Changed line(s) 2,3 (click to see context) from:
-->'''Hodel:''' God only knows when we shall see each other again.
-->'''Tevye:''' Then we shall leave it in His hands.
-->'''Tevye:''' Then we shall leave it in His hands.
to:
-->'''Hodel:''' God only knows when we shall see each other again.
-->'''Tevye:'''again.\\
'''Tevye:''' Then we shall leave it in His hands.
-->'''Tevye:'''
'''Tevye:''' Then we shall leave it in His hands.
Deleted line(s) 5 (click to see context) :
* [[spoiler:When Tevye disowns Chava]] and the song he sings about it afterward.
Changed line(s) 9 (click to see context) from:
* "Sunrise, Sunset" is a beautifully somber song about watching your children grow up and leave you, and how it's a wonderful thing to watch, but doesn't make the fact that you are growing older and left alone any easier. For obvious reasons, it is a very popular choice for father-daughter/mother-son dances at weddings (at least Jewish weddings).
to:
* "Sunrise, Sunset" is a beautifully somber song about watching your children grow up and leave you, and how it's a wonderful thing to watch, but it doesn't make the fact that you are growing older and left alone any easier. For obvious reasons, it is a very popular choice for father-daughter/mother-son dances at weddings (at least Jewish weddings).
Changed line(s) 9 (click to see context) from:
* "Sunrise, Sunset." It's a beautifully somber song about watching your children grow up and leave you, and how it's a wonderful thing to watch, but doesn't make the fact that you are growing older and left alone any easier. For obvious reasons, it is a very popular choice for father-daughter/mother-son dances at weddings (at least Jewish weddings).
to:
* "Sunrise, Sunset." It's Sunset" is a beautifully somber song about watching your children grow up and leave you, and how it's a wonderful thing to watch, but doesn't make the fact that you are growing older and left alone any easier. For obvious reasons, it is a very popular choice for father-daughter/mother-son dances at weddings (at least Jewish weddings).
Added DiffLines:
*** Then you remember at the beginning of the musical he explains that the Jews don't bother the Christians and in turn they don't bother them and things have been peaceful. A man who has faith in his traditions and in consistency and things going by clockwork, he must have been thinking "What have I done to deserve this?"
Added DiffLines:
** Then, Tevye's expression as he hears the Cossacks smashing and looting the rest of the village. He looks up to heaven with a face of betrayal and defeat, clearly asking, "Why?", but for once at a loss for words.
Changed line(s) 2,3 (click to see context) from:
-->'''HODEL:''' God only knows when we shall see each other again.
-->'''TEVYE:''' Then we shall leave it in His hands.
-->'''TEVYE:''' Then we shall leave it in His hands.
to:
Changed line(s) 7 (click to see context) from:
* Anatevka. The song is just so bleak. They try to kid themselves into saying the village was nothing, just a pile of rubbish, it should have been destroyed ages ago. But they know this is a lie. It wasn't much, but [[YouCantGoHomeAgain it was their home dammit!]]
to:
* Anatevka."Anatevka". The song is just so bleak. They try to kid themselves into saying the village was nothing, just a pile of rubbish, it should have been destroyed ages ago. But they know this is a lie. It wasn't much, but [[YouCantGoHomeAgain it was their home dammit!]]
Changed line(s) 9 (click to see context) from:
* "Sunrise, Sunset." It's a beautifully somber song about watching your children grow up and leave you, and how it's a wonderful thing to watch, but doesn't make the fact that you are growing older and left alone any easier. For obvious reasons, it is a very popular choice for father-daugther/mother-son dances at weddings (at least Jewish weddings).
to:
* "Sunrise, Sunset." It's a beautifully somber song about watching your children grow up and leave you, and how it's a wonderful thing to watch, but doesn't make the fact that you are growing older and left alone any easier. For obvious reasons, it is a very popular choice for father-daugther/mother-son father-daughter/mother-son dances at weddings (at least Jewish weddings).
Changed line(s) 16 (click to see context) from:
* A quick blink-or-you'll-miss-it moment during the film's version of "Sunrise, Sunset" for Lazar Wolf. It's been implied that his feelings for Tzietel are genuine and the simple resignation and sadness on his face is both touching and a TearJerker rolled into one.
to:
* A quick blink-or-you'll-miss-it moment during the film's version of "Sunrise, Sunset" for Lazar Wolf. It's been implied that his feelings for Tzietel are genuine and the simple resignation and sadness on his face is both touching and a TearJerker rolled into one.one.
----
----
Changed line(s) 15 (click to see context) from:
* Golde gets one when the family is preparing to leave Anatevka. As she packs, Tevye tries to hurry her along, and she tells him that "I still have to sweep the floor...I don't want to leave a dirty house." There's something heartbreaking about her seemingly foolish chore--the characters and the audience know that Golde and Tevye's ramshackle little home will probably be burned to the ground or razed. But despite that, Golde takes pride in the life she and Tevye have made there, and refuses to let anyone steal that from her.
to:
* Golde gets one when the family is preparing to leave Anatevka. As she packs, Tevye tries to hurry her along, and she tells him that "I still have to sweep the floor...I don't want to leave a dirty house." There's something heartbreaking about her seemingly foolish chore--the characters and the audience know that Golde and Tevye's ramshackle little home will probably be burned to the ground or razed. But despite that, Golde takes pride in the life she and Tevye have made there, and refuses to let anyone steal that from her.her.
* A quick blink-or-you'll-miss-it moment during the film's version of "Sunrise, Sunset" for Lazar Wolf. It's been implied that his feelings for Tzietel are genuine and the simple resignation and sadness on his face is both touching and a TearJerker rolled into one.
* A quick blink-or-you'll-miss-it moment during the film's version of "Sunrise, Sunset" for Lazar Wolf. It's been implied that his feelings for Tzietel are genuine and the simple resignation and sadness on his face is both touching and a TearJerker rolled into one.
Changed line(s) 12 (click to see context) from:
** The pogrom that occurs at Tzeitel and Motel's wedding. Previously, the constable and the other Cossacks was celebrating with Teyve over his daughter's marriage. A happy event suddenly ends with all the guests running in terror, the whole reception wrecked, Tevye and his family left to clean up the mess, and the constable can only weakly mutter, [[JustFollowingOrders "Orders are orders."]]
to:
** The pogrom that occurs at Tzeitel and Motel's wedding. Previously, the constable and the other Cossacks was were celebrating with Teyve over his daughter's marriage. A happy event suddenly ends with all the guests running in terror, the whole reception wrecked, Tevye and his family left to clean up the mess, and the constable can only weakly mutter, [[JustFollowingOrders "Orders are orders."]]
Changed line(s) 1 (click to see context) from:
* A lot of songs from ''Fiddler on the Roof'' tug at the heartstings. Probably one of the most infamous examples is "Sunrise, Sunset". And when done right, "Sabbath Prayer" also has a very powerful feeling to it-you'll cry and you won't know why. "Far From the Home I Love" is also heartbreaking, as well as the lines immediately after:
to:
* A lot of songs from ''Fiddler on the Roof'' tug at the heartstings. Probably one of the most infamous examples is "Sunrise, Sunset". And when done right, "Sabbath Prayer" also has a very powerful feeling to it-you'll it--you'll cry and you won't know why. "Far From the Home I Love" is also heartbreaking, as well as the lines immediately after:
Changed line(s) 15 (click to see context) from:
* Golde gets one when the family is preparing to leave Anatevka. As she packs, Tevye tries to hurry her along, and she tells him that "I still have to sweep the floor...I don't want to leave a dirty house." There's something heartbreaking--the characters and the audience know that Golde and Tevye's ramshackle little home will probably be burned to the ground or razed, but despite that, Golde takes pride in the life she and Tevye have made there.
to:
* Golde gets one when the family is preparing to leave Anatevka. As she packs, Tevye tries to hurry her along, and she tells him that "I still have to sweep the floor...I don't want to leave a dirty house." There's something heartbreaking--the heartbreaking about her seemingly foolish chore--the characters and the audience know that Golde and Tevye's ramshackle little home will probably be burned to the ground or razed, but razed. But despite that, Golde takes pride in the life she and Tevye have made there.there, and refuses to let anyone steal that from her.
Changed line(s) 9 (click to see context) from:
* "Sun rise, sun set", it's a beautifully somber song about watching your children grow up and leave you, and how it's a wonderful thing to watch, but doesn't make the fact that you are growing older and left alone any easier. For obvious reasons, it is a very popular choice for father-daugther/mother-son dances at weddings (at least Jewish weddings).
to:
* "Sun rise, sun set", it's "Sunrise, Sunset." It's a beautifully somber song about watching your children grow up and leave you, and how it's a wonderful thing to watch, but doesn't make the fact that you are growing older and left alone any easier. For obvious reasons, it is a very popular choice for father-daugther/mother-son dances at weddings (at least Jewish weddings).
Changed line(s) 13 (click to see context) from:
* Tevye's casting out of Chava. Her heart is breaking, his heart is breaking, and if yours doesn't too you don't have one.
to:
* Tevye's casting out of Chava. Her heart is breaking, his heart is breaking, and if yours doesn't too you don't have one.one.
* In one of the final moments of the film, the entire village of Anatevka briefly stands together in a circle, hands on one another's shoulders...then breaks apart. It's a powerful metaphor about just what is happening to the culture of these little villages.
* Golde gets one when the family is preparing to leave Anatevka. As she packs, Tevye tries to hurry her along, and she tells him that "I still have to sweep the floor...I don't want to leave a dirty house." There's something heartbreaking--the characters and the audience know that Golde and Tevye's ramshackle little home will probably be burned to the ground or razed, but despite that, Golde takes pride in the life she and Tevye have made there.
* In one of the final moments of the film, the entire village of Anatevka briefly stands together in a circle, hands on one another's shoulders...then breaks apart. It's a powerful metaphor about just what is happening to the culture of these little villages.
* Golde gets one when the family is preparing to leave Anatevka. As she packs, Tevye tries to hurry her along, and she tells him that "I still have to sweep the floor...I don't want to leave a dirty house." There's something heartbreaking--the characters and the audience know that Golde and Tevye's ramshackle little home will probably be burned to the ground or razed, but despite that, Golde takes pride in the life she and Tevye have made there.
Changed line(s) 11 (click to see context) from:
* The look on the constable's face when the inspector leaves ordering him to do a sort of pogram. Its almost a beaten, self-loathing expression. He clearly doesn't want to harm the Jewish citizens but he has and compromises and he doesn't like it for one minute.
to:
* The look on the constable's face when the inspector leaves ordering him to do a sort of pogram.pogrom. Its almost a beaten, self-loathing expression. He clearly doesn't want to harm the Jewish citizens but he has to and compromises and he doesn't like it for one minute.
Added DiffLines:
** The pogrom that occurs at Tzeitel and Motel's wedding. Previously, the constable and the other Cossacks was celebrating with Teyve over his daughter's marriage. A happy event suddenly ends with all the guests running in terror, the whole reception wrecked, Tevye and his family left to clean up the mess, and the constable can only weakly mutter, [[JustFollowingOrders "Orders are orders."]]
Changed line(s) 12 (click to see context) from:
* Tevye's casting out of Hodel. Her heart is breaking, his heart is breaking and if yours doesn't too you don't have one.
to:
* Tevye's casting out of Hodel. Chava. Her heart is breaking, his heart is breaking breaking, and if yours doesn't too you don't have one.
Changed line(s) 11 (click to see context) from:
* The look on the constable's face when the inspector leaves ordering him to do a sort of pogram. Its almost a beaten, self-loathing expression. He clearly doesn't want to harm the Jewish citizens but he has and compromises and he doesn't like it for one minute.
to:
* The look on the constable's face when the inspector leaves ordering him to do a sort of pogram. Its almost a beaten, self-loathing expression. He clearly doesn't want to harm the Jewish citizens but he has and compromises and he doesn't like it for one minute.minute.
* Tevye's casting out of Hodel. Her heart is breaking, his heart is breaking and if yours doesn't too you don't have one.
* Tevye's casting out of Hodel. Her heart is breaking, his heart is breaking and if yours doesn't too you don't have one.
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