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* NeverWorkWithChildrenOrAnimals: In one production, the famous tenor Lauritz Melcior was supposed to come on stage riding in a chariot drawn by two horses. However at the first rehearsal the horses stampeded, and he barely managed to stop them from dragging him and the chariot into the orchestral pit.
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** Due to opera's tradition of ColorblindCasting, often the mezzo-soprano or contralto playing Amneris is black too. It was not at all unusual to see Price facing off with somebody like Grace Bumbry. And until Price came along, it was perfectly normal for Aida to be played by a white singer (until very recently, often in dark makeup, as this was considered respectful and not offensive; in the 2020s, this is considered outmoded and extremely racist).

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** Due to opera's tradition of ColorblindCasting, often the mezzo-soprano or contralto playing Amneris is black too. It was not at all unusual to see Price facing off with somebody like Grace Bumbry. And until Price came along, it was perfectly normal for Aida to be played by a white singer (until very recently, often in dark makeup, as this was considered respectful and not offensive; in the 2020s, this is considered outmoded and extremely racist). Changes in today's sensibilities may demand, or at least encourage, that characters should be portrayed by singers of the same race.
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** Due to opera's tradition of ColorblindCasting, often the mezzo-soprano or contralto playing Amneris is black too. It was not at all unusual to see Price facing off with somebody like Grace Bumbry. And until Price came along, it was perfectly normal for Aida to be played by a white singer (often in dark makeup, as this was considered respectful and not offensive).

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** Due to opera's tradition of ColorblindCasting, often the mezzo-soprano or contralto playing Amneris is black too. It was not at all unusual to see Price facing off with somebody like Grace Bumbry. And until Price came along, it was perfectly normal for Aida to be played by a white singer (often (until very recently, often in dark makeup, as this was considered respectful and not offensive).offensive; in the 2020s, this is considered outmoded and extremely racist).
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*** 1959, conducted by Herbert von Karajan: Renata Tebaldi, Giulietta Simionato, Carlo Bergonzi, Cornell MacNeil, Arnold van Mill

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*** 1959, conducted by Herbert von Karajan: Renata Tebaldi, Giulietta Simionato, Carlo Bergonzi, Cornell MacNeil, [=MacNeil=], Arnold van Mill
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** Interestingly enough, this was averted by famous Black-American soprano Leontyne Price. In 1958, she was invited to sing Aida at the Met Opera, but she was encouraged to turn it down by Peter Herman Adler, the director of the NBC Opera, and other people, in favour of making her debut there in a non-stereotypically black role. Instead, she debuted as the Spanish noblewoman Leonora in ''Theatre/{{Il trovatore}}'' in 1961, another Verdi opera, which allowed her to sing a variety of roles in her vocal range such as Donna Anna (Spanish), Cio-Cio-San (Japanese), Tatyana (Russian), and Tosca (Italian). And while she did sing Aida several times in her career, she was never limited to just that role.

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** Interestingly enough, this was averted by famous Black-American soprano Leontyne Price. In 1958, she was invited to sing Aida at the Met Metropolitan Opera, but she was encouraged to turn it down by Peter Herman Adler, the director of the NBC Opera, and other people, in favour of making her debut there in a non-stereotypically black role. (Metropolitan general manager Sir Rudolf Bing, a passionate anti-racist, would have endorsed this.) Instead, she debuted as the Spanish noblewoman Leonora in ''Theatre/{{Il trovatore}}'' in 1961, another Verdi opera, which allowed opera. This made it easier for producers to think of casting her to sing in a variety of roles in her vocal range such as Donna Anna (Spanish), Cio-Cio-San (Japanese), Tatyana (Russian), and Tosca (Italian). And while While she did sing Aida several many times in her career, she was never limited to just that role.
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** Due to opera's tradition of ColorblindCasting, often the mezzo-soprano or contralto playing Amneris is black too. It was not at all unusual to see Price facing off with somebody like Grace Bumbry. And it's perfectly normal for Aida to be played by a white singer (often in dark makeup, as this was considered respectful and not offensive).

to:

** Due to opera's tradition of ColorblindCasting, often the mezzo-soprano or contralto playing Amneris is black too. It was not at all unusual to see Price facing off with somebody like Grace Bumbry. And it's until Price came along, it was perfectly normal for Aida to be played by a white singer (often in dark makeup, as this was considered respectful and not offensive).
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None

Added DiffLines:

** Due to opera's tradition of ColorblindCasting, often the mezzo-soprano or contralto playing Amneris is black too. It was not at all unusual to see Price facing off with somebody like Grace Bumbry. And it's perfectly normal for Aida to be played by a white singer (often in dark makeup, as this was considered respectful and not offensive).
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*** 1961, conducted by Georg Solti: Leontyne Price, Rita Gorr, Jon Vickers, Robert Merrill, Giorgio Tozzi

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*** 1961, conducted by Georg Solti: Leontyne Price, Rita Gorr, Jon Vickers, Robert Merrill, Giorgio TozziTozzi; Plinio Clabassi as Pharaoh, and Mietta Sighele as the High Priestess.[[note]]This recording, originally issued on RCA's Red Seal, is still considered the gold standard. The box set was as much of a work of art as the recording, with a detailed and lavishly illustrated libretto and a stunning picture of Afro-American Leontyne Price on the cover. This is one of those things that needs to be heard on vinyl through the big speakers. Do not buy this on CD.[[/note]]
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*** 2015, conducted by Antonio Pappano: Anja Harteros, Ekaterina Semenchuk, Jonas Kaufmann, Ludovic Tézier, Erwin Schrott


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*** 2018, conducted by Nicola Luisotti at the Met Opera: Anna Netrebko, Anita Rachvelishvili, Aleksandrs Antonenko, Quinn Kelsey, Dmitry Belosselskiy

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* AllStarCast: As a famous opera, there are plenty of famous singers who record and perform together.

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* AllStarCast: As a famous opera, there are plenty of famous singers who record Aida, Amneris, Radamès, Amonasro, and perform together.Ramfis...



*** 1955, conducted by Jonel Perlea: Croatian soprano Zinka Milanov as Aida, Italian contralto Fedora Barbieri as Amneris, Swedish tenor Jussi Björling as Radames, American baritone Leonard Warren as Amonasro, and Bulgarian bass Boris Christoff as Ramfis.
*** 1959, conducted by Herbert von Karajan: Italian soprano Renata Tebaldi as Aida, Italian mezzo-soprano Giulietta Simionato as Amneris, Italian tenor Carlo Bergonzi as Radames, American baritone Cornell MacNeil as Amonasro, and Dutch bass Arnold van Mill as Ramfis.
*** 1961, conducted by Georg Solti: Black-American soprano Leontyne Price as Aida, Belgian mezzo-soprano Rita Gorr as Amneris, Canadian tenor Jon Vickers as Radames, American baritone Robert Merrill as Amonasro, and American bass Giorgio Tozzi as Ramfis.
*** 1967, conducted by Zubin Mehta: Swedish soprano Birgit Nilsson as Aida, Black-American mezzo-soprano Grace Bumbry as Amneris, Italian tenor Franco Corelli as Radames, Italian baritone Mario Sereni as Amonasro, and Italian bass Bonaldo Giaiotti as Ramfis.
*** 1970, conducted by Erich Leinsdorf: Leontyne Price as Aida (again), Grace Bumbry as Amneris (again), Spanish tenor Plácido Domingo as Radames, American baritone Sherrill Milnes as Amonasro, and Italian bass-baritone Ruggero Raimondi as Ramfis.
*** 1974, conducted by Claudio Abbado: Black-American soprano Martina Arroyo as Aida, Italian mezzo-soprano Fiorenza Cossotto as Amneris, Plácido Domingo as Radames, Italian baritone Piero Cappuccilli as Amonasro, and Bulgarian bass Nicolai Ghiaurov as Ramfis.
*** 1979, conducted by Herbert von Karajan: Italian soprano Mirella Freni as Aida, Greek mezzo-soprano Agnes Baltsa as Amneris, Spanish tenor José Carreras as Radames, Italian baritone Piero Cappuccilli as Amonasro, and Ruggero Raimondi as Ramfis.

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*** 1955, conducted by Jonel Perlea: Croatian soprano Zinka Milanov as Aida, Italian contralto Milanov, Fedora Barbieri as Amneris, Swedish tenor Barbieri, Jussi Björling as Radames, American baritone Björling, Leonard Warren as Amonasro, and Bulgarian bass Warren, Boris Christoff as Ramfis.
Christoff
*** 1955, conducted by Tulio Serafin: Maria Callas, Fedora Barbieri, Richard Tucker, Tito Gobbi, Giuseppe Modesti
*** 1956, conducted by Antonino Votto: Antonietta Stella, Giulietta Simionato, Giuseppe Di Stephano, Giangiacomo Guelfi, Nicola Zaccaria
*** 1959, conducted by Herbert von Karajan: Italian soprano Renata Tebaldi as Aida, Italian mezzo-soprano Tebaldi, Giulietta Simionato as Amneris, Italian tenor Simionato, Carlo Bergonzi as Radames, American baritone Bergonzi, Cornell MacNeil as Amonasro, and Dutch bass MacNeil, Arnold van Mill as Ramfis.
Mill
*** 1961, conducted by Georg Solti: Black-American soprano Leontyne Price as Aida, Belgian mezzo-soprano Price, Rita Gorr as Amneris, Canadian tenor Gorr, Jon Vickers as Radames, American baritone Vickers, Robert Merrill as Amonasro, and American bass Merrill, Giorgio Tozzi as Ramfis.
Tozzi
*** 1967, conducted by Zubin Mehta: Swedish soprano Birgit Nilsson as Aida, Black-American mezzo-soprano Nilsson, Grace Bumbry as Amneris, Italian tenor Bumbry, Franco Corelli as Radames, Italian baritone Corelli, Mario Sereni as Amonasro, and Italian bass Sereni, Bonaldo Giaiotti as Ramfis.
Giaiotti
*** 1970, conducted by Erich Leinsdorf: Leontyne Price as Aida (again), Price, Grace Bumbry as Amneris (again), Spanish tenor Bumbry, Plácido Domingo as Radames, American baritone Domingo, Sherrill Milnes as Amonasro, and Italian bass-baritone Milnes, Ruggero Raimondi as Ramfis.
Raimondi
*** 1974, conducted by Claudio Abbado: Black-American soprano Martina Arroyo as Aida, Italian mezzo-soprano Arroyo, Fiorenza Cossotto as Amneris, Cossotto, Plácido Domingo as Radames, Italian baritone Domingo, Piero Cappuccilli as Amonasro, and Bulgarian bass Cappuccilli, Nicolai Ghiaurov as Ramfis.
Ghiaurov
*** 1979, conducted by Herbert von Karajan: Italian soprano Mirella Freni as Aida, Greek mezzo-soprano Freni, Agnes Baltsa as Amneris, Spanish tenor Baltsa, José Carreras as Radames, Italian baritone Carreras, Piero Cappuccilli as Amonasro, and Cappuccilli, Ruggero Raimondi as Ramfis.Raimondi
*** 1983, conducted by Claudio Abbado: Katia Ricciarelli, Elena Obraztsova, Plácido Domingo, Leo Nucci, Nicolai Ghiaurov
*** 1986, conducted by Lorin Maazel: Maria Chiara, Ghena Dimitrova, Luciano Pavarotti, Leo Nucci, Paata Burchuladze
*** 2001, conducted by Nikolaus Harnoncourt: Cristina Gallardo-Domâs, Olga Borodina, Vincenzo La Scola, Thomas Hampson, Matti Salminen



*** 1989, conducted by James Levine at the Met Opera: American soprano Aprile Millo as Aida, American mezzo-soprano Dolora Zajick as Amneris, Spanish tenor Plácido Domingo as Radames, American baritone Sherrill Milnes as Amonasro, and Georgian bass Paata Burchuladze as Ramfis.
*** 2007, conducted by Riccardo Chailly at the Teatro alla Scala: Lithuanian soprano Violeta Urmana as Aida, Hungarian mezzo-soprano Ildíko Komlósi as Amneris, French tenor Roberto Alagna as Radames, and Italians Carlo Guelfi and Giorgio Giuseppini as Amonasro and Ramfis, respectively.

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*** 1981, conducted by Garcia Navarro at the San Francisco Opera: Margaret Price, Stefania Toczyska, Luciano Pavarotti, Simon Estes, Kurt Rydl
*** 1989, conducted by James Levine at the Met Opera: American soprano Aprile Millo as Aida, American mezzo-soprano Millo, Dolora Zajick as Amneris, Spanish tenor Zajick, Plácido Domingo as Radames, American baritone Domingo, Sherrill Milnes as Amonasro, and Georgian bass Milnes, Paata Burchuladze as Ramfis.
Burchuladze
*** 2007, conducted by Riccardo Chailly at the Teatro alla Scala: Lithuanian soprano Violeta Urmana as Aida, Hungarian mezzo-soprano Ildíko Komlósi as Amneris, French tenor Urmana, Ildikó Komlósi, Roberto Alagna as Radames, and Italians Alagna, Carlo Guelfi and Guelfi, Giorgio Giuseppini as Amonasro and Ramfis, respectively.Giuseppini
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*** 1959, conducted by Herbert von Karajan: Italian soprano Renata Tebaldi as Aida, Italian mezzo-soprano Giulietta Simionato as Amneris, Italian tenor Carlo Bergonzi as Radames, American baritone Cornell MacNeil as Amonasro, and Dutch bass Arnold van Mill as Ramfis.
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*** 1955, conducted by Jonel Perlea: Croation soprano Zinka Milanov as Aida, Italian contralto Fedora Barbieri as Amneris, Swedish tenor Jussi Bjoerling as Radames, American baritone Leonard Warren as Amonasro, and Bulgarian bass Boris Christoff as Ramfis.

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*** 1955, conducted by Jonel Perlea: Croation Croatian soprano Zinka Milanov as Aida, Italian contralto Fedora Barbieri as Amneris, Swedish tenor Jussi Bjoerling Björling as Radames, American baritone Leonard Warren as Amonasro, and Bulgarian bass Boris Christoff as Ramfis.

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Changed: 263

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*** 2007, conducted by Riccardo Chailly: Lithuanian soprano Violeta Urmana as Aida, Hungarian mezzo-soprano Ildíko Komlósi as Amneris, French tenor Roberto Alagna as Radames, and Italians Carlo Guelfi and Giorgio Giuseppini as Amonasro and Ramfis, respectively.

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*** 1989, conducted by James Levine at the Met Opera: American soprano Aprile Millo as Aida, American mezzo-soprano Dolora Zajick as Amneris, Spanish tenor Plácido Domingo as Radames, American baritone Sherrill Milnes as Amonasro, and Georgian bass Paata Burchuladze as Ramfis.
*** 2007, conducted by Riccardo Chailly: Chailly at the Teatro alla Scala: Lithuanian soprano Violeta Urmana as Aida, Hungarian mezzo-soprano Ildíko Komlósi as Amneris, French tenor Roberto Alagna as Radames, and Italians Carlo Guelfi and Giorgio Giuseppini as Amonasro and Ramfis, respectively.

Added: 515

Changed: 369

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***1955, conducted by Jonel Perlea: Croation soprano Zinka Milanov as Aida, Italian contralto Fedora Barbieri as Amneris, Swedish tenor Jussi Bjoerling as Radames, American baritone Leonard Warren as Amonasro, and Bulgarian bass Boris Christoff as Ramfis.



*** 1970, conducted by Erich Leinsdorf: Black-American soprano Leontyne Price as Aida (again), Black-American mezzo-soprano Grace Bumbry as Amneris, Spanish tenor Plácido Domingo as Radames, American baritone Sherrill Milnes as Amonasro, and Italian bass-baritone Ruggero Raimondi as Ramfis.
*** 1972, conducted by Claudio Abbado: Black-American soprano Martina Arroyo as Aida, Italian mezzo-soprano Fiorenza Cossotto as Amneris, Plácido Domingo as Radames, Italian baritone Piero Cappuccilli as Amonasro, and Bulgarian bass Nicolai Ghiaurov as Ramfis.

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*** 1970, ***1967, conducted by Erich Leinsdorf: Black-American Zubin Mehta: Swedish soprano Leontyne Price Birgit Nilsson as Aida (again), Aida, Black-American mezzo-soprano Grace Bumbry as Amneris, Italian tenor Franco Corelli as Radames, Italian baritone Mario Sereni as Amonasro, and Italian bass Bonaldo Giaiotti as Ramfis.
*** 1970, conducted by Erich Leinsdorf: Leontyne Price as Aida (again), Grace Bumbry as Amneris (again),
Spanish tenor Plácido Domingo as Radames, American baritone Sherrill Milnes as Amonasro, and Italian bass-baritone Ruggero Raimondi as Ramfis.
*** 1972, 1974, conducted by Claudio Abbado: Black-American soprano Martina Arroyo as Aida, Italian mezzo-soprano Fiorenza Cossotto as Amneris, Plácido Domingo as Radames, Italian baritone Piero Cappuccilli as Amonasro, and Bulgarian bass Nicolai Ghiaurov as Ramfis.

Added: 291

Changed: 138

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*** 1970, conducted by Erich Leinsdorf: Black-American soprano Leontyne Price as Aida, Black-American mezzo-soprano Grace Bumbry as Amneris, Spanish tenor Plácido Domingo as Radames, American baritone Sherrill Milnes as Amonasro, and Italian bass-baritone Ruggero Raimondi as Ramfis.

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***1961, conducted by Georg Solti: Black-American soprano Leontyne Price as Aida, Belgian mezzo-soprano Rita Gorr as Amneris, Canadian tenor Jon Vickers as Radames, American baritone Robert Merrill as Amonasro, and American bass Giorgio Tozzi as Ramfis.
*** 1970, conducted by Erich Leinsdorf: Black-American soprano Leontyne Price as Aida, Aida (again), Black-American mezzo-soprano Grace Bumbry as Amneris, Spanish tenor Plácido Domingo as Radames, American baritone Sherrill Milnes as Amonasro, and Italian bass-baritone Ruggero Raimondi as Ramfis.
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*** 1972, conducted by Claudio Abbado: Black-American soprano Martina Arroyo as Aida, Italian mezzo-soprano Fiorenza Cossotto as Amneris, Plácido Domingo as Radames, Italian baritone as Amonasro, and Bulgarian bass Nicolai Ghiaurov as Ramfis.

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*** 1972, conducted by Claudio Abbado: Black-American soprano Martina Arroyo as Aida, Italian mezzo-soprano Fiorenza Cossotto as Amneris, Plácido Domingo as Radames, Italian baritone Piero Cappuccilli as Amonasro, and Bulgarian bass Nicolai Ghiaurov as Ramfis.
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* AllStarCast: As a famous opera, there are plenty of famous singers who record and perform together.
** Audio Recordings:
*** 1970, conducted by Erich Leinsdorf: Black-American soprano Leontyne Price as Aida, Black-American mezzo-soprano Grace Bumbry as Amneris, Spanish tenor Plácido Domingo as Radames, American baritone Sherrill Milnes as Amonasro, and Italian bass-baritone Ruggero Raimondi as Ramfis.
*** 1972, conducted by Claudio Abbado: Black-American soprano Martina Arroyo as Aida, Italian mezzo-soprano Fiorenza Cossotto as Amneris, Plácido Domingo as Radames, Italian baritone as Amonasro, and Bulgarian bass Nicolai Ghiaurov as Ramfis.
*** 1979, conducted by Herbert von Karajan: Italian soprano Mirella Freni as Aida, Greek mezzo-soprano Agnes Baltsa as Amneris, Spanish tenor José Carreras as Radames, Italian baritone Piero Cappuccilli as Amonasro, and Ruggero Raimondi as Ramfis.
** Video Productions:
*** 2007, conducted by Riccardo Chailly: Lithuanian soprano Violeta Urmana as Aida, Hungarian mezzo-soprano Ildíko Komlósi as Amneris, French tenor Roberto Alagna as Radames, and Italians Carlo Guelfi and Giorgio Giuseppini as Amonasro and Ramfis, respectively.
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* {{Typecasting}}: Many black sopranos in Aida's range face this issue of being limited to singing the role of Aida.
** Interestingly enough, this was averted by famous Black-American soprano Leontyne Price. In 1958, she was invited to sing Aida at the Met Opera, but she was encouraged to turn it down by Peter Herman Adler, the director of the NBC Opera, and other people, in favour of making her debut there in a non-stereotypically black role. Instead, she debuted as the Spanish noblewoman Leonora in ''Theatre/{{Il trovatore}}'' in 1961, another Verdi opera, which allowed her to sing a variety of roles in her vocal range such as Donna Anna (Spanish), Cio-Cio-San (Japanese), Tatyana (Russian), and Tosca (Italian). And while she did sing Aida several times in her career, she was never limited to just that role.
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