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* UnderageCasting: Roger Allam is in fact seven years younger than Joanna Lumley, whereas the characters they play here are of a similar age.
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-->''I was angry about the way older women were portrayed in drama and comedy. Either as [[AwfulWeddedLife miserably married]], [[ObnoxiousInLaws interfering mothers-in-law]], bitter ex-wives, tetchy, spiteful [[ControlFreak control freaks]] -- or technophobic grannies in pinnies, patronised by the whole family. "Come on!" I'd shout at my radio and TV. "Where are my contemporaries? The strong, smart, funny women who have laughed and loved their way through life since the Summer of Love, and might still be married to the sexy hippie they met at Glastonbury '71?" We may be Senior Railcard Holders but we turn up the car radio, sing along with Music/MarvinGaye and are still dancing in the street with Martha Reeves and the Vandellas. Yet we were nowhere represented. So I wrote a series myself, about a woman who I recognised, had my references. I placed her in a long marriage that still fizzed with passion for life, music, wine and yes, sex -- and I knew who I wanted to play her. Creator/JoannaLumley epitomised how we all want to grow older. Not just beautiful but engaged, curious, warm, clever and funny. Thank God she said yes, because I didn't have a back-up choice!''
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-->''I was angry about the way older women were portrayed in drama and comedy. Either as [[AwfulWeddedLife miserably married]], [[ObnoxiousInLaws interfering mothers-in-law]], bitter ex-wives, tetchy, spiteful [[ControlFreak control freaks]] -- or [[ScatterbrainedSenior technophobic grannies grannies]] in pinnies, patronised by the whole family. "Come on!" I'd shout at my radio and TV. "Where are my contemporaries? The strong, smart, funny women who have laughed and loved their way through life since the Summer of Love, and might still be married to the sexy hippie they met at Glastonbury '71?" We may be Senior Railcard Holders but we turn up the car radio, sing along with Music/MarvinGaye and are still dancing in the street with Martha Reeves and the Vandellas. Yet we were nowhere represented. So I wrote a series myself, about a woman who I recognised, had my references. I placed her in a long marriage that still fizzed with passion for life, music, wine and yes, sex -- and I knew who I wanted to play her. Creator/JoannaLumley epitomised how we all want to grow older. Not just beautiful but engaged, curious, warm, clever and funny. Thank God she said yes, because I didn't have a back-up choice!''
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Changed line(s) 3 (click to see context) from:
-->''I was angry about the way older women were portrayed in drama and comedy. Either as miserably married, interfering mothers-in-law, bitter ex-wives, tetchy, spiteful control freaks -- or technophobic grannies in pinnies, patronised by the whole family. "Come on!" I'd shout at my radio and TV. "Where are my contemporaries? The strong, smart, funny women who have laughed and loved their way through life since the Summer of Love, and might still be married to the sexy hippie they met at Glastonbury '71?" We may be Senior Railcard Holders but we turn up the car radio, sing along with Music/MarvinGaye and are still dancing in the street with Martha Reeves and the Vandellas. Yet we were nowhere represented. So I wrote a series myself, about a woman who I recognised, had my references. I placed her in a long marriage that still fizzed with passion for life, music, wine and yes, sex -- and I knew who I wanted to play her. Creator/JoannaLumley epitomised how we all want to grow older. Not just beautiful but engaged, curious, warm, clever and funny. Thank God she said yes, because I didn't have a back-up choice!''
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-->''I was angry about the way older women were portrayed in drama and comedy. Either as [[AwfulWeddedLife miserably married, married]], [[ObnoxiousInLaws interfering mothers-in-law, mothers-in-law]], bitter ex-wives, tetchy, spiteful [[ControlFreak control freaks freaks]] -- or technophobic grannies in pinnies, patronised by the whole family. "Come on!" I'd shout at my radio and TV. "Where are my contemporaries? The strong, smart, funny women who have laughed and loved their way through life since the Summer of Love, and might still be married to the sexy hippie they met at Glastonbury '71?" We may be Senior Railcard Holders but we turn up the car radio, sing along with Music/MarvinGaye and are still dancing in the street with Martha Reeves and the Vandellas. Yet we were nowhere represented. So I wrote a series myself, about a woman who I recognised, had my references. I placed her in a long marriage that still fizzed with passion for life, music, wine and yes, sex -- and I knew who I wanted to play her. Creator/JoannaLumley epitomised how we all want to grow older. Not just beautiful but engaged, curious, warm, clever and funny. Thank God she said yes, because I didn't have a back-up choice!''
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* WordOfGod: Jan Etherington is on record as saying that she wrote ''Conversations from a Long Marriage'' because she was angry about negative portrayals of older women, as this quote from a ''Magazine/RadioTimes'' article makes clear:
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* WordOfGod: Jan Etherington is on record as saying that she wrote ''Conversations from a Long Marriage'' because she was angry about negative media portrayals of older women, as this quote from a ''Magazine/RadioTimes'' article makes clear:
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Changed line(s) 3,4 (click to see context) from:
-->''I was angry about the way older women were portrayed in drama and comedy. Either as miserably married, interfering mothers-in-law, bitter ex-wives, tetchy, spiteful control freaks -- or technophobic grannies in pinnies, patronised by the whole family. "Come on!" I'd shout at my radio and TV. "Where are my contemporaries? The strong, smart, funny women who have laughed and loved their way through life since the Summer of Love, and might
still be married to the sexy hippie they met at Glastonbury '71?" We may be Senior Railcard Holders but we turn up the car radio, sing along with Music/MarvinGaye and are still dancing in the street with Martha Reeves and the Vandellas. Yet we were nowhere represented. So I wrote a series myself, about a woman who I recognised, had my references. I placed her in a long marriage that still fizzed with passion for life, music, wine and yes, sex -- and I knew who I wanted to play her. Creator/JoannaLumley epitomised how we all want to grow older. Not just beautiful but engaged, curious, warm, clever and funny. Thank God she said yes, because I didn't have a back-up choice!''
still be married to the sexy hippie they met at Glastonbury '71?" We may be Senior Railcard Holders but we turn up the car radio, sing along with Music/MarvinGaye and are still dancing in the street with Martha Reeves and the Vandellas. Yet we were nowhere represented. So I wrote a series myself, about a woman who I recognised, had my references. I placed her in a long marriage that still fizzed with passion for life, music, wine and yes, sex -- and I knew who I wanted to play her. Creator/JoannaLumley epitomised how we all want to grow older. Not just beautiful but engaged, curious, warm, clever and funny. Thank God she said yes, because I didn't have a back-up choice!''
to:
-->''I was angry about the way older women were portrayed in drama and comedy. Either as miserably married, interfering mothers-in-law, bitter ex-wives, tetchy, spiteful control freaks -- or technophobic grannies in pinnies, patronised by the whole family. "Come on!" I'd shout at my radio and TV. "Where are my contemporaries? The strong, smart, funny women who have laughed and loved their way through life since the Summer of Love, and might
might still be married to the sexy hippie they met at Glastonbury '71?" We may be Senior Railcard Holders but we turn up the car radio, sing along with Music/MarvinGaye and are still dancing in the street with Martha Reeves and the Vandellas. Yet we were nowhere represented. So I wrote a series myself, about a woman who I recognised, had my references. I placed her in a long marriage that still fizzed with passion for life, music, wine and yes, sex -- and I knew who I wanted to play her. Creator/JoannaLumley epitomised how we all want to grow older. Not just beautiful but engaged, curious, warm, clever and funny. Thank God she said yes, because I didn't have a back-up choice!''
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Changed line(s) 3 (click to see context) from:
-->''I was angry about the way older women were portrayed in drama and comedy. Either as miserably married, interfering mothers-in-law, bitter ex-wives, tetchy, spiteful control freaks -- or technophobic grannies in pinnies, patronised by the whole family. "Come on!" I'd shout at my radio and TV. "Where are my contemporaries? The strong, smart, funny women who have laughed and loved their way through life, since the Summer of Love and might still be married to the sexy hippie they met at Glastonbury '71?" We may be Senior Railcard Holders but we turn up the car radio, sing along with Music/MarvinGaye and are still dancing in the street with Martha Reeves and the Vandellas. Yet we were nowhere represented. So I wrote a series myself, about a woman who I recognised, had my references. I placed her in a long marriage that still fizzed with passion for life, music, wine and yes, sex -- and I knew who I wanted to play her. Creator/JoannaLumley epitomised how we all want to grow older. Not just beautiful but engaged, curious, warm, clever and funny. Thank God she said yes, because I didn't have a back-up choice!''
to:
-->''I was angry about the way older women were portrayed in drama and comedy. Either as miserably married, interfering mothers-in-law, bitter ex-wives, tetchy, spiteful control freaks -- or technophobic grannies in pinnies, patronised by the whole family. "Come on!" I'd shout at my radio and TV. "Where are my contemporaries? The strong, smart, funny women who have laughed and loved their way through life, life since the Summer of Love Love, and might might
still be married to the sexy hippie they met at Glastonbury '71?" We may be Senior Railcard Holders but we turn up the car radio, sing along with Music/MarvinGaye and are still dancing in the street with Martha Reeves and the Vandellas. Yet we were nowhere represented. So I wrote a series myself, about a woman who I recognised, had my references. I placed her in a long marriage that still fizzed with passion for life, music, wine and yes, sex -- and I knew who I wanted to play her. Creator/JoannaLumley epitomised how we all want to grow older. Not just beautiful but engaged, curious, warm, clever and funny. Thank God she said yes, because I didn't have a back-up choice!''
still be married to the sexy hippie they met at Glastonbury '71?" We may be Senior Railcard Holders but we turn up the car radio, sing along with Music/MarvinGaye and are still dancing in the street with Martha Reeves and the Vandellas. Yet we were nowhere represented. So I wrote a series myself, about a woman who I recognised, had my references. I placed her in a long marriage that still fizzed with passion for life, music, wine and yes, sex -- and I knew who I wanted to play her. Creator/JoannaLumley epitomised how we all want to grow older. Not just beautiful but engaged, curious, warm, clever and funny. Thank God she said yes, because I didn't have a back-up choice!''
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Changed line(s) 2,3 (click to see context) from:
* WordOfGod: Jan Etherington is on record as saying that she wrote ''Conversations from a Long Marriage'' because she was angry about the negative way in which older women are portrayed in drama and comedy.
-->''I was angry about the way older women were portrayed in drama and comedy. Either as miserably married, interfering mothers-in-law, bitter ex-wives, tetchy, spiteful control freaks -- or technophobic grannies in pinnies, patronised by the whole family. "Come on!" I'd shout at my radio and TV. "Where are my contemporaries? The strong, smart, funny women who have laughed and loved their way through life, since the Summer of Love and might still be married to the sexy hippie they met at Glastonbury '71?" We may be Senior Railcard Holders but we turn up the car radio, sing along with Marvin Gaye and are still dancing in the street with Martha Reeves and the Vandellas. Yet we were nowhere represented. So I wrote a series myself, about a woman who I recognised, had my references. I placed her in a long marriage that still fizzed with passion for life, music, wine and yes, sex -- and I knew who I wanted to play her. Joanna Lumley epitomised how we all want to grow older. Not just beautiful but engaged, curious, warm, clever and funny. Thank God she said yes, because I didn't have a back-up choice!''
-->''I was angry about the way older women were portrayed in drama and comedy. Either as miserably married, interfering mothers-in-law, bitter ex-wives, tetchy, spiteful control freaks -- or technophobic grannies in pinnies, patronised by the whole family. "Come on!" I'd shout at my radio and TV. "Where are my contemporaries? The strong, smart, funny women who have laughed and loved their way through life, since the Summer of Love and might still be married to the sexy hippie they met at Glastonbury '71?" We may be Senior Railcard Holders but we turn up the car radio, sing along with Marvin Gaye and are still dancing in the street with Martha Reeves and the Vandellas. Yet we were nowhere represented. So I wrote a series myself, about a woman who I recognised, had my references. I placed her in a long marriage that still fizzed with passion for life, music, wine and yes, sex -- and I knew who I wanted to play her. Joanna Lumley epitomised how we all want to grow older. Not just beautiful but engaged, curious, warm, clever and funny. Thank God she said yes, because I didn't have a back-up choice!''
to:
* WordOfGod: Jan Etherington is on record as saying that she wrote ''Conversations from a Long Marriage'' because she was angry about the negative way in which portrayals of older women are portrayed in drama and comedy.
women, as this quote from a ''Magazine/RadioTimes'' article makes clear:
-->''I was angry about the way older women were portrayed in drama and comedy. Either as miserably married, interfering mothers-in-law, bitter ex-wives, tetchy, spiteful control freaks -- or technophobic grannies in pinnies, patronised by the whole family. "Come on!" I'd shout at my radio and TV. "Where are my contemporaries? The strong, smart, funny women who have laughed and loved their way through life, since the Summer of Love and might still be married to the sexy hippie they met at Glastonbury '71?" We may be Senior Railcard Holders but we turn up the car radio, sing along withMarvin Gaye Music/MarvinGaye and are still dancing in the street with Martha Reeves and the Vandellas. Yet we were nowhere represented. So I wrote a series myself, about a woman who I recognised, had my references. I placed her in a long marriage that still fizzed with passion for life, music, wine and yes, sex -- and I knew who I wanted to play her. Joanna Lumley Creator/JoannaLumley epitomised how we all want to grow older. Not just beautiful but engaged, curious, warm, clever and funny. Thank God she said yes, because I didn't have a back-up choice!''
-->''I was angry about the way older women were portrayed in drama and comedy. Either as miserably married, interfering mothers-in-law, bitter ex-wives, tetchy, spiteful control freaks -- or technophobic grannies in pinnies, patronised by the whole family. "Come on!" I'd shout at my radio and TV. "Where are my contemporaries? The strong, smart, funny women who have laughed and loved their way through life, since the Summer of Love and might still be married to the sexy hippie they met at Glastonbury '71?" We may be Senior Railcard Holders but we turn up the car radio, sing along with
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Changed line(s) 3 (click to see context) from:
-->''I wrote a series myself, about a woman who I recognised, had my references. I placed her in a long marriage that still fizzed with passion for life, music, wine and yes, sex -- and I knew who I wanted to play her. Joanna Lumley epitomised how we all want to grow older. Not just beautiful but engaged, curious, warm, clever and funny. Thank God she said yes, because I didn't have a back-up choice!''
to:
-->''I was angry about the way older women were portrayed in drama and comedy. Either as miserably married, interfering mothers-in-law, bitter ex-wives, tetchy, spiteful control freaks -- or technophobic grannies in pinnies, patronised by the whole family. "Come on!" I'd shout at my radio and TV. "Where are my contemporaries? The strong, smart, funny women who have laughed and loved their way through life, since the Summer of Love and might still be married to the sexy hippie they met at Glastonbury '71?" We may be Senior Railcard Holders but we turn up the car radio, sing along with Marvin Gaye and are still dancing in the street with Martha Reeves and the Vandellas. Yet we were nowhere represented. So I wrote a series myself, about a woman who I recognised, had my references. I placed her in a long marriage that still fizzed with passion for life, music, wine and yes, sex -- and I knew who I wanted to play her. Joanna Lumley epitomised how we all want to grow older. Not just beautiful but engaged, curious, warm, clever and funny. Thank God she said yes, because I didn't have a back-up choice!''
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Changed line(s) 1 (click to see context) from:
* TheDanza: An interesting example. Although the two characters never address or refer to each other by name, they are invariably referred to as Joanna and Roger in listings, reviews etc.
to:
* TheDanza: An interesting example. Although the two characters never address or refer to each other by name, they are invariably referred to as Joanna and Roger in listings, reviews etc.etc.
* WordOfGod: Jan Etherington is on record as saying that she wrote ''Conversations from a Long Marriage'' because she was angry about the negative way in which older women are portrayed in drama and comedy.
-->''I wrote a series myself, about a woman who I recognised, had my references. I placed her in a long marriage that still fizzed with passion for life, music, wine and yes, sex -- and I knew who I wanted to play her. Joanna Lumley epitomised how we all want to grow older. Not just beautiful but engaged, curious, warm, clever and funny. Thank God she said yes, because I didn't have a back-up choice!''
* WordOfGod: Jan Etherington is on record as saying that she wrote ''Conversations from a Long Marriage'' because she was angry about the negative way in which older women are portrayed in drama and comedy.
-->''I wrote a series myself, about a woman who I recognised, had my references. I placed her in a long marriage that still fizzed with passion for life, music, wine and yes, sex -- and I knew who I wanted to play her. Joanna Lumley epitomised how we all want to grow older. Not just beautiful but engaged, curious, warm, clever and funny. Thank God she said yes, because I didn't have a back-up choice!''
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Changed line(s) 1 (click to see context) from:
* TheDanza: Although the two characters never address or refer to each other by name, the scripts and all of the publicity material make it clear that their names are Joanna and Roger.
to:
* TheDanza: An interesting example. Although the two characters never address or refer to each other by name, the scripts and all of the publicity material make it clear that their names they are invariably referred to as Joanna and Roger.Roger in listings, reviews etc.
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Added DiffLines:
* TheDanza: Although the two characters never address or refer to each other by name, the scripts and all of the publicity material make it clear that their names are Joanna and Roger.