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* AdaptationDistillation: In a manner of speaking. It covers only a small slice of ''War and Peace'', but it still works on its own.
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* AdaptationDistillation: In a manner of speaking. It covers only a ''very'' small slice of ''War and Peace'', but it still works on its own.
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* RaceLift: Hélène (presumably white in the novel) is played by Amber Gray.
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* RaceLift: Hélène (presumably white in the novel) is played by Amber Gray.Gray, and Phillipa Soo, who plays Natasha, is mixed-race. More likely a case of AbilityOverAppearance ColorblindCasting.
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* AuthorAvatar: Pierre is a weird example. Dave Malloy didn't create the [[WarAndPeace original character]], but for the first run of the show, he played the part himself, and it feels written for him in many ways.
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''Natasha, Pierre, and the Great Comet of 1812'' is a 2012 "[[RockOpera electro-pop opera]]" by Dave Malloy (who also plays Pierre), based on Volume 2, Book 5 of Tolstoy's ''WarAndPeace''. It is something of a {{coming of age story}} for the titular [[TheIngenue Natasha]], who finds herself in an unexpected affair with the dashing Anatole Kuragin while waiting for her fiancé Andrey Bolkonsky to return from war. Anatole's sister Hélène finds the whole situation very amusing and helps facilitate Natasha's loss of innocence, while her own husband Pierre realizes he is DesperatelyLookingForAPurposeInLife. Despite adapting only a very narrow slice of the {{doorstopper}} it's based on, it manages to stand on its own as a story.
to:
''Natasha, Pierre, and the Great Comet of 1812'' is a 2012 "[[RockOpera electro-pop opera]]" by Dave Malloy (who also plays Pierre), Malloy, based on Volume 2, Book 5 of Tolstoy's ''WarAndPeace''. It is something of a {{coming of age story}} for the titular [[TheIngenue Natasha]], who finds herself in an unexpected affair with the dashing Anatole Kuragin while waiting for her fiancé Andrey Bolkonsky to return from war. Anatole's sister Hélène finds the whole situation very amusing and helps facilitate Natasha's loss of innocence, while her own husband Pierre realizes he is DesperatelyLookingForAPurposeInLife. Despite adapting only a very narrow slice of the {{doorstopper}} it's based on, it manages to stand on its own as a story.
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* InformedAttribute: Due to all the direct quoting from Tolstoy, we're repeatedly reminded of how fat Pierre is. Dave Malloy is stocky at most.
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* InformedAttribute: Due to all the direct quoting from Tolstoy, we're repeatedly reminded of how fat Pierre is. Dave Malloy David Abeles is stocky at most.
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Notably, the show isn't performed in a traditional theater, but rather a custom-built nightclub, with the action moving around, through, and occasionally [[AudienceParticipation with]] the audience. It also is a true sung-through opera, with musical styles ranging from folk to cabaret to rock to synthpop.
to:
Notably, the show isn't performed in a traditional theater, but rather a custom-built nightclub, with the action moving around, through, and occasionally [[AudienceParticipation with]] the audience. It also is a true sung-through opera, with a musical styles ranging from style that's pretty much ''{{Theatre/Hair}}'' meets ''{{Theatre/Cabaret}}'' meets ''Film/RepoTheGeneticOpera'' with a dash of modern folk to cabaret to rock to synthpop.
taste.
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*BeAWhoreToGetYourMan: Hélène tries to manipulate Natasha into this.
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* AllWomenArePromiscuous: Going off of Hélène's example, Pierre assumes this is the case when he finds out about Natasha's broken engagement. [[spoiler:Once he finds out she did it out of shame for her entanglement with Anatole, however, he immediately redirects his anger toward Anatole.]]
to:
* AllWomenArePromiscuous: AllWomenAreLustful: Going off of Hélène's example, Pierre assumes this is the case when he finds out about Natasha's broken engagement. [[spoiler:Once he finds out she did it out of shame for her entanglement with Anatole, however, he immediately redirects his anger toward Anatole.]]
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* AllWomenArePromiscuous: Going off of Hélène's example, Pierre assumes this is the case when he finds out about Natasha's broken engagement. [[spoiler:Once he finds out she did it out of shame for her entanglement with Anatole, however, he immediately redirects his anger toward Anatole.]]
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Changed line(s) 8,9 (click to see context) from:
''Natasha, Pierre, and the Great Comet of 1812'' is a 2012 "[[RockOpera electro-pop opera]]" by Dave Malloy (who also plays Pierre), based on Volume 2, Book 5 of Tolstoy's ''WarAndPeace''. It is something of a {{coming of age story}} for the titular [[TheIngenue Natasha]], who finds herself in an unexpected affair with the dashing Anatole Kuragin while waiting for her fiancé Andrey Bolkonsky to return from war. Anatole's sister Hélène finds the whole situation very amusing and helps facilitate Natasha's loss of innocence, while her own husband Pierre realizes he is DesperatelySearchingForAPurposeInLife. Despite adapting only a very narrow slice of the {{doorstopper}} it's based on, it manages to stand on its own as a story.
to:
''Natasha, Pierre, and the Great Comet of 1812'' is a 2012 "[[RockOpera electro-pop opera]]" by Dave Malloy (who also plays Pierre), based on Volume 2, Book 5 of Tolstoy's ''WarAndPeace''. It is something of a {{coming of age story}} for the titular [[TheIngenue Natasha]], who finds herself in an unexpected affair with the dashing Anatole Kuragin while waiting for her fiancé Andrey Bolkonsky to return from war. Anatole's sister Hélène finds the whole situation very amusing and helps facilitate Natasha's loss of innocence, while her own husband Pierre realizes he is DesperatelySearchingForAPurposeInLife.DesperatelyLookingForAPurposeInLife. Despite adapting only a very narrow slice of the {{doorstopper}} it's based on, it manages to stand on its own as a story.
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*DrivenToSuicide: [[spoiler:Poor Natasha, after losing both of her lovers. She survives, though, and by the end of the show she's regained a little hope for the future.]]
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*DrowningMySorrows: Pierre at the rave.
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* InformedAttribute: Due to all the direct quoting from Tolstoy, we're repeatedly reminded of Pierre's "corpulence". Dave Malloy is stocky at most.
to:
* InformedAttribute: Due to all the direct quoting from Tolstoy, we're repeatedly reminded of Pierre's "corpulence".how fat Pierre is. Dave Malloy is stocky at most.
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*BittersweetEnding: [[spoiler:Natasha is still languishing from her suicide attempt and has had to break off her engagement to Andrey, along with realizing that Anatole was only using her, but Pierre helps her regain a sense of self-worth, reassures her that she deserves to be loved and admits that he himself would propose to her on the spot if he weren't married to Hélène.]]
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* DidNotGetTheGirl: An unusual example. [[spoiler:Toward the end of the show, Pierre awkwardly confesses that if he weren't married to Hélène- and if he felt that he were good enough- he would propose to Natasha himself. Natasha is intensely touched and grateful, but nothing further happens between them. However, if you've read the book, you know that they will eventually be HappilyMarried.]]
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*OneSteveLimit: Enforced, unlike in the novel. Andrey's sister is referred to as Princess Mary (with American pronunciation), while Natasha's godmother is called Marya Dmtriyevna (or Marya D. for short, with Marya pronounced as "MAHR-ya").
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*ShowWithinAShow: The opera the characters attend. To help distinguish it from the rest of the score, it sounds pretty much like the last minute or so of the opening credits of ''Film/TheShining''.
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->''"There's a war goin' on out there somewhere\\
And Andrey isn't here..."''
-->-- the prologue
And Andrey isn't here..."''
-->-- the prologue
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* VillainSong: "Charming", for Hélène.
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* VillainSong: "Charming", for Hélène.
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* ThemeTuneRollCall: The prologue introduces all of the characters except Pierre (who gets an introductory song to himself right afterward.
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* ThemeTuneRollCall: The prologue introduces all of the characters except Pierre (who gets [[IAmSong an introductory song to himself himself]] right afterward.afterward).
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*InformedAttribute: Due to all the direct quoting from Tolstoy, we're repeatedly reminded of Pierre's "corpulence". Dave Malloy is stocky at most.
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**During the song "Letters", cast members sometimes give audience members notes of their own.
* PostModernism: In addition to all the anachronisms mentioned above, there's the fact that so much of the libretto is ''directly'' taken from ''War and Peace'', which means that in many cases the characters are singing Tolstoy's narration about themselves as they act it out, just with the pronouns changed (resulting in a kind of TropesAreNotBad version of ThatMakesMeFeelAngry).
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* ThemeTuneRollCall: The prologue introduces all of the characters except Pierre (who gets an introductory song to himself right afterward.
* VillainSong: "Charming", for Hélène.
* VillainSong: "Charming", for Hélène.
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[[caption-width-right:306:L-R: [[HandsomeLech Anatole]] (hot), [[YourCheatingHeart Hélène]] (slut), [[TheIngenue Natasha]] (young), Dolokhov (fierce), dear, bewildered and awkward [[NiceGuy Pierre]], [[TheGhost and Andrey isn't here]].]]
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[[caption-width-right:306:L-R: [[HandsomeLech Anatole]] (hot), [[YourCheatingHeart Hélène]] (slut), [[TheIngenue Natasha]] (young), Dolokhov (fierce), Andrey (who ''is'' here, for once), dear, bewildered and awkward [[NiceGuy Pierre]], [[TheGhost and Andrey isn't here]].Pierre]].]]
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*ActingForTwo: The same actor plays Andrey and his father, Old Prince Bolkonsky.
* AllMusicalsAreAdaptations
**Not to mention Anatole's AnimeHair.
* BreakTheCutie: What happens to Natasha, courtesy of Anatole's loose affections.
* BreakTheCutie: What happens to Natasha, courtesy of Anatole's loose affections.
* TheCasanova: Anatole.
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*RaceLift: Hélène (presumably white in the novel) is played by Amber Gray.
* StrongFamilyResemblance: See ActingForTwo, above.
* StrongFamilyResemblance: See ActingForTwo, above.
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[[caption-width-right:306:L-R: [[HandsomeLech Anatole]] (hot), [[YourCheatingHeart Hélène]] (slut), [[TheIngenue Natasha]] (young), Dolokhov (fierce), dear, bewildered and awkward [[NiceGuy Pierre]], [[SirNotAppearingInThisPicture and Andrey isn't here]].]]
to:
[[caption-width-right:306:L-R: [[HandsomeLech Anatole]] (hot), [[YourCheatingHeart Hélène]] (slut), [[TheIngenue Natasha]] (young), Dolokhov (fierce), dear, bewildered and awkward [[NiceGuy Pierre]], [[SirNotAppearingInThisPicture [[TheGhost and Andrey isn't here]].]]
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[[caption-width-right:306:L-R: [[HandsomeLech Anatole]] (hot), [[YourCheatingHeart Hélène]] (slut), [[TheIngenue Natasha]] (young), Dolokhov (fierce), dear, bewildered and awkward [[NiceGuy Pierre]], [[SirNotAppearingInThisFilm and Andrey isn't here]].]]
to:
[[caption-width-right:306:L-R: [[HandsomeLech Anatole]] (hot), [[YourCheatingHeart Hélène]] (slut), [[TheIngenue Natasha]] (young), Dolokhov (fierce), dear, bewildered and awkward [[NiceGuy Pierre]], [[SirNotAppearingInThisFilm [[SirNotAppearingInThisPicture and Andrey isn't here]].]]
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* BreakingTheFourthWall: All over the place, beginning as early as the prologue:
''-->"This is all in your program\\''
''-->You are at the opera\\''
''-->Gonna have to study up a little bit\\''
''-->If you wanna keep with the plot\\''
''-->'Cause it's a complicated Russian novel\\''
''-->Everyone's got nine different names...\\"''
''-->"This is all in your program\\''
''-->You are at the opera\\''
''-->Gonna have to study up a little bit\\''
''-->If you wanna keep with the plot\\''
''-->'Cause it's a complicated Russian novel\\''
''-->Everyone's got nine different names...\\"''
to:
* BreakingTheFourthWall: All over the place, beginning as early as the prologue:
''-->"Thisprologue: ''"This is all in your program\\''
''-->Youprogram/You are at the opera\\''
''-->Gonnaopera/Gonna have to study up a little bit\\''
''-->Ifbit/If you wanna keep with the plot\\''
''-->'Causeplot/'Cause it's a complicated Russian novel\\''
''-->Everyone'snovel/Everyone's got nine different names...\\"''"''
''-->"This
''-->You
''-->Gonna
''-->If
''-->'Cause
''-->Everyone's
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''->"This is all in your program\\''
''->You are at the opera\\''
''->Gonna have to study up a little bit\\''
''->If you wanna keep with the plot\\''
''->'Cause it's a complicated Russian novel\\''
''->Everyone's got nine different names...\\"''
''->You are at the opera\\''
''->Gonna have to study up a little bit\\''
''->If you wanna keep with the plot\\''
''->'Cause it's a complicated Russian novel\\''
''->Everyone's got nine different names...\\"''
to:
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''->"This is all in your program//''
''->You are at the opera//''
''->Gonna have to study up a little bit//''
''->If you wanna keep with the plot//''
''->'Cause it's a complicated Russian novel//''
''->Everyone's got nine different names..."''
''->You are at the opera//''
''->Gonna have to study up a little bit//''
''->If you wanna keep with the plot//''
''->'Cause it's a complicated Russian novel//''
''->Everyone's got nine different names..."''
to:
''->"This is all in your program//''
program\\''
''->You are at theopera//''
opera\\''
''->Gonna have to study up a littlebit//''
bit\\''
''->If you wanna keep with theplot//''
plot\\''
''->'Cause it's a complicated Russiannovel//''
novel\\''
''->Everyone's got nine different names..."''\\"''
''->You are at the
''->Gonna have to study up a little
''->If you wanna keep with the
''->'Cause it's a complicated Russian
''->Everyone's got nine different names...
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->"This is all in your program//
->You are at the opera//
->Gonna have to study up a little bit//
->If you wanna keep with the plot//
->'Cause it's a complicated Russian novel//
->Everyone's got nine different names..."
->You are at the opera//
->Gonna have to study up a little bit//
->If you wanna keep with the plot//
->'Cause it's a complicated Russian novel//
->Everyone's got nine different names..."
to:
->You
''->You are at the
->Gonna
''->Gonna have to study up a little
->If
''->If you wanna keep with the
->'Cause
''->'Cause it's a complicated Russian
->Everyone's
''->Everyone's got nine different names...
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''Natasha, Pierre, and the Great Comet of 1812'' is a 2012 "[[RockOpera electro-pop opera]]" by Dave Malloy (who also plays Pierre), based on Volume 2, Book 5 of Tolstoy's ''LiteratureWarAndPeace''. It is something of a [[coming of age story]] for the titular [[TheIngenue Natasha]], who finds herself in an unexpected affair with the dashing Anatole Kuragin while waiting for her fiancé Andrey Bolkonsky to return from war. Anatole's sister Hélène finds the whole situation very amusing and helps facilitate Natasha's loss of innocence, while her own husband Pierre realizes he is DesperatelySearchingForAPurposeInLife. Despite adapting only a very narrow slice of the {{doorstopper}} it's based on, it manages to stand on its own as a story.
to:
''Natasha, Pierre, and the Great Comet of 1812'' is a 2012 "[[RockOpera electro-pop opera]]" by Dave Malloy (who also plays Pierre), based on Volume 2, Book 5 of Tolstoy's ''LiteratureWarAndPeace''. ''WarAndPeace''. It is something of a [[coming {{coming of age story]] story}} for the titular [[TheIngenue Natasha]], who finds herself in an unexpected affair with the dashing Anatole Kuragin while waiting for her fiancé Andrey Bolkonsky to return from war. Anatole's sister Hélène finds the whole situation very amusing and helps facilitate Natasha's loss of innocence, while her own husband Pierre realizes he is DesperatelySearchingForAPurposeInLife. Despite adapting only a very narrow slice of the {{doorstopper}} it's based on, it manages to stand on its own as a story.
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You are at the opera//
Gonna have to study up a little bit//
If you wanna keep with the plot//
'Cause it's a complicated Russian novel//
Everyone's got nine different names..."
Gonna have to study up a little bit//
If you wanna keep with the plot//
'Cause it's a complicated Russian novel//
Everyone's got nine different names..."
to:
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Changed line(s) 4,5 (click to see context) from:
''Natasha, Pierre, and the Great Comet of 1812'' is a 2012 "[[RockOpera electro-pop opera]]" by Dave Malloy (who also plays Pierre), based on Volume 2, Book 5 of Tolstoy's ''[[Literature/WarAndPeace]]''. It is something of a [[coming of age story]] for the titular [[TheIngenue Natasha]], who finds herself in an unexpected affair with the dashing Anatole Kuragin while waiting for her fiancé Andrey Bolkonsky to return from war. Anatole's sister Hélène finds the whole situation very amusing and helps facilitate Natasha's loss of innocence, while her own husband Pierre realizes he is DesperatelySearchingForAPurposeInLife. Despite adapting only a very narrow slice of the {{doorstopper}} it's based on, it manages to stand on its own as a story.
to:
''Natasha, Pierre, and the Great Comet of 1812'' is a 2012 "[[RockOpera electro-pop opera]]" by Dave Malloy (who also plays Pierre), based on Volume 2, Book 5 of Tolstoy's ''[[Literature/WarAndPeace]]''.''LiteratureWarAndPeace''. It is something of a [[coming of age story]] for the titular [[TheIngenue Natasha]], who finds herself in an unexpected affair with the dashing Anatole Kuragin while waiting for her fiancé Andrey Bolkonsky to return from war. Anatole's sister Hélène finds the whole situation very amusing and helps facilitate Natasha's loss of innocence, while her own husband Pierre realizes he is DesperatelySearchingForAPurposeInLife. Despite adapting only a very narrow slice of the {{doorstopper}} it's based on, it manages to stand on its own as a story.
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Added DiffLines:
[[quoteright:306:http://static.tvtropes.org/pmwiki/pub/images/natashapierrecast_4078.jpg]]
[[caption-width-right:306:L-R: [[HandsomeLech Anatole]] (hot), [[YourCheatingHeart Hélène]] (slut), [[TheIngenue Natasha]] (young), Dolokhov (fierce), dear, bewildered and awkward [[NiceGuy Pierre]], [[SirNotAppearingInThisFilm and Andrey isn't here]].]]
''Natasha, Pierre, and the Great Comet of 1812'' is a 2012 "[[RockOpera electro-pop opera]]" by Dave Malloy (who also plays Pierre), based on Volume 2, Book 5 of Tolstoy's ''[[Literature/WarAndPeace]]''. It is something of a [[coming of age story]] for the titular [[TheIngenue Natasha]], who finds herself in an unexpected affair with the dashing Anatole Kuragin while waiting for her fiancé Andrey Bolkonsky to return from war. Anatole's sister Hélène finds the whole situation very amusing and helps facilitate Natasha's loss of innocence, while her own husband Pierre realizes he is DesperatelySearchingForAPurposeInLife. Despite adapting only a very narrow slice of the {{doorstopper}} it's based on, it manages to stand on its own as a story.
Notably, the show isn't performed in a traditional theater, but rather a custom-built nightclub, with the action moving around, through, and occasionally [[AudienceParticipation with]] the audience. It also is a true sung-through opera, with musical styles ranging from folk to cabaret to rock to synthpop.
((Page is under construction.))
'''This musical contains examples of:'''
*AdaptationDistillation: In a manner of speaking. It covers only a small slice of ''War and Peace'', but it still works on its own.
*AnachronismStew: The club Anatole, Dolokhov, Pierre, and Hélène attend is staged as a modern rave, with strobe lights, glowbands, the works.
*BreakingTheFourthWall: All over the place, beginning as early as the prologue:
->"This is all in your program//
You are at the opera//
Gonna have to study up a little bit//
If you wanna keep with the plot//
'Cause it's a complicated Russian novel//
Everyone's got nine different names..."
* FollowTheLeader: An unintentional example; Dave Malloy was uncertain that a musical based on ''War and Peace'' would actually work, until a friend reminded him of [[Theatre/LesMiserables another sung-through musical based on a very, very long and incredibly complex 19th-century European novel]]. This encouraged him to continue.
[[caption-width-right:306:L-R: [[HandsomeLech Anatole]] (hot), [[YourCheatingHeart Hélène]] (slut), [[TheIngenue Natasha]] (young), Dolokhov (fierce), dear, bewildered and awkward [[NiceGuy Pierre]], [[SirNotAppearingInThisFilm and Andrey isn't here]].]]
''Natasha, Pierre, and the Great Comet of 1812'' is a 2012 "[[RockOpera electro-pop opera]]" by Dave Malloy (who also plays Pierre), based on Volume 2, Book 5 of Tolstoy's ''[[Literature/WarAndPeace]]''. It is something of a [[coming of age story]] for the titular [[TheIngenue Natasha]], who finds herself in an unexpected affair with the dashing Anatole Kuragin while waiting for her fiancé Andrey Bolkonsky to return from war. Anatole's sister Hélène finds the whole situation very amusing and helps facilitate Natasha's loss of innocence, while her own husband Pierre realizes he is DesperatelySearchingForAPurposeInLife. Despite adapting only a very narrow slice of the {{doorstopper}} it's based on, it manages to stand on its own as a story.
Notably, the show isn't performed in a traditional theater, but rather a custom-built nightclub, with the action moving around, through, and occasionally [[AudienceParticipation with]] the audience. It also is a true sung-through opera, with musical styles ranging from folk to cabaret to rock to synthpop.
((Page is under construction.))
'''This musical contains examples of:'''
*AdaptationDistillation: In a manner of speaking. It covers only a small slice of ''War and Peace'', but it still works on its own.
*AnachronismStew: The club Anatole, Dolokhov, Pierre, and Hélène attend is staged as a modern rave, with strobe lights, glowbands, the works.
*BreakingTheFourthWall: All over the place, beginning as early as the prologue:
->"This is all in your program//
You are at the opera//
Gonna have to study up a little bit//
If you wanna keep with the plot//
'Cause it's a complicated Russian novel//
Everyone's got nine different names..."
* FollowTheLeader: An unintentional example; Dave Malloy was uncertain that a musical based on ''War and Peace'' would actually work, until a friend reminded him of [[Theatre/LesMiserables another sung-through musical based on a very, very long and incredibly complex 19th-century European novel]]. This encouraged him to continue.