlotte?", with a similar plot where one woman manipulates an unsuspecting female relative for personal gain. It was agreed that this time around ''Creator/JoanCrawford'' would play the villainous Miriam, attempting to manipulate her titular cousin (Creator/BetteDavis) out of the estate she had just inherited. Creator/RobertAldrich agreed to direct the sequel, and the script was duly written.

to:

** ''Baby Jane'' had been a surprise hit, and so the studio wanted nothing more than to get the two aging divas together again. Henry Farrell, whose novel had been the basis for that film, had an unpublished story perfectly titled "Whatever Happened to Cousin Charlotte?", with a similar plot where one woman manipulates an unsuspecting female relative for personal gain. It was agreed that this time around ''Creator/JoanCrawford'' Creator/JoanCrawford would play the villainous Miriam, attempting to manipulate her titular cousin (Creator/BetteDavis) out of the estate she had just inherited. Creator/RobertAldrich agreed to direct the sequel, and the script was duly written.
Is there an issue? Send a MessageReason:
None


* ProductionPosse: Creator/RobertAldritch carried over three (at first) cast members for ''Film/WhatEverHappenedToBabyJane'' - Bette Davis, Joan Crawford and Victor Buono.

to:

* ProductionPosse: Creator/RobertAldritch Creator/RobertAldrich carried over three (at first) cast members for ''Film/WhatEverHappenedToBabyJane'' - Bette Davis, Joan Crawford and Victor Buono.



** ''Baby Jane'' had been a surprise hit, and so the studio wanted nothing more than to get the two aging divas together again. Henry Farrell, whose novel had been the basis for that film, had an unpublished story perfectly titled "Whatever Happened to Cousin Charlotte?", with a similar plot where one woman manipulates an unsuspecting female relative for personal gain. It was agreed that this time around ''Creator/JoanCrawford'' would play the villainous Miriam, attempting to manipulate her titular cousin (Creator/BetteDavis) out of the estate she had just inherited. Robert Aldrich agreed to direct the sequel, and the script was duly written.

to:

** ''Baby Jane'' had been a surprise hit, and so the studio wanted nothing more than to get the two aging divas together again. Henry Farrell, whose novel had been the basis for that film, had an unpublished story perfectly titled "Whatever Happened to Cousin Charlotte?", with a similar plot where one woman manipulates an unsuspecting female relative for personal gain. It was agreed that this time around ''Creator/JoanCrawford'' would play the villainous Miriam, attempting to manipulate her titular cousin (Creator/BetteDavis) out of the estate she had just inherited. Robert Aldrich Creator/RobertAldrich agreed to direct the sequel, and the script was duly written.
Is there an issue? Send a MessageReason:
None


* ProductionPosse: Robert Aldritch carried over three (at first) cast members for ''Film/WhatEverHappenedToBabyJane'' - Bette Davis, Joan Crawford and Victor Buono.

to:

* ProductionPosse: Robert Aldritch Creator/RobertAldritch carried over three (at first) cast members for ''Film/WhatEverHappenedToBabyJane'' - Bette Davis, Joan Crawford and Victor Buono.
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* In contrast to the rather smooth production of ''Film/WhatEverHappenedToBabyJane'', production of ''Charlotte'' was deeply problematic because of the Crawford/Davis issues.

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* TroubledProduction: In contrast to the rather smooth production of ''Film/WhatEverHappenedToBabyJane'', production of ''Charlotte'' was deeply problematic because of the Crawford/Davis issues.



** Pretty soon the insurance company and the producers sat down with Aldrich and gave him an ultimatum: Either you replace Joan Crawford or we shut production down and call this a loss. He decided on the former option. However, recasting the part proved harder than expected. Creator/KatharineHepburn wouldn't even return the call; Creator/VivienLeigh famously said "No, thank you. I can just about stand looking at Joan Crawford's face at six o'clock in the morning, but not Bette Davis." So too did Creator/LorettaYoung and Creator/BarbaraStanwyck.

to:

** Pretty soon the insurance company and the producers sat down with Aldrich and gave him an ultimatum: Either you replace Joan Crawford or we shut production down and call this a loss. He decided on the former option. However, recasting the part proved harder than expected. Creator/KatharineHepburn wouldn't even return the call; Creator/VivienLeigh famously said "No, thank you. I can just about stand looking at Joan Crawford's face at six o'clock in the morning, but not Bette Davis." So too did Creator/LorettaYoung and Creator/BarbaraStanwyck.Creator/BarbaraStanwyck, both of whom were friends of Crawford.
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change lead as it's on the trivia page here


* In contrast to the rather smooth production of ''Film/WhatEverHappenedToBabyJane'', production of its SpiritualSequel, ''Film/HushHushSweetCharlotte'' was full of problems.

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* In contrast to the rather smooth production of ''Film/WhatEverHappenedToBabyJane'', production of its SpiritualSequel, ''Film/HushHushSweetCharlotte'' ''Charlotte'' was full deeply problematic because of problems.the Crawford/Davis issues.

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same longer version as on the trope page


* TroubledProduction: In contrast to the rather smooth production of ''Film/WhatEverHappenedToBabyJane'', this one was full of problems.
** Creator/JoanCrawford proved to be very difficult on set - turning up with about twenty suitcases for one week's worth of location shooting in Baton Rouge, and forcing the wardrobe mistress to have to iron many chiffon dresses in the 100-degree weather. Crawford also refused to work longer hours, and eventually stopped speaking to the director at all - forcing him to communicate through her make-up artist. Not helping matters was Creator/BetteDavis throwing a few barbs at her during filming.
** On the last day of location filming, Crawford fell asleep in her trailer and woke up hours later to find that the crew had all packed up and left her behind. This proved to be the last straw for her, and she checked herself into a hospital. It was later claimed that she faked being ill because she couldn't stand to work with Davis anymore.
** Getting to Creator/OliviaDeHavilland's home to talk to her was no easy feat either; Robert Alritch had to take three planes, a train and taxi up a goat trail to get to her house in Switzerland. It also took him four days to convince her to sign on. As there was no time to have Miriam's costumes redone, Olivia supplied most of them from her own wardrobe.

to:

* TroubledProduction: In contrast to the rather smooth production of ''Film/WhatEverHappenedToBabyJane'', this one production of its SpiritualSequel, ''Film/HushHushSweetCharlotte'' was full of problems.
** Creator/JoanCrawford ''Baby Jane'' had been a surprise hit, and so the studio wanted nothing more than to get the two aging divas together again. Henry Farrell, whose novel had been the basis for that film, had an unpublished story perfectly titled "Whatever Happened to Cousin Charlotte?", with a similar plot where one woman manipulates an unsuspecting female relative for personal gain. It was agreed that this time around ''Creator/JoanCrawford'' would play the villainous Miriam, attempting to manipulate her titular cousin (Creator/BetteDavis) out of the estate she had just inherited. Robert Aldrich agreed to direct the sequel, and the script was duly written.
** However, between the films came that year's Academy Awards. Davis was nominated for Best Actress for her ''Baby Jane'' turn, while Crawford was not. Resentful about this, she went to all the other actresses nominated and offered to accept the award on their behalf in the event they could not attend the ceremony in person, something Davis did not hold against her as it was simply courteous (and of course also because Davis was pretty sure ''she'' would win her third Oscar for the part). On the night of the ceremony, as luck would have it, Creator/AnneBancroft was on Broadway and couldn't accept her award for ''Film/TheMiracleWorker'', leaving Crawford to go to the stage, and later pose holding the statuette with all the other acting winners as if ''she'' had won, while Davis ''seethed'' in the audience.
** Davis believed that Crawford had somehow manipulated the Oscar vote so that she could upstage her costar and longtime rival one more time. She insisted that if she were to do ''Cousin Charlotte'', she would have to be a producing partner. In an IronicEcho of the question Crawford had asked Aldrich before taking the ''Baby Jane'' part, Davis asked Aldrich if ''he'' was sleeping with Crawford.
** Crawford, who years later admitted [[LadyDrunk her drinking had "crossed a line"]] during ''Baby Jane'',
proved to be very difficult on set - turning up with about twenty suitcases for one week's worth of location shooting in Baton Rouge, and forcing the wardrobe mistress to have to iron many chiffon dresses in the 100-degree weather. Crawford also refused to work longer hours, and eventually stopped speaking to the director Aldrich at all - forcing him to communicate through her make-up artist. Not helping matters was Creator/BetteDavis Davis throwing a few barbs at her during filming.filming, and Davis basically forcing all the crew, some of whom had worked on pictures with both her and Crawford in the past, to declare which side they were on. Given Crawford's behavior, many who had originally sided with her began supporting Davis.
** On the last day of location filming, Crawford fell asleep in her trailer trailer, in case she was needed for some extra takes, and woke up hours later to find that the crew had all packed up and left her behind. This She was convinced that Davis had arranged this.
** Back in Los Angeles, after learning from her lawyer that there was no way out of her contract for the film, she took sick and would not show up on set. At first she was [[PlayingSick faking]], hoping this way to force changes to the script, but then really did become sick, although doctors could not diagnose it. Production was suspended through summer 1964; a month after coming back from Baton Rouge she was able to return to work for one day before telling Aldrich it had been too much. When she hemmed and hawed out of letting the studio doctor examine her, Aldrich hired a private detective to follow her around and see if she was really sick (It didn't work ... Crawford managed to lose him fairly quickly).
** Pretty soon the insurance company and the producers sat down with Aldrich and gave him an ultimatum: Either you replace Joan Crawford or we shut production down and call this a loss. He decided on the former option. However, recasting the part
proved harder than expected. Creator/KatharineHepburn wouldn't even return the call; Creator/VivienLeigh famously said "No, thank you. I can just about stand looking at Joan Crawford's face at six o'clock in the morning, but not Bette Davis." So too did Creator/LorettaYoung and Creator/BarbaraStanwyck.
** Finally Aldrich was down
to be Creator/OliviaDeHavilland, whom Davis herself had suggested, the last straw for her, actress the studio would accept in the part. She had retired to Switzerland, and she checked herself into a hospital. It was later claimed that she faked being ill because she couldn't stand getting to work with Davis anymore.
** Getting to Creator/OliviaDeHavilland's
her home to talk to her was no easy feat either; Robert Alritch feat; he had to take three planes, a train and taxi up a goat trail to get to her house in Switzerland. there. It also took him four days to convince her to sign on. As there was no time to have Miriam's costumes redone, Olivia supplied most of them from her own wardrobe.wardrobe.
** Crawford complained later that Aldrich didn't even have the integrity to call her up and tell her she was fired; instead she heard about it on the radio in late August. She never again took a role in a serious film, finishing her career over the next six years with some B-grade horror films she did [[MoneyDearBoy strictly for the check]].
** On the first day De Havilland[[note]]who didn't need the work, and didn't like her part although she admired the way Aldrich directed the film[[/note]] was on the set, she and Davis toasted with Cokes (a dig at Crawford, who was on the board of Pepsi due to her late husband having been an executive there). The film, retitled to reflect that it was no longer a retake on ''Baby Jane'', did moderately well, even gaining some Oscar nominations, although it was not the phenomenon ''Baby Jane'' had been.

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* CreatorBacklash: Creator/BetteDavis's son Michael Merrill claims that his mother had this about the film - especially the scene where the severed head rolls down the stairs.
* TheOtherMarty: Creator/JoanCrawford was originally cast as Miriam. Two weeks into production, she fell ill (or claimed she had) and it was clear she'd need to be recast. Vivien Leigh and Creator/KatherineHepburn both declined the role, and Creator/OliviaDeHavilland came on board instead.

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* CreatorBacklash: CaliforniaDoubling: Partial aversion. Exterior scenes were shot in Louisiana, while interiors were shot on soundstages in Los Angeles.
* CreatorBacklash:
**
Creator/BetteDavis's son Michael Merrill claims that his mother had this about the film - especially the scene where the severed head rolls down the stairs.
** Olivia de Havilland didn't think much of the final film either, calling it 'reverse typecasting'. She found Miriam to be a bland villain with generic motives.
* FollowTheLeader: It was especially made to cash in on the success of ''Film/WhatEverHappenedToBabyJane''.
* TheOtherMarty: Creator/JoanCrawford was originally cast as Miriam. Two weeks into production, she fell ill (or claimed she had) and it was clear she'd need to be recast. Vivien Leigh Creator/VivienLeigh and Creator/KatherineHepburn Creator/KatharineHepburn both declined the role, and Creator/OliviaDeHavilland came on board instead.


Added DiffLines:

* ProductionPosse: Robert Aldritch carried over three (at first) cast members for ''Film/WhatEverHappenedToBabyJane'' - Bette Davis, Joan Crawford and Victor Buono.

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* ActorAllusion: The painting of the young Charlotte is of Creator/BetteDavis's character in ''Jezebel''.
* ActorInspiredElement: The title would originally have been the same as the original book (''What Ever Happened To Cousin Charlotte?'') but Creator/BetteDavis felt that was too similar to ''Film/WhatEverHappenedToBabyJane''. Hearing the lyrics in the song written for the film, she suggested that as an alternate title.

to:

* ActorAllusion: ActorAllusion:
**
The painting of the young Charlotte is of Creator/BetteDavis's character in ''Jezebel''.
** Bette Davis had also played a depressed spinster called Charlotte in ''Film/NowVoyager''.
* ActorInspiredElement: ActorInspiredElement:
**
The title would originally have been the same as the original book (''What Ever Happened To Cousin Charlotte?'') but Creator/BetteDavis felt that was too similar to ''Film/WhatEverHappenedToBabyJane''. Hearing the lyrics in the song written for the film, she suggested that as an alternate title.title.
** As noted below, when Creator/OliviaDeHavilland came on board there wasn't enough time to have Miriam's costumes redone. So Olivia supplied them all from her own wardrobe.
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* ActorAllusion: The painting of the young Charlotte is of Bette Davis's character in ''Jezebel''.
* ActorInspiredElement: The title would originally have been the same as the original book (''What Ever Happened To Cousin Charlotte?'') but Bette Davis felt that was too similar to ''Film/WhatEverHappenedToBabyJane''. Hearing the lyrics in the song written for the film, she suggested that as an alternate title.
* CreatorBacklash: Bette Davis's son Michael Merrill claims that his mother had this about the film - especially the scene where the severed head rolls down the stairs.
* TheOtherMarty: Joan Crawford was originally cast as Miriam. Two weeks into production, she fell ill (or claimed she had) and it was clear she'd need to be recast. Vivien Leigh and Katherine Hepburn both declined the role, and Olivia de Havilland came on board instead.
* PlayingAgainstType: Olivia de Havilland had carved a career out of playing TheIngenue or sweet good girls. Playing a BitchInSheepsClothing like Miriam is drastically different.
* RealitySubtext: A reference is made to Bette Davis's famous lawsuit with Warner Bros. When Harry Willis describes what Charlotte was wearing at the murder trial, his description matches what Bette was wearing the day she arrived for her court date. What's more is that Harry says Charlotte's trial was held in London, as was Bette's in real life.

to:

* ActorAllusion: The painting of the young Charlotte is of Bette Davis's Creator/BetteDavis's character in ''Jezebel''.
* ActorInspiredElement: The title would originally have been the same as the original book (''What Ever Happened To Cousin Charlotte?'') but Bette Davis Creator/BetteDavis felt that was too similar to ''Film/WhatEverHappenedToBabyJane''. Hearing the lyrics in the song written for the film, she suggested that as an alternate title.
* CreatorBacklash: Bette Davis's Creator/BetteDavis's son Michael Merrill claims that his mother had this about the film - especially the scene where the severed head rolls down the stairs.
* TheOtherMarty: Joan Crawford Creator/JoanCrawford was originally cast as Miriam. Two weeks into production, she fell ill (or claimed she had) and it was clear she'd need to be recast. Vivien Leigh and Katherine Hepburn Creator/KatherineHepburn both declined the role, and Olivia de Havilland Creator/OliviaDeHavilland came on board instead.
* PlayingAgainstType: Olivia de Havilland Creator/OliviaDeHavilland had carved a career out of playing TheIngenue or sweet good girls. Playing a BitchInSheepsClothing like Miriam is drastically different.
* RealitySubtext: A reference is made to Bette Davis's Creator/BetteDavis's famous lawsuit with Warner Bros. When Harry Willis describes what Charlotte was wearing at the murder trial, his description matches what Bette was wearing the day she arrived for her court date. What's more is that Harry says Charlotte's trial was held in London, as was Bette's in real life.



** Joan Crawford proved to be very difficult on set - turning up with about twenty suitcases for one week's worth of location shooting in Baton Rouge, and forcing the wardrobe mistress to have to iron many chiffon dresses in the 100-degree weather. Crawford also refused to work longer hours, and eventually stopped speaking to the director at all - forcing him to communicate through her make-up artist. Not helping matters was Bette Davis throwing a few barbs at her during filming.
** On the last day of location filming, Crawford fell asleep in her trailer and woke up hours later to find that the crew had all packed up and left her behind. This proved to be the last straw for her, and she checked herself into a hospital. It was later claimed that she faked being ill because she couldn't stand to work with Bette Davis anymore.
** Getting to Olivia de Havilland's home to talk to her was no easy feat either; Robert Alritch had to take three planes, a train and taxi up a goat trail to get to her house in Switzerland. It also took him four days to convince her to sign on. As there was no time to have Miriam's costumes redone, Olivia supplied most of them from her own wardrobe.

to:

** Joan Crawford Creator/JoanCrawford proved to be very difficult on set - turning up with about twenty suitcases for one week's worth of location shooting in Baton Rouge, and forcing the wardrobe mistress to have to iron many chiffon dresses in the 100-degree weather. Crawford also refused to work longer hours, and eventually stopped speaking to the director at all - forcing him to communicate through her make-up artist. Not helping matters was Bette Davis Creator/BetteDavis throwing a few barbs at her during filming.
** On the last day of location filming, Crawford fell asleep in her trailer and woke up hours later to find that the crew had all packed up and left her behind. This proved to be the last straw for her, and she checked herself into a hospital. It was later claimed that she faked being ill because she couldn't stand to work with Bette Davis anymore.
** Getting to Olivia de Havilland's Creator/OliviaDeHavilland's home to talk to her was no easy feat either; Robert Alritch had to take three planes, a train and taxi up a goat trail to get to her house in Switzerland. It also took him four days to convince her to sign on. As there was no time to have Miriam's costumes redone, Olivia supplied most of them from her own wardrobe.

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Changed: 8

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* TheOtherMarty: Joan Crawford was originally cast as Miriam. Two weeks into production, she fell ill (or claimed she had) and it was clear she'd need to be recast. Vivien Leigh and Katherine Hepburn both declined the role, and Olivia de Havilland came on board too.

to:

* TheOtherMarty: Joan Crawford was originally cast as Miriam. Two weeks into production, she fell ill (or claimed she had) and it was clear she'd need to be recast. Vivien Leigh and Katherine Hepburn both declined the role, and Olivia de Havilland came on board too.instead.
* PlayingAgainstType: Olivia de Havilland had carved a career out of playing TheIngenue or sweet good girls. Playing a BitchInSheepsClothing like Miriam is drastically different.
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Added DiffLines:

* ActorAllusion: The painting of the young Charlotte is of Bette Davis's character in ''Jezebel''.
* ActorInspiredElement: The title would originally have been the same as the original book (''What Ever Happened To Cousin Charlotte?'') but Bette Davis felt that was too similar to ''Film/WhatEverHappenedToBabyJane''. Hearing the lyrics in the song written for the film, she suggested that as an alternate title.
* CreatorBacklash: Bette Davis's son Michael Merrill claims that his mother had this about the film - especially the scene where the severed head rolls down the stairs.
* TheOtherMarty: Joan Crawford was originally cast as Miriam. Two weeks into production, she fell ill (or claimed she had) and it was clear she'd need to be recast. Vivien Leigh and Katherine Hepburn both declined the role, and Olivia de Havilland came on board too.
* RealitySubtext: A reference is made to Bette Davis's famous lawsuit with Warner Bros. When Harry Willis describes what Charlotte was wearing at the murder trial, his description matches what Bette was wearing the day she arrived for her court date. What's more is that Harry says Charlotte's trial was held in London, as was Bette's in real life.
* TroubledProduction: In contrast to the rather smooth production of ''Film/WhatEverHappenedToBabyJane'', this one was full of problems.
** Joan Crawford proved to be very difficult on set - turning up with about twenty suitcases for one week's worth of location shooting in Baton Rouge, and forcing the wardrobe mistress to have to iron many chiffon dresses in the 100-degree weather. Crawford also refused to work longer hours, and eventually stopped speaking to the director at all - forcing him to communicate through her make-up artist. Not helping matters was Bette Davis throwing a few barbs at her during filming.
** On the last day of location filming, Crawford fell asleep in her trailer and woke up hours later to find that the crew had all packed up and left her behind. This proved to be the last straw for her, and she checked herself into a hospital. It was later claimed that she faked being ill because she couldn't stand to work with Bette Davis anymore.
** Getting to Olivia de Havilland's home to talk to her was no easy feat either; Robert Alritch had to take three planes, a train and taxi up a goat trail to get to her house in Switzerland. It also took him four days to convince her to sign on. As there was no time to have Miriam's costumes redone, Olivia supplied most of them from her own wardrobe.

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