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* MetaphoricallyTrue: PlayedWith. After one of Samir's erasures, a fan tells him that "[He] really killed it". Not as much killed, but erased.
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The name drop in "A. Traveler" refers to Dee Deed Ramone of the Ramones rather than the character from this episode.
Changed line(s) 24 (click to see context) from:
* HereWeGoAgain: After Samir wipes himself from existence, Didi stumbles upon J.C. and asks him for pointers, suggesting the whole ordeal will befall her this time. [[spoiler: Though A. Traveler's dialogue in the fourth episode reveals that she died a natural death instead of being erased.]]
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* HereWeGoAgain: After Samir wipes himself from existence, Didi stumbles upon J.C. and asks him for pointers, suggesting the whole ordeal will befall her this time. [[spoiler: Though A. Traveler's dialogue in the fourth episode reveals that she died a natural death instead of being erased.]]
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Changed line(s) 28 (click to see context) from:
* InformedFlaw: Samir's stand-up initially is described as "not funny" by a fellow comedian who tells him he's too heavy-handed about politics. Except that's not that much different from the usual routine of his actor, Kumail Nanjiani, which is usually ''hilarious''. [[ZigZaggedTrope To be fair]], what we see of Samir's act isn't all that impressive, given his stilted delivery and apparent fixation on the Second Amendment.
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* InformedFlaw: Samir's stand-up initially is described as "not funny" by a fellow comedian who tells him he's [[{{Anvilicious}} too heavy-handed about politics.politics]]. Except that's not that much different from the usual routine of his actor, Kumail Nanjiani, which is usually ''hilarious''. [[ZigZaggedTrope To be fair]], what we see of Samir's act isn't all that impressive, given his stilted delivery and apparent fixation on the Second Amendment.
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Changed line(s) 24 (click to see context) from:
* HereWeGoAgain: After Samir wipes himself from existence, Didi stumbles upon J.C. and asks him for pointers, suggesting the whole ordeal will befall her this time.
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* HereWeGoAgain: After Samir wipes himself from existence, Didi stumbles upon J.C. and asks him for pointers, suggesting the whole ordeal will befall her this time. [[spoiler: Though A. Traveler's dialogue in the fourth episode reveals that she died a natural death instead of being erased.]]
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* MicDrop: How Samir's last routine ends as a result of erasing himself.
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Changed line(s) 49 (click to see context) from:
* SnapBack: Once Samir erases himself, everyone else he had erased come back.
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* SnapBack: Once Samir erases himself, everyone else ''else'' he had erased come comes back.
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* SnapBack: Once Samir erases himself, everyone else he had erased come back.
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** Samir only getting laughter from the audience when he engages in personal stories evokes [[Series/TheTwilightZone1985 "Take My Life, Please!"]]
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* AsYouKnow: Some of the dialogue regarding reality being warped sounds like this, with Samir pointing out various consequences rather than simply letting the audience notice them.
* InsaneTrollLogic: Samir's attempts to justify his vanishing people sounds a lot like this--since you can only kill someone who's alive, making someone never be alive ''period'' isn't the same thing, right? J.C. Wheeler later does the same, claiming that murder is only murder if there are "crying moms" to mourn the dead.
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* LouisCypher: A variation. YouTube commenters have noticed that the mysterious J.C. Wheeler, with his love of smoking, brimmed hat, and offers of fame and fortune in exchange for one's soul, is likely an incarnation of the ''vodou'' loa [https://en.wikipedia.org/wiki/Papa_Legba Papa Legba]].
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* LouisCypher: A variation. YouTube [=YouTube=] commenters have noticed that the mysterious J.C. Wheeler, with his love of smoking, brimmed hat, and offers of fame and fortune in exchange for one's soul, is likely an incarnation of the ''vodou'' loa [https://en.[[https://en.wikipedia.org/wiki/Papa_Legba Papa Legba]].
* NothingIsScarier: One of the cornerstones of the episode. Many of the scares come when the camera cuts to where someone was standing or sitting ''seconds'' before Samir said their name...and the space is now empty.
* RippleEffectProofMemory: Even though everyone else in the world completely forgets the people Samir mentions in his routines, he himself doesn't. It's later revealed that J.C. Wheeler doesn't, either--but then, he doesn't exactly seem human.
Changed line(s) 48 (click to see context) from:
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* WritingAroundTrademarks: Didi and Samir measure their success in how many "followers" they get online in general, rather than naming specific sites. It's [[JustifiedTrope justified]] somewhat, in that many sites--from Instagram to Twitter--use the term "follower."
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Changed line(s) 12 (click to see context) from:
* ButterflyOfDoom: Removing people from existence causes Samir's present to change. By removing a drunkard comedian who killed a mother and child in a car accident, the accident never happened. By removing the mentor of his girlfriend, she ends up having a different job and it results in the two never having traveled to Paris.
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* ButNotTooGay: Didi, Samir's friend and comic rival, casually mentions that she's a lesbian ("If I was into guys..."), but beyond a brief moment of [[EatingTheEyeCandy checking Rena out]] at the end of the episode, she doesn't get any opportunities to show it.
* ButterflyOfDoom: Removing people from existence causes Samir's present to change. By removing a drunkard comedian who killed a mother and child in a car accident, the accident never happened. Byremoving erasing Rena's law school mentor, he robs her of the mentor of his girlfriend, chance to finish law school, which in turn makes them much harder up for money, since she ends up having works part-time at a different job and it results in the two never having traveled to Paris.diner.
* ButterflyOfDoom: Removing people from existence causes Samir's present to change. By removing a drunkard comedian who killed a mother and child in a car accident, the accident never happened. By
* JumpingOffTheSlipperySlope: Erasing Didi seems to be this moment for Samir. He clearly debates doing it onstage, but eventually goes for it, and then has a [[HeroicBSOD complete breakdown]] onstage, using his power to eradicate every name he can think of. Then the ending subverts the trope, as he ultimately chooses ''not'' to remove Rena from reality, instead [[HeroicSuicide choosing to delete himself]].
* KillEmAll: Samir's final routine has vibes of this--he starts shouting out names at a breakneck pace, much to the audience's delight. Since every name he mentions means someone vanishes...
* LouisCypher: A variation. YouTube commenters have noticed that the mysterious J.C. Wheeler, with his love of smoking, brimmed hat, and offers of fame and fortune in exchange for one's soul, is likely an incarnation of the ''vodou'' loa [https://en.wikipedia.org/wiki/Papa_Legba Papa Legba]].
* KillEmAll: Samir's final routine has vibes of this--he starts shouting out names at a breakneck pace, much to the audience's delight. Since every name he mentions means someone vanishes...
* LouisCypher: A variation. YouTube commenters have noticed that the mysterious J.C. Wheeler, with his love of smoking, brimmed hat, and offers of fame and fortune in exchange for one's soul, is likely an incarnation of the ''vodou'' loa [https://en.wikipedia.org/wiki/Papa_Legba Papa Legba]].
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* MyGodWhatHaveIDone: When Samir realizes the trickle-down effect of erasing someone important involving his girlfriend.
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* MyGodWhatHaveIDone: When Samir realizes the trickle-down effect of erasing someone important involving his girlfriend.enviously erases Rena's law-school mentor...which means that Rena herself wasn't able to complete her degree and now works in a diner. His reaction to her going on her shift screams this trope.
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* RetGone: What Samir does to people with his routines. All photos disappear of the vanished person whether digital or physical, other characters say they don't know who Samir is talking about, and [[ButterflyOfDoom whatever actions that have effected the other characters have a ripple effect in the world.]]
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* ResetButton: In-Universe. Samir erasing himself means that he never gained the power to eradicate people to begin with, restoring everyone that he took away.
* RetGone: What Samir does to people with his routines. All photos disappear of the vanished person whether digital or physical, other characters say they don't know who Samir is talking about, and [[ButterflyOfDoom whatever actions that haveeffected affected the other characters have a ripple effect in the world.]]]]
* RousseauWasRight: [[ZigzaggedTrope Zigzagged]] throughout the episode. When Samir discovers his power, he's determined to only erase people who "deserve it," like a rival comic who killed a mother and her baby in a drunk driving accident. Then the trope is subverted when envy and paranoia take over, and he begins vanishing people that he sees as a threat, including his girlfriend's law-school mentor and Didi, his chief comic competition. ''Then'' the ending plays it straight, with Samir deciding to use himself as comic fodder rather than hurt anyone else.
* RetGone: What Samir does to people with his routines. All photos disappear of the vanished person whether digital or physical, other characters say they don't know who Samir is talking about, and [[ButterflyOfDoom whatever actions that have
* RousseauWasRight: [[ZigzaggedTrope Zigzagged]] throughout the episode. When Samir discovers his power, he's determined to only erase people who "deserve it," like a rival comic who killed a mother and her baby in a drunk driving accident. Then the trope is subverted when envy and paranoia take over, and he begins vanishing people that he sees as a threat, including his girlfriend's law-school mentor and Didi, his chief comic competition. ''Then'' the ending plays it straight, with Samir deciding to use himself as comic fodder rather than hurt anyone else.
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* TwoferTokenMinority: Didi is a rare ''triple'' minority--a lesbian black woman.
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Samir (Kumail Nanjiani) is a political comedian who never gets a laugh. His fellow comedians chide him for not being "funny" and trying to infuse meaning into his work. Things change when he encounters the comedian J.C. Wheeler (Tracy Morgan) and gives him advice in how to gain the fame and attention he desires, which comes with a dangerous effect.
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Samir (Kumail Nanjiani) (Creator/KumailNanjiani) is a political comedian who never gets a laugh. His fellow comedians chide him for not being "funny" and trying to infuse meaning into his work. Things change when he encounters the comedian J.C. Wheeler (Tracy Morgan) and gives him advice in how to gain the fame and attention he desires, which comes with a dangerous effect.
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Changed line(s) 27 (click to see context) from:
* MagicAIsMagicA: The person Samir uses in his routine only gets him a warm reception (and subsequently erased from ever being) if they have a ''personal'' relation to him. He tries using the president as a setup for one of his acts, but he gets the same blasé reaction from the audience as his political humor. This is also the least he has to do, he can immediately use hecklers for material just by using their names and something about them to spin into a set. It also seems to work ''any'' time he mentions someone on stage, which he seems to realize when he goes on after Didi and urges the audience to keep applauding after mentioning her to keep her from disappearing.
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* MagicAIsMagicA: The person Samir uses in his routine only gets him a warm reception (and subsequently erased from ever being) existence) if they have a ''personal'' relation to him. He tries using the president as a setup for one of his acts, but he gets the same blasé reaction from the audience as his political humor. This is also the least he has to do, he can immediately use hecklers for material just by using their names and something about them to spin into a set. It also seems to work ''any'' time he mentions someone on stage, which he seems to realize when he goes on after Didi and urges the audience to keep applauding after mentioning her to keep her from disappearing.
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Changed line(s) 23 (click to see context) from:
* HeroicSuicide: Essentially what Samir does to himself at the end, undoing his erasing other people earlier.
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* HeroicSuicide: Essentially This is essentially what Samir does to himself at the end, undoing his erasing other people earlier.
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Changed line(s) 12,13 (click to see context) from:
* ButterflyOfDoom: Removing people from existence causes Samir's present to change. By removing an drunkard comedian that killed a mother and child in a car accident, the accident never happened. By removing the mentor of his girlfriend, she ends with a different career and results in the two never having traveled to Paris.
* DealWithTheDevil: Implied after Samir talks to the enigmatic J.C. Wheeler.
* DealWithTheDevil: Implied after Samir talks to the enigmatic J.C. Wheeler.
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* ButterflyOfDoom: Removing people from existence causes Samir's present to change. By removing an a drunkard comedian that who killed a mother and child in a car accident, the accident never happened. By removing the mentor of his girlfriend, she ends with up having a different career job and it results in the two never having traveled to Paris.
* DealWithTheDevil:Implied {{Implied}} after Samir talks to the enigmatic J.C. Wheeler.
* DealWithTheDevil:
* HeroicSuicide: Essentially what Samir does to himself at the end, undoing his erasing other people earlier.
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* HumorDissonance: Invoked and lampshaded; Samir doesn't understand why a fellow humorist accused of murder is popular with the crowd, but his relevant stuff gets ''no'' laughs.
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* HumorDissonance: Invoked {{Invoked}} and lampshaded; {{lampshaded}}; Samir doesn't understand why a fellow humorist accused of murder is popular with the crowd, but his relevant stuff gets ''no'' laughs.
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* MagicAIsMagicA: The person Samir uses in his routine only gets him a warm reception (and subsequently erased from ever being) if they have a ''personal'' relation to him. He tries using the president as a setup for one of his acts, but he gets the same blasé reaction from the audience as his political humor. This is also the least he has to do, he can immediately use hecklers for material just by their names and something about them to spin into a set. It also seems to work ''any'' time he mentions someone on stage, which he seems to realize when he goes on after Didi and urges the audience to keep applauding after mentioning her to keep her from disappearing.
* MyGodWhatHaveIDone: When Samir realizes the trickle down effect of erasing someone important involving his girlfriend.
* MyGodWhatHaveIDone: When Samir realizes the trickle down effect of erasing someone important involving his girlfriend.
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* MagicAIsMagicA: The person Samir uses in his routine only gets him a warm reception (and subsequently erased from ever being) if they have a ''personal'' relation to him. He tries using the president as a setup for one of his acts, but he gets the same blasé reaction from the audience as his political humor. This is also the least he has to do, he can immediately use hecklers for material just by using their names and something about them to spin into a set. It also seems to work ''any'' time he mentions someone on stage, which he seems to realize when he goes on after Didi and urges the audience to keep applauding after mentioning her to keep her from disappearing.
* MyGodWhatHaveIDone: When Samir realizes thetrickle down trickle-down effect of erasing someone important involving his girlfriend.
* MyGodWhatHaveIDone: When Samir realizes the
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** The name "James Embry" is seen on the wall of the green room which the is name of the main character in ''King Nine Will Not Return''. It's also one of the names on Samir's contact list in his phone; other names include Al Denton (the main character of ''Mr. Denton on Doomsday''), Cadwallader (''Escape Clause''), and James Corry (''The Lonely'').
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** The name "James Embry" is seen on the wall of the green room which the is name of the main character in ''King Nine Will Not Return''. It's also one of the names on Samir's contact list in his phone; other names include Al Denton (the main character of ''Mr. Denton on Doomsday''), Cadwallader (''Escape Clause''), and James Corry (''The Lonely'').
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* WhamLine: Just when it seems Samir has [[JumpingOffTheSlipperySlope gone far too far]] and is about to erase Rena, this happens.
--> '''Samir:''' Tonight, I want to talk to you about someone I've known a very long time. Clever. Lovable, in a lot of ways. Someone who you think would be a good person who has a lot to offer the world. Ladies and gentlemen tonight, I want to talk to you about... [[HeroicSacrifice mys]][[SetRightWhatOnceWentWrong elf]].
--> '''Samir:''' Tonight, I want to talk to you about someone I've known a very long time. Clever. Lovable, in a lot of ways. Someone who you think would be a good person who has a lot to offer the world. Ladies and gentlemen tonight, I want to talk to you about... [[HeroicSacrifice mys]][[SetRightWhatOnceWentWrong elf]].
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* WhamLine: Just when it seems Samir has [[JumpingOffTheSlipperySlope gone far much too far]] and is about to erase Rena, this happens.
--> '''Samir:''' Tonight, I want to talk to you about someone I've known a very long time. Clever. Lovable, in a lot of ways. Someone who you think would be a good person who has a lot to offer the world. Ladies and gentlemen tonight, I want to talk to you about...[[HeroicSacrifice [[HeroicSuicide mys]][[SetRightWhatOnceWentWrong elf]].
--> '''Samir:''' Tonight, I want to talk to you about someone I've known a very long time. Clever. Lovable, in a lot of ways. Someone who you think would be a good person who has a lot to offer the world. Ladies and gentlemen tonight, I want to talk to you about...
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* WhamLine: Just when it seems Samir has [[JumpingOffTheSlipperySlope gone far too far]], this happens.
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* WhamLine: Just when it seems Samir has [[JumpingOffTheSlipperySlope gone far too far]], far]] and is about to erase Rena, this happens.
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* BaitAndSwitch: How Samir's final routine begins. Detailed under WhamLine.
Changed line(s) 37 (click to see context) from:
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* WhamLine: Just when it seems Samir has [[JumpingOffTheSlipperySlope gone far too far]], this happens.
--> '''Samir:''' Tonight, I want to talk to you about someone I've known a very long time. Clever. Lovable, in a lot of ways. Someone who you think would be a good person who has a lot to offer the world. Ladies and gentlemen tonight, I want to talk to you about... [[HeroicSacrifice mys]][[SetRightWhatOnceWentWrong elf]].
--> '''Samir:''' Tonight, I want to talk to you about someone I've known a very long time. Clever. Lovable, in a lot of ways. Someone who you think would be a good person who has a lot to offer the world. Ladies and gentlemen tonight, I want to talk to you about... [[HeroicSacrifice mys]][[SetRightWhatOnceWentWrong elf]].
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Changed line(s) 2 (click to see context) from:
[[caption-width-right:350:''"Once you put it out there, they will connect. And once they connect to it, it's theirs. And once it's theirs, that shit is gone forever."'']]
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[[caption-width-right:350:''"Once you put it out there, they will connect. And once they connect to it, it's theirs. And once it's theirs, that shit is gone forever."'']]
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[[caption-width-right:350:''"Are you happy with your life?"'']]
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Changed line(s) 40 (click to see context) from:
->'''Jordan Peele:''' Samir Wassan learned the hard way that sometimes getting everything you want means losing everything you loved, and after finally finding himself on the verge of becoming somebody, he chose instead to once again be a nobody. In the end, Samir's final encore is a show one can only buy a ticket to in the Twilight Zone.
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->'''Jordan Peele:''' Samir Wassan learned the hard way that sometimes getting everything you want means losing everything you loved, and after finally finding himself on the verge of becoming somebody, he chose instead to once again be a nobody. In the end, Samir's final encore is a show one can only buy a ticket to to... in the Twilight Zone.
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Changed line(s) 2,3 (click to see context) from:
[[caption-width-right:350:''"Are you happy with your life?"'']]->'''Jordan Peele''': Samir Wassan is an artist of great principle, a man who refuses to compromise his beliefs for a cheap joke. But tonight, he felt the rush of the limelight for the first time. Now, he'll have to decide what really matters to him when the laughter stops. And how much he's willing to give... to the Twilight Zone.
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[[caption-width-right:350:''"Are you happy with your life?"'']]->'''Jordan life?"'']]
->'''Jordan Peele''': Samir Wassan is an artist of great principle, a man who refuses to compromise his beliefs for a cheap joke. But tonight, he felt the rush of the limelight for the first time. Now, he'll have to decide what really matters to him when the laughter stops. And how much he's willing to give... to the Twilight Zone.
->'''Jordan Peele''': Samir Wassan is an artist of great principle, a man who refuses to compromise his beliefs for a cheap joke. But tonight, he felt the rush of the limelight for the first time. Now, he'll have to decide what really matters to him when the laughter stops. And how much he's willing to give... to the Twilight Zone.
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Deleted line(s) 1,2 (click to see context) :
->'''Jordan Peele''': Samir Wassan is an artist of great principle, a man who refuses to compromise his beliefs for a cheap joke. But tonight, he felt the rush of the limelight for the first time. Now, he'll have to decide what really matters to him when the laughter stops. And how much he's willing to give... to the Twilight Zone.
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[[caption-width-right:350:''"Are you happy with your life?"'']]
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[[caption-width-right:350:''"Are you happy with your life?"'']]life?"'']]->'''Jordan Peele''': Samir Wassan is an artist of great principle, a man who refuses to compromise his beliefs for a cheap joke. But tonight, he felt the rush of the limelight for the first time. Now, he'll have to decide what really matters to him when the laughter stops. And how much he's willing to give... to the Twilight Zone.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/image_1_83.jpg]]
[[caption-width-right:350:''"Are you happy with your life?"'']]
[[caption-width-right:350:''"Are you happy with your life?"'']]
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* InformedFlaw: Samir's stand-up initially is described as "not funny" by a fellow comedian who tells him he's too heavy-handed about politics. Except that's not that much different from the usual routine of his actor, Kumail Nanjiani, which is usually ''hilarious''. [[ZigZaggedTrope To be fair]], what we see of Samir's act isn't all that impressive, given his stilted delivery and apparent fixation on the Second Amendment.
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Changed line(s) 32 (click to see context) from:
* ShoutOut: Samir appearing on the painting of an audience at the end of the episode echoes the end of Film/TheShining.
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* ShoutOut: Samir appearing on the painting of an audience at the end of the episode echoes the end of Film/TheShining. Samir's last routine also mentions a number of people named "Torrance".
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* {{Foreshadowing}}: During the first iteration of his "Second Amendment" bit, Samir points out that 11% might not sound like a lot until one considers what would happen to a plane that only makes it 89% of the way to its destination. The plot of the next episode is all about a plane that may not make it to its destination.
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Changed line(s) 25 (click to see context) from:
** The flashing "Franklin" sign at the bus stop references Franklin Gibbs the unfortunate victim of "The Fever", who was haunted by a slot machine that repeated his name while flashing lights at him.
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** The flashing "Franklin" sign at the bus stop references Franklin Gibbs Gibbs, the unfortunate victim of "The Fever", who was haunted by a slot machine that repeated his name while flashing lights at him.
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Changed line(s) 23 (click to see context) from:
* MythologyGag: The name "James Embry" is seen on the wall of the green room which the is name of the main character in ''King Nine Will Not Return''. It's also one of the names on Samir's contact list in his phone; other names include Al Denton (the main character of ''Mr. Denton on Doomsday''), Cadwallader (''Escape Clause''), and James Corry (''The Lonely'').
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* MythologyGag: MythologyGag:
** The name "James Embry" is seen on the wall of the green room which the is name of the main character in ''King Nine Will Not Return''. It's also one of the names on Samir's contact list in his phone; other names include Al Denton (the main character of ''Mr. Denton on Doomsday''), Cadwallader (''Escape Clause''), and James Corry (''TheLonely'').Lonely'').
** The flashing "Franklin" sign at the bus stop references Franklin Gibbs the unfortunate victim of "The Fever", who was haunted by a slot machine that repeated his name while flashing lights at him.
** Willie the Dummy from "The Dummy" is seen in the background in one shot.
** The name "James Embry" is seen on the wall of the green room which the is name of the main character in ''King Nine Will Not Return''. It's also one of the names on Samir's contact list in his phone; other names include Al Denton (the main character of ''Mr. Denton on Doomsday''), Cadwallader (''Escape Clause''), and James Corry (''The
** The flashing "Franklin" sign at the bus stop references Franklin Gibbs the unfortunate victim of "The Fever", who was haunted by a slot machine that repeated his name while flashing lights at him.
** Willie the Dummy from "The Dummy" is seen in the background in one shot.
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Changed line(s) 21 (click to see context) from:
* MagicAIsMagicA: The person Samir uses in his routine only gets him a warm reception (and subsequently erased from ever being) if they have a ''personal'' relation to him. He tries using the president as a setup for one of his acts, but he gets the same blasé reaction from the audience as his political humor.
to:
* MagicAIsMagicA: The person Samir uses in his routine only gets him a warm reception (and subsequently erased from ever being) if they have a ''personal'' relation to him. He tries using the president as a setup for one of his acts, but he gets the same blasé reaction from the audience as his political humor. This is also the least he has to do, he can immediately use hecklers for material just by their names and something about them to spin into a set. It also seems to work ''any'' time he mentions someone on stage, which he seems to realize when he goes on after Didi and urges the audience to keep applauding after mentioning her to keep her from disappearing.
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Added DiffLines:
* DoesThisRemindYouOfAnything: Some real life comedians have called the episode a very apt metaphor for what the job is really like, and how the second you put someone from your life in your act, the clock is ticking on your relationship with them, as they’ll never again fully be able to trust that anything they say or do won’t suffer a public mocking.