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* WisdomFromTheGutter: Hoakie may be a homeless man who lives near the boy's home and have nothing to his name, but he certainly has common sense. When Amy mourns over her situation and decides [[DrivenToSuicide it's better to be dead]], Hoakie talks her out of it, reminding her that she still has hope and that it would be shameful to throw her life away while she's still young and in love. Amy expresses genuine appreciation towards him for helping her see things in a different light.

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* WisdomFromTheGutter: Hoakie may be a homeless man who lives near the boy's home and have has nothing to his name, but he certainly has common sense. When Amy mourns over her situation and decides [[DrivenToSuicide it's better to be dead]], Hoakie talks her out of it, reminding her that she still has hope and that it would be shameful to throw her life away while she's still young and in love. Amy expresses genuine appreciation towards him for helping her see things in a different light.
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* WisdomFromTheGuttes: Hoakie may be a homeless man who lives near the boy's home and have nothing to his name, but he certainly has sense. When Amy mourns over her situation and decides [[DrivenToSuicide it's better to be dead]], Hoakie talks her out of it. He reminds her that she still has hope and it would be shameful to throw her life away while she's still young and in love. In the least, Amy expresses appreciation towards him for helping her see things in a different light.

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* WisdomFromTheGuttes: WisdomFromTheGutter: Hoakie may be a homeless man who lives near the boy's home and have nothing to his name, but he certainly has common sense. When Amy mourns over her situation and decides [[DrivenToSuicide it's better to be dead]], Hoakie talks her out of it. He reminds it, reminding her that she still has hope and that it would be shameful to throw her life away while she's still young and in love. In the least, Amy expresses genuine appreciation towards him for helping her see things in a different light.
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* WisdomFromTheGuttes: Hoakie may be a homeless man who lives near the boy's home and have nothing to his name, but he certainly has sense. When Amy mourns over her situation and decides [[DrivenToSuicide it's better to be dead]], Hoakie talks her out of it. He reminds her that she still has hope and it would be shameful to throw her life away while she's still young and in love. In the least, Amy expresses appreciation towards him for helping her see things in a different light.
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* HateSink: Mordecai, a maniacal religious fanatic who smacks her daughter around while using Scripture to mold her into his vision of a perfect woman, while also treating Tanner and the other boys as degenerate animals and attempts to kill him for falling in love with his daughter.

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* HateSink: Mordecai, a maniacal religious fanatic who smacks her his daughter around while using Scripture to mold her into his vision of a perfect woman, while also treating Tanner and the other boys as degenerate animals and attempts to kill him for falling in love with his daughter.
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* HomelessHero: Hoakie, an old bum who lives around the boys' home, who works with Amy and Tanner on seperate occasions to ensure that they can escape together.
* IDidWhatIHadToDo: Tanner tells Amy that it he didn't ''want'' to be a pickpocket, but there are such little options for money and food when a young man is living on the streets.

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* HomelessHero: Hoakie, an old bum who lives around the boys' home, who works with Amy and Tanner on seperate separate occasions to ensure that they can escape together.
* IDidWhatIHadToDo: Tanner tells Amy that it he didn't ''want'' to be a pickpocket, but there are such little options for money and food when a young man is living on the streets.



* StarCrossedLovers: Mordecai forbids Amy from ever seeing Tanner again, as he is an inmate of the boys' home of which he's is the superintendent. Amy and Tanner manage to escape Mordecai's grasp by transferring their souls into the bodies of wolves in a younger world, where they're free to live happily ever after.

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* StarCrossedLovers: Mordecai forbids Amy from ever seeing Tanner again, as he is an inmate of the boys' home of which he's he is the superintendent. Amy and Tanner manage to escape Mordecai's grasp by transferring their souls into the bodies of wolves in a younger world, where they're free to live happily ever after.



* AwLookTheyReallyDoLoveEachOther: The Richmans' seperate escapades with the hippie versions of their repsective spouse tests their marriage, as does their overwhelming nostalgia, but once both versions sit down and observe how irritating the other is, Ira and Valerie decide that their lives aren't over, and decide to make the world a better place in their own way.
* {{Bookends}}: The episode can be seen as one for the second season of the 80s remake, as both this one and season premiere "The Once and Future King" focus on a protagonist who is enthusastic about the past, only to get more than what he expected when the past itself confronts him.

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* AwLookTheyReallyDoLoveEachOther: The Richmans' seperate separate escapades with the hippie versions of their repsective respective spouse tests their marriage, as does their overwhelming nostalgia, but once both versions sit down and observe how irritating the other is, Ira and Valerie decide that their lives aren't over, and decide to make the world a better place in their own way.
* {{Bookends}}: The episode can be seen as one for the second season of the 80s remake, as both this one and season premiere "The Once and Future King" focus on a protagonist who is enthusastic enthusiastic about the past, only to get more than what he expected when the past itself confronts him.



* HypocriticalHumor: Once he finds Valerie and his hippie self getting intimate on the couch, Ira argues about how she could do such a thing, even though ''he's'' been doing the exact same with the hippie version of Valerie.

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* HypocriticalHumor: Once he finds Valerie and his hippie self getting intimate on the couch, Ira argues about how she could do such a thing, even though ''he's'' been doing the exact same thing with the hippie version of Valerie.



** Valerie reads noted counterculture book ''Literature/{{Siddhartha}}'' when Ira comes home one night. He sits down to glimpse through it with her, reminiscing on when he though the truth of existence was in the book.

to:

** Valerie reads the noted counterculture book ''Literature/{{Siddhartha}}'' when Ira comes home one night. He sits down to glimpse through it with her, reminiscing on when he though thought the truth of existence itself was in the said book.



* TotallyRadical: The hippie versions of Ira and Valerie inevitably spout out tired 60s slang in their dialogue.

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* TotallyRadical: The hippie versions of Ira and Valerie inevitably spout out tired 60s slang in their dialogue.

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* ShoutOut: There are quite a few 60s references throughout the episode, given its nature. Notably, Hippie!Valerie takes Ira to a double feature of ''Film/{{Woodstock}}'' and ''Film/EasyRider'' at a 60s revival theater during the montage scene.

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* ShoutOut: There are quite a few 60s references throughout the episode, given its nature.
**
Notably, Hippie!Valerie takes Ira to a double feature of ''Film/{{Woodstock}}'' and ''Film/EasyRider'' at a 60s revival theater during the montage scene.
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Added DiffLines:

* {{Bookends}}: The episode can be seen as one for the second season of the 80s remake, as both this one and season premiere "The Once and Future King" focus on a protagonist who is enthusastic about the past, only to get more than what he expected when the past itself confronts him.
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In 1916, Tanner Smith, a young pickpocket housed in the House of Refuge Reformatory for Wayward Boys, seeks the affections of a young lady named Amy Hawkline. During one of their forbidden late-night meetings, Amy and Tanner are caught by Amy's father Mordecai, the superintendent of the home and a religious zealot who intends to mold Amy into his picture of a proper woman. Meeting with the incarcerated Tanner, Amy shows him a book she found, which houses a special ritual that details how, with the help of Amy's special ''I Ching'' pendant, one can release their soul and let it inhabit a better world. Growing fond of the idea, Tanner and Amy plan to use this ritual to escape to another world, but they must do so before Mordecai has Tanner killed.

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In 1916, Tanner Smith, Smith (Peter Kowanko), a young pickpocket housed in the House of Refuge Reformatory for Wayward Boys, seeks the affections of a young lady named Amy Hawkline. Hawkline (Creator/JenniferRubin). During one of their forbidden late-night meetings, Amy and Tanner are caught by Amy's father Mordecai, Mordecai (Creator/RobertsBlossom), the superintendent of the home and a religious zealot who intends to mold Amy into his picture of a proper woman. Meeting with the incarcerated Tanner, Amy shows him a book she found, which houses a special ritual that details how, with the help of Amy's special ''I Ching'' pendant, one can release their soul and let it inhabit a better world. Growing fond of the idea, Tanner and Amy plan to use this ritual to escape to another world, but they must do so before Mordecai has Tanner killed.



Corporate lawyer Ira Richman and his aerobics instructor wife Valerie find that they just can't stop reminiscing about the 1960s, where they were a pair of hippies who drove a van everywhere in the hopes of changing the world through peace and love. As he drives to a meeting one day, Ira spots Valerie's 1960s self frolicking in a park. While he initially thinks her to be dressed in a costume, a phone call to Valerie's work reveals that the woman is another Valerie who manifested from a picture Ira has been carrying around. While he tries to carry on living in the spirit of peace with the younger Valerie, Ira later discovers that Valerie has been doing the same thing with the 1960s version of him, leading to a squabble between the young and the old.

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Corporate lawyer Ira Richman (Creator/JamesWhitmoreJr) and his aerobics instructor wife Valerie (Linda Kelsey) find that they just can't stop reminiscing about the 1960s, where they were a pair of hippies who drove a van everywhere in the hopes of changing the world through peace and love. As he drives to a meeting one day, Ira spots Valerie's 1960s self frolicking in a park. While he initially thinks her to be dressed in a costume, a phone call to Valerie's work reveals that the woman is another Valerie who manifested from a picture Ira has been carrying around. While he tries to carry on living in the spirit of peace with the younger Valerie, Ira later discovers that Valerie has been doing the same thing with the 1960s version of him, leading to a squabble between the young and the old.

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Changed: 1922

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* AbusiveParents: Amy's father Mordecai is an emotionally abusive religious zealot who is determined to use Scripture to turn her into a proper young woman, no matter the cost. He even slaps her after finding her in a passionate embrace with Tanner, an inmate of the boys' home he runs.
* AlternateUniverse: Amy and Tanner are able to transfer their souls into the bodies of a pair of wolves in a parallel universe using the ritual they learn about.
* AntiHero: Tanner, a pickpocket in a boys' home who falls in love with the nice and gentle Amy and seeks to escape with her. It's later revealed that Tanner was only a pickpocket because he had no other way to procure money for food.

to:

* AbusiveParents: Amy's father Mordecai is an emotionally abusive religious zealot who is determined to use Scripture to turn her into a proper young woman, no matter the cost. He even slaps her after finding her in a passionate embrace with Tanner, an inmate of the boys' home he runs.
* AlternateUniverse: Amy and Tanner are able to transfer their souls into the bodies of a pair of wolves in a parallel universe using through the ritual they learn read about.
* AntiHero: Tanner, a pickpocket in a boys' home who falls in love with the nice and gentle Amy and seeks to escape with her. It's later revealed that Tanner later tells Amy that he was only a pickpocket because he had no other way to procure money for food.while he was living on the streets.



* BoardingSchoolOfHorrors: The House of Refuge Reformatory for Wayward Boys. Its superintendent Mordecai beats Tanner severely when he finds him in an embrace with Amy, who he later tells that Tanner and other boys are beasts who must be caged away from decent society. After Tanner tries to kill him when he thinks Amy is dead, Mordecai has his men put him in a cell called "The Hole" and bind him in a full body straitjacket.
* EarnYourHappyEnding: After being smacked around by the abusive Mordecai for their love, Tanner and Amy manage to possess a pair of wolves in another world so they can escape him and be happy together forever.

to:

* BoardingSchoolOfHorrors: The House of Refuge Reformatory for Wayward Boys. Its superintendent Mordecai beats Tanner severely when he finds him in an a passionate embrace with Amy, who he later tells that Tanner and other boys are beasts who must be caged away from decent society. After Tanner tries to kill him when he thinks Amy is dead, Mordecai has his men put him in a cell called "The Hole" and bind him in a full body straitjacket.
* DrivenToSuicide: Amy tells Hoakie through tear-stained eyes that her father's abuse and her threats to kill Tanner have made her crave death.
* EarnYourHappyEnding: After being smacked around by the abusive Mordecai for their "forbidden" love, Tanner and Amy manage to possess a pair of wolves in another world so they can escape him and be happy together forever.



* TheFundamentalist: Mordecai is a fanatical Christian who attempts to force his daughter into becoming his idea of the perfect woman. He also uses Scripture as a justification to try and murder her lover.
* HateSink: Mordecai, a maniacal religious fanatic who smacks her daughter around while using Scripture to mold her into his vision of a perfect woman, while also treating Tanner and the other boys as animals and attempts to kill him for falling in love with his daughter.

to:

* TheFundamentalist: Mordecai is a fanatical Christian who attempts to use Scripture to force his daughter into becoming his idea of the perfect woman. He also uses Scripture woman, as well as a justification to try and murder her lover.
* HateSink: Mordecai, a maniacal religious fanatic who smacks her daughter around while using Scripture to mold her into his vision of a perfect woman, while also treating Tanner and the other boys as degenerate animals and attempts to kill him for falling in love with his daughter.daughter.
* HeroicSacrifice: Hoakie takes a bullet for Tanner and buys him time to join Amy in the alternate world, dying in the process.
* HomelessHero: Hoakie, an old bum who lives around the boys' home, who works with Amy and Tanner on seperate occasions to ensure that they can escape together.
* IDidWhatIHadToDo: Tanner tells Amy that it he didn't ''want'' to be a pickpocket, but there are such little options for money and food when a young man is living on the streets.



* NiceGuy: Hoakie the homeless man, who helps Amy and Tanner escape from Moredcai's clutches, even sacrificing his life so the young lovers can stay together.
* POVCam: The camera briefly cuts to Tanner's point of view as Mordecai wallops him with his cane.



Corporate lawyer Ira Richman and his aerobics instructor wife Valerie find that they just can't stop reminiscing about the 1960s, where they were a pair of hippies who rode a van everywhere in the hopes of changing the world through peace and love. As he drives to a meeting one day, Ira spots Valerie's 1960s self frolicking in a park. While he initially thinks her to be dressed in a costume, a phone call to Valerie's work reveals that the woman is another Valerie who manifested from a picture Ira has been carrying around. While he tries to carry on living in the spirit of peace with the younger Valerie, Ira later discovers that Valerie has been doing the same thing with the 1960s version of him, leading to a squabble between the young and the old.

to:

Corporate lawyer Ira Richman and his aerobics instructor wife Valerie find that they just can't stop reminiscing about the 1960s, where they were a pair of hippies who rode drove a van everywhere in the hopes of changing the world through peace and love. As he drives to a meeting one day, Ira spots Valerie's 1960s self frolicking in a park. While he initially thinks her to be dressed in a costume, a phone call to Valerie's work reveals that the woman is another Valerie who manifested from a picture Ira has been carrying around. While he tries to carry on living in the spirit of peace with the younger Valerie, Ira later discovers that Valerie has been doing the same thing with the 1960s version of him, leading to a squabble between the young and the old.



* AnAesop: Reminiscing about the past is usually enjoyable, but you shouldn't try revolving your whole life around trying to stay in the past or bring it back, since you still have a life to live in the present.
* AwLookTheyReallyDoLoveEachOther: The Richmans' seperate rendezvouses with the hippie versions of their repsective spouse tests their marriage, as does their overwhelming nostalgia, but once both versions sit down and observe how irritating the other is, Ira and Valerie decide that their lives aren't over, and decide to make the world a better place in their own way.

to:

* AnAesop: Reminiscing about the past is usually often enjoyable, but you shouldn't try revolving your whole life around trying to stay in the past or bring it back, since you still have a life to live in the present.
* AwLookTheyReallyDoLoveEachOther: The Richmans' seperate rendezvouses escapades with the hippie versions of their repsective spouse tests their marriage, as does their overwhelming nostalgia, but once both versions sit down and observe how irritating the other is, Ira and Valerie decide that their lives aren't over, and decide to make the world a better place in their own way.



* GranolaGirl: Valerie was the archetypal hippie chick back in the '60s. When her hippie self appears to Ira in 1987, she suggests that they unwind with a little LSD. Although Ira turns down the idea, she takes him to a double bill of ''Easy Rider'' and ''Woodstock'', and later treats him to a meditation session.

to:

* GoodTimesMontage: Ira and Hippie!Valerie engage in a series of nostalgic 60s activities in such a montage, filmed in a psychedelic style with splitscreens and kaleidoscope effects.
* GranolaGirl: Valerie was the archetypal hippie chick back in the '60s. When her hippie 60s self appears to Ira in 1987, she suggests that they unwind with a little LSD. Although Ira turns down the idea, she takes him to a double bill of ''Easy Rider'' ''Film/EasyRider'' and ''Woodstock'', and later treats ''Film/{{Woodstock}}'', then invites him to a meditation session.



* IHatePastMe: Ira is confronted with the hippie version of his wife from the 60s, and spends several days with her engaging in several hippie activities. When he returns home with her, he learns that the present Valerie has been doing the exact same thing with the hippie version of ''him''. As soon as all four are in the same room, the older Ira and Valerie realize that they find their former selves and their mellow attitudes extremely irritating. Ira in particular tells them that they have no idea what ''real'' love is, saying that it's a matter of commitment. After the hippies disappear, Valerie has a hard time believing that they were ever that arrogant, naive, and pompous.

to:

* HypocriticalHumor: Once he finds Valerie and his hippie self getting intimate on the couch, Ira argues about how she could do such a thing, even though ''he's'' been doing the exact same with the hippie version of Valerie.
* IHatePastMe: Ira is confronted with the hippie version of his wife from the 60s, and spends several days with her engaging in several hippie activities. watching 60s movies, handing out flowers, meditating, and playing frisbee. When he Ira returns home with her, he learns that the present Valerie has been doing the exact same thing with the hippie version of ''him''. As soon as all four are in the same room, the older Ira and Valerie realize that they find their former selves and their mellow attitudes extremely irritating. Ira in particular tells them that they have no idea what ''real'' love is, saying that it's a matter of commitment. After the hippies disappear, Valerie has a hard time believing that they were ever that arrogant, naive, and pompous.



* LargeHam: The hippie versions of Ira and Valerie, compared to the less expressive 80s versions.

to:

* JustOneSecondOutOfSync: The first part of the montage features the same scenes through five different angles, each one slightly out of sync after another, as a means of providing a psychedelic feel for the audience.
* LargeHam: The hippie versions of Ira and Valerie, compared to though their 80s selves also get into it near the less expressive 80s versions.end.



* LotusPosition: Ira and Valerie's hippie self are seen at a yoga session during the montage, with many others performing the position. While Hippie!Valerie has no trouble with it, Ira, being out of touch with the art of meditation, struggles to retain the position and falls over.



** The montage itself is filmed with several different splitscreens, similar to the techniques used in ''[[Film/TheThomasCrownAffair1968 The Thomas Crown Affair.]]''

to:

** The montage itself is filmed with several multiple different splitscreens, splitscreens showing the scenes from different perspectives, all of them just out of sync with one another, similar to the techniques used in ''[[Film/TheThomasCrownAffair1968 The Thomas Crown Affair.]]'']]''
** Valerie reads noted counterculture book ''Literature/{{Siddhartha}}'' when Ira comes home one night. He sits down to glimpse through it with her, reminiscing on when he though the truth of existence was in the book.



* TitleDrop: After a romp in the sack, Hippie!Valerie clarifies to Ira that ''she's'' "the girl [[he]] married."



* YourMindMakesItReal: The overwhelming obsession Ira and Valerie share about the 60s prompts their past selves to emerge from photographs and manifest in the real world.



-> "It has been said that the '80s are just the '60s, twenty years later. The costumes may change, but the cast remains: the arrogant, the radical, the naive, and the cynical; the misplaced and the spaced. Each a stage in the growth of a generation, as it treads the tail-end of the twentieth century, on a long journey -- through the Twilight Zone."

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-> "It has been said that the '80s are just the '60s, twenty years later. The costumes may change, but the cast remains: the arrogant, the radical, the naive, and the cynical; the misplaced and the spaced. Each a stage in the growth of a generation, as it treads the tail-end of the twentieth century, on a long journey -- through the Twilight Zone."
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Added DiffLines:

!! Song of the Younger World

-> "Meet Tanner Smith, circa 1916, disciple of a young writer named Jack London. Tanner Smith, now consigned to what is affectionately known by the Bowery Boys as "The Ref", a grim sojourn into solitude, despair, pain, and sooner than he knows, a curious corner -- in The Twilight Zone."

In 1916, Tanner Smith, a young pickpocket housed in the House of Refuge Reformatory for Wayward Boys, seeks the affections of a young lady named Amy Hawkline. During one of their forbidden late-night meetings, Amy and Tanner are caught by Amy's father Mordecai, the superintendent of the home and a religious zealot who intends to mold Amy into his picture of a proper woman. Meeting with the incarcerated Tanner, Amy shows him a book she found, which houses a special ritual that details how, with the help of Amy's special ''I Ching'' pendant, one can release their soul and let it inhabit a better world. Growing fond of the idea, Tanner and Amy plan to use this ritual to escape to another world, but they must do so before Mordecai has Tanner killed.

[[folder:Tropes]]
* AbusiveParents: Amy's father Mordecai is an emotionally abusive religious zealot who is determined to use Scripture to turn her into a proper young woman, no matter the cost. He even slaps her after finding her in a passionate embrace with Tanner, an inmate of the boys' home he runs.
* AlternateUniverse: Amy and Tanner are able to transfer their souls into the bodies of a pair of wolves in a parallel universe using the ritual they learn about.
* AntiHero: Tanner, a pickpocket in a boys' home who falls in love with the nice and gentle Amy and seeks to escape with her. It's later revealed that Tanner was only a pickpocket because he had no other way to procure money for food.
* AstralProjection: Tanner and Amy use the ''I Ching'' to transfer their souls into a pair of wolves in a younger world, so they can be freed of the abusive Mordecai forever.
* TheBardOnBoard: The episode is based on ''Theatre/RomeoAndJuliet'', as it involves a pair of teenagers with different backgrounds who fall madly in love over the objections of Mordecai. Amy uses the ''I Ching'' to make her soul leave her body and take possession of a wolf in an alternate universe. As she appears dead, Tanner is devastated and assumes that she committed suicide because of her father. Unlike Friar Laurence's messenger in the play, however, Hoakie manages to tell Tanner that Amy is still alive. Tanner then uses the same spell to transfer his own soul to the younger world before Mordecai can kill him.
* BoardingSchoolOfHorrors: The House of Refuge Reformatory for Wayward Boys. Its superintendent Mordecai beats Tanner severely when he finds him in an embrace with Amy, who he later tells that Tanner and other boys are beasts who must be caged away from decent society. After Tanner tries to kill him when he thinks Amy is dead, Mordecai has his men put him in a cell called "The Hole" and bind him in a full body straitjacket.
* EarnYourHappyEnding: After being smacked around by the abusive Mordecai for their love, Tanner and Amy manage to possess a pair of wolves in another world so they can escape him and be happy together forever.
* FiveFingerDiscount: Tanner was forced to pick people's pockets so he could use their money for food. As a result, he was sent to the boys' home Mordecai runs.
* TheFundamentalist: Mordecai is a fanatical Christian who attempts to force his daughter into becoming his idea of the perfect woman. He also uses Scripture as a justification to try and murder her lover.
* HateSink: Mordecai, a maniacal religious fanatic who smacks her daughter around while using Scripture to mold her into his vision of a perfect woman, while also treating Tanner and the other boys as animals and attempts to kill him for falling in love with his daughter.
* LoveAtFirstSight: Amy and Tanner fall madly in love immediately after their first meeting, which involved only a very brief conversation.
* MurderIsTheBestSolution: Mordecai threatens to arrange for Tanner to be killed if Amy ever sees him again. He later tries to shoot him in cold blood. Although he is unsuccessful in doing this, he kills Hoakie, who tried to stop him, without a second thought.
* StarCrossedLovers: Mordecai forbids Amy from ever seeing Tanner again, as he is an inmate of the boys' home of which he's is the superintendent. Amy and Tanner manage to escape Mordecai's grasp by transferring their souls into the bodies of wolves in a younger world, where they're free to live happily ever after.
* WholePlotReference: As mentioned above, one to ''Theatre/RomeoAndJuliet''.
[[/folder]]
-> "A song of the younger world. A tale told on wintery nights when the moon is full, of living with wolves and learning to howl, of love that transcends worldly pain, and running free -- in the Twilight Zone."
-----

!! The Girl I Married

Corporate lawyer Ira Richman and his aerobics instructor wife Valerie find that they just can't stop reminiscing about the 1960s, where they were a pair of hippies who rode a van everywhere in the hopes of changing the world through peace and love. As he drives to a meeting one day, Ira spots Valerie's 1960s self frolicking in a park. While he initially thinks her to be dressed in a costume, a phone call to Valerie's work reveals that the woman is another Valerie who manifested from a picture Ira has been carrying around. While he tries to carry on living in the spirit of peace with the younger Valerie, Ira later discovers that Valerie has been doing the same thing with the 1960s version of him, leading to a squabble between the young and the old.

[[folder:Tropes]]
* AnAesop: Reminiscing about the past is usually enjoyable, but you shouldn't try revolving your whole life around trying to stay in the past or bring it back, since you still have a life to live in the present.
* AwLookTheyReallyDoLoveEachOther: The Richmans' seperate rendezvouses with the hippie versions of their repsective spouse tests their marriage, as does their overwhelming nostalgia, but once both versions sit down and observe how irritating the other is, Ira and Valerie decide that their lives aren't over, and decide to make the world a better place in their own way.
* BreatherEpisode: The previous episode was a gripping tale of romance and tragedy, but this one mellows the audience out again with a married couple who come across rather irritating hippie versions of themselves.
* FutureMeScaresMe: Ira and Valerie are visited by the spirits of their '60s hippie selves in 1987. The younger counterparts are ''very'' disturbed that their older selves have become corporate sellouts, thinking that they betrayed their ideals of peace, love, and brotherhood to make money. Hippie!Valerie tells the older Ira that she thinks he's a "stone drag", reminding him that they used to laugh at people like him, while Hippie!Ira thinks that they've wasted their lives.
* GranolaGirl: Valerie was the archetypal hippie chick back in the '60s. When her hippie self appears to Ira in 1987, she suggests that they unwind with a little LSD. Although Ira turns down the idea, she takes him to a double bill of ''Easy Rider'' and ''Woodstock'', and later treats him to a meditation session.
* HippieVan: Valerie and Ira reminisce about when they were hippies back in the 1960s, where they drove such a van all around the country in the means of changing the world by spreading peace and love.
* IHatePastMe: Ira is confronted with the hippie version of his wife from the 60s, and spends several days with her engaging in several hippie activities. When he returns home with her, he learns that the present Valerie has been doing the exact same thing with the hippie version of ''him''. As soon as all four are in the same room, the older Ira and Valerie realize that they find their former selves and their mellow attitudes extremely irritating. Ira in particular tells them that they have no idea what ''real'' love is, saying that it's a matter of commitment. After the hippies disappear, Valerie has a hard time believing that they were ever that arrogant, naive, and pompous.
* IWasQuiteAFashionVictim: Valerie is embarrassed by the photograph of her as a hippie that Ira carries around with him, thinking that she looks like a bag lady.
* LargeHam: The hippie versions of Ira and Valerie, compared to the less expressive 80s versions.
* LighterAndSofter: The peaceful hippie aesthetic of the episode allows for the viewers to just relax and unwind. When it's not being peaceful, the hippie versions of Ira and Valerie provide for a bit of good comedy.
* NostalgiaFilter: Ira and Valerie grow concerned that they've sold out and abandoned the dreams and ideals that they had as hippies. Each of them wish that the other was still the person that they married, but after they are visited by the spirits of their hippie selves, they realize that they ''still'' love each other and their lives are far from over... that, and they also find their younger selves more than a little irritating. Although they have matured from wielding peace signs, dropping LSD, and driving around in a van, Ira and Valerie still want to make the world a better place, content to do it in their own way.
* ShoutOut: There are quite a few 60s references throughout the episode, given its nature. Notably, Hippie!Valerie takes Ira to a double feature of ''Film/{{Woodstock}}'' and ''Film/EasyRider'' at a 60s revival theater during the montage scene.
** The montage itself is filmed with several different splitscreens, similar to the techniques used in ''[[Film/TheThomasCrownAffair1968 The Thomas Crown Affair.]]''
* StrangeMindsThinkAlike: Ira discovers the hippie version of Valerie in the park and sneaks out of the house to do 60s activities with her behind the modern Valerie's back. We learn towards the end of the episode that Valerie had been doing the exact same thing with the hippie version of Ira.
* TakeThat: As she tires of having the 60s version of Ira around, Valerie remarks that his dialogue is starting to sound like something out of a rerun of ''Series/TheModSquad''.
* TotallyRadical: The hippie versions of Ira and Valerie inevitably spout out tired 60s slang in their dialogue.
[[/folder]]
-> "It has been said that the '80s are just the '60s, twenty years later. The costumes may change, but the cast remains: the arrogant, the radical, the naive, and the cynical; the misplaced and the spaced. Each a stage in the growth of a generation, as it treads the tail-end of the twentieth century, on a long journey -- through the Twilight Zone."
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