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* TheAlcoholic: "I Wonder What the King is Drinking Tonight" mocked Creator/RichardBurton's drinking problems at the time of his RoleReprisal in the 1980 revival of ''Theatre/{{Camelot}}''.
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Entry pimping

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* SurpriseIncest: Subverted in the parody of ''Theatre/SpringAwakening'':
-->'''Mother''': Oh, God! What have you done!\\
'''Wendla and Melchior''': Mother! ''(To each other.)'' That's my mother, not yours. Stop doing that! ''(To Mother.)'' Mother!\\
'''Mother''': Actually, I am both of your mothers.\\
'''Wendla and Melchior''': Both? But that would mean... eeew!\\
'''Mother''': Let me explain. In some scenes, I am Melchior's mother, and in others, I am Wendla's. I also play a piano teacher, and when I wear this hat, I'm Frau Knuppledick. Four different characters, all wearing the same dress.
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** "Stop Cats! A Chorus Cat" bewails the indignity of ''Theatre/{{Cats}}'' overtaking ''Theatre/AChorusLine'' as the longest-running Broadway musical.
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* WeUsedToBeFriends: "Popular" ''Theatre/{{Wicked}}'' co-stars Creator/KristinChenoweth and Creator/IdinaMenzel are bestest friends until Idina wins the Tony Award for Best Actress, after which Idina decides she's gonna try defying Chenoweth.

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* WeUsedToBeFriends: "Popular" ''Theatre/{{Wicked}}'' co-stars Creator/KristinChenoweth and Creator/IdinaMenzel are not only both "Popular" but bestest friends until Idina wins the Tony Award for Best Actress, after which Idina decides she's gonna try defying Chenoweth.
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* WeUsedToBeFriends: ''Theatre/{{Wicked}}'' co-stars Creator/KristinChenoweth and Creator/IdinaMenzel are bestest friends until Idina wins the Tony Award for Best Actress, after which Idina decides she's gonna try defying Chenoweth.

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* WeUsedToBeFriends: "Popular" ''Theatre/{{Wicked}}'' co-stars Creator/KristinChenoweth and Creator/IdinaMenzel are bestest friends until Idina wins the Tony Award for Best Actress, after which Idina decides she's gonna try defying Chenoweth.

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* DramaticUnmask: Andrew Lloyd Webber, the "Phantom of the Musical," is revealed to be Mickey Mouse when Sarah Brightman rips off his mask.



* TheReveal: Andrew Lloyd Webber, the "Phantom of the Musical," is revealed to be Mickey Mouse when Sarah Brightman rips off his mask.


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* StrawCritic: Ben Brantley from the ''New York Times'' destroys the car in ''Literature/{{Ragtime}}'' with what he calls "a little review from the boys down at the office."
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* TheTriple: From ''Forbidden Broadway Goes to Rehab'':
-->'''Creator/BernadettePeters''': I never forgot you, Steve. You gave me so much.\\
'''Creator/StephenSondheim''': What did I ever give you?\\
'''Bernadette''': Many things. ''Theatre/{{Sunday in the Park|WithGeorge}}''. ''Theatre/IntoTheWoods''. Vocal damage.
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* BestKnownForTheFanservice: Invoked in "Let Me Enter Naked," where Creator/DanielRadcliffe explains that girls flock to ''Theatre/{{Equus}}'' because "Film/HarryPotter naked makes this ol' creaky play sublime."
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* LimeyGoesToHollywood: Discussed in the Creator/JudiDench number, "Why Can't Americans Do Theater Like The Brits?"

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* LimeyGoesToHollywood: [[invoked]] Discussed in the Creator/JudiDench number, "Why Can't Americans Do Theater Like The Brits?"

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* MediumAwareness

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* MediumAwareness MediumAwareness
* MiseryPoker: The parody of "It Sucks To Be Me" from ''Theatre/AvenueQ'' has as its contestants Brooke Shields (subbing for Donna Murphy in a ''Wonderful Town'' revival), Tom Hewitt (starring in ''Dracula: The Musical''), Creator/StephenSchwartz (always snubbed for the Tony for Best Original Score) and a JapaneseTourist (who sees all the sucky shows New York City has to offer).
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Added illustrative quote from Ben Brantley, and elaborated on affectionate parody aspect.


''Forbidden Broadway'' is a parody revue show written and directed by Gerard Alessandrini that originally ran off-Broadway from 1982 to 2009. The early incarnations of the show spoofed musicals from the Golden Age and iconic performers like Ethel Merman and Carol Channing, but the format was quickly adapted to [[MusicalPastiche pastiche]] works in the current Broadway season. As the revue gained reputation, it became a [[SincerestFormOfFlattery point of honor]] in the theatre community to have one's work parodied by ''Forbidden Broadway''.

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''Forbidden Broadway'' is a parody revue show written and directed by Gerard Alessandrini that originally ran off-Broadway from 1982 to 2009. The early incarnations of the show spoofed musicals from the Golden Age and iconic performers like Ethel Merman and Carol Channing, but the format was quickly adapted to [[MusicalPastiche pastiche]] works in the current Broadway season. As the revue gained reputation, it became a [[SincerestFormOfFlattery point of honor]] in the theatre community to have one's work parodied by ''Forbidden Broadway''.
Broadway''; as New York Times chief theatre critic Ben Brantley wrote in his review of the 2000 edition: "such a detailed evisceration happens to be the highest compliment you can give a musical star. It means that there is something there to parody."



* AffectionateParody

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* AffectionateParodyAffectionateParody: Alessandrini has great affection for the theatre in general, and some performers/composers/playwrights in particular. On the other hand, some genres (e.g., jukebox musicals) and individuals are mocked without mercy or affection.
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* FormerChildStar:
-->I'm forty years old\\
Tomorrow\\
And I haven't worked since I played Theatre/{{Annie}}\\
When I was ten...
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* HeightAngst: Elaine Paige as [[Film/SunsetBoulevard Norma Desmond]]:

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* HeightAngst: Elaine Paige as [[Film/SunsetBoulevard Norma Desmond]]:Desmond]] (in ''Forbidden Broadway Strikes Back''):
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* WeUsedToBeFriends: ''Theatre/{{Wicked}}'' co-stars Creator/KristinChenoweth and Creator/IdinaMenzel are bestest friends until Idina wins the Tony Award for Best Actress.

to:

* WeUsedToBeFriends: ''Theatre/{{Wicked}}'' co-stars Creator/KristinChenoweth and Creator/IdinaMenzel are bestest friends until Idina wins the Tony Award for Best Actress.Actress, after which Idina decides she's gonna try defying Chenoweth.
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* CharlieAndTheChocolateParody: The 2014 London edition spoofs [[Theatre/CharlieAndTheChocolateFactory the 2013 stage musical adaptation]] of ''Literature/CharlieAndTheChocolateFactory'' -- which [[BootstrappedTheme incorporates]] the most famous song from [[Film/WillyWonkaAndTheChocolateFactory the 1971 film version]], "Pure Imagination", into an otherwise new song score -- with "No Imagination". Gags include West End musical stalwart Elaine Paige turning up as an Oompa-Loompa (see HeightAngst below for more on her) and a malfunctioning Great Glass Elevator, and the show gets accused not only of being unoriginal but a FollowTheLeader to ''Theatre/{{Matilda}}'', another, more acclaimed musical adapted from a Roald Dahl novel (it isn't — well before ''Matilda'' opened, ''Charlie'' was in the works).

to:

* CharlieAndTheChocolateParody: The 2014 London edition spoofs [[Theatre/CharlieAndTheChocolateFactory the 2013 stage musical adaptation]] of ''Literature/CharlieAndTheChocolateFactory'' -- which [[BootstrappedTheme incorporates]] the most famous song from [[Film/WillyWonkaAndTheChocolateFactory the 1971 film version]], "Pure Imagination", into an otherwise new song score -- with "No Imagination". Gags include West End musical stalwart Elaine Paige turning up as an Oompa-Loompa (see HeightAngst below for more on her) and her), a malfunctioning Great Glass Elevator, and the show gets accused not only of being unoriginal but a FollowTheLeader to ''Theatre/{{Matilda}}'', another, more acclaimed musical adapted from a Roald Dahl novel (it isn't — well before ''Matilda'' opened, ''Charlie'' was in the works). an unflattering comparison with ''Theatre/{{Matilda}}'' (another Creator/RoaldDahl adaptation).
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* ShallowParody: [[http://www.vulture.com/2014/05/theater-review-forbidden-broadway This review]] of ''Comes Out Swinging'' notes that the show occasionally slips into this, such as getting Santino Fontana's ''race'' wrong in the ''Film/{{Cinderella}}'' parody by claiming he's Latino.
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* ShallowParody: [[http://www.vulture.com/2014/05/theater-review-forbidden-broadway This review]] of ''Comes Out Swinging'' notes that the show occasionally slips into this, such as getting Santino Fontana's ''race'' wrong in the ''Film/{{Cinderella}}'' parody by claiming he's Latino.

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* RoyaltiesHeir:
-->'''Curly''': Yoko Ono? What the Sam Hill are you doing on Broadway?\\

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* RoyaltiesHeir:
-->'''Curly''':
RoyaltiesHeir: From ''Rude Awakening'''s goof on the short-lived JukeboxMusical ''[[Music/JohnLennon Lennon]]'':
-->'''[[Theatre/{{Oklahoma}} Curly]]''':
Yoko Ono? What the Sam Hill are you doing on Broadway?\\



* TakeThat: The show has a low, low opinion of Theater/JerseyBoys, mocking the high-pitched tones, that there was too much dialogue, that it was overproduced pop trash that stole from actual Broadway.
** Disney gets more than a few in Rude Awakening.
** Theater/{{Spamalot}} is accused of ripping off the show, and also calls Monty Python fans annoying.
** As with AdolfHitlarious, Rude Awakening compares the increasing corporate sponsorship of Broadway with Nazification.
* ThatsAllFolks: Every version of the show has ended with one of these, some longer than others.

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* TakeThat: TakeThat
**
The show has a low, low opinion of Theater/JerseyBoys, ''Theater/JerseyBoys'', mocking the high-pitched tones, singing ("Walk like a man/Sing like a girl"), and claiming that there was there's too much dialogue, that it was dialogue and it's overproduced pop trash that stole steals from actual Broadway.
** Disney gets more than a few of these in Rude Awakening.
''Rude Awakening'' with regards to ''Film/MaryPoppins'' and ''Disney/TheLittleMermaid''.
** Theater/{{Spamalot}} Not only is ''Theater/{{Spamalot}}'' accused of ripping off ''Forbidden Broadway'', the show, and spoof also calls Monty Python fans annoying.
** As with AdolfHitlarious, Rude Awakening the AdolfHitlarious bit in ''Comes Out Swinging'', the earlier edition ''Rude Awakening'' compares the increasing corporate sponsorship of Broadway with Nazification.
* ThatsAllFolks: Every version of the show has ended ends with one of these, some longer than others.
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** As with AdolfHitlarious, Rude Awakening compares the increasing corporate sponsorship of Broadway with Nazification.
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None

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** Theater/{{Spamalot}} is accused of ripping off the show, and also calls Monty Python fans annoying.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* TakeThat: The show has a low, low opinion of Theater/JerseyBoys, mocking the high-pitched tones, that there was too much dialogue, that it was overproduced pop trash that stole from actual Broadway.
** Disney gets more than a few in Rude Awakening.
Is there an issue? Send a MessageReason:
None


''Forbidden Broadway'' is typically performed by a cast of two men and two women with piano accompaniment. The show went on hiatus in 2009, but returned to turning out new editions off-Broadway in the summer of 2012. It's also toured the U.S., has yielded two spinoffs, and made a few trips across ThePond; the London editions include additional material spoofing West End musicals and stars.

to:

''Forbidden Broadway'' is typically performed by a cast of two men and two women with piano accompaniment. The show went on hiatus in 2009, but returned to turning out new editions off-Broadway in the summer of 2012. It's also toured the U.S., has yielded two spinoffs, and even made a few trips across ThePond; the London editions include additional material spoofing West End musicals and stars.
overseas.



* CharlieAndTheChocolateParody: The 2014 London edition specifically spoofs [[Theatre/CharlieAndTheChocolateFactory the 2013 stage musical adaptation]] of ''Literature/CharlieAndTheChocolateFactory'' -- which [[BootstrappedTheme incorporates]] the most famous song from [[Film/WillyWonkaAndTheChocolateFactory the 1971 film version]], "Pure Imagination", into an otherwise new song score -- with "No Imagination". Gags include West End musical stalwart Elaine Paige turning up as an Oompa-Loompa (see HeightAngst below for more on her) and a malfunctioning Great Glass Elevator, and the show gets accused not only of being unoriginal but a FollowTheLeader to ''Theatre/{{Matilda}}'', another, more acclaimed musical adapted from a Roald Dahl novel (it isn't — well before ''Matilda'' opened, ''Charlie'' was in the works).

to:

* CharlieAndTheChocolateParody: The 2014 London edition specifically spoofs [[Theatre/CharlieAndTheChocolateFactory the 2013 stage musical adaptation]] of ''Literature/CharlieAndTheChocolateFactory'' -- which [[BootstrappedTheme incorporates]] the most famous song from [[Film/WillyWonkaAndTheChocolateFactory the 1971 film version]], "Pure Imagination", into an otherwise new song score -- with "No Imagination". Gags include West End musical stalwart Elaine Paige turning up as an Oompa-Loompa (see HeightAngst below for more on her) and a malfunctioning Great Glass Elevator, and the show gets accused not only of being unoriginal but a FollowTheLeader to ''Theatre/{{Matilda}}'', another, more acclaimed musical adapted from a Roald Dahl novel (it isn't — well before ''Matilda'' opened, ''Charlie'' was in the works).



* IntercontinuityCrossover: Sometimes they make a bit of sense, like ''Grand Hotel'' and ''Theatre/TheSoundOfMusic'' both getting crossed with ''Theatre/{{Cabaret}}'' as all three are set in 1930s Germany/Austria, or ''Theatre/{{Matilda}}'' and ''Film/BillyElliot'''s child actors lamenting that they're "Exploited Children". Sometimes they just pair up things that were running in the same Broadway season, like ''Theatre/WhosAfraidOfVirginiaWoolf'' and ''Theatre/{{Doubt}}''.

to:

* IntercontinuityCrossover: Sometimes they make a bit of sense, like ''Grand Hotel'' and ''Theatre/TheSoundOfMusic'' both getting crossed with ''Theatre/{{Cabaret}}'' as since all three are set in 1930s Germany/Austria, or ''Theatre/{{Matilda}}'' and ''Film/BillyElliot'''s child actors lamenting that they're "Exploited Children". Sometimes they just pair up things that were running in the same Broadway season, like ''Theatre/WhosAfraidOfVirginiaWoolf'' and ''Theatre/{{Doubt}}''.
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None


* CharlieAndTheChocolateParody: The 2014 London edition specifically spoofs [[Theatre/CharlieAndTheChocolateFactory the 2013 stage musical adaptation]] of ''Literature/CharlieAndTheChocolateFactory'' -- which [[BootstrappedTheme incorporates]] the most famous song from [[Film/WillyWonkaAndTheChocolateFactory the 1971 film version]], "Pure Imagination", into an otherwise new song score -- with "No Imagination". Gags include West End musical stalwart Elaine Paige turning up as an Oompa-Loompa (see HeightAngst below for more on her) and the show being accused not only of being unoriginal but a FollowTheLeader to ''Theatre/{{Matilda}}'', another, more acclaimed musical adapted from a Roald Dahl novel (it isn't — well before ''Matilda'' opened, ''Charlie'' was in the works).

to:

* CharlieAndTheChocolateParody: The 2014 London edition specifically spoofs [[Theatre/CharlieAndTheChocolateFactory the 2013 stage musical adaptation]] of ''Literature/CharlieAndTheChocolateFactory'' -- which [[BootstrappedTheme incorporates]] the most famous song from [[Film/WillyWonkaAndTheChocolateFactory the 1971 film version]], "Pure Imagination", into an otherwise new song score -- with "No Imagination". Gags include West End musical stalwart Elaine Paige turning up as an Oompa-Loompa (see HeightAngst below for more on her) and a malfunctioning Great Glass Elevator, and the show being gets accused not only of being unoriginal but a FollowTheLeader to ''Theatre/{{Matilda}}'', another, more acclaimed musical adapted from a Roald Dahl novel (it isn't — well before ''Matilda'' opened, ''Charlie'' was in the works).
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* AdolfHitlarious: In ''Comes Out Swinging'' and the 2014 London edition, ''Theatre/{{Cabaret}}'' is crossed over with an attack on the increasing number of musicals having corporate backing/sponsorship with "Broadway Belongs to Me", in which executives take the place of Nazis and corporate logos (Disney, Warner Bros., etc.) take the place of the swastikas!


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* {{Camp}}: "You Can't Stop the Camp" mocks ''Film/{{Hairspray}}'', ''Film/{{Xanadu}}'', and similar shows.
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''Forbidden Broadway'' is a parody revue show written and directed by Gerard Alessandrini that ran off-Broadway from 1982 to 2009. The early incarnations of the show spoofed musicals from the Golden Age and iconic performers like Ethel Merman and Carol Channing, but the format was quickly adapted to [[MusicalPastiche pastiche]] works in the current Broadway season. As the revue gained reputation, it became a [[SincerestFormOfFlattery point of honor]] in the theatre community to have one's work parodied by ''Forbidden Broadway''.

''Forbidden Broadway'' is typically performed by a cast of two men and two women, with piano accompaniment. The show went on hiatus in 2009, but returned to turning out new editions off-Broadway in the summer of 2012.

to:

''Forbidden Broadway'' is a parody revue show written and directed by Gerard Alessandrini that originally ran off-Broadway from 1982 to 2009. The early incarnations of the show spoofed musicals from the Golden Age and iconic performers like Ethel Merman and Carol Channing, but the format was quickly adapted to [[MusicalPastiche pastiche]] works in the current Broadway season. As the revue gained reputation, it became a [[SincerestFormOfFlattery point of honor]] in the theatre community to have one's work parodied by ''Forbidden Broadway''.

''Forbidden Broadway'' is typically performed by a cast of two men and two women, women with piano accompaniment. The show went on hiatus in 2009, but returned to turning out new editions off-Broadway in the summer of 2012. It's also toured the U.S., has yielded two spinoffs, and made a few trips across ThePond; the London editions include additional material spoofing West End musicals and stars.



** The parody of the 2012 Broadway revival of ''Music/{{Evita}}'' had Ricky Martin singing (what else?) "Livin' Evita Loca."

to:

** The parody of the 2012 Broadway revival of ''Music/{{Evita}}'' had Ricky Martin singing (what else?) "Livin' Evita Loca."Loca".



* CharlieAndTheChocolateParody: The 2014 London edition specifically spoofs [[Theatre/CharlieAndTheChocolateFactory the 2013 stage musical adaptation]] of ''Literature/CharlieAndTheChocolateFactory'' -- which [[BootstrappedTheme incorporates]] the most famous song from [[Film/WillyWonkaAndTheChocolateFactory the 1971 film version]], "Pure Imagination", into an otherwise new song score -- with "No Imagination". Gags include West End musical stalwart Elaine Paige turning up as an Oompa-Loompa (see HeightAngst below for more on this issue) and the show being accused not only of being unoriginal but a FollowTheLeader to ''Theatre/{{Matilda}}'', another, more acclaimed musical adapted from a Roald Dahl novel (it isn't — well before ''Matilda'' opened, ''Charlie'' was in the works).

to:

* CharlieAndTheChocolateParody: The 2014 London edition specifically spoofs [[Theatre/CharlieAndTheChocolateFactory the 2013 stage musical adaptation]] of ''Literature/CharlieAndTheChocolateFactory'' -- which [[BootstrappedTheme incorporates]] the most famous song from [[Film/WillyWonkaAndTheChocolateFactory the 1971 film version]], "Pure Imagination", into an otherwise new song score -- with "No Imagination". Gags include West End musical stalwart Elaine Paige turning up as an Oompa-Loompa (see HeightAngst below for more on this issue) her) and the show being accused not only of being unoriginal but a FollowTheLeader to ''Theatre/{{Matilda}}'', another, more acclaimed musical adapted from a Roald Dahl novel (it isn't — well before ''Matilda'' opened, ''Charlie'' was in the works).



* EverythingsBetterWithMonkeys: The flying monkeys from ''Theatre/{{Wicked}}'' make a special appearance singing a parody of "Please Don't Monkey With Broadway."

to:

* EverythingsBetterWithMonkeys: The flying monkeys from ''Theatre/{{Wicked}}'' make a special appearance singing a parody of in "Please Don't Monkey With Broadway."Broadway".
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* IntercontinuityCrossover: Sometimes they make a bit of sense, like ''Grand Hotel'' and ''TheSoundOfMusic'' both getting crossed with ''{{Cabaret}}'' as all three are set in 1930s Germany/Austria. Sometimes they just pair up things that were running in the same Broadway season, like ''Theatre/WhosAfraidOfVirginiaWoolf'' and ''Theatre/{{Doubt}}''.

to:

* IntercontinuityCrossover: Sometimes they make a bit of sense, like ''Grand Hotel'' and ''TheSoundOfMusic'' ''Theatre/TheSoundOfMusic'' both getting crossed with ''{{Cabaret}}'' ''Theatre/{{Cabaret}}'' as all three are set in 1930s Germany/Austria.Germany/Austria, or ''Theatre/{{Matilda}}'' and ''Film/BillyElliot'''s child actors lamenting that they're "Exploited Children". Sometimes they just pair up things that were running in the same Broadway season, like ''Theatre/WhosAfraidOfVirginiaWoolf'' and ''Theatre/{{Doubt}}''.
Is there an issue? Send a MessageReason:
None


* CharlieAndTheChocolateParody: The 2014 London edition specifically spoofs [[Theatre/CharlieAndTheChocolateFactory the 2013 stage musical adaptation]] -- which [[BootstrappedTheme incorporates]] the most famous song from the '71 film, "Pure Imagination", into an otherwise new song score -- with "No Imagination". Gags include West End musical stalwart Elaine Paige turning up as an Oompa-Loompa (see HeightAngst below for more on this issue) and the show being accused not only of being unoriginal but a FollowTheLeader to ''Theatre/{{Matilda}}'', another, more acclaimed musical adapted from a Roald Dahl novel (it isn't — well before ''Matilda'' opened, ''Charlie'' was in the works).

to:

* CharlieAndTheChocolateParody: The 2014 London edition specifically spoofs [[Theatre/CharlieAndTheChocolateFactory the 2013 stage musical adaptation]] of ''Literature/CharlieAndTheChocolateFactory'' -- which [[BootstrappedTheme incorporates]] the most famous song from [[Film/WillyWonkaAndTheChocolateFactory the '71 film, 1971 film version]], "Pure Imagination", into an otherwise new song score -- with "No Imagination". Gags include West End musical stalwart Elaine Paige turning up as an Oompa-Loompa (see HeightAngst below for more on this issue) and the show being accused not only of being unoriginal but a FollowTheLeader to ''Theatre/{{Matilda}}'', another, more acclaimed musical adapted from a Roald Dahl novel (it isn't — well before ''Matilda'' opened, ''Charlie'' was in the works).
Is there an issue? Send a MessageReason:
None


* CharlieAndTheChocolateParody: The 2014 London edition specifically spoofs [[Theatre/CharlieAndTheChocolateFactory the 2013 stage musical adaptation]] -- which [[BootstrappedTheme incorporates]] the most famous song from the '71 film, "Pure Imagination", into an otherwise new song score -- with "No Imagination". Gags include West End musical stalwart Elaine Paige turning up as an Oompa-Loompa and the show being accused not only of being unoriginal but a Follow the Leader to ''Theatre/{{Matilda}}'', another musical adapted from a Roald Dahl novel (it isn't — well before ''Matilda'' opened, ''Charlie'' was in the works).

to:

* CharlieAndTheChocolateParody: The 2014 London edition specifically spoofs [[Theatre/CharlieAndTheChocolateFactory the 2013 stage musical adaptation]] -- which [[BootstrappedTheme incorporates]] the most famous song from the '71 film, "Pure Imagination", into an otherwise new song score -- with "No Imagination". Gags include West End musical stalwart Elaine Paige turning up as an Oompa-Loompa (see HeightAngst below for more on this issue) and the show being accused not only of being unoriginal but a Follow the Leader FollowTheLeader to ''Theatre/{{Matilda}}'', another another, more acclaimed musical adapted from a Roald Dahl novel (it isn't — well before ''Matilda'' opened, ''Charlie'' was in the works).
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* CharlieAndTheChocolateParody: The 2014 London edition specifically spoofs [[Theatre/CharlieAndTheChocolateFactory the 2013 stage musical adaptation]] -- which [[BootstrappedTheme incorporates]] the most famous song from the '71 film, "Pure Imagination", into an otherwise new song score -- with "No Imagination". Gags include West End musical stalwart Elaine Paige turning up as an Oompa-Loompa and the show being accused not only of being unoriginal but a Follow the Leader to ''Theatre/{{Matilda}}'', another musical adapted from a Roald Dahl novel (it isn't — well before ''Matilda'' opened, ''Charlie'' was in the works).
Is there an issue? Send a MessageReason:
None

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* TrouserSpace: In the ''Theatre/SpringAwakening'' parody, Melchior unzips his fly and pulls out a microphone.

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