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Changed line(s) 87,88 (click to see context) from:
EldritchLocation or GeniusLoci can be the monster in and of itself, be it the No End House or Hell itself. Twisting the familiar is a tried and true literary technique- WebVideo/TheMonumentMythos ' bread and butter is warping the famous American landmarks into creepshows.
to:
EldritchLocation or GeniusLoci can be the monster in and of itself, be it the No End House or Hell itself. Twisting the familiar is a tried and true tried-and-true literary technique- technique - WebVideo/TheMonumentMythos ' bread and butter is warping the famous American landmarks into creepshows.
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Stop me if you've heard this one before- Heavily scarred teenage serial killer in a hoodie, wielding a bladed weapon and a HealingFactor of some sort, usually white and male with a catchphrase they say on each kill. If you thought of Jeff the Killer, Ticci Toby, X-Virus, Masky and Hoodie...
When the genre began it was all about mascots- cute anime boys for fanart to Woobify into a misunderstood DracoInLeatherPants. Nowadays, while mascots are perfectly fine (certain ones like Smile Dog and Slenderman have indeed stood the test of time), there are only so many creepy photographs in the world you can spin a story around. The face of your Pasta should be yours, be it a shambling shoggoth or pony cannibal.
Just remember that real life serial killers aren't supervillains- To quote [[Film/TheAddamsFamily Wednesday Addams]], "They look just like everyone else."
When the genre began it was all about mascots- cute anime boys for fanart to Woobify into a misunderstood DracoInLeatherPants. Nowadays, while mascots are perfectly fine (certain ones like Smile Dog and Slenderman have indeed stood the test of time), there are only so many creepy photographs in the world you can spin a story around. The face of your Pasta should be yours, be it a shambling shoggoth or pony cannibal.
Just remember that real life serial killers aren't supervillains- To quote [[Film/TheAddamsFamily Wednesday Addams]], "They look just like everyone else."
to:
Stop me if you've heard this one before- before - Heavily scarred teenage serial killer in a hoodie, wielding a bladed weapon and a HealingFactor of some sort, usually white and male with a catchphrase they say on each kill. If you thought of Jeff the Killer, Ticci Toby, X-Virus, Masky and Hoodie...
When the genre began it was all aboutmascots- mascots - cute anime boys for fanart to Woobify into a misunderstood DracoInLeatherPants. Nowadays, while mascots are perfectly fine (certain ones like Smile Dog and Slenderman have indeed stood the test of time), there are only so many creepy photographs in the world you can spin a story around. The face of your Pasta should be yours, be it a shambling shoggoth or pony cannibal.
Just remember that real life serial killers aren'tsupervillains- supervillains - To quote [[Film/TheAddamsFamily Wednesday Addams]], "They look just like everyone else."
When the genre began it was all about
Just remember that real life serial killers aren't
Changed line(s) 101,104 (click to see context) from:
Your readers are TheEveryman- and they have quite the ego about themselves. Adapt your character to the setting and time, but remember that slashers have among the most made fun of protagonists of any genre. Any subversion of its idiot ball tendencies are good. What would you do in this situation? MostWritersAreHuman, after all.
Then, of course, comes the fun part- Designing a monster. UncannyValley, GlasgowGrin, shrunken features and perversions of the natural order a beastie make. Determine where you want to sit on the scale from realistic to CosmicHorror, from ''Scream'' to ''Literature/TheMist''. If your threat is particularly corruptive, your very protagonist may become WasOnceAMan.
Then, of course, comes the fun part- Designing a monster. UncannyValley, GlasgowGrin, shrunken features and perversions of the natural order a beastie make. Determine where you want to sit on the scale from realistic to CosmicHorror, from ''Scream'' to ''Literature/TheMist''. If your threat is particularly corruptive, your very protagonist may become WasOnceAMan.
to:
Your readers are TheEveryman- TheEveryman - and they have quite the ego about themselves. Adapt your character to the setting and time, but remember that slashers have among the most made fun of protagonists of any genre. Any subversion of its idiot ball tendencies are is good. What would you do in this situation? MostWritersAreHuman, after all.
Then, of course, comes the funpart- part - Designing a monster. UncannyValley, GlasgowGrin, shrunken features and perversions of the natural order a beastie make. Determine where you want to sit on the scale from realistic to CosmicHorror, from ''Scream'' to ''Literature/TheMist''. If your threat is particularly corruptive, your very protagonist may become WasOnceAMan.
Then, of course, comes the fun
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* Kris Straub's ''[[Literature/CandleCove'', considered by many to be one of the most brilliant 'lost-episode' creepypastas.
to:
* Kris Straub's ''[[Literature/CandleCove'', ''Literature/CandleCove'', considered by many to be one of the most brilliant 'lost-episode' creepypastas.
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Creepypasta is a frequently ridiculed genre. Its beginning to shake the reputation it once had, but a particularly bad story will never be forgotten- the Internet loves a punching bag.
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Creepypasta is a frequently ridiculed genre. Its It's beginning to shake the reputation it once had, but a particularly bad story will never be forgotten- the Internet loves a punching bag.
Is there an issue? Send a MessageReason:
Changed line(s) 123,124 (click to see context) from:
* ''[[WebOriginal/JeffTheKiller Jeff the Killer]]'' (more specifically the 2011 version), to the point where the story was moved to the Trollpasta wiki.
* ''Fanfic/SonicExe'', another pasta so bad it was moved to the Trollpasta wiki.
* ''Fanfic/SonicExe'', another pasta so bad it was moved to the Trollpasta wiki.
to:
* ''[[WebOriginal/JeffTheKiller Jeff the Killer]]'' ''Literature/JeffTheKiller'' (more specifically the 2011 version), to the point where the story was moved to the Trollpasta wiki.
* ''Fanfic/SonicExe'', another pasta so bad it was moved to the Trollpastawiki.wiki.
----
* ''Fanfic/SonicExe'', another pasta so bad it was moved to the Trollpasta
----
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None
Changed line(s) 103,104 (click to see context) from:
Then, of course, comes the fun part- Designing a monster. UncannyValley, GlasgowGrin, shrunken features and perversions of the natural order a beastie make. Determine where you want to sit on the scale from realistic to CosmicHorror, from Scream to TheMist. If your threat is particularly corruptive, your very protagonist may become WasOnceAMan.
to:
Then, of course, comes the fun part- Designing a monster. UncannyValley, GlasgowGrin, shrunken features and perversions of the natural order a beastie make. Determine where you want to sit on the scale from realistic to CosmicHorror, from Scream ''Scream'' to TheMist.''Literature/TheMist''. If your threat is particularly corruptive, your very protagonist may become WasOnceAMan.
Changed line(s) 111 (click to see context) from:
* Kris Straub's [[Literature/CandleCove Candle Cove]], considered by many to be one of the most brilliant 'lost-episode' creepypastas.
to:
* Kris Straub's [[Literature/CandleCove Candle Cove]], ''[[Literature/CandleCove'', considered by many to be one of the most brilliant 'lost-episode' creepypastas.
Changed line(s) 123,124 (click to see context) from:
* [[WebOriginal/JeffTheKiller Jeff the Killer]] (more specifically the 2011 version), to the point where the story was moved to the Trollpasta wiki.
* Fanfic/SonicExe, another pasta so bad it was moved to the Trollpasta wiki.
* Fanfic/SonicExe, another pasta so bad it was moved to the Trollpasta wiki.
to:
* [[WebOriginal/JeffTheKiller ''[[WebOriginal/JeffTheKiller Jeff the Killer]] Killer]]'' (more specifically the 2011 version), to the point where the story was moved to the Trollpasta wiki.
*Fanfic/SonicExe, ''Fanfic/SonicExe'', another pasta so bad it was moved to the Trollpasta wiki.
*
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None
Changed line(s) 30,33 (click to see context) from:
* A group of friends visiting a local forest,
* Waking up in an unfamiliar room,
* Waking up from a disturbing vision,
* Walking somewhere and get the feeling that you're being stalked,
* Waking up in an unfamiliar room,
* Waking up from a disturbing vision,
* Walking somewhere and get the feeling that you're being stalked,
to:
* A group of friends visiting a local forest,
forest
* Waking up in an unfamiliarroom,
room
* Waking up from a disturbingvision,
vision
* Walking somewhere andget getting the feeling that you're being stalked,stalked
* Waking up in an unfamiliar
* Waking up from a disturbing
* Walking somewhere and
Changed line(s) 38,39 (click to see context) from:
The biggest part of a creepy pasta is, as the name suggests, the creep factor. However, what exact type of horror we are dealing with varies from story to story, ranging from DeathOfAChild to ZombieApocalypse. You must first determine what frightens you the most. The boogeyman, lurking under the bed? A businessman with no face? Inexplicable stairways to nowhere in the middle of the forest? Forgetting your child in the car on a hot day? Ghosts? The end of the world? The devil himself? Or the possibility that you're already dead and this is your DyingDream? Horror is as varied and diverse as humanity, and as the author of that horror, you must tell us where we are in the Twilight Zone.
to:
The biggest part of a creepy pasta creepypasta is, as the name suggests, the creep factor. However, what exact type of horror we are dealing with varies from story to story, ranging from DeathOfAChild to ZombieApocalypse. You must first determine what frightens you the most. The boogeyman, lurking under the bed? A businessman with no face? Inexplicable stairways to nowhere in the middle of the forest? Forgetting your child in the car on a hot day? Ghosts? The end of the world? The devil himself? Or the possibility that you're already dead and this is your DyingDream? Horror is as varied and diverse as humanity, and as the author of that horror, you must tell us where we are in the Twilight Zone.
Changed line(s) 122 (click to see context) from:
* WebVideo/BadCreepypasta chronicles these, as well as pointing out for each one just *why* it doesn't work.
to:
* WebVideo/BadCreepypasta chronicles these, as well as pointing out for each one just *why* why it doesn't work.
Is there an issue? Send a MessageReason:
None
Changed line(s) 1,2 (click to see context) from:
So... You like to read creepypastas don't you?
to:
So... You like to read creepypastas creepypastas, don't you?
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Changed line(s) 113,114 (click to see context) from:
* TheSlenderManMythos is one of the shining examples of the readers making the monster and NothingIsScarier.
to:
* TheSlenderManMythos Franchise/TheSlenderManMythos is one of the shining examples of the readers making the monster and NothingIsScarier.
Is there an issue? Send a MessageReason:
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Changed line(s) 113 (click to see context) from:
to:
* TheSlenderManMythos is one of the shining examples of the readers making the monster and NothingIsScarier.
Is there an issue? Send a MessageReason:
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Changed line(s) 103,104 (click to see context) from:
Then, of course, comes the fun part- Designing a monster. UncannyValley, GlasgowGrins, shrunken features and perversions of the natural order a beastie make. Determine where you want to sit on the scale from realistic to CosmicHorror, from Scream to TheMist. If your threat is particularly corruptive, your very protagonist may become WasOnceAMan.
to:
Then, of course, comes the fun part- Designing a monster. UncannyValley, GlasgowGrins, GlasgowGrin, shrunken features and perversions of the natural order a beastie make. Determine where you want to sit on the scale from realistic to CosmicHorror, from Scream to TheMist. If your threat is particularly corruptive, your very protagonist may become WasOnceAMan.
Is there an issue? Send a MessageReason:
None
The world is getting scary, and your readers know that. Perhaps Science has wrought something it should not, our herd mentality becomes more dangerous than the monster- the more likely it is that it could happen, the more your reader will think.
During the COVID 19 shutdown, many pastas were penned inspired by the events people saw happening around them- societal unrest, a failure to act on behalf of the government, and a formless evil that reshaped society around it. Similarly capitalizing on the fears of not only you, but your community can make for a very real horror. Just be sure not to date your story too much.
And of course, Horror as a Metaphor- your monster doesn't just have to be an STD anymore. Old regrets, mistakes, and grief can manifest in a mysterious figure or hulking beast. Get artistic.
During the COVID 19 shutdown, many pastas were penned inspired by the events people saw happening around them- societal unrest, a failure to act on behalf of the government, and a formless evil that reshaped society around it. Similarly capitalizing on the fears of not only you, but your community can make for a very real horror. Just be sure not to date your story too much.
And of course, Horror as a Metaphor- your monster doesn't just have to be an STD anymore. Old regrets, mistakes, and grief can manifest in a mysterious figure or hulking beast. Get artistic.
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!!Suggested Plots
to:
Your readers know it best, after all- Creepypastas have even sprung up about the very website they're written on.
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!!Props Department
to:
EldritchLocation or GeniusLoci can be the monster in and of itself, be it the No End House or Hell itself. Twisting the familiar is a tried and true literary technique- WebVideo/TheMonumentMythos ' bread and butter is warping the famous American landmarks into creepshows.
And if you're set on a Videogame creepypasta, for the love of God, learn the videogame you're referencing. Fans will recognize your mistake, and nothing breaks an immersion more than seeing, say, an unacknowledged Dry Bones in the original Super Mario.
Stop me if you've heard this one before- Heavily scarred teenage serial killer in a hoodie, wielding a bladed weapon and a HealingFactor of some sort, usually white and male with a catchphrase they say on each kill. If you thought of Jeff the Killer, Ticci Toby, X-Virus, Masky and Hoodie...
When the genre began it was all about mascots- cute anime boys for fanart to Woobify into a misunderstood DracoInLeatherPants. Nowadays, while mascots are perfectly fine (certain ones like Smile Dog and Slenderman have indeed stood the test of time), there are only so many creepy photographs in the world you can spin a story around. The face of your Pasta should be yours, be it a shambling shoggoth or pony cannibal.
Just remember that real life serial killers aren't supervillains- To quote [[Film/TheAddamsFamily Wednesday Addams]], "They look just like everyone else."
When the genre began it was all about mascots- cute anime boys for fanart to Woobify into a misunderstood DracoInLeatherPants. Nowadays, while mascots are perfectly fine (certain ones like Smile Dog and Slenderman have indeed stood the test of time), there are only so many creepy photographs in the world you can spin a story around. The face of your Pasta should be yours, be it a shambling shoggoth or pony cannibal.
Just remember that real life serial killers aren't supervillains- To quote [[Film/TheAddamsFamily Wednesday Addams]], "They look just like everyone else."
Your readers are TheEveryman- and they have quite the ego about themselves. Adapt your character to the setting and time, but remember that slashers have among the most made fun of protagonists of any genre. Any subversion of its idiot ball tendencies are good. What would you do in this situation? MostWritersAreHuman, after all.
Then, of course, comes the fun part- Designing a monster. UncannyValley, GlasgowGrins, shrunken features and perversions of the natural order a beastie make. Determine where you want to sit on the scale from realistic to CosmicHorror, from Scream to TheMist. If your threat is particularly corruptive, your very protagonist may become WasOnceAMan.
Your threat is the core of your story in most cases. Don't make it boring.
Then, of course, comes the fun part- Designing a monster. UncannyValley, GlasgowGrins, shrunken features and perversions of the natural order a beastie make. Determine where you want to sit on the scale from realistic to CosmicHorror, from Scream to TheMist. If your threat is particularly corruptive, your very protagonist may become WasOnceAMan.
Your threat is the core of your story in most cases. Don't make it boring.
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to:
* r/nosleep and the Creepypasta Wiki routinely sort their stories by the most critically acclaimed. Finding the best of the best on them is an easy process, and the latter contains in its Historical Archive category all of the most famous (or infamous) stories across the internet's lifespan.
Added DiffLines:
Creepypasta is a frequently ridiculed genre. Its beginning to shake the reputation it once had, but a particularly bad story will never be forgotten- the Internet loves a punching bag.
* WebVideo/BadCreepypasta chronicles these, as well as pointing out for each one just *why* it doesn't work.
Is there an issue? Send a MessageReason:
None
Changed line(s) 24,25 (click to see context) from:
And of course, there's the ending- assuming the protagonist gets anything outside a DownerEnding or a PhyrrhicVictory, readers will expect them to EarnYourHappyEnding.
to:
And of course, there's the ending- assuming the protagonist gets anything outside a DownerEnding or a PhyrrhicVictory, PyrrhicVictory, readers will expect them to EarnYourHappyEnding.
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None
Changed line(s) 24,25 (click to see context) from:
And of course, there's the ending- assuming the protagonist gets anything outside a DownerEnding or a PhyrricVictory, readers will expect them to EarnYourHappyEnding.
to:
And of course, there's the ending- assuming the protagonist gets anything outside a DownerEnding or a PhyrricVictory, PhyrrhicVictory, readers will expect them to EarnYourHappyEnding.
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None
Changed line(s) 14 (click to see context) from:
!Where To Start
to:
A creepypasta is confined only by genre; location, setting, characters, and threat are yours to play with, leaving a lot of wiggle room with tropes. A glance down just the names of HorrorTropes should get gears turning for a creative writer.
In the modern day and age, it may seem like every horror story idea has been exhausted beyond recognition. If you're fond of the idea of using a stock monster for your story, look down the OurMonstersAreDifferent page to see what new ideas you can bring to the table.
The best use of this page is to combine it with the lessons of another, like SoYouWantTo/WriteAnAlienInvasionStory or SoYouWantTo/WriteACosmicHorrorStory. These can help you nail down the feel of your story and how high and far reaching you want the stakes- a worldwide conflict and a home invader are both viable opportunities.
All this vagueness can seem intimidating, but there are a few things modern readers enjoy seeing to separate the evolved from the classic- Rational Protagonists, NothingIsScarier, MindScrew, EldritchAbomination and EldritchLocation, for example.
And of course, there's the ending- assuming the protagonist gets anything outside a DownerEnding or a PhyrricVictory, readers will expect them to EarnYourHappyEnding.
!Choices, Choices
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Changed line(s) 26,27 (click to see context) from:
The biggest part of a creepy pasta is, as the name suggests, the creep factor. However, what exact type of horror we are dealing with varies from story to story, ranging from AdultFear to ZombieApocalypse. You must first determine what frightens you the most. The boogeyman, lurking under the bed? A businessman with no face? Inexplicable stairways to nowhere in the middle of the forest? Forgetting your child in the car on a hot day? Ghosts? The end of the world? The devil himself? Or the possibility that you're already dead and this is your DyingDream? Horror is as varied and diverse as humanity, and as the author of that horror, you must tell us where we are in the Twilight Zone.
to:
The biggest part of a creepy pasta is, as the name suggests, the creep factor. However, what exact type of horror we are dealing with varies from story to story, ranging from AdultFear DeathOfAChild to ZombieApocalypse. You must first determine what frightens you the most. The boogeyman, lurking under the bed? A businessman with no face? Inexplicable stairways to nowhere in the middle of the forest? Forgetting your child in the car on a hot day? Ghosts? The end of the world? The devil himself? Or the possibility that you're already dead and this is your DyingDream? Horror is as varied and diverse as humanity, and as the author of that horror, you must tell us where we are in the Twilight Zone.
Is there an issue? Send a MessageReason:
None
Changed line(s) 82 (click to see context) from:
* VideoGame/SonicExe, another pasta so bad it was moved to the Trollpasta wiki.
to:
* VideoGame/SonicExe, Fanfic/SonicExe, another pasta so bad it was moved to the Trollpasta wiki.
Is there an issue? Send a MessageReason:
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Deleted line(s) 24,37 (click to see context) :
!!Alternative Considerations
Since the "haunted video game" and "lost episode" classes have been done to death, there are various alternative settings you might want to consider. A demonstrative backstory takes the perspective of a character from a game itself, examining the events of the in-game world from their perspective, establishing a backstory for them, before eventually revealing who they are and their motivations within the game world.
Traditional horror allows one the simple ability to imagine a psychological or cosmic horror story and post that over the web. For advice on these types of stories a simple look into the "How to Write a Horror Story" page would be recommended.
!!Making the characters believable
When it comes to creating characters (Be it VillainProtagonist OC or otherwise), it's crucial to try and make them interesting. Perhaps the POV character is a LeadYouCanRelateTo struggling to survive the horrors thrown at them, or the main character goes through a gradual process of ProtagonistJourneyToVillain due to circumstances that pushed them too far.
If the protagonist isn't believable or relatable, you usually end up not caring about them. This means that Mary Sue characters are even worse than usual, because nobody's perfect and that includes the reader. As such, you should give the protagonist flaws, interests, motivations, and/or redeeming qualities.
For further tips on creating a character, see SoYouWantTo/MakeInterestingCharacters and SoYouWantTo/DevelopCharacterPersonality.
Since the "haunted video game" and "lost episode" classes have been done to death, there are various alternative settings you might want to consider. A demonstrative backstory takes the perspective of a character from a game itself, examining the events of the in-game world from their perspective, establishing a backstory for them, before eventually revealing who they are and their motivations within the game world.
Traditional horror allows one the simple ability to imagine a psychological or cosmic horror story and post that over the web. For advice on these types of stories a simple look into the "How to Write a Horror Story" page would be recommended.
!!Making the characters believable
When it comes to creating characters (Be it VillainProtagonist OC or otherwise), it's crucial to try and make them interesting. Perhaps the POV character is a LeadYouCanRelateTo struggling to survive the horrors thrown at them, or the main character goes through a gradual process of ProtagonistJourneyToVillain due to circumstances that pushed them too far.
If the protagonist isn't believable or relatable, you usually end up not caring about them. This means that Mary Sue characters are even worse than usual, because nobody's perfect and that includes the reader. As such, you should give the protagonist flaws, interests, motivations, and/or redeeming qualities.
For further tips on creating a character, see SoYouWantTo/MakeInterestingCharacters and SoYouWantTo/DevelopCharacterPersonality.
Deleted line(s) 44,47 (click to see context) :
!!Words to watch out for when writing
Among other things in creepypasta to watch out for is what words have been overused to the point where it makes the story redundant or cliché. From a narrative standpoint, words such as 'hyper-realistic' became a constant in poorly written creepypasta with little understanding to the meaning behind it. From the profiling of a character standpoint, one of the most common titles used on characters is 'the Killer', which only serves to create a Self-Insert Character clone of pre-existing OCs.
Among other things in creepypasta to watch out for is what words have been overused to the point where it makes the story redundant or cliché. From a narrative standpoint, words such as 'hyper-realistic' became a constant in poorly written creepypasta with little understanding to the meaning behind it. From the profiling of a character standpoint, one of the most common titles used on characters is 'the Killer', which only serves to create a Self-Insert Character clone of pre-existing OCs.
Changed line(s) 52 (click to see context) from:
to:
!!Making the characters believable
When it comes to creating characters (Be it VillainProtagonist OC or otherwise), it's crucial to try and make them interesting. Perhaps the POV character is a LeadYouCanRelateTo struggling to survive the horrors thrown at them, or the main character goes through a gradual process of ProtagonistJourneyToVillain due to circumstances that pushed them too far.
If the protagonist isn't believable or relatable, you usually end up not caring about them. This means that Mary Sue characters are even worse than usual, because nobody's perfect and that includes the reader. As such, you should give the protagonist flaws, interests, motivations, and/or redeeming qualities.
For further tips on creating a character, see SoYouWantTo/MakeInterestingCharacters and SoYouWantTo/DevelopCharacterPersonality.
!!Words to watch out for when writing
Among other things in creepypasta to watch out for is what words have been overused to the point where it makes the story redundant or cliché. From a narrative standpoint, words such as 'hyper-realistic' became a constant in poorly written creepypasta with little understanding to the meaning behind it. From the profiling of a character standpoint, one of the most common titles used on characters is 'the Killer', which only serves to create a Self-Insert Character clone of pre-existing OCs.
When it comes to creating characters (Be it VillainProtagonist OC or otherwise), it's crucial to try and make them interesting. Perhaps the POV character is a LeadYouCanRelateTo struggling to survive the horrors thrown at them, or the main character goes through a gradual process of ProtagonistJourneyToVillain due to circumstances that pushed them too far.
If the protagonist isn't believable or relatable, you usually end up not caring about them. This means that Mary Sue characters are even worse than usual, because nobody's perfect and that includes the reader. As such, you should give the protagonist flaws, interests, motivations, and/or redeeming qualities.
For further tips on creating a character, see SoYouWantTo/MakeInterestingCharacters and SoYouWantTo/DevelopCharacterPersonality.
!!Words to watch out for when writing
Among other things in creepypasta to watch out for is what words have been overused to the point where it makes the story redundant or cliché. From a narrative standpoint, words such as 'hyper-realistic' became a constant in poorly written creepypasta with little understanding to the meaning behind it. From the profiling of a character standpoint, one of the most common titles used on characters is 'the Killer', which only serves to create a Self-Insert Character clone of pre-existing OCs.
Changed line(s) 54 (click to see context) from:
to:
!!Alternative Considerations
Since the "haunted video game" and "lost episode" classes have been done to death, there are various alternative settings you might want to consider. A demonstrative backstory takes the perspective of a character from a game itself, examining the events of the in-game world from their perspective, establishing a backstory for them, before eventually revealing who they are and their motivations within the game world.
Traditional horror allows one the simple ability to imagine a psychological or cosmic horror story and post that over the web. For advice on these types of stories a simple look into the "How to Write a Horror Story" page would be recommended.
Since the "haunted video game" and "lost episode" classes have been done to death, there are various alternative settings you might want to consider. A demonstrative backstory takes the perspective of a character from a game itself, examining the events of the in-game world from their perspective, establishing a backstory for them, before eventually revealing who they are and their motivations within the game world.
Traditional horror allows one the simple ability to imagine a psychological or cosmic horror story and post that over the web. For advice on these types of stories a simple look into the "How to Write a Horror Story" page would be recommended.
Is there an issue? Send a MessageReason:
None
!Where To Start
!Tips to Avoid Pitfalls
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* [[WebOriginal/JeffTheKiller Jeff the Killer]] (more specifically the 2011 version), to the point where the story was moved to the Trollpasta wiki.
to:
* [[WebOriginal/JeffTheKiller Jeff the Killer]] (more specifically the 2011 version), to the point where the story was moved to the Trollpasta wiki.
* VideoGame/SonicExe, another pasta so bad it was moved to the Trollpasta wiki.
* VideoGame/SonicExe, another pasta so bad it was moved to the Trollpasta wiki.
Is there an issue? Send a MessageReason:
None
Changed line(s) 39,40 (click to see context) from:
The biggest part of a creepy pasta is, as the name suggests, the creep factor. However, what exact type of horror we are dealing with varies from story to story, ranging from AdultFear to ZombieApocalypse. You must first determine what frightens you the most. The boogeyman, lurking under the bed? A businessman with no face? Inexplicable stairways to nowhere in the middle of the forest? Forgetting your child in the car on a hot day? Ghosts? The end of the world? The devil himself? Or the possibility that you're already dead and this is your DyingDream? Horror is as varied and diverse as humanity, and as the author of that horror, you must tell us where we are in the Twilight Zone. Read up on HorrorTropes.
to:
The biggest part of a creepy pasta is, as the name suggests, the creep factor. However, what exact type of horror we are dealing with varies from story to story, ranging from AdultFear to ZombieApocalypse. You must first determine what frightens you the most. The boogeyman, lurking under the bed? A businessman with no face? Inexplicable stairways to nowhere in the middle of the forest? Forgetting your child in the car on a hot day? Ghosts? The end of the world? The devil himself? Or the possibility that you're already dead and this is your DyingDream? Horror is as varied and diverse as humanity, and as the author of that horror, you must tell us where we are in the Twilight Zone.
Read up onHorrorTropes.
HorrorTropes for possible ideas.
Read up on
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* [[Literature/JeffTheKiller Jeff the Killer]] (more specifically the 2011 version), to the point where the story was moved to the Trollpasta wiki.
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* [[Literature/JeffTheKiller [[WebOriginal/JeffTheKiller Jeff the Killer]] (more specifically the 2011 version), to the point where the story was moved to the Trollpasta wiki.