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Changed line(s) 42 (click to see context) from:
** [[spoiler: Kevan Lannister's death]] is explicitly noted.
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** [[spoiler: Kevan Lannister's death]] is explicitly noted.noted.
* WhenIWasYourAge: Illyrio's rant about [[spoiler:how he met Aegon's mother]].
-->I don't get the appeal of these dating apps. In my day, we went to Lyseni pleasure houses! And we paid good coin for the most Valyrian-looking courtesan! [[EliteManCourtesanRomance And we caught feelings]]! And then we had unprotected sex! And ''then'' she tells us... ''[Varys brandishes his fan at him]'' ... [[SuspiciouslySpecificDenial I, uh, I don't know why I said that, but ignore it]].
* WhenIWasYourAge: Illyrio's rant about [[spoiler:how he met Aegon's mother]].
-->I don't get the appeal of these dating apps. In my day, we went to Lyseni pleasure houses! And we paid good coin for the most Valyrian-looking courtesan! [[EliteManCourtesanRomance And we caught feelings]]! And then we had unprotected sex! And ''then'' she tells us... ''[Varys brandishes his fan at him]'' ... [[SuspiciouslySpecificDenial I, uh, I don't know why I said that, but ignore it]].
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Changed line(s) 15 (click to see context) from:
** There is a fairly long sequence where Aegon scrolls through a dating app. He also has a ''TikTok'' account.
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** There is a fairly long sequence where Aegon scrolls through a dating app. He also has a ''TikTok'' ''[=TikTok=]'' account.
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Changed line(s) 18 (click to see context) from:
* ColorCodedforYourConvenience: The queens.
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* ColorCodedforYourConvenience: ColorCodedForYourConvenience: The queens.
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Changed line(s) 17,18 (click to see context) from:
* ChewingtheScenery: Cersei. So much.
* Color-CodedforYourConvenience: The queens.
* Color-CodedforYourConvenience: The queens.
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* ChewingtheScenery: ChewingTheScenery: Cersei. So much.
*Color-CodedforYourConvenience: ColorCodedforYourConvenience: The queens.
*
Changed line(s) 25 (click to see context) from:
* CorrupttheCutie: Margaery to Tommen.
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* CorrupttheCutie: CorruptTheCutie: Margaery to Tommen.
*Dude Magnet: Margaery
Changed line(s) 30,31 (click to see context) from:
* Dude Magnet: Margaery.
** ''Don't Blow Me Up'' (Margaery): "Wedding's a psych-out, choke's on you" (referring to Joffrey's wedding. "This fowl missionary" (referring to the High Sparrow)
** ''Don't Blow Me Up'' (Margaery): "Wedding's a psych-out, choke's on you" (referring to Joffrey's wedding. "This fowl missionary" (referring to the High Sparrow)
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Changed line(s) 33 (click to see context) from:
* Gratuitous Foreign Language: The Haus of Blackfyre ooh ja!
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* Gratuitous Foreign Language: GratuitousForeignLanguage: The Haus of Blackfyre ooh ja!
Changed line(s) 38 (click to see context) from:
* TruertotheText: Despite the parody nature.
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* TruertotheText: TruerToTheText: Despite the parody nature.
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Changed line(s) 15 (click to see context) from:
** There is a fairly long sequence where Aegon scrolls through a dating app. He also has a TikTok account.
to:
** There is a fairly long sequence where Aegon scrolls through a dating app. He also has a TikTok ''TikTok'' account.
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Changed line(s) 4,5 (click to see context) from:
''Queens'' is, like ''Theatre/WesterosAnAmericanMusical'' (to which it is a sequel), a musical parody of ''Literature/ASongOfIceAndFire'' and its live-action TV adaptation ''Series/GameofThrones'', this time using the music of ''Theatre/SixTheMusical''.
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''Queens'' is, like ''Theatre/WesterosAnAmericanMusical'' (to which it is a sequel), a musical parody of ''Literature/ASongOfIceAndFire'' and its live-action TV adaptation ''Series/GameofThrones'', ''Series/GameOfThrones'', this time using the music of ''Theatre/SixTheMusical''.
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Changed line(s) 4,5 (click to see context) from:
''Queens'' is, like ''Theatre/WesterosAnAmericanMusical'' (to which it is a sequel), a musical parody of ''Literature/ASongofIceandFire'' and its live-action TV adaptation ''Series/GameofThrones'', this time using the music of ''Theatre/SixTheMusical''.
to:
''Queens'' is, like ''Theatre/WesterosAnAmericanMusical'' (to which it is a sequel), a musical parody of ''Literature/ASongofIceandFire'' ''Literature/ASongOfIceAndFire'' and its live-action TV adaptation ''Series/GameofThrones'', this time using the music of ''Theatre/SixTheMusical''.
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Added DiffLines:
*TheLostLenore: [[spoiler: Rhaegar]] for Jon Connington.
*TotallyRadical: Margaery's song is peppered with modern phrases, including the entire chorus ("Sorry not sorry 'bout this glow-up, I'm just pulling off a look, don't worry don't worry don't blow this up, I didn't mean to have y'all shook. OMG but low-key you need the Reach, so sorry not sorry 'bout this glow-up, don't blow this up")
**Aegon, to the point that Illyrio, [[spoiler: his own father]], cannot understand him.
*TotallyRadical: Margaery's song is peppered with modern phrases, including the entire chorus ("Sorry not sorry 'bout this glow-up, I'm just pulling off a look, don't worry don't worry don't blow this up, I didn't mean to have y'all shook. OMG but low-key you need the Reach, so sorry not sorry 'bout this glow-up, don't blow this up")
**Aegon, to the point that Illyrio, [[spoiler: his own father]], cannot understand him.
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*AsLongAsItSoundsForeign: The entirety of 'Haus of Blackfyre' is sung in very hammy German accents, since that is canonically the Lorathi accent in the show ... except there's no indication in the books that Aegon has ever even been to Lorath.
*ChewingtheScenery: Cersei. So much.
*Color-CodedforYourConvenience: The queens.
**Cersei: Red initially, then pale gold after her walk of shame.
**Margaery: Blue.
**Asha: Black leather.
**Arianne: Orange
**Daenerys: Shiny silver
**Sansa: Furs
*CorrupttheCutie: Margaery to Tommen.
**"He's only nine, power is mine, this one's benign, we'll use him instead"
**"Tommen, sweetheart" (pushes hair aside and shrugs to highlight breasts), "you're the monarch; start learning some street-smarts, take Mummy off the Council, save our espousal"
*ChewingtheScenery: Cersei. So much.
*Color-CodedforYourConvenience: The queens.
**Cersei: Red initially, then pale gold after her walk of shame.
**Margaery: Blue.
**Asha: Black leather.
**Arianne: Orange
**Daenerys: Shiny silver
**Sansa: Furs
*CorrupttheCutie: Margaery to Tommen.
**"He's only nine, power is mine, this one's benign, we'll use him instead"
**"Tommen, sweetheart" (pushes hair aside and shrugs to highlight breasts), "you're the monarch; start learning some street-smarts, take Mummy off the Council, save our espousal"
*Dude Magnet: Margaery.
Changed line(s) 19 (click to see context) from:
* TheGhost: Everyone except the six queens and Euron Greyjoy.
to:
*Gratuitous Foreign Language: The Haus of Blackfyre ooh ja!
*TheGhost: Everyone except the six queens and Euron
*TruertotheText: Despite the parody nature.
**Cersei's affair with Taena Merryweather is referenced.
**Tommen is explicitly nine rather than the show's teenager.
**Arianne's entire plotline wasn't in the show. The Blackfyres also figure prominently.
**[[spoiler: Kevan Lannister's death]] is explicitly noted.
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Changed line(s) 19,21 (click to see context) from:
* Squick:
** "I wanna be wrist deep in some wet Myrish swamp" from Cersei's song ''No Shame''.
* The Ghost: Everyone except the six queens and Euron Greyjoy.
** "I wanna be wrist deep in some wet Myrish swamp" from Cersei's song ''No Shame''.
* The Ghost: Everyone except the six queens and Euron Greyjoy.
to:
* Squick:
** "I wanna be wrist deep in some wet Myrish swamp" from Cersei's song ''No Shame''.
* The Ghost:TheGhost: Everyone except the six queens and Euron Greyjoy.
** "I wanna be wrist deep in some wet Myrish swamp" from Cersei's song ''No Shame''.
* The Ghost:
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Changed line(s) 12 (click to see context) from:
** Although nearly all of the plotlines are based on the show more than the books, Arianne is still included, along with Jon Connington, Aegon, and the ''Shy Maid''.
to:
** Although nearly all of the plotlines are based on the show more than the books, Arianne is still included, along with Jon Connington, Aegon, and the ''Shy Maid''.Maid''.
*AnachronismStew:
**Margaery. Just ... Margaery. During the prelude to her song, in which she and Sansa exchange slangy compliments ("Queen Margaery! I stan!"/"No, girl, ''you'' are goals. Purr?"), Asha looks increasingly confused and eventually comments that they don't speak this dialect of the Common Tongue in the Iron Islands.
**There is a fairly long sequence where Aegon scrolls through a dating app. He also has a TikTok account.
*CoverInnocentEyesAndEars: Jon Connington does this to Aegon whenever Illyrio starts talking about how much he likes cheese or how dating was conducted in his day.
*FunWithHomophones:
**''Don't Blow Me Up'' (Margaery): "Wedding's a psych-out, choke's on you" (referring to Joffrey's wedding. "This fowl missionary" (referring to the High Sparrow)
*Squick:
**"I wanna be wrist deep in some wet Myrish swamp" from Cersei's song ''No Shame''.
*The Ghost: Everyone except the six queens and Euron Greyjoy.
*AnachronismStew:
**Margaery. Just ... Margaery. During the prelude to her song, in which she and Sansa exchange slangy compliments ("Queen Margaery! I stan!"/"No, girl, ''you'' are goals. Purr?"), Asha looks increasingly confused and eventually comments that they don't speak this dialect of the Common Tongue in the Iron Islands.
**There is a fairly long sequence where Aegon scrolls through a dating app. He also has a TikTok account.
*CoverInnocentEyesAndEars: Jon Connington does this to Aegon whenever Illyrio starts talking about how much he likes cheese or how dating was conducted in his day.
*FunWithHomophones:
**''Don't Blow Me Up'' (Margaery): "Wedding's a psych-out, choke's on you" (referring to Joffrey's wedding. "This fowl missionary" (referring to the High Sparrow)
*Squick:
**"I wanna be wrist deep in some wet Myrish swamp" from Cersei's song ''No Shame''.
*The Ghost: Everyone except the six queens and Euron Greyjoy.
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Changed line(s) 11 (click to see context) from:
* Adaptation Amalgamation:
to:
* Adaptation Amalgamation:AdaptationAmalgamation:
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Changed line(s) 1 (click to see context) from:
>''"We're game for a clash of plot distillment, storming the end, feasting on brilliance; we'll dance on the winds of wish-fulfillment and dream our endings"''
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Added DiffLines:
>''"We're game for a clash of plot distillment, storming the end, feasting on brilliance; we'll dance on the winds of wish-fulfillment and dream our endings"''
->--'''All''', "A Dream of Endings"
''Queens'' is, like ''Theatre/WesterosAnAmericanMusical'' (to which it is a sequel), a musical parody of ''Literature/ASongofIceandFire'' and its live-action TV adaptation ''Series/GameofThrones'', this time using the music of ''Theatre/SixTheMusical''.
The play focuses on wrapping up the storylines of the six queens - Queen Cersei, Queen Margaery, Asha Greyjoy (who rebrands the book's Kingsmoot as a Queensmoot), Princess Arianne the Queenmaker, Queen Daenerys, and Queen Sansa. Each of them in turn gets a chance to tell their take on things, usually more based on the show than on the books, the idea being that at the end the audience will pick who gets to be queen. Like in the source, however, the six queens eventually decide to just write their own endings.
----
!! The play provides examples of:
*Adaptation Amalgamation:
**Although nearly all of the plotlines are based on the show more than the books, Arianne is still included, along with Jon Connington, Aegon, and the ''Shy Maid''.
->--'''All''', "A Dream of Endings"
''Queens'' is, like ''Theatre/WesterosAnAmericanMusical'' (to which it is a sequel), a musical parody of ''Literature/ASongofIceandFire'' and its live-action TV adaptation ''Series/GameofThrones'', this time using the music of ''Theatre/SixTheMusical''.
The play focuses on wrapping up the storylines of the six queens - Queen Cersei, Queen Margaery, Asha Greyjoy (who rebrands the book's Kingsmoot as a Queensmoot), Princess Arianne the Queenmaker, Queen Daenerys, and Queen Sansa. Each of them in turn gets a chance to tell their take on things, usually more based on the show than on the books, the idea being that at the end the audience will pick who gets to be queen. Like in the source, however, the six queens eventually decide to just write their own endings.
----
!! The play provides examples of:
*Adaptation Amalgamation:
**Although nearly all of the plotlines are based on the show more than the books, Arianne is still included, along with Jon Connington, Aegon, and the ''Shy Maid''.
