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* TheSixties: The decade the series is set in. Smack dab in the middle of the UsefulNotes/CivilRightsMovement.
* TheAlcoholic: Fauna's adopted mother, Jimmie Lee, drinks heavily. Corinna Hodel does the same.
* BasedOnATrueStory: The trailer states it's "inspired by true events". Every episode ends with photos of the real-life people featured in the drama (Fauna, Jimmie Lee, George Hodel, etc.), and also of the Black Dahlia murder, the "John Sowden House", and works by famous artists (Dali, Man Ray, Max Ernst) who the real George knew socially.
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* TheSixties: The decade the series is set in. Smack dab in the middle of the UsefulNotes/CivilRightsMovement.
* TheAlcoholic: Fauna's adopted mother, Jimmie Lee, drinks heavily. Corinna Hodel does the same.
* BasedOnATrueStory: The trailer states it's "inspired by true events". Every episode ends with photos of the real-life people featured in the drama (Fauna, Jimmie Lee, George Hodel, etc.), and also of the Black Dahlia murder, the "John Sowden House", and works by famous artists (Dali, Man Ray, Max Ernst) who the real George knew socially.
* TheAlcoholic: Fauna's adopted mother, Jimmie Lee, drinks heavily. Corinna Hodel does the same.
* BasedOnATrueStory: The trailer states it's "inspired by true events". Every episode ends with photos of the real-life people featured in the drama (Fauna, Jimmie Lee, George Hodel, etc.), and also of the Black Dahlia murder, the "John Sowden House", and works by famous artists (Dali, Man Ray, Max Ernst) who the real George knew socially.
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added tropes
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* ObsceneOBGYN: George Hodel is a gynecologist who [[spoiler:raped his own daughter and is portrayed as Elizabeth Short's likely killer, though he doesn't face prison.]]
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trope is about colorism IU, not racism overall
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* ButNotTooBlack: Averted. Fauna can pass as white, but her white classmates lump her in with the other black students, cops lose interest in seeing if "colored boys are bothering her" once she tells them she's mixed race, and is derided by a fully black girl who thinks she fits this trope. Her adoptive mother says she was accused of kidnapping her as a baby by white people, which forced her to pretend she was her nanny in public. Given the setting, this may as well be SurprisinglyRealisticOutcome, if not downright deconstruction of the trope. [[spoiler:It later turns out that Fauna isn't black at all; her mother told the doctors that the father was a "Negro" in order to hide that Fauna was the product of incest.]]
to:
* ButNotTooBlack: Averted. ButNotTooWhite: Mixed-race Fauna can pass as white, but her white classmates lump her in with the other black students, cops lose interest in seeing if "colored boys are bothering her" once she tells them she's mixed race, and is derided by a fully black girl who thinks she fits this trope.she's not black enough. Her adoptive mother says she was accused of kidnapping her as a baby by white people, which forced her to pretend she was her nanny in public. Given the setting, this may as well be SurprisinglyRealisticOutcome, if not downright deconstruction of the trope.SurprisinglyRealisticOutcome. [[spoiler:It later turns out that Fauna isn't black at all; her mother told the doctors that the father was a "Negro" in order to hide that Fauna was the product of incest.]]
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** Corinna does a show that's an apeing of Music/YokoOno's ''[[https://en.m.wikipedia.org/wiki/Cut_Piece_1964 Cut Piece]]'' performance art.
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** Corinna does a show club performance that's an apeing of Music/YokoOno's ''[[https://en.m.wikipedia.org/wiki/Cut_Piece_1964 Cut Piece]]'' performance art.Piece]]''.
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* ShoutOut: Specifically to ''Film/{{Chinatown}}'', but subverted significantly from the classic film.
** [[spoiler:Tamar and Fauna Hodel's story in the series closely matches that of the film's Evelyn and Katherine Mulwray, but the two Hodels survive to potentially hopeful ends.]]
** [[spoiler:Jay's narrowly successful escape from the police car brings to mind the Mulwrays' failed escape attempt in the film's climax.]]
** [[spoiler:George Hodel in the series is made out as being similar to the film's Noah Cross. Unlike Cross, George does not go completely unscathed.]]
** [[spoiler:Tamar and Fauna Hodel's story in the series closely matches that of the film's Evelyn and Katherine Mulwray, but the two Hodels survive to potentially hopeful ends.]]
** [[spoiler:Jay's narrowly successful escape from the police car brings to mind the Mulwrays' failed escape attempt in the film's climax.]]
** [[spoiler:George Hodel in the series is made out as being similar to the film's Noah Cross. Unlike Cross, George does not go completely unscathed.]]
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* ShoutOut: ShoutOut:
** Specifically to ''Film/{{Chinatown}}'', but subverted significantly from the classic film.
** *** [[spoiler:Tamar and Fauna Hodel's story in the series closely matches that of the film's Evelyn and Katherine Mulwray, but the two Hodels survive to potentially hopeful ends.]]
** *** [[spoiler:Jay's narrowly successful escape from the police car brings to mind the Mulwrays' failed escape attempt in the film's climax.]]
** *** [[spoiler:George Hodel in the series is made out as being similar to the film's Noah Cross. Unlike Cross, George does not go completely unscathed.]]]]
** Corinna does a show that's an apeing of Music/YokoOno's ''[[https://en.m.wikipedia.org/wiki/Cut_Piece_1964 Cut Piece]]'' performance art.
** Specifically to ''Film/{{Chinatown}}'', but subverted significantly from the classic film.
** Corinna does a show that's an apeing of Music/YokoOno's ''[[https://en.m.wikipedia.org/wiki/Cut_Piece_1964 Cut Piece]]'' performance art.
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* ButNotTooBlack: Averted. Fauna can pass as white, but her white classmates lump her in with the other black students, cops lose interest in seeing if "colored boys are bothering her" once she tells them she's mixed race, and is derided by a fully black girl who thinks she fits this trope. Her adoptive mother says she was accused of kidnapping her as a baby by white people, which forced her to pretend she was her nanny in public. Given the setting, this may as well be RealityEnsues, if not downright deconstruction of the trope. [[spoiler:It later turns out that Fauna isn't black at all; her mother told the doctors that the father was a "Negro" in order to hide that Fauna was the product of incest.]]
to:
* ButNotTooBlack: Averted. Fauna can pass as white, but her white classmates lump her in with the other black students, cops lose interest in seeing if "colored boys are bothering her" once she tells them she's mixed race, and is derided by a fully black girl who thinks she fits this trope. Her adoptive mother says she was accused of kidnapping her as a baby by white people, which forced her to pretend she was her nanny in public. Given the setting, this may as well be RealityEnsues, SurprisinglyRealisticOutcome, if not downright deconstruction of the trope. [[spoiler:It later turns out that Fauna isn't black at all; her mother told the doctors that the father was a "Negro" in order to hide that Fauna was the product of incest.]]
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* RuleOfThree: Each episode concludes with displaying three historical photos connected to either Fauna, or George, or the Black Dahlia murder. The final episode only shows one photo (in two differing views side-by-side: full and close-up), but still displays three: Fauna with her two daughters.
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* RuleOfThree: Each episode concludes with displaying three historical photos connected to either Fauna, or George, or the Black Dahlia murder. The final episode only shows one photo, but it's a photo (in two differing views side-by-side: full and close-up), but still displays three: of three people: Fauna with her two daughters.
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* ShoutOut: Specifically to ''Film/{{Chinatown}}'', but averted significantly from the classic film.
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* ShoutOut: Specifically to ''Film/{{Chinatown}}'', but averted subverted significantly from the classic film.
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* ButNotTooBlack: Averted '''hard'''. Fauna can pass as white, but her white classmates lump her in with the other black students, cops lose interest in seeing if "colored boys are bothering her" once she tells them she's mixed race, and is derided by a fully black girl who thinks she fits this trope. Her adoptive mother says she was accused of kidnapping her as a baby by white people, which forced her to pretend she was her nanny in public. Given the setting, this may as well be RealityEnsues, if not downright deconstruction of the trope. [[spoiler:It later turns out that Fauna isn't black at all; her mother told the doctors that the father was a "Negro" in order to hide that Fauna was the product of incest.]]
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* ButNotTooBlack: Averted '''hard'''.Averted. Fauna can pass as white, but her white classmates lump her in with the other black students, cops lose interest in seeing if "colored boys are bothering her" once she tells them she's mixed race, and is derided by a fully black girl who thinks she fits this trope. Her adoptive mother says she was accused of kidnapping her as a baby by white people, which forced her to pretend she was her nanny in public. Given the setting, this may as well be RealityEnsues, if not downright deconstruction of the trope. [[spoiler:It later turns out that Fauna isn't black at all; her mother told the doctors that the father was a "Negro" in order to hide that Fauna was the product of incest.]]
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* NoHistoricalFiguresWereHarmed: Corinna Hodel (formerly Corinna Huntington) is an {{Expy}} of George Hodel's third wife Dorothy Harvey, previously married as Dorothy ''[[Creator/JohnHuston Huston]]''.
to:
* NoHistoricalFiguresWereHarmed: Corinna Hodel (formerly Corinna Huntington) is an {{Expy}} of George Hodel's third wife Dorothy Harvey, previously married as whose previous married-name was Dorothy ''[[Creator/JohnHuston Huston]]''.
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* RuleOfThree: Each episode concludes with displaying three historical photos connected to either Fauna, or George, or the Black Dahlia murder. The final episode only shows one photo (in two differing views side-by-side: full and close-up), but still displays three: Fauna with her two daughters.
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* AutopsySnackTime: Jay Singletary is almost caught trying to steal a photography of a body in the pilot episode, but a morgue worker passing through is too wrapped up in a conversation about his mama's sweet potato pie to see him in a conspicuous place.
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* AutopsySnackTime: Jay Singletary is almost caught trying to steal a photography photograph of a body in the pilot episode, but a morgue worker passing through is too wrapped up in a conversation about his mama's sweet potato pie to see him in a conspicuous place.
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added autopsy snack time
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* AutopsySnackTime: Jay Singletary is almost caught trying to steal a photography of a body in the pilot episode, but a morgue worker passing through is too wrapped up in a conversation about his mama's sweet potato pie to see him in a conspicuous place.
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** [[spoiler:Jay's narrowly successful escape from the police car brings to mind the Mulwray's failed escape attempt in the film's climax.]]
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** [[spoiler:Jay's narrowly successful escape from the police car brings to mind the Mulwray's Mulwrays' failed escape attempt in the film's climax.]]
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Added DiffLines:
* NoHistoricalFiguresWereHarmed: Corinna Hodel (formerly Corinna Huntington) is an {{Expy}} of George Hodel's third wife Dorothy Harvey, previously married as Dorothy ''[[Creator/JohnHuston Huston]]''.
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* {{Irony}}: Not in-story, but from reality. [[spoiler:The series makes George Hodel out as being just like ''Film/{{Chinatown}}'''s Noah Cross, played by Creator/JohnHuston. Huston had actually known the real Hodel socially, and Huston's ex-wife married Hodel.]]
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** [[spoiler:George Hodel in the series is made out as being similar to the film's Noah Cross, played by Creator/JohnHuston. (Amusingly, Huston had known the real Hodel socially, and Huston's ex-wife became the third of Hodel's four wives.)]]
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** [[spoiler:George Hodel in the series is made out as being similar to the film's Noah Cross. Unlike Cross, played by Creator/JohnHuston. (Amusingly, Huston had known the real Hodel socially, and Huston's ex-wife became the third of Hodel's four wives.)]]George does not go completely unscathed.]]
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* SpiritualSuccessor: Specifically to ''Film/{{Chinatown}}'', but averted significantly from the classic film.
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* SpiritualSuccessor: ShoutOut: Specifically to ''Film/{{Chinatown}}'', but averted significantly from the classic film.
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** [[spoiler:Jay's narrowly successful escape from the police car is an averted near-ShoutOut to the Mulwray's failed escape attempt in the film's climax.]]
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** [[spoiler:Jay's narrowly successful escape from the police car is an averted near-ShoutOut brings to mind the Mulwray's failed escape attempt in the film's climax.]]
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* BasedOnATrueStory: The trailer states it's "inspired by true events". Every episode ends with photos of the real-life people featured in the drama (Fauna, Jimmie Lee, George Hodel, etc.), and also of the Black Dahlia murder, the "John Sowden House", and works by famous artists (Dali, Man Ray, Max Ernst) who socialized with Hodel.
to:
* BasedOnATrueStory: The trailer states it's "inspired by true events". Every episode ends with photos of the real-life people featured in the drama (Fauna, Jimmie Lee, George Hodel, etc.), and also of the Black Dahlia murder, the "John Sowden House", and works by famous artists (Dali, Man Ray, Max Ernst) who socialized with Hodel.the real George knew socially.
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* HistoricalDomainCharacter: [[https://en.wikipedia.org/wiki/George_Hill_Hodel George Hill Hodel]], a famous suspect in both the "Black Dahlia" and "Zodiac" cases. Also important in the drama is the historical [[https://en.wikipedia.org/wiki/John_Sowden_House Sowden House]], and works of Surrealist and avant-gard art.
* {{Homage}}: Specifically to ''Film/{{Chinatown}}'', but with significant inversions from the classic film.
** [[spoiler:Tamar and Fauna Hodel's story in the series closely matches that of the film's Evelyn and Katherine Mulwray, but the two Hodels survive to potentially hopeful ends.]]
** [[spoiler:Jay's narrowly successful escape from the police car is an inverted near-ShoutOut to the Mulwray's failed escape attempt in the film's climax.]]
* {{Homage}}: Specifically to ''Film/{{Chinatown}}'', but with significant inversions from the classic film.
** [[spoiler:Tamar and Fauna Hodel's story in the series closely matches that of the film's Evelyn and Katherine Mulwray, but the two Hodels survive to potentially hopeful ends.]]
** [[spoiler:Jay's narrowly successful escape from the police car is an inverted near-ShoutOut to the Mulwray's failed escape attempt in the film's climax.]]
to:
* HistoricalDomainCharacter: [[https://en.wikipedia.org/wiki/George_Hill_Hodel George Hill Hodel]], a famous suspect in both the "Black Dahlia" and "Zodiac" cases. Also important in the drama is the historical [[https://en.wikipedia.org/wiki/John_Sowden_House Sowden House]], and works of Surrealist and avant-gard art.
* {{Homage}}: Specifically to ''Film/{{Chinatown}}'', but with significant inversions from the classic film.
** [[spoiler:Tamar and Fauna Hodel's story in the series closely matches that of the film's Evelyn and Katherine Mulwray, but the two Hodels survive to potentially hopeful ends.]]
** [[spoiler:Jay's narrowly successful escape from the police car is an inverted near-ShoutOut to the Mulwray's failed escape attempt in the film's climax.]]avant-garde art.
* {{Homage}}: Specifically to ''Film/{{Chinatown}}'', but with significant inversions from the classic film.
** [[spoiler:Tamar and Fauna Hodel's story in the series closely matches that of the film's Evelyn and Katherine Mulwray, but the two Hodels survive to potentially hopeful ends.]]
** [[spoiler:Jay's narrowly successful escape from the police car is an inverted near-ShoutOut to the Mulwray's failed escape attempt in the film's climax.]]
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* SpiritualSuccessor: Specifically to ''Film/{{Chinatown}}'', but averted significantly from the classic film.
** [[spoiler:Tamar and Fauna Hodel's story in the series closely matches that of the film's Evelyn and Katherine Mulwray, but the two Hodels survive to potentially hopeful ends.]]
** [[spoiler:Jay's narrowly successful escape from the police car is an averted near-ShoutOut to the Mulwray's failed escape attempt in the film's climax.]]
** [[spoiler:George Hodel in the series is made out as being similar to the film's Noah Cross, played by Creator/JohnHuston. (Amusingly, Huston had known the real Hodel socially, and Huston's ex-wife became the third of Hodel's four wives.)]]
** [[spoiler:Tamar and Fauna Hodel's story in the series closely matches that of the film's Evelyn and Katherine Mulwray, but the two Hodels survive to potentially hopeful ends.]]
** [[spoiler:Jay's narrowly successful escape from the police car is an averted near-ShoutOut to the Mulwray's failed escape attempt in the film's climax.]]
** [[spoiler:George Hodel in the series is made out as being similar to the film's Noah Cross, played by Creator/JohnHuston. (Amusingly, Huston had known the real Hodel socially, and Huston's ex-wife became the third of Hodel's four wives.)]]
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* TheAlcoholic: Fauna's adopted mother drinks heavily.
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* TheAlcoholic: Fauna's adopted mother mother, Jimmie Lee, drinks heavily.heavily. Corinna Hodel does the same.
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** Jay's escape from the police car is a near ShoutOut to the Mulwray's failed escape attempt in the film's climax.
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** Jay's [[spoiler:Jay's narrowly successful escape from the police car is a near ShoutOut an inverted near-ShoutOut to the Mulwray's failed escape attempt in the film's climax.]]
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* WhereAreTheyNowEpilogue: The finale ends with a 2015 picture of the real-life Fauna Hodel and her daughters. (Not noted is that Fauna Hodel died in 2017.)
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* WhereAreTheyNowEpilogue: The finale ends with a 2015 picture of the real-life Fauna Hodel and her daughters. (Not noted is that Fauna Hodel died in 2017.)
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* {{Homage}}: Specifically to ''Film/{{Chinatown}}, but with significant inversions from the classic film.
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* {{Homage}}: Specifically to ''Film/{{Chinatown}}, ''Film/{{Chinatown}}'', but with significant inversions from the classic film.
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Added DiffLines:
* {{Homage}}: Specifically to ''Film/{{Chinatown}}, but with significant inversions from the classic film.
** [[spoiler:Tamar and Fauna Hodel's story in the series closely matches that of the film's Evelyn and Katherine Mulwray, but the two Hodels survive to potentially hopeful ends.]]
** Jay's escape from the police car is a near ShoutOut to the Mulwray's failed escape attempt in the film's climax.
** [[spoiler:Tamar and Fauna Hodel's story in the series closely matches that of the film's Evelyn and Katherine Mulwray, but the two Hodels survive to potentially hopeful ends.]]
** Jay's escape from the police car is a near ShoutOut to the Mulwray's failed escape attempt in the film's climax.
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Broken link
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* ForgoneConclusion: History dictates that George Hodel at the very least would not be charged with any murders or crimes involving him on the show.
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* ForgoneConclusion: ForegoneConclusion: History dictates that George Hodel at the very least would not be charged with any murders or crimes involving him on the show.
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* ForgoneConclusion: History dictates that George Hodel at the very least would not be charged with any murders or crimes involving him on the show.
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* ButNotTooBlack: Averted '''hard'''. Fauna can pass as white, but her white classmates lump her in with the other black students, cops lose interest in seeing if "colored boys are bothering her" once she tells them she's mixed race, and is derided by a fully black girl who thinks she fits this trope. Her adoptive mother says she was accused of kidnapping her as a baby by white people, which forced her to pretend she was her nanny at time in public. Given the setting, this may as well be RealityEnsues, if not downright deconstruction of the trope. [[spoiler:It later turns out that Fauna isn't black at all; her mother told the doctors that the father was a "Negro" in order to hide that Fauna was the product of incest.]]
to:
* ButNotTooBlack: Averted '''hard'''. Fauna can pass as white, but her white classmates lump her in with the other black students, cops lose interest in seeing if "colored boys are bothering her" once she tells them she's mixed race, and is derided by a fully black girl who thinks she fits this trope. Her adoptive mother says she was accused of kidnapping her as a baby by white people, which forced her to pretend she was her nanny at time in public. Given the setting, this may as well be RealityEnsues, if not downright deconstruction of the trope. [[spoiler:It later turns out that Fauna isn't black at all; her mother told the doctors that the father was a "Negro" in order to hide that Fauna was the product of incest.]]
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* {{Foil}}: [[spoiler:While Fauna will never have any of the Hodels' wealth, privilege, and social status, she alone from that family will have a meaningful life completely free from George.]]
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Changed line(s) 19 (click to see context) from:
* BasedOnATrueStory: The trailer states it's "inspired by true events". Every episode ends with photos of the real-life people featured in the drama (Fauna, Jimmie Lee, George Hodel, etc.), and also of the Black Dahlia murder, the "John Sowden House", and works by famous artists who were social with Hodel.
to:
* BasedOnATrueStory: The trailer states it's "inspired by true events". Every episode ends with photos of the real-life people featured in the drama (Fauna, Jimmie Lee, George Hodel, etc.), and also of the Black Dahlia murder, the "John Sowden House", and works by famous artists (Dali, Man Ray, Max Ernst) who were social socialized with Hodel.
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* HistoricalDomainCharacter: [[https://en.wikipedia.org/wiki/George_Hill_Hodel George Hill Hodel]], a famous suspect in both the "Black Dahlia" and "Zodiac" cases. Also important in the drama is the historical [[https://en.wikipedia.org/wiki/John_Sowden_House Sowden House]], and works of Surrealist and avant-garde art (Dali, Man Ray, Ernst).
to:
* HistoricalDomainCharacter: [[https://en.wikipedia.org/wiki/George_Hill_Hodel George Hill Hodel]], a famous suspect in both the "Black Dahlia" and "Zodiac" cases. Also important in the drama is the historical [[https://en.wikipedia.org/wiki/John_Sowden_House Sowden House]], and works of Surrealist and avant-garde art (Dali, Man Ray, Ernst).avant-gard art.